Birds’ Heads, Romaine Lettuce, and the Art of Reading a Haggadah
A persistent question arises with every illustrated Haggadah, whether a fourteenth-century Sephardic manuscript or a mid-twentieth-century Maxwell House edition: what function do these images serve? Are they merely decorative, do they provide commentary, or do they serve as documentary evidence of ritual practice? Furthermore, when these images draw from the visual culture of the surrounding non-Jewish world, as is often the case, does such borrowing diminish their Jewish character, or does it indicate a more complex dynamic? These questions are…