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The 1526 Prague Haggadah and its Illustrations

The 1526 Prague Haggadah and its Illustrations

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This piece was originally printed in Ami Magazine’s Kunteres 9 Nisan 5777 – April 5, 2017 The topic perhaps most written about in Jewish literature is the Haggadah shel Pesach. There are many kinds in many languages and with all kinds of pirushim and pictures. Whatever style one can think of, not one but many Haggados have been written—be it on derush, kabbalah, halachah, mussar or chassidus. There are people who specialize in collecting Haggados, even though they don’t regularly…

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Passover with Apostates: A Concert in Spain and a Seder in the Middle of the Ocean by Elie Wiesel (1957)

Passover with Apostates: A Concert in Spain and a Seder in the Middle of the Ocean by Elie Wiesel (1957)

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Forverts (22 April 1957) [Yiddish] [Translated into English by Shaul Seidler-Feller (2018)] If someone says to you that Passover is the festival of redemption not only of a nation but of each individual, believe him; If someone explains to you that a Jew remains a Jew deep at heart, despite the masks he is often forced to wear, do not doubt him; If someone tells you that, no matter what a Jew does, he will remain a living legacy of…

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Afikoman – “Stealing“ and Other Related Minhagim

Afikoman – “Stealing“ and Other Related Minhagim

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One of the most exciting parts of Seder night for kids is the “stealing” of the afikoman. Children plan well in advance when the best time would be for them to steal it, where they will hide it, as well as what they should ask for in exchange for it. Not surprisingly, toy stores do incredibly good business both during Chol Hamoed and in the days following Pesach because of this minhag. In this article I would like to trace…

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Everything is Illuminated: Mining the Art of Illustrated Haggadah Manuscripts for Meaning

Everything is Illuminated: Mining the Art of Illustrated Haggadah Manuscripts for Meaning

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We have discussed haggadah illustrations in the past (see the links at the end of this post) and we wanted to expand and update upon that discussion for this year. In this post we focus on Hebrew illuminated haggadah manuscripts, and in the follow-up post will turn our attention to printed illustrated haggadot. While there is not as large of a body of Jewish art as that of art in general, historically Jews have appreciated the visual arts early in…

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R. Elazar Fleckeles’s Haggadah Maaseh BR’ Elazar

R. Elazar Fleckeles’s Haggadah Maaseh BR’ Elazar

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In the past I wrote: Perhaps the topic which has engendered the most commentary in Jewish literature is the Haggadah shel Pesach. There are all kinds, in all languages, and with all types of commentary, pictures, etc. Whatever style one can think of, not one, but many Haggadahs have been written. So, whether it’s derush, kabbalah, halakha, mussar or chassidus there are plenty of Haggadahs out there. Then, there are people who specialize in collecting haggadahs although they do not…

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New book announcement: Professor David Henshke’s work on the Seder Night

New book announcement: Professor David Henshke’s work on the Seder Night

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דוד הנקשה, מה נשתנה: ליל הפסח בתלמודם של חכמים, מגנס, 626 עמודים I am very happy to announce the publication of an important work (in time for Pesach) which I have been eagerly awaiting; Professor David Henshke of the Talmud Department at Bar Ilan University’s long awaited volume, Ma Nishtanah: Leil HaPesach BiTalmudam shel Chachamim. The book was printed by Magnes Press. Why am I excited about this work? A few years ago I wrote: Perhaps the topic which has…

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The Gematriya Haggadah

The Gematriya Haggadah

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I try to buy a new Haggadah every year to make sure I have something new to say. It is especially important at my stage in life when grandchildren will remind you if you use last year’s Dvar Torah. This year’s Haggadah was definitely in the category of “מה נשתנה ההגדה הזאת מכל ההגדות”. It’s name is ״כוס ישועות״ and it was printed on the Isle of Djerba, Tunisia in 1947. It’s author was Rabbi David Cohen (also known as…

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Borders, Breasts, and Bibliography

Borders, Breasts, and Bibliography

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Dan Rabinowitz has provided us which a characteristically learned pre-Passover post on the Prague 1526 Haggadah, specifically concerning the illustrations on its borders, and from those borders continues on to the always contentious subject of breasts, a bare set (or rather, two bare sets) of which he claims may be found on the title page of that edition. Indeed, on both the right and left borders of the title page may be found rather curious figures with non-human faces but…

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The Cup for the Visitor: What lies behind the Kos Shel Eliyahu?

The Cup for the Visitor: What lies behind the Kos Shel Eliyahu?

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In this post I would like to deal with tracing the early sources for the Kos Shel Eliyahu. A version of this article was printed last year in Ami Magazine (# 65). This post contains a few corrections and additions to that version. A much more expanded version of this article will appear in Hebrew shortly (IY”H). One of the memorable parts of the seder night is during Shefoch Chamascha when we open the door for Eliyahu Hanavi to come…

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A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

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The Prague 1526 edition of the Haggadah is one of the most important illustrated haggadot ever published. It is perhaps the earliest printed illustrated haggadah for a Jewish audience and served as a model for many subsequent illustrated haggadot. The earliest printed haggadah with illustration was published in 1512 in Latin and for a non-Jewish audience. That haggadah contains six woodcuts, and was intended as a response to the infamous anti-Semite Pfefferkorn’s screeds against Judaism. The woodcut accompanying the first…

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Halakhah and Haggadah – Manuscript Illustrations and their Halakhic and Customary Significance

Halakhah and Haggadah – Manuscript Illustrations and their Halakhic and Customary Significance

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This post is part of a series of posts regarding illustrations adorning manuscript and print Haggadot. Our first post dealt with a new work on the topic and can be viewed here. In this post we will focus upon the some of the Halachik implications of these illustrations. In many Ashkenazic manuscripts, the Passover illustrations begin chronologically earlier than the Seder. Many begin with the preparation of the matzah. For example, in the Second Nuremberg Haggadah , (the manuscript is…

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The Pesach Drasha of the Rokeach

The Pesach Drasha of the Rokeach

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way of introduction, in the Shulchan Aruch it is written that thirty days before Pesach one should learn the halachos of Pesach. As Pesach is fast approaching, it is appropriate to discuss anew a post from five years ago, of which this is an update. Every once in a while we are privileged to have the venerable printing house Mekizei Nirdamim release something special from the great rishonim (aside from their great journal Kovetz Al Yad). Five years ago they…

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Seforim Blog Pesach Roundup

Seforim Blog Pesach Roundup

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Here’s a roundup of Pesach and Haggadah-themed posts at the Seforim Blog. I. Racy Title Pages Update II 12.01.2005. Discusses the title page of the Prague Haggadah of 1526. This particular Haggadah used an illustration of a nude woman in the Haggadah’s quotation of Ezekiel 16:7 (“I cause you to increase, even as the growth of the field. And you did increase and grow up, and you became beautiful: you breasts grew, and your hair has grown; yet you were…

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The Date of the Exodus: A Guide to the Orthodox Perplexed

The Date of the Exodus: A Guide to the Orthodox Perplexed

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A pdf of this post can be downloaded here, or viewed here.The Exodus is arguably the fundamental event of our religion. The Sabbath is premised upon it, as are many of the other commandments and holidays. Yet if one would ask a typical observant Jew “in what century did this Exodus occur?,” most would respond with a puzzled look. The purpose of this article is to rectify this situation. Admittedly, the date of the Exodus and the identity of the…

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