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Category: Book Illustrations & Art

A Short Note Regarding an Illustrated Title Page and A Possible Unicum

A Short Note Regarding an Illustrated Title Page and A Possible Unicum

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There are a series of books, Seder ha-haʻarakhah ve-haHanhagah, that record the tax law and taxes paid by the Mantuan community and were published in Mantua. The taxes were calculated by communally elected assessment formulators. The taxes were used to support the entire communal infrastructure, including the administration of communal organizations and funds for the poor. As today, each person would provide an accounting of their funds reducing their taxable income based upon recognized deductions and certain exempted property. The…

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The 1526 Prague Haggadah and its Illustrations

The 1526 Prague Haggadah and its Illustrations

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This piece was originally printed in Ami Magazine’s Kunteres 9 Nisan 5777 – April 5, 2017 The topic perhaps most written about in Jewish literature is the Haggadah shel Pesach. There are many kinds in many languages and with all kinds of pirushim and pictures. Whatever style one can think of, not one but many Haggados have been written—be it on derush, kabbalah, halachah, mussar or chassidus. There are people who specialize in collecting Haggados, even though they don’t regularly…

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The Strange Shape of the Marcheshet Pan

The Strange Shape of the Marcheshet Pan

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“The underlying basis of our work is that pictures are an organic part of the commentary, and it possible that Rashi even allowed himself to limit his explanatory words when a picture was available to the reader. This is in the sense of “a picture is worth a thousand words”. The picture is an integral part of the written book, no less important than the words.” Dr Ezra Chwat Department of Manuscripts, National Library of Israel Giluy Milta B’Almah Blog…

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Everything is Illuminated: Mining the Art of Illustrated Haggadah Manuscripts for Meaning

Everything is Illuminated: Mining the Art of Illustrated Haggadah Manuscripts for Meaning

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We have discussed haggadah illustrations in the past (see the links at the end of this post) and we wanted to expand and update upon that discussion for this year. In this post we focus on Hebrew illuminated haggadah manuscripts, and in the follow-up post will turn our attention to printed illustrated haggadot. While there is not as large of a body of Jewish art as that of art in general, historically Jews have appreciated the visual arts early in…

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Aaron the Jewish Bishop

Aaron the Jewish Bishop

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The exodus from Egypt was led by Moses and Aaron. Moses, however, does not appear in the Passover haggadah (with one exception that is likely a later interpolation). Aaron does make two appearances in the hallel section. That said, in numerous illuminated haggadahs, from the medieval period to present, both appear in illustrated form. Additionally, in printed haggadot, most notably the 1609 Venice haggadah, one of the seminal illustrated haggadot, Moses and Aaron appear on the decorative border. Generally, conclusively…

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An Obscure Diagram in the Bomberg Shas

An Obscure Diagram in the Bomberg Shas

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AUCTION 65: JUNE 25TH, 2015 LOT: 111 (TALMUD, BABYLONIAN). Masechta Sotah. With commentaries by Rashi, Tosaphoth, Maimonides and Rabbeinu Asher. FIRST BOMBERG EDITION .. ……Vinograd, Venice 27; Habermann, Bomberg 22. Daniel Bomberg, Venice: 1520. This Tractate contains the only appearance of a printed text illustration throughout the entire Talmud issued by Bomberg (see f. 43r). The reference to ( see f.43r ) indicates that this singular printed diagram in the Bomberg Shas appears on Daf 43A in Sotah. It is…

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Borders, Breasts, and Bibliography

Borders, Breasts, and Bibliography

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Dan Rabinowitz has provided us which a characteristically learned pre-Passover post on the Prague 1526 Haggadah, specifically concerning the illustrations on its borders, and from those borders continues on to the always contentious subject of breasts, a bare set (or rather, two bare sets) of which he claims may be found on the title page of that edition. Indeed, on both the right and left borders of the title page may be found rather curious figures with non-human faces but…

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A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

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The Prague 1526 edition of the Haggadah is one of the most important illustrated haggadot ever published. It is perhaps the earliest printed illustrated haggadah for a Jewish audience and served as a model for many subsequent illustrated haggadot. The earliest printed haggadah with illustration was published in 1512 in Latin and for a non-Jewish audience. That haggadah contains six woodcuts, and was intended as a response to the infamous anti-Semite Pfefferkorn’s screeds against Judaism. The woodcut accompanying the first…

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Halakhah and Haggadah – Manuscript Illustrations and their Halakhic and Customary Significance

Halakhah and Haggadah – Manuscript Illustrations and their Halakhic and Customary Significance

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This post is part of a series of posts regarding illustrations adorning manuscript and print Haggadot. Our first post dealt with a new work on the topic and can be viewed here. In this post we will focus upon the some of the Halachik implications of these illustrations. In many Ashkenazic manuscripts, the Passover illustrations begin chronologically earlier than the Seder. Many begin with the preparation of the matzah. For example, in the Second Nuremberg Haggadah , (the manuscript is…

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A review of Marc Michael Epstein’s The Medieval Haggadah, Narrative & Religious Imagination

A review of Marc Michael Epstein’s The Medieval Haggadah, Narrative & Religious Imagination

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Marc Michael Epstein, The Medieval Haggadah, Art, Narrative & Religious Imagination, Yale University Press, New Haven & London: 2011, 12, 324 pp. Most discussions regarding the Haggadah begin with the tired canard that the Haggadah is one of the most popular books in Jewish literature, if not the most popular, and has been treasured as such throughout the centuries. Over sixty years ago, Isaac Rivkin noted that as a matter of fact, only since the 19th century has the Haggadah…

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A Picture is Worth a Thousand Questions – Part II

A Picture is Worth a Thousand Questions – Part II

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The classic Vilna Shas, published by the firm of the Widow and Brothers Romm, was completed during the years 1880-86. It was the most complete and accurate edition of the Talmud printed until that time, containing many new Peirushim and using new sources to ensure the accuracy of text. This fact was not lost on the chief editor Shmuel Shraga Feiginsohn as he states in the famous Achris Davar at the end of Maseches Nidah. “We did not print a…

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Modesty and Piety: Improving on the Past

Modesty and Piety: Improving on the Past

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The well known “coat of arms” of the priestly Rapaport family first appeared as a colophon at the end of Avraham Menachem Rapa of Porto’s Mincha Belulah (Verona, 1594), fol. 207b, readily at HebrewBooks.org (here). Instead of a motto, a banner proclaimed the author’s name above and below the shield which featured a pair of hands raised in priestly benediction in the upper half, while below was depicted a crow (Rabe in German) on a branch, a reference to the…

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A Picture is Worth a Thousand Questions

A Picture is Worth a Thousand Questions

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Authors note: I would like to thank Dr. Peggy Pearlstein and Sharon Horowitz of the Library of Congress for their help in allowing me to assemble the various printed editions of the Talmud that I used in this article Amongst all the difficult tractates of the Talmud, Eruvin stands head and shoulders above most. The Gemara tries to describe in words what would normally take a picture to understand. Thankfully, our printed editions of Eruvin contain many diagrams, in the…

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Non-Jewish Iconography in Hebrew Books

Non-Jewish Iconography in Hebrew Books

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As we have discussed on numerous occasions, Hebrew books contain a fair amount of non-Jewish iconography and imagery that is of non-Jewish origin. See, for example, here, here, here and here. Of course, Marvin Heller’s article on Mars and Minerva appearing on Hebrew title pages, Marvin Heller, “Mars and Minerva on the Hebrew Title-Page,” in Papers of the Bibliographical Society of America, 98:3, Sept. 2004, reprinted in Heller’s collected articles Studies in the Making of the Early Hebrew Book (which…

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