And having driven out the man, He stationed at the east of the Garden of Eden the Cherubim and the flame of the ever-turning sword, to guard the way to the Tree of Life (Genesis 3:24). You shall make two Cherubim of gold—hammered out shall you make them—from both ends of the cover. You shall make one cherub from the end at one side and one Cherub from the end at the other; from the cover shall you make the…
A persistent question arises with every illustrated Haggadah, whether a fourteenth-century Sephardic manuscript or a mid-twentieth-century Maxwell House edition: what function do these images serve? Are they merely decorative, do they provide commentary, or do they serve as documentary evidence of ritual practice? Furthermore, when these images draw from the visual culture of the surrounding non-Jewish world, as is often the case, does such borrowing diminish their Jewish character, or does it indicate a more complex dynamic? These questions are…
“For form is only the manifestation, the shape of content.” Ben Shahn, The Shape of Content, p. 72 Genesis chapter 11 presents the narrative of the Tower of Babel, detailing how, contrary to the divine directive to disperse and populate the earth, the descendants of the flood’s survivors congregated in a single city and commenced construction of a substantial tower. God intervened to prevent further cooperation among them by disrupting their shared language, thereby introducing linguistic diversity, which ultimately ceased…
Today, the Ten Commandments or Decalogue are among the most prominently featured symbols associated with Judaism. The Decalogue is represented by two tablets, generally connected and rounded at the top. This representation occupies a central place within synagogue architecture, often displayed on the exterior or interior of the edifices and frequently above the ark itself, which is regarded as the most sacred element within the building. However, it is noteworthy that these practices only began to emerge in the 16th…
There is a long tradition of illustrating Haggados, dating back to at least the early Middle Ages. Likely only a small portion of those manuscripts has survived. However, most have been reprinted, and their imagery has been meticulously analyzed and cataloged. These manuscripts can broadly be divided into two categories based on their places of origin: Sephardic or Ashkenazic countries. The former includes the creation cycle and the Exodus story prior to the Haggadah text, while the latter incorporates the…
Rachel Manekin is Professor Emerita of Jewish Studies at the University of Maryland. Her area of specialization is the social, political, and cultural history of Galician Jewry. She is the author of The Jews of Galicia and the Austrian Constitution: The Beginning of Modern Jewish Politics (Zalman Shazar Center for Jewish History, 2015, Hebrew), and most recently, The Rebellion of the Daughters: Jewish Women Runaways in Habsburg Galicia (Jerusalem: Magnes Press, 2024; Hebrew). Her previous essay at The Seforim Blog…
Taj Art Auctions will hold its 13th auction this Sunday, April 7th (the catalog is available here). The auction contains many items worth highlighting, especially those related to historic Jewish libraries, as well as other unique books and ephemera. Recently, arguably, the most significant Jewish library reopened its doors. The National Library of Israel, housed at Hebrew University for decades, moved into its own building, designed by the starchitects Herzog & de Meuron, who count the Tate Modern among other…
Among the more interesting aspects of the history of Haggados, is the inclusion of illustrations. This practice dates back to the Medieval period and, with the introduction of printing, was incorporated into that medium. Marc Michael Epstein’s excellent book regarding four seminal Haggadah manuscripts, The Medieval Haggadah: Art, Narrative & Religious Imagination, was reviewed here, and a number of those illustrations, were analyzed in “Everything is Illuminated: Mining the Art of IllustratedHaggadah Manuscripts for Meaning.” Epstein edited and wrote an…
The menorah is one of the most recognizable Jewish symbols. Today it has been adopted by the State of Israel as her official symbol, and throughout history there are numerous examples of its use. Coins, headstones, paintings and synagogue walls etchings, lamps, mosaics, manuscripts, and books, all provide examples of the widespread usage and mediums. Many of these examples have been addressed by scholars, but there is a lacuna regarding the depiction of the menorah in the Hebrew book. Despite…
This post is is l’zecher nishmas my uncle and rebbe, Rabbi Sam Genauer ZT”L whose yahrtzeit is the second day of Av. Rabbi Genauer was a talmid of Rabbi Moshe Soloveichik at RIETS. מסכת סוכה ד׳ עמוד א׳ The maximum height of a Sukkah is twenty Amot. The Gemara discusses a situation where the Sukkah is slightly more than twenty Amot high and one builds a raised platform inside the Sukkah. היתה גבוהה מעשרים אמה ובנה בה איצטבא כנגד דופן…
(with invaluable assistance and inspiration from Menachem Butler and Sharon Liberman Mintz) Among the precious items recently offered by Sotheby’s at its auction of important Judaica (December 17, 2020) was a richly illustrated miniature book of prayers written and illustrated by Nathan ben Samson of Meseritch, 1728 (here). Nestled among the spectacular illustrations and prayers reflecting all aspects of life we find the page below: This largely forgotten prayer recited upon seeing one recently recovered from illness derives from the…
‘s personal collection, and the rest are courtesy of the internet.) One of the earliest examples of Jewish art are the biblical paintings at the Dura Europos Synagogue, completed in 244-5 C.E. Among those images is that of Jacob’s dream. The importance of the Dura Europos iconography in the development of Jewish art is hard to overestimate. “The iconographic formulas, seen for the first time in the Dura synagogue would recur both in Jewish art and Christian art, in widely…
Legacy Judaica’s fall auction is next week, September 13, and we wanted to highlight some bibliographical historica. Lot 95 is Elbona shel Torah, (Berlin, 1929), by R. Shmuel Shraga Feigneshon, known as Safan ha-Sofer. He helmed the operations of the Romm Press in Vilna. During his 55-year tenure, he oversaw the publication of the monumental Vilna Shas, among numerous other canonical works that became the model for all subsequent editions. He wrote a history of the press which first appeared…
לזכר נשמת אבי מורי ר׳ יעקב קאפל בר׳ משה יהודה הלוי גענויער ז״ל. היארצייט שלו י״ד סיון. For those studying Daf Yomi this week, there is a unique diagram that appears on Shabbat 98b. In the Vilna Shas one can see a closeup “picture” of one of the boards of the Mishkan (“קרש”) which would make Artscroll proud. While one might be familiar with diagrams that appear in the Talmud, those diagrams illustrate comments in the rishonim, mainly Rashi. Most…
Fish are a symbol replete with meaning, among them, in Judaism, representing fertility and good luck, albeit that fish are not an image that, for most, quickly comes to mind when considering Jewish iconography. Created on the fifth day of creation, fish symbolize fruitfulness, and, as Dr. Joseph Lowin informs, the month of Adar on the Hebrew calendar (February-March, Pisces) is considered “a lucky month for the Jews (mazal dagim).” He adds that in Eastern Europe people named sons Fishl…