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Tag: Censorship

Another Case of Historical Censorship at Volozhin or Simply Poor Research?

Another Case of Historical Censorship at Volozhin or Simply Poor Research?

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One of the more important sources for the history relating to the famed Volozhin Yeshiva is Moshe Shmuel v’Doro, by R. Moshe Shmuel Shapiro (Shmukler), which is is full of important material on this yeshiva and the related personalities. R. Schapiro also published a monograph on the founder of the Yeshiva, R. Chaim of Volozhin. This work, Toldot Rabbenu Chaim Volozhin, was first published in 1909 in Vilna, republished a year later in Vilna and then published twice in Israel,…

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The Vilna Gaon’s Talmud

The Vilna Gaon’s Talmud

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Mississippi Fred McDowell, has posted re: the Vilna Gaon’s Yerushalmi edition. However, I would like to discuss which edition of the Bavli the Vilna Gaon had. This is a rather important especially in light of the numerous emendations to the text the Vilna Gaon made. As when one is amending something it is important to know what exactly they have amended. Every morning Birkat HaShahar are recited. Among these blessings are three anomalous ones. These there, as opposed to the…

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An Example of Women & Learning Removed from the Bavli?

An Example of Women & Learning Removed from the Bavli?

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There is what appears at first glance to be a technical passage (although some may find it of interest on its own) in the Talmud dealing with the issue of which types of impurity bars one from Torah study. The Talmud states “הזבים והמצורעים ובעולי נדות קורין בתורה ושונין מדרש הלכות והגדות ובעלי קרי אסור בכולן” “A zav, a metzorah, boli niddot, are permitted to read from the Torah, study Midrash, Laws, and ‘agadot, however a ba’al keri can study…

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Hatikvah, Shir HaMa’alot, & Censorship

Hatikvah, Shir HaMa’alot, & Censorship

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There is a rather interesting teshuva which appears in R. Avrohom Weinfeld’s Lev Avrohom. In it he discusses whether one can recite Shir HaMa’alot to the tune of Hatikvah. He first explains that this question involves the question of whether a tune from an impure source is appropriate to use. He begins by discussing the two well-known teshuvot (the Teshuvot haBakh and the Krach shel Romi) dealing with using non-Jewish tunes for Jewish songs. However, without getting into all of…

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Censored Texts – Website

Censored Texts – Website

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There is an interesting post, in Hebrew, on Hydepark, which has a list of censored texts. Although the list is not complete, (for more examples see my article in the latest issue of Hakirah), it still is rather good. There are also numerous other gems on the site for those that take the time.

Racy Title Pages Update II

Racy Title Pages Update II

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While I do not intend to focus solely on racy title pages, I do have a futher update to my previous posts I, II. It appears that the title page used in the Levush (Prauge, 1590) was actually a recycled page. It was first used in the Prague 1526 Haggada. Now aside from this page, which we have seen is objectionable to some today, there were other objectionable illustrations in this edition. Yerushalmi in his Haggadah and History, notes that…

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Racy Title Pages Updated

Racy Title Pages Updated

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As I had previously noted, many older seforim include what may be deemed objectionable by today’s standards. I had mentioned how one book had attempted to rectify this, the new edition of the Levush. In this edition the title pages from some early editions of the Levush are included in the introdoction, however the title pages has been “touched up.” Now that I have learned how to include images, I present both the original and the touched up version. Although,…

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Biography of Gedolim

Biography of Gedolim

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Long before Making of a Godol there was another book that contained terrific stories of Gedolim. These stories are especially refreshing in that they give a “human” look at gedolim. This book was originally published in Yiddish and subsequently portions were translated into Hebrew. The book written by Ya’akov Mark, (1857-1929) is titled Gedolim fun Unzer Tziet (or the great ones of our time). This book was first published in New York in 1927 and included a picture of the…

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Differences btwn the “Improved” Making of a Godol and the Original

Differences btwn the “Improved” Making of a Godol and the Original

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As previously mentioned at the Seforim blog, Rabbi Nathan Kamenetsky’s Making of a Godol has been reprinted in an “improved” edition. In the new edition there are a few significant changes, which appear to have been done to appease those that originally banned the original. It is fairly easy to find these changes with the help of the index in the “improved” edition. Here are some of the highlights of these changes: First Edition (“FE”) – Also like my father,…

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“Improved” Making of a Godol

“Improved” Making of a Godol

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R. Nathan Kamenetsky has republished the first volume of his book, “Making of a Godol.” This new edition is labeled “Improved Edition.” The reasons for the improvements are well-known. The original edition was placed under a ban due to perceived slights in the honor of certain Gedolim. In this new edition, there is a helpful index which shows what exactly has been improved upon. According to the index only one story has been removed in it’s entirety. That story, in…

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New Book Censored

New Book Censored

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R. Elijah haBahur’s Sefer haTishbi has just been republished. The Sefer haTishbi is a dictionary devoted to words that do not appear in R. Nathan of Rome’s Orukh. This particular reprint contains many important additions. It contains Solomon Buber’s biography on R. Elijah as well as an extensive introduction on the various editions and the importance of the Sefer haTishbi. Furthermore, it contains several commentaries, some published for the first time. It contains the commentary of R. Menhem Shmuel Hirschtik,…

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Racy Title Pages

Racy Title Pages

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Printing was started by non-Jews, however, Jews quickly entered the printing business. However, at times, Jews “borrowed” from non-Jews sources with some interesting repercussions. Early on many of the Jewish books borrowed title pages from non-Jewish works. This was so, as early title pages utilized woodcuts, which were rather expensive to make. In an effort to cut costs, printers would reuse these woodcuts from other books. Soncino in his early Talmuds as well as in other books used the title…

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