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Sefer: Rylands Haggadah

Birds’ Heads, Romaine Lettuce, and the Art of Reading a Haggadah

Birds’ Heads, Romaine Lettuce, and the Art of Reading a Haggadah

Birds’ Heads, Romaine Lettuce, and the Art of Reading a Haggadah A persistent question arises with every illustrated Haggadah, whether a fourteenth-century Sephardic manuscript or a mid-twentieth-century Maxwell House edition: what function do these images serve? Are they merely decorative, do they provide commentary, or do they serve as documentary evidence of ritual practice? Furthermore, when these images draw from the visual culture of the surrounding non-Jewish world, as is often the case, does such borrowing diminish their Jewish character,…

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A review of Marc Michael Epstein’s The Medieval Haggadah, Narrative & Religious Imagination

A review of Marc Michael Epstein’s The Medieval Haggadah, Narrative & Religious Imagination

Marc Michael Epstein, The Medieval Haggadah, Art, Narrative & Religious Imagination, Yale University Press, New Haven & London: 2011, 12, 324 pp. Most discussions regarding the Haggadah begin with the tired canard that the Haggadah is one of the most popular books in Jewish literature, if not the most popular, and has been treasured as such throughout the centuries. Over sixty years ago, Isaac Rivkin noted that as a matter of fact, only since the 19th century has the Haggadah…

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