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Category: Book Illustrations & Art

Review: The Schechter Haggadah: Art, History, and Commentary

Review: The Schechter Haggadah: Art, History, and Commentary

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Rabbi Elli Fischer is a freelance translator living in Modiin, Israel. He maintains the “On the Contrary:Judasim with Comments Enabled ” blog. This is his second contribution to the Seforim blog. Given the thousands of haggadot that have been published over the years, and the dozens of new ones published each year, it is not easy for any single haggadah to separate itself from the others on the market. As a result, some new haggadot provide unique commentary, others contain…

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Elliott Horowitz responds to David Kaufmann on Bugs Bunny

Elliott Horowitz responds to David Kaufmann on Bugs Bunny

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has written a letter to The Forward, available below to readers of the Seforim blog. (It has not yet appeared in The Forward.) As noted in the letter below, Prof. Elliott Horowitz has written two articles on the very question that Kaufmann discusses. See his “Odd Couples: The Eagle and the Hare, the Lion and the Unicorn” Jewish Studies Quarterly 11:3 (August 2004): 243-258, and “The People of the Image,” The New Republic 223:13 (September 25, 2000): 41-49. This is…

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Haggadah and the Mingling of the Sexes

Haggadah and the Mingling of the Sexes

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I have previously attempted to highlight some of the intricacies and history of illustration in haggadahs. While many of the illustrations which appear in the haggadah are directly related to the text of the haggadah, some also pre-date the haggadah and seder service. That is, although searching for hametz (leaven) happens the night prior to the seder service many times an illustration of cleaning out the hametz and, in turn, searching for it, appears in many haggadahs. Another such illustration…

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Akedah, Art, and Illustrations in Hebrew Books

Akedah, Art, and Illustrations in Hebrew Books

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The Akedah (binding of Isaac) is a very popular theme in the arts. It appears in music, most recently (from a decidedly Christian perspective), the critically acclaimed indie musician Sufjan Steven’s who has the song Abraham (on his Seven Swans CD). In the visual arts, numerous representations of the Akedah can be found, from Rembrandt to Chagall. Some of the earliest Jewish art also contains the Akedah. In both the Dura_Europos Synagogue and the Beth-Alpha Synagogue there are depictions of…

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Separate Beds More on Illustrated Haggadot

Separate Beds More on Illustrated Haggadot

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As part of the hagadah there is an extensive discussion where various verses are discussed in depth. One of the verses, Devarim 26:7, says that “God heard our pain” (וירא את ענינו), this is interpreted in the hagadah as refraining from martial relations. In the Venice 1629 edition of the hagadah this is illustrated by having husband and wife sleeping in separate beds. [As you can also see, for some reason the text of this edition has two yuds in…

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Racy Title Pages Update II

Racy Title Pages Update II

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While I do not intend to focus solely on racy title pages, I do have a futher update to my previous posts I, II. It appears that the title page used in the Levush (Prauge, 1590) was actually a recycled page. It was first used in the Prague 1526 Haggada. Now aside from this page, which we have seen is objectionable to some today, there were other objectionable illustrations in this edition. Yerushalmi in his Haggadah and History, notes that…

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Racy Title Pages Updated

Racy Title Pages Updated

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As I had previously noted, many older seforim include what may be deemed objectionable by today’s standards. I had mentioned how one book had attempted to rectify this, the new edition of the Levush. In this edition the title pages from some early editions of the Levush are included in the introdoction, however the title pages has been “touched up.” Now that I have learned how to include images, I present both the original and the touched up version. Although,…

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Racy Title Pages

Racy Title Pages

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Printing was started by non-Jews, however, Jews quickly entered the printing business. However, at times, Jews “borrowed” from non-Jews sources with some interesting repercussions. Early on many of the Jewish books borrowed title pages from non-Jewish works. This was so, as early title pages utilized woodcuts, which were rather expensive to make. In an effort to cut costs, printers would reuse these woodcuts from other books. Soncino in his early Talmuds as well as in other books used the title…

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