All are aware of the proliferation of Haggadahs. Every year more and more are published thus making it difficult to know which versions are worthwhile. Thus, in this post I intend to focus on a listing a small bibliographical list of seforim relating to the Haggadah that are, in my mind, some of the most important ones. In light of the fact I am going to select a few Haggadahs from the many, a caveat of sorts is in order….
Every once in a while we are privileged to have the venerable printing house Mikezei Nerdamim release something special from the great rishonim (aside from their great journal Kovetz Al Yad). Last year they published the drasha of R. Eliezer Rokeach for Pesach edited by Professor Simcha Emanuel. In this post I would like to discuss some of the many things of interest in the work and also comment on the great job of Simcha Emanuel did in general with…
I have previously attempted to highlight some of the intricacies and history of illustration in haggadahs. While many of the illustrations which appear in the haggadah are directly related to the text of the haggadah, some also pre-date the haggadah and seder service. That is, although searching for hametz (leaven) happens the night prior to the seder service many times an illustration of cleaning out the hametz and, in turn, searching for it, appears in many haggadahs. Another such illustration…
Perhaps the topic which has engendered the most commentary in Jewish literature is the Haggadah shel Pesach. There are all kinds, in all languages, and with all types of commentary, pictures, etc. Whatever style one can think of, not one, but many Haggadahs have been written. So, whether it’s derush, kabbalah, halakha, mussar or chassidus there are plenty of Haggadahs out there. Then, there are people who specialize in collecting haggadahs although they do not regularly collect seforim. In almost…
Two journals have put out special collections devoted to Pesach. The first, Moriah, has continued their holiday specific journals and collected their third volume of articles devoted to Pesach. Yeshurun, for the first time has also collected choice articles related to a specific holiday and published a volume devoted to Pesach as well. Yeshurun’s effort, being their first, is the focus of this post. This volume is much smaller than their typical volumes. Usually, each volume of Yeshurun is huge…
Many of the haggadot that we have mentioned previously as well as many other interesting ones are available for free in there entirety at the JNUL’s site here. All you need is a printer (just make sure to switch to landscape printing for the double paged ones) and you too can have a copy of 1482 haggadah, 1526 Prague haggdah (first fully illustrated haggadah), Venice Ladino haggadah, 1833 English translation, or the 1844 haggadah printed in Calcutta, India to name…
One of the most beautifully done haggadot is that of the Amsterdam, 1695. This haggadah for the first time used copperplate instead of woodcuts to produce the illustrations. Consequently, the illustrations are sharper and more intricate. The illustrator, Avrohom bar Ya’akov mimispchto shel Avrohom avenu, as is apparent from his name, was a convert. Before converting he was a preacher. His edition of the haggadah was special not only for the copperplate and the illustrations, but for a specific illustration,…
As part of the hagadah there is an extensive discussion where various verses are discussed in depth. One of the verses, Devarim 26:7, says that “God heard our pain” (וירא את ענינו), this is interpreted in the hagadah as refraining from martial relations. In the Venice 1629 edition of the hagadah this is illustrated by having husband and wife sleeping in separate beds. [As you can also see, for some reason the text of this edition has two yuds in…
Two other Pesach issues. First, as we are discussing haggadas, if people have favorites or others they feel are worthwhile letting others know about please comment. Second, as this blog is ostensibly about seforim and over Pesach we read Shir HaShirim I figured we could have a contest. While others concentrate on more important things, Shir HaShirim, to my knowledge has the greatest concentration of names of seforim in any book in the bible. So the contest is – who…
Also, if you haven’t already seen it Menachem Mendal has a very interesting post about using oat matzo for pessach. He also has a great post on another story assumed to be of Jewish origin which is not (the story of the two brothers and the temple mount). Also one hopes that Mississippi Fred McDowell will post on his excellent site English Hebraica, on the early haggadas printed with English or in England. Finally, although not directly related to pesach,…
The Prague haggadah is filled with fascinating and important illustrations. As we have seen previously, the Prague haggadah contained nudes, which when appropriated later were removed. This included in the haggadah context as well as in other works. Aside from these illustrations, there is an illustration of Abraham when God takes him “from the other side of the river.” In the Prague haggadah we have Abraham in a row boat. However, when this was appropriated in the Mantau, 1560 haggadah,…
I hope to have a few posts in the coming days discussing some of the artwork found in various haggdah. While for hundreds of years artwork played an integral part of the haggadah recently this has fell into disuse. While there are few notable exceptions to this, Raskin, Moss Haggadahs, this practice of richly illustrating the haggdah has been replaced with a focus on commentaries. One of the reasons, however, the practice of illustrating the haggadah, can be found in…
While I do not intend to focus solely on racy title pages, I do have a futher update to my previous posts I, II. It appears that the title page used in the Levush (Prauge, 1590) was actually a recycled page. It was first used in the Prague 1526 Haggada. Now aside from this page, which we have seen is objectionable to some today, there were other objectionable illustrations in this edition. Yerushalmi in his Haggadah and History, notes that…