Torah & Rationalism – Writings of the Gaon Rabbenu Aaron Chaim HaLevi Zimmerman zt”l

Torah & Rationalism – Writings of the Gaon Rabbenu Aaron Chaim HaLevi Zimmerman zt”l

Torah & Rationalism – Writings of the Gaon Rabbenu Aaron Chaim HaLevi Zimmerman zt”l (Feldheim 2020, 216pp.)* Ovadya Hoffman Deviating from conventional book reviews I shall not enter into a discussion of the author – R. Chaim Zimmerman’s genius, schooling, breathtaking erudition, oeuvre, philosophies or his broader Weltanschauung. I leave that for the biographers, that is, if any will take up the challenge.[1] Nor does this survey qualify as a comprehensive book review as I will explain later on.  First,…

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Book Announcement: Volume Five of Amudim beToldot haSefer haIvri

Book Announcement: Volume Five of Amudim beToldot haSefer haIvri

Book Announcement: Volume Five of Amudim beToldot haSefer haIvri By Eliezer Brodt I am very happy to announce the recent publication (and Sale) of an important work, which will be of great interest to readers of the Seforim Blog, the fifth volume of, Amudim be-Toldot ha-Sefer ha-Ivri by Professor Yaakov Shmuel Spiegel, of Bar-Ilan University’s Talmud department. As I have written in the past, Professor Spiegel is one of the most prolific writers in the Jewish academic scene, authoring of over…

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“Did The Bach Really Draw a Cow?” Eruvin 20 b – Hagahot HaBach on Rashi “הא אתמר עלה”

“Did The Bach Really Draw a Cow?” Eruvin 20 b – Hagahot HaBach on Rashi “הא אתמר עלה”

“Did The Bach Really Draw a Cow?” Eruvin 20 b – Hagahot HaBach on Rashi “הא אתמר עלה” Eli Genauer Summary The diagram in the first edition of the Bach (1824) is much more accurate than how it is depicted in later editions, especially the Vilna Shas. The Bach’s picture features a long feeding trough, (an אבוס), whereas Vilna and others show it looking more like something attached to the animal. The Zhitomir Shas compounds the error by leaving out…

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R. Ahron Soloveichik: “In Defense of My Brother”

R. Ahron Soloveichik: “In Defense of My Brother”

R. Ahron Soloveichik: “In Defense of My Brother” Marc B. Shapiro In his recent post here Professor Shnayer Leiman showed how almost magically, things from the past, thought to be lost, can be brought back to life as it were. I recently had the same experience. In my Torah in Motion class a couple of weeks ago (see here) I was discussing the Jewish Observer “eulogy” for R. Joseph B. Soloveitchik. I mentioned R. Moshe Tendler’s strong response in the…

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Response to Criticism, Part 3

Response to Criticism, Part 3

Response to Criticism, Part 3 Marc B. Shapiro Continued from here. Let me continue with Rabbi Herschel Grossman’s review. [1] This post will complete my response to around a quarter of his review, so we still have a long way to go. Grossman writes (p. 42) According to Shapiro, “Maimonides would be surprised that . . . later generations of Jews . . . latched onto his earlier work;” and it “is certainly one of the great ironies of Jewish history that…

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In Praise of Ephemera: A Picture Postcard from Vilna Reveals its Secrets More than One Hundred Years after its Original Publication

In Praise of Ephemera: A Picture Postcard from Vilna Reveals its Secrets More than One Hundred Years after its Original Publication

In Praise of Ephemera: A Picture Postcard from Vilna Reveals its Secrets More than One Hundred Years after its Original Publication* by Shnayer Leiman I belong to a small group of inveterate collectors of Jewish ephemera. We collect artifacts that many others consider of little or no significance, such as postage stamps; coins and medallions; old posters, broadsides, and newspaper clippings; outdated New Years cards; wine-stained Passover Haggadot; Jewish ornaments, objects (e.g., Chanukkah dreidels) and artwork of a previous generation;…

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