Abraham Menahem ben Jacob ha-Kohen Rapa mi-Porto (Rapaport) Ashkenazi: A Renaissance Rabbi of Interest[1]

by Marvin J. Heller

R. Abraham Menahem ben Jacob ha-Kohen Rapa mi-Porto (Rapaport) is a sixteenth century rabbi of particular interest. An intriguing, eclectic, and erudite figure, his life encompasses events that effected mid-century Jewry, recorded in his work. His books, two only published, are varied and unusual, one due to its subject matter, cryptography, the other a response to the banning of the Talmud and, as a result, turning from study of that work to Kabballah. His Minhah Belulah attempting a returning to more traditional studies by providing a Torah commentary based on Midrashim.

“From His right hand He presented the fiery Torah to them” (Deuteronomy 33:2). “The Torah is compared to fire, when a man comes too close, he is burned, when too distant he is cold, so too the Torah . . . this also alludes to the great destruction our eyes have witnessed, due to our many iniquities” (Minhah Belulah on Deuteronomy 33:2)

R. Abraham Menahem ben Jacob ha-Kohen Rapa mi-Porto (Rapaport, 1520 – 1596) Ashkenazi is an intriguing, eclectic, erudite figure. He is primarily remembered today for his Minhah Belulah, a commentary on the Torah based on Midrashim and his remarks in that work on the burning of the Talmud in 1553.[2] The Minhah Belulah, certainly worthy of our consideration, eclipses Abraham Menahem’s other accomplishments, which are multifaceted and also deserving of attention. This article addresses the Minhah Belulah but is also intended to draw attention to R. Abraham Menahem’s other books and activities.

A member of the Porto family which came to Italy from Lublin, Abraham Menahem was born in Porto in the vicinity of Verona. The family name Rapa stems from the German (Rappe in Middle High German), for raven. Rappoport is a combination of the Rapa, with Porto, done to distinguish this branch of the family from other Rapa branches, a fact alluded to in the introduction to the Minhah Belulah. At a young age Abraham Menahem went to Venice where he studied secular as well as rabbinic subjects, particularly medicine; his wide scholarship being evident from his works, particularly his Torah commentary, Minhah Belulah (Verona, 1594).

His teachers included R. Elijah Levita (Bahur, c. 1468-1549) the renowned Hebrew philologist and Vittore (Victor) Trincavella (1496-1568) with whom he studied medicine, this in addition to his traditional Talmudic studies.[3] Subsequently, prior to accepting a rabbinic position, Abraham Menahem worked in Venice as a proofreader and editor for the Bragadin press; many of the books he edited have introductions or verse from him. Among the books that he worked on was Maimonides’ (Rambam) Mishnah Torah, that resulted in the controversy leading to the burning of the Talmud.[4] He would subsequently serve as rabbi in Cremona and Verona.[5] In the latter, where he officiated from 1584 to 1592, Abraham Menahem also headed a highly regarded yeshiva.

In addition to the Minhah Belulah, Abraham Menahem wrote and/or is credited with several other works, most still in manuscript, among them commentaries on several books of the Bible and Avot. I. T. Eisenstadt and S. Wiener ascribe another Torah commentary to Abraham Menahem, Soles Belulah, but there is no record of any such work by him. Soles Belulah is also noted, most briefly, by R. Hayyim Joseph David Azulai (Hida, 1724-1806).[6] Moritz Steinschneider (1816-1907) also refers to such a book, the entry in his catalogue of the Bodleian Library stating: “excerpta in Bibliis Rabb,” dating it (1724-27). Steinschneider also references other bibliographies where it is mentioned.[7] Ma’amar’al Mezi’ut ha-Shedim, unpublished, on the existence of devils, is also credited to Abraham Menahem by several bibliographers, among them Eisenstadt and S. Wiener and Israel Zinberg, the latter writing that “A special work about spirits and evil ones was written by the well-known Menahem Kohen Porto” but without specifying the title of the work.[8] In addition to these books, Abraham Menahem wrote responsa, unpublished excepting one entitled Dagim, printed in R. Isaac Hezkiah ben Samuel Lampronti’s (1679-1756) Paḥad Yitzhak.[9] Another responsum credited to Abraham Menahem concerns the wearing of tefillin during hol ha-Moed, reported as being in Teshuvot R. Abraham Menahem Porto ha-Kohen, sect. 163.[10]

Abraham Menahem was among those who prohibited reading the Me’or Einayim (Mantua, 1573) of Azariah de Rossi (c. 1511 – c. 1578). Me’or Einayim (Enlightenment of the eyes) was the most controversial Hebrew book of the sixteenth century. A series of historical essays, de Rossi was motivated to write it by an earthquake that began on November 18, 1571, in Ferrara, destroying his residence, much of the city, but not its ten synagogues, with 200 people perishing in one night. In Me’or Einayim, de Rossi describes the earthquake, and addresses classical and scientific reasons for the disaster. A conversation with a Christian resulted in Azariah translating the Apocryphal, Letter of Aristeas, into Hebrew (Hadrat Zekenim), and in the third part of Me’or Einayim attention is directed to Philo, and other Jewish authors no longer widely read, asserting that the former utilized the Greek Septuagint rather than the Hebrew Bible. De Rossi suggests that Midrashic literature should not be understood literally and questions Talmudic chronology. The resulting herem (ban), stated that “no person of any congregation . . . may have this composition in their possession, either in whole or in part, or study it, unless each individual shall have first obtained permission in writing from the sages of their city.”[11]

Abraham Menahem, despite not having actually seen the Me’or Einayim, not only presented the herem to his congregation but, in a sermon, admonished them to not be led astray by a heretical book that, in contrast to its name, Me’or Einayim, actually “darkens the sight and undermines the foundations of Judaism.” Furthermore, in a letter to R. Menahem de Fano, Abraham Menahem indicates that although he has not yet seen Me’or Einayim he is aware from personal conversations with de Rossi that de Rossi “rejects the Jewish mode of reckoning time.”[12] Subsequently, however, after R. David Provencal and R. Judah Moscato, both rabbis in Mantua, permitted Me’or Einayim to be read, Abraham Menahem retracted his position.[13] Abraham Menahem also signed takkanot (prohibitions) forbidding gambling (1573) and infringing on moneylending franchises held by fellow Jews.[14]

As noted above, the earliest published work, attributed to Abraham Menahem in bibliographies and Encyclopedias, with the exception of Eisenstadt, who attributes it to another Menahem, is Zafenat Pane’ah on cryptography, with a cipher-code of his own invention. Steischneider described Zafenat Pane’ah as “Revelator arcanorum De Cryptographia {w³1433. Rof. Diz., lib. Stmp. P60. 8. en. 1556. 4289:3.[15]

Abraham Menahem spent two years preparing Zafenat Pane’ah. In the absence of the place of publication, locations such as Venice (Steinschneider), Ferrara (BenJacob), and Sabbioneta (Sonne) have been suggested. Avraham Yaari, following Sonne, records Zafenat Pane’ah as a Sabbioneta imprint, including it among the books published by the Foa press in that location.[16] The National Library of Israel records Zafenat Pane’ah, giving the location as Sabbioneta but also notes Riva as a possible place of publication.[17] Zafenat Pane’ah was reprinted twice, in Venice [1620] and in Prague, no date.[18]

The title-page, perchance intentionally cryptic, does not identify the publisher, place of printing, or author, although the latter is evident from the text. Zafenat Pane’ah was published as a small booklet, described as either a duodecimo (12⁰) or an octavo (8⁰🙂 consisting of [6ff]. The title, Zafenat Pane’ah, is from, “And Pharaoh called Joseph’s name Zafenat Pane’ah” (Genesis 41:45), which Rashi explains as, “he who reveals hidden things.” As stated on the title-page, the purpose of the book is to enable one may to write a letter to a friend so that all who see it will not understand it.

The text of the title-page, which as noted above, lacks the date and place of publication, as well as having no ornamentation, states,

“See, this is new!” (Ecclesiastes 1:10); “In a levelled way” (cf. Jeremiah 18:15); “that they should do according to every man’s pleasure” (Esther 1:8); to write letters to one’s companion as a sealed book that will not be intelligible to those who see it. Even if alien eyes peruse the writing, in this manner it will be a great marvel, that tens of thousands of men all together should write in this way, that one should not understand the thinking of his companion. Even if “all go to one place” (Ecclesiastes 3:20) and hew from one quarry, something impossible to be heard and from intelligence withheld. If not after searching this page, confirming its great benefit as “your eyes uphold righteousness” (cf. Psalms 17:2).

1555, Zafenat Pane’ah
Courtesy of the National Library of Israel

The title-page is followed by Abraham Menahem’s lengthy effusive dedication to his uncle, R. Jacob Mugil, in which he also discusses the need for and value of cryptography, concluding with the date Tuesday, 15 October, 1555, Venice, signed Menahem of Porto. Next is a brief introduction in which the rules of encryption are discussed. He writes that there should be a sign between the writer and the recipient, whether in Hebrew, Ashkenaz, or whichever language the writer chooses, and it does not matter if the signs are numerous or few in number. “‘One who does much sacrifice and one who does less, as long as’ (Berakhot 5a, 17b) he places one letter with another as I will explain.” After some brief instructions on spacing Abraham Menahem signs his name as Menahem ben Jacob ha-Kohen from Porto.

Abraham Menahem’s name follows given in a bold, brief statement referring to the coding of his name, and, also in bold letters, the verse “If you had not plowed with my heifer, you would not have found out my riddle,” (Judges 14:18 ) This is followed by an example, in which Porto’s name appears as Menahem bar Jacob ha-Kohen mi-Porto, followed by the verse. His name is then spelled out over the verse as an encryption example. The text follows, discussing the subject of cryptography.

1555, Zafenat Pane’ah
Courtesy of the Jewish Theological Seminary

Turning to the Minhah Belulah, the work for which Abraham Menahem is best known, that work, a commentary on the Torah, based on Midrashim, was published in Verona (1594) as a quarto (4⁰: [3], 208, [1] ff.).[19] His motivation in writing the Minhah Belulah was the lack of Talmudic tractates. This resulted from the dispute between the Bragadin and Giustiniani presses over their editions of the Mishnah Torah, as noted above, which culminated in the burning of the Talmud, this based on a papal bull, dated August 22, 1553, ordering the confiscation and burning of the Babylonian and Jerusalem Talmuds and prohibiting their possession. Among the results was a decline in Talmudic and midrashic studies and a turn to kabbalistic works. The Minhah Belulah is an attempt to achieve something of a balance in such studies under prohibitive conditions.

1594, Minhah Belulah
Courtesy of The Library of Agudas Chassidei Chabad Ohel Yosef Yitzhak

The title, Minhah Belulah, is from the phrase minhah belulah (a meal offering mixed) במנחה בלולה, which appears in seven verses in the Torah, three in Leviticus, four in Numbers, albeit with different prefatory letters.[20] The title-pages states that it is,

Minhah Belulah

A commentary on the Hamishah Homshei Torah, prepared and written by the complete sage R. Abraham Menahem ben R. Jacob Kohen Rapa mi-Porto. The author explains there in detail many Midrashim and straight forward explanations augmenting them with interpretations of his own in a language that is clear and straightforward so that when one rests on the Sabbath, festivals, and appointed times from all his exertions he will peruse it and find in it great value “according to each man’s pleasure” (Esther 1:8) and according to his abilities.

Printed here in the capital city of Verona at the press of Messer Francesco dalle Donne

Beginning of the work was on Monday, the fifth day of the month of Iyar in the year “Rejoice שמחו (354=1594, April 15, 1594) with Jerusalem, and be glad with her, all you who love her [all you who mourn for her].” (Isaiah 66:10). May the Lord in His mercy grant us the merit to publish many books, and save us from errors and show us wonders, great and numerous “to the lawgivers of Israel” (Judges 5:9) “and a redeemer will come to Israel” (Isaiah 59:20) and so may He do. Amen.

In the domain of the rulers of Venice, may their majesty be exalted higher and higher. Amen

In the year of our lord the Duke Pasquale Cigona, may he be exalted, higher and higher Amen.

As noted above, Abraham Menahem varies the manner in which he gives his name. This is most evident in the Minhah Belulah, for as Hida observes, Abraham Menahem gives his name on the title-page of the Minhah Belulah as Rapa mi-Porto and at the end as bar Jacob ha-Kohen Rapa mi-Porto. Afterwards, Abraham Menahem writes it as R. Abraham ha-Kohen mi-Porto. Hida then comments that a source for these variaitions stems from one place, for he saw the Maharikh (R. Isaac Ha-Kohen Rapoport), author of Batei Kehunah (I, Izmir, 1741, II, Salonica 1744) that for Ashkenaz he signed his name as Isaac ha-Kohen Rapa Port from the seed of the priesthood in Lublin. Hida adds that he saw his father’s name who signed as Judah ha-Kohen Ashkenazi.[21]

The title-page informs that the publisher of the Minhah Belulah was Francesco Dalle Donne, an Italian printer whose primary business was Italian not Hebrew books. Active from 1592 into the seventeenth century, Dalle Donne was the first printer to publish books with Hebrew type in Verona, publishing the latter for about three years only, and then issuing less than ten titles, the majority in Yiddish, two only in Hebrew, the Minhah Belulah and the Midrash Tanhuma. Jews were prohibited from owning print-shops during the Counter-Reformation, from the mid-sixteenth century, so the presses publishing Hebrew books in Italy in this period belonged to non-Jews. The involvement of Christian printers, in this case Dalle Donne, with the Hebrew book market was not uncommon.[22]

Christian printers published Hebrew books in association with Jewish partners. The relationship between Christian printers and their Jewish partners was mutually beneficial. For the Christian publisher “the Hebrew books sector, being unique, was attractive to investors, being more limited and not so wildly competitive as the Italian book sector.”[23] In addition to the non-Jew’s access to the Jewish book market, the Jewish associate was not only able to publish Hebrew books, but he also gained access to the typographical material of his Christian partner. The latter, for example, frequently provided attractive frames to the former after having used them for his market and the Jewish partner also utilized the printer’s pressmark and other ornamentation. This was of value to the Jewish partner as he did not have to go the expense of having decorative material prepared, at a relatively much greater expense as it would be utilized for a much smaller market. This despite the fact that the frames were often incompatible with traditional Jewish sensibilities.[24]

The Dalle Donne press employed Abraham Bath-Sheba to print the Minhah Belulah. Abraham Bath-Sheba was the son of Sabbatai Mattathias Bath-Sheba (Basevi in Italian), an Italian-Jewish family of German (Ashkenazic) origin. Originally from Italy, Sabbatai Mattathias Bath-Sheba and his family relocated to Salonika where they operated a press, active from 1592 to 1605.[25] Interested in printing tractates from the Talmud the press sent Abraham Bath-Sheba to Italy to secure financing for the project. While in Italy he worked briefly for the Dalle Donne press in Verona, soon afterwards returning to Salonica.[26]

The title-page is followed by Abraham Menahem’s introduction, somewhat unusual, as stated in its header “ALEF BET ‘O you who linger in the garden, listening’ (song of Songs 8:13) ‘at the gate of the many-peopled city’” (cf. Song 7:5) You will come, brought into the Temple of your glory, blessings without account.” The header ALEF BET does not refer to the first letters of the Hebrew alphabet. alef bet, but rather to the fact that the introduction is comprised of one thousand (alef) instances of the letter bet, as can be seen from the first two lines of the introduction, below, emphasis added.

בחלון בתי בעד אשנבי אביוני בבנים הקרבים בקרב ובאים בגבורות חובורות
להציב הדרכים לבנות חורבות ולשובב נתיבות קצובות חצובות מחוטבות

“I have looked out of the window of my house though the lattice” (Proverbs 7:6) and the needy of your sons engaged in battle, and coming with mighty bruises,
To establish the ways, rebuild the ruins, and establish paths, . .

The introduction concludes with a page a verse, followed by the text. The enlarged initial words of each of the five books of the Hamishah Homshei Torah (Pentateuch) are set within a like ornate attractive outer frame comprised of an urban scene at the top with a male and female head at either side, below at the sides are bare female figures, and at the bottom two supine figures. The varying initial words are set with different backgrounds and side images (below).

Vayikra (Leviticus)

Devarim (Deuteronomy)

Two examples of the style of Abraham Menahem’s commentary follows.

“[Then the Lord God fashioned the side that He had taken from the man into a woman] and He brought her to the man” (Genesis 2:22). Suddenly, and while distracted, so that he would be most delighted with her, for most joy is felt when sudden, and so sorrow, as it says “Hezekiah rejoiced with them, etc.” (Isaiah 39:2) for the matter was sudden, and so, according to our sages “three things come when they are not expected, [Messiah], a find, [and a scorpion], etc. (Sanhedrin 97a) and a woman is called a find, as it is written “One who has found a wife has found good.” (Proverbs 18:22).

“[And you – lift up your staff and stretch out your arm over the sea ] and split it” (Exodus 14:16) and with the merit that “he split the wood for the offering” (Genesis 22:3) and thus he modified the language “[and the Children of Israel shall come] into the midst of the sea on dry land” in the midst of the place that was sea, and made dry land: “Lift up your staff and stretch out your arm” so that the Egyptians said that Moses did all of this with his staff, therefore [the Holy One, Blessed be He] said lift up your staff, as with “Remove yourself from among the assembly” (Numbers 17:10) and do the miracle with your hand.

Another different type of elucidation of a biblical passage, this on the verse “He said, ‘No longer will it be said that your name is Jacob but Israel . . .” (Genesis 32:29) is given by Abraham Menahem,

Israel ישראל A name that includes all the Patriarchs and Matriarchs י Yitzhak (Isaac) ש Sarah ר Rivkah ר Rachel א Abraham ל Leah. Even though we find that afterwards he is called by the name Jacob, perhaps it was not changed so that they would not say because he was a trickster it was changed (referring to the purchase of the birthright from Esau) and also because the Holy One, blessed be He gave him that name as I explained by “ and He called his name Jacob” (Genesis 25:26).

There is also some commentary reflecting current conditions, as noted above in the lead paragraph. Abraham Menahem ben Jacob ha-Kohen Rapa mi-Porto (Rapaport, 1520- c. 1594) had been an eyewitness to the burning of the Talmud in Venice in 1553, which tragic event is reported in the Minhah Belulah, on the phrase “. . . a fiery law unto them,” (Deuteronomy 33:2), That paragraph, in further detail, says”

And He said: He gave the reason why Israel was more appropriate for the blessing than the other nations, idol worshippers . . . From His right hand [He presented] the fiery Torah [to them]. “The Torah is compared to fire, when a man comes too close, he is burned, when too distant he is cold, so too the Torah . . . and this also alludes to the great destruction our eyes have witnessed, due to our many iniquities, throughout Italy. The burning of the Oral Law [Talmud] in the year שיד[as in] “the hand יד of the Lord was upon us.” The decree went out from the city of Rome to use [the Talmud volumes] as fuel for the fire. In Venice, woe to the eyes that saw this, on the thirteenth and fourteenth of Marheshvan [5]514 (October 31, November 1, 1553), a continuous fire which was not extinguished. I fixed these days for myself, for each and every year, for fasting, weeping, and mourning, for this day was as bitter for me as the burning of the House of our God (the Temple).

The text concludes on 206b, followed on 207ab by an afterward by Abraham Menahem in which, as noted above, he informs that he has only written this for his generation which lacks Talmudic tractates, they having been taken away, their place replaced by kabbalistic studies; this work has been written not for sages but for those who want the revealed Torah rather than hidden (kabbalistic) meanings, “to quench the thirst of those who want straight forward meanings or midrash,” as noted in the alef bet introduction.

Below the afterward is Abraham Menahem’s escutcheon, consisting of two scantily clad women at the sides holding a streamer that says “Abraham Menahem ben Jacob ha-Kohen.” Between the women is a shield and within it two spread hands giving the priestly benediction, below that a black raven on a branch, and at the bottom another streamer that says “Rapa me-Porto.”[27] In the reprint of the Minhah Belulah (B’nei Brak,1989) the women are more modestly covered.

Yet another modest version of Abraham Menahem’s escutcheon was published in yet another recent work, this Benjamin Shlomo Hamburger’s three volume history, Ha-Yeshiva ha-Rama bi-Fiorda (Bnei Brak, 2010). It is described by Michael K. Silber in an article entitled “Modesty and Piety: Improving on the Past” as having “been modestly transgendered and piously rendered with beards!”[28] Below is original example escutcheon and the two more modest figures.

1594, Minhah Belulah, Verona

1989, Minhah Belulah, B’nei Brak

2010, Minhah Belulah, B’nei Brak

Under the original, that is the first printing of the escutcheon is a statement informing that the work was written [completed] in Cremona on Wednesday, 24 Shevat, [5]342 (January 27, 1582), when Abraham Menahem was, rabbi in Cremona. On the following page is the apologia of the proofreader (editor), Abraham ben Jehiel Kohen Porto.

It begins with a header, initially misspelled, being given asהמגיעה rather than the correct המגיה, resulting in a stop-press correction.[29] The proofreader (editor) Abraham ben Jehiel, a kinsman, addressees the issue of typographical errors in the Minhah Belulah in his remarks, apologizing for any errors in the book, for “Who can discern mistakes” (Psalms 19:13). He informs that not only was he careful but that Abraham Bath-Sheba was diligent in the supervising the compositors reviewing the type setting, “letter by letter.” Nevertheless, the work was done by uncircumcised workers (non-Jews), inexperienced in setting Hebrew letters, and it was not possible to avoid errors. Neither they nor the author, therefore, should be held responsible for any errors, but requests they be judged favorably.[30]

We conclude our discussion of the Minhah Belulah, appropriately, by noting that, in addition to the ornamentation already mentioned there are also tail-pieces at the end of several parts of the books. Most are simply decorative use of florets or of an arch. In two instances, however, the tail-piece is of a figure on both sides of a vase. This too is not an image consistent with traditional Jewish sensibilities, reflecting the use of ornamentation by Jewish printers of their non-Jewish partners’ typographical material.

The Minhah Belulah is concisely noted in Shabetai Bass’s Sifte Yeshenim (Amsterdam. 1680) the first bibliography of Hebrew books by a Jewish author.[31] It has subsequently been regularly recorded in Hebrew bibliographies. The Minhah Belulah was first reprinted in a Pentateuch (Hamburg, 1795), reprinted in Warsaw (1853), and perhaps elsewhere. The only standalone edition of the Minhah Belulah was printed in Bnei Brak by R. Jacob David Kohen (1989).[32]

R. Abraham Menahem ben Jacob ha-Kohen Rapa mi-Porto (Rapaport) is, as stated at the beginning of this article “an intriguing eclectic figure. . . . primarily remembered today for his Minhah Belulah, a commentary on the Torah.” That work, although not frequently reprinted, is highly regarded by all who are familiar with it. Abraham Menahem’s accomplishments, however, are more varied, making him an unusual and interesting personality. Clearly a person of great erudition, not only for his mastery of rabbinic sources, such as the Talmud and Midrashim, but also for his extensive knowledge, encompassing medicine and, this most unusual, cryptography.

In addition, to the works just noted, Abraham Menahem also wrote responsa and, perhaps in the context of his contemporary activities, he was an important rabbinic figure, leading congregations in Cremona and Verona and head of a yeshivah. Nevertheless, R. Abraham Menahem ben Jacob ha-Kohen Rapa mi-Porto (Rapaport) is best remembered today for his Minhah Belulah, which, as this article has attempted to show, is a valuable and important contribution to rabbinic exegetical literature.