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Tag: Historical Haggadah

Borders, Breasts, and Bibliography

Borders, Breasts, and Bibliography

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Borders, Breasts, and Bibliography By Elliott Horowitz Dan Rabinowitz has provided us which a characteristically learned pre-Passover post on the Prague 1526 Haggadah, specifically concerning the illustrations on its borders, and from those borders continues on to the always contentious subject of breasts, a bare set (or rather, two bare sets) of which he claims may be found on the title page of that edition. Indeed, on both the right and left borders of the title page may be found…

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A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

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A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah The Prague 1526 edition of the Haggadah is one of the most important illustrated haggadot ever published.  It is perhaps the earliest printed illustrated haggadah for a Jewish audience and served as a model for many subsequent illustrated haggadot.[1] The earliest printed haggadah with illustration was published in 1512 in Latin and for a non-Jewish audience. That haggadah contains six woodcuts, and was intended as a response…

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Halakhah and Haggadah – Manuscript Illustrations and their Halakhic and Customary Significance

Halakhah and Haggadah – Manuscript Illustrations and their Halakhic and Customary Significance

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This post is part of a series of posts regarding illustrations adorning manuscript and print Haggadot. Our first post dealt with a new work on the topic and can be viewed here. In this post we will focus upon the some of the Halachik implications of these illustrations. In many Ashkenazic manuscripts, the Passover illustrations begin chronologically earlier than the Seder. Many begin with the preparation of the matzah. For example, in the Second Nuremberg Haggadah[1], (the manuscript is online…

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A review of Marc Michael Epstein’s The Medieval Haggadah, Narrative & Religious Imagination

A review of Marc Michael Epstein’s The Medieval Haggadah, Narrative & Religious Imagination

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Marc Michael Epstein, The Medieval Haggadah, Art, Narrative & Religious Imagination, Yale University Press, New Haven & London: 2011, 12, 324 pp. Most discussions regarding the Haggadah begin with the tired canard that the Haggadah is one of the most popular books in Jewish literature, if not the most popular, and has been treasured as such throughout the centuries. Over sixty years ago, Isaac Rivkin noted that as a matter of fact, only since the 19th century has the Haggadah…

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Seforim Blog Pesach Roundup

Seforim Blog Pesach Roundup

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Here’s a roundup of Pesach and Haggadah-themed posts at the Seforim Blog. I. Racy Title Pages Update II 12.01.2005. Discusses the title page of the Prague Haggadah of 1526. This particular Haggadah used an illustration of a nude woman in the Haggadah’s quotation of Ezekiel 16:7 (“I cause you to increase, even as the growth of the field. And you did increase and grow up, and you became beautiful: you breasts grew, and your hair has grown; yet you were…

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Review: The Schechter Haggadah: Art, History, and Commentary

Review: The Schechter Haggadah: Art, History, and Commentary

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Book Review: The Schechter Haggadah: Art, History, and Commentary by Elli Fischer  Rabbi Elli Fischer is a freelance translator living in Modiin, Israel.  He maintains the “On the Contrary:Judasim with Comments Enabled ” blog.  This is his second contribution to the Seforim blog. Given the thousands of haggadot that have been published over the years, and the dozens of new ones published each year, it is not easy for any single haggadah to separate itself from the others on the market….

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