“Ha’Rotzeh Lichanek, Hitaleh B’Ilan Gadol”: Notes on some Literary forgeries of Jewish works in the the Late Modern Period (1756-1965)

By Ezra Brand

Ezra Brand is an independent researcher based in Tel Aviv. He has an MA from Revel Graduate School at Yeshiva University in Medieval Jewish History, where he focused his research on 13th and 14th century sefirotic Kabbalah. He is interested in using digital and computational tools in historical research. He has contributed a number of times previously to the Seforim Blog (tag), and a selection of his research can be found at his Academia.edu profile. He can be reached at ezrabrand-at-gmail.com; any and all feedback is greatly appreciated.

Introduction

Jewish literary forgeries are a topic often discussed on the Seforim Blog, especially in the postings of Dr. Marc Shapiro (see the tag “Literary Forgery” for some of the relevant posts).[1] A “literary forgery” refers to a writing which claims to have been written by a certain, usually respected, figure, while in fact written by a later, usually much lesser known, writer.

A recent collection of articles on forgeries states: “There has been a growth in the number of publications dedicated to fakes and forgeries for around thirty years now, many of which have focused on books and literary works.”[2]

The classic source regarding literary forgeries in Jewish writing is that of the Talmud Bavli, Pesachim 112a:

חמשה דברים צוה ר”ע את רבי שמעון בן יוחי כשהיה חבוש בבית האסורין […] אמר לו אם בקשת ליחנק היתלה באילן גדול.

Translation by Koren-Steinzaltz, as appears in Sefaria website (bold in the original translation):

“Rabbi Akiva commanded Rabbi Shimon ben Yoḥai to do five matters when Rabbi Akiva was imprisoned […] if you wish to strangle yourself, hang yourself on a tall tree.

Koren-Steinzaltz translation adds the explanation:

“This proverb means that if one wants others to accept what he has to say, he should attribute his statement to a great man.”

This interpretation is based on Rashi’s explanation:

“אם בקשת ליחנק – לומר דבר שיהיה נשמע לבריות ויקבלו ממך. היתלה באילן גדול – אמור בשם אדם גדול.”

According to Rashi’s interpretation, this source permits fabricating a quote from an authority in order to be believed.[3] 

Based on this interpretation, the term often used in rabbinic writing for “forging” in someone else’s name is “תלה ב”, literally “hung on X”, meaning “ascribed (falsely) to X”.

The great scholar of Mishpat Ivri, Nahum Rakover, devotes a portion of his book on intellectual property in halacha, to a discussion of the sources that permit fabricating a quote from an authority in order to be believed.[4]

Some recent historians seem to imply that the 19th century saw a relative uptick in Jewish literary forgeries. Golda Akhiezer, in a 2018 article on Jewish historical forgeries in the 19th century, writes:[5]

One of the paradoxes of European cultural life of the nineteenth century, especially in the Russian Empire, was a combination of two parallel yet apparently conflicting processes: the emergence and increasing importance of modern science and the rise of multifarious forgeries of historical documents.”[6]

It should be pointed out that this isn’t truly paradoxical. Anthony Grafton famously noted the deep relationship between critical scholarship and forgeries.[7]

Ira Robinson also implies an uptick in Jewish literary forgeries in the 19th century, and gives a somewhat different theory as to why this time period gave rise to so many forgeries:

By the end of the nineteenth and the beginning of the twentieth centuries, the highly charged ideological atmosphere, as well as an ever-growing demand for Jewish books, engendered a situation in which there was great temptation to manufacture documents.[8]

However, it is remains speculative whether in fact there were a relatively larger number of Jewish literary forgeries in the 19th century. This question awaits a more quantitative study of the topic.[9]

Table of Notable Forgeries

It’s important to note that this list is not to be comprehensive. Rather, it’s a collection of especially notable forgeries, and some notes on them. I hope to update this list at a later date, and of course happy to hear suggestions.

Title	Editor	Earliest date (terminus post quem)	Previous posts and bibliography
Divrei Gad Ha’Chozeh	Leopold Immanuel Jacob van Dort	1756	10
Mishle Asaf (haskamot)	Isaac Satanov	1783-1791	11
Besamim Rosh	Saul Berlin	1793	12
Ramschak Chronicle	Marcus Fischer	1828	13
Zekher Tzaddikim	Mordecai Sultansky	1841	14
Sefer Avnei Zikaron	Abraham Firkovich	1845-1872	15
The Roads of Jerusalem	Eliakim Carmoly	1847	16
Sefer Ha’Eshkol	R’ Zvi Binyamin Auerbach	1863	17
Baraita de-Ma’aseh Bereshit	Lazarus Goldschmidt	1894	18
The Protocols of the Elders of Zion	series of articles in Russian newspaper	1903
Goral HaAsiriyot (1904); Seder Hagada Le’Maharal (1905); Nifla’ot Maharal (1909); Refa’el HaMalach (1911); Tiferet Maharal MiShpoli (1912); Hoshen Mishpat (1913); Divrei HaYamim Asher LiShelomo HaMelech (1914); and more	R’ Yehudah Yudel Rosenberg	1904-1914	19
Yerushalmi on Kodshim	Solomon Judah Friedlander	1907–1909	20
Genizat Kherson		1922	21
Der Prager Golem (1917); Kovetz Michtavim Mekori’im MiHaBesht VeTalmidav (1923); Heichal LeDivrei Chazal (1948); Sefer Dovev Siftei Yeshenim (1959-1965)	Chaim Bloch	1917-1965	22
Kol Hator	R’ Shlomo Zalman Rivlin	1939	23

Forgers

There are two works whose genre can be described as “halachic”: Saul Berlin’s Besamim Rosh (1793) and R’ Zvi Binyamin Auerbach’s Sefer Ha’Eshkol (1863).

It is quite noticeable that perpetrators of literary forgery of Jewish texts were especially prominent outside of mainstream Orthodox Judaism, and created their forgeries for polemical reasons: Karaites (forgeries of Sultan and Firkovich), Maskilim, and anti-Semites (Protocols of the Elders of Zion).

Forgery of tendentious works relating to history are especially common:[24]

1. Forged tombstone inscriptions and manuscript colophons (Firkovich)
2. Forged chronicles (Sultanski ; Ramschak Chronicle)
3. Forged travelogue (The Roads of Jerusalem of R’ Isaac Hilu)
4. Forged protocols of meetings (Protocols of Elders of Zion)
5. Forged letters (Genizat Kherson ; Bloch’s Kovetz Michtavim and more)[25]
6. Fake stories (Rosenberg ; Bloch)

Bloch and Rosenberg, who create forgeries for popular entertainment purposes, are closer to the end of the date range, and both made prominent forgeries about the golem of the Maharal: Bloch’s The Letter of the Maharal on the Creation of the Golem (1923) and Rosenberg’s Nifla’ot Maharal. For Bloch, the polemical motivation of anti-Zionism played a role in other forgeries.

Isaac Satanow is the most playful, self-aware forger of them all. He even added fake “haskamot” to his Zohar Chibura Tinyana from well-known late 18th-century rabbinic figures (R’ Yosef Teomim and R’ Chaim Halberstam of Sanz), having the haskamot point out the possibility that Satanov himself wrote the works, but giving halachic justification for the permissibility of forgery.[26]

Rakover, in his book Zekhuyot Yotzrim (cited above), was misled by Satanow. In his discussion of permissibility in halacha of false quotation and literary forgery,[27] Rakover quotes the “haskamot” to Satanov’s as showing that forging is halachically permitted. It appears that Rakover wasn’t aware that the haskamot themselves are most likely forged.

Two of the first forgers discussed here, Saul Berlin and Isaac Satanow, had similar ideologies, and. Satanow may have assisted in fabricating Besamim Rosh.[28]

Conclusion

The issue of Jewish literary forgeries has received further prominence recently in the scholarship of R’ Moshe Hillel. R’ Hillel has written a number of works exposing forgeries. His most famous work is on Divrei Gad HaHozeh, a work purporting to be from the times of King David, published from an 18th century manuscript by Professor Meir Bar-Ilan in 2015. R’ Hillel argues that it is in fact an 18th century forgery.[29]

Hillel also wrote a book earlier this year called Hazon Tavrimon devoted to R’ Yakov Moshe Toledano (1880-1960), dealing with various historical documents that Toledano “discovered”, demonstrating that they are fake.[30]

Computer algorithms have also played a role in detecting forgeries, or refuting allegations of forgery, most prominently in the work of Professor Moshe Koppel. Some of this work has been featured in the Seforim Blog.[31] Hopefully, this software will be further refined to shed light on additional works that have been accused of being forged, to supplement the traditional tools used for proving authenticity on the one hand, and uncovering forgeries on the other.