Anim Zemiros – A Poem for All Ages by Rabbi Elchanan Adler book review

Anim Zemiros – A Poem for All Ages by Rabbi Elchanan Adler book review

Anim Zemiros – A Poem for All Ages

By Rabbi Elchanan Adler

Feldheim Publishers, New York, 2020, 192 pages

Reviewed by Myron Wakschlag

Rabbi Myron Wakschlag is a musmach of Rav Ahron Soloveichik zt”l at Yeshivas Brisk of Chicago, and is currently an IT executive in the Washington, DC area. He has researched and published on the early Orthodox rabbinate in America.

It is rare to find a book that is able to successfully illuminate a complex topic, yet still remain captivating and easily accessible. Rabbi Elchanan Adler’s new sefer on Anim Zemiros is just such a book. While Anim Zemiros is familiar to most people, its contents remain largely enigmatic due to its challenging Hebrew terminology and its esoteric meaning. Rabbi Adler has opened up new pathways that enable the reader to unlock both the simple meaning and the profound concepts lying beneath the surface of the text.

In this beautiful volume, Rabbi Adler notes how each stanza of Anim Zemiros is based on specific verses from Tanach or Talmudic/Midrashic passages. This itself is a valuable tool that sheds light on the underpinnings of the text. But the real strength of the book is in its ability to be megaleh amukos, to uncover the deep hidden beauty of the poem and make it accessible to the average reader untrained in the analysis of medieval liturgical poems. Rabbi Adler’s analysis weaves together explanations offered by traditional sources with his own fascinating insights. Rabbi Adler, an esteemed Rosh Yeshiva at Yeshiva University’s Rabbi Isaac Elchanan Theological Seminary for over 20 years, is an erudite scholar and master teacher who has an unusual gift for presenting difficult material in a way that is easy to understand.

The sefer begins with an overview that describes the origin of the formal name Shir HaKavod, the authorship and dating of the work, the origins of its inclusion in the liturgy, and the manner in which it is recited in the synagogue. It then transitions into an analysis of the overall themes, structure, and style of the text, including many interesting observations about the common ideas that are expressed within each section, and numerical allusions that emerge from the text. The next section transitions into the essence of the book, which comprises a textual analysis of each stanza, offering unique insights, explanations, interpretations, and suggestions to explicate the poem based on the full range of rabbinic literature. While it is not an exhaustive treatment of every word in the poem, Rabbi Adler’s choice of what to include helps to capture and hold the reader’s interest.

The book is valuable on many levels. In addition to its primary objective of elucidating both the plain and hidden meaning behind Anim Zemiros, a careful reading of the book allows the reader to acquire a methodology for analyzing piyyutim. Determining exactly what the author of Anim Zemiros meant to convey and what messages he buried beneath the surface is much like solving a mystery. Rabbi Adler employs many analytical tools to uncover the clues and piece together the various threads. It is enlightening to study the manner in which he carefully examines the text to identify nuances and different shades of meaning based on the poem’s rhythm, meter, textual variances, word roots, grammar, alternative translations, vowelization, allegory, and symbolism. He also often adduces prooftexts from Tanach, and contrasts the opinions of the various early and later commentaries to suggest various possibilities in the text. Utilizing this methodology, Rabbi Adler is able to “connect the dots” and uncover the concealed gems that are impossible to discern at first glance.

I owe a great debt of gratitude to Rabbi Adler, not only for giving me a much greater understanding of the magnificence of Anim Zemiros and its prominent place in our liturgy, but also for imparting his approach to analyzing piyyutim and understanding their significance. He has given me a derech to better appreciate medieval liturgical poems in general, and has also provided me with the tools to be able to analyze them on my own.

image_pdfimage_print
Print Friendly, PDF & Email

6 thoughts on “Anim Zemiros – A Poem for All Ages by Rabbi Elchanan Adler book review

  1. I found this book to be very facinating. Rabbi Adler has obviously researched the topic extencively. I was particularly interested in the authorship and origin. I was also taken with the tephilin of Hashem being the center point of the Anim Zemiros. In my machzorim there is a beautiful tephilah before the Anim Zemiros that begins with the words Avinun Malkeinu. This is the Hebrew Publishing Co. addition. I wonder if anyone knows its origin and who authored it.

  2. I first met the author over 30 years ago. My most recent encounters with Rabbi Elchanan Adler are as a fine talmid chacham and scholar who gives insightful shiurim on ביאורי תפילה in my own community.

    In this sefer, he accomplishes his stated goal of striking a balance between presenting rigorous scholarship on one end and relevance, readability and user-friendliness on the other end.

    Most of us first encounter אנעים זמירות in our youth – many by being invited to sing it in front of our kehillos. Due to the familiar tunes that are sung, we might even become familiar with the words by heart and maybe even have a vague notion of the simple meaning of words and even full lines.

    I remember many years ago davening at an old shul in Brooklyn as a guest. The vast majority of mispallelim were older and they were hosting their first bar mitzva in a very long time. At the end of davening I was responding to the אנעים זמירות by heart. An older man behind me noticed and got choked up and emotional probably with thoughts of how Yiddishkeit in Europe had been decimated by the Holocaust and how what was left of it in America had been decimated by assimilation, and that seeing a younger person knowing אנעים זמירות by heart gave him hope for the future. Admittedly, if I had to explain what I had been reciting by heart I would have had much trouble!

    In the first section of this sefer, Rabbi Adler gives us a nice multi-faceted background that touches upon history, minhag and halacha among other things in connection with the פיוט. In the second section, he dives deeper into the endeavor of analyzing and appreciating the sources of the phrasing of the פיוט, to reverse-engineer the פיוט as it were, and then to see if the פייטן merely drew upon older sources as the palette of words for his paintbrush or whether deeper meaning can be extracted from the inferences and then to even briefly indicate whether an even deeper tier of hints can be inferred in the spirit of the חסידי אשכנז from where this פיוט emerged.

    This is an endeavor in which we all need to engage. Rabbi Adler gives us the basics and tools, and with the footnotes invites and encourages us to go deeper into this פיוט on our own and by extension to other parts of תפילה in general.

Leave a Reply

Your email address will not be published. Required fields are marked *