New Book Censored

R. Elijah haBahur‘s Sefer haTishbi has just been republished. The Sefer haTishbi is a dictionary devoted to words that do not appear in R. Nathan of Rome’s Orukh. This particular reprint contains many important additions. It contains Solomon Buber’s biography on R. Elijah as well as an extensive introduction on the various editions and the importance of the Sefer haTishbi. Furthermore, it contains several commentaries, some published for the first time. It contains the commentary of R. Menhem Shmuel Hirschtik, Ragle Mevaser originally published in 1910. However, it also contains the commentary of R. Jacob Emden and that of R. Yeshya Pick, the author of the Mesorat haShas. While R. Emden’s commentary had been published in part in two journals, for the first time both those are collected together. R. Pick’s commentary had never been published, although there had been some who alluded to it.

This book also contains an index as well as the Iggeret Pri Megadim from R. Yosef Teomim. This letter is typically published at the beginning of his commentary to Orakh Hayyim, however, due to the fact that he a) advocates for the study of R. Elijah’s books; and b) has numerous comments on the Sefer haTishbi, this was included here. There is also an index of just these letters.

Now, on to the controversial portion of the book. This book also contains the critique of R. Shlomo Schick on the Sefer haTishbi. R. Schick, in his commentary on the Torah, Torah Shelmah (1909, Satmar) takes issue with many of R. Elijah’s statements, not just his Sefer haTishbi. However, the editors of this edition of the Sefer haTishbi have collected R. Schick’s comments that relate to the Sefer haTishbi. The editors have also included a rebuttal of R. Schick titled Tzidkat haTzadik.

While this may seem rather innocuous, R. Schick is considered in some circles to be unacceptable. This is especially true amongst the Hungarian Haredim. R. Schick, who was a Rabbi of what was known as a Status Quo community in Hungary, was himself a Haredi. However, he felt that instead of alienating his community and many others in Hungary he would take a more reconciliatory stance. This put him in conflict with the majority of the Haredim in Hungary. They wanted to cut off all the non-Haredim. In fact, they issued an edict that all shecita by members that considered themselves Status Quo, was to be considered non-kosher. Importantly, many in the Status Quo community kept Torah and mitzvot a fact R. Schick pointed out in many of his teshuvot. This placed Schick outside the camp of the “frum” and thus among some his writings are unacceptable.

Therefore, there are two editions of this newly reprinted Sefer haTishbi. One that contains an actual photocopy of the haskama of the Betaz of Jerusalem and a second version that does not. In the edition that contains the haskama both the comments of R. Schick as well as the rebuttal does not appear. In the edition that does not contain the haskama you get what I described above, the comments of R. Schick and the editor’s rebuttal.

The editors even note this in the edition that contains R. Schick’s comments. They explain that the Betaz gave them a haskama (they even quote it but do not reproduce the actual letter, so they get to say they got the haskama without offending the Betaz) but that the Betaz told them they found R. Schick to be unacceptable and thus would not want to give a haskama to such a work.

Therefore, one now has a choice between the Betaz haskama or the comments and rebuttal of R. Schick.

I obtained both editions from Beigeleisen in Brooklyn.



The Rising Lion: From Balaam to Leibowitz and Back Again

The Rising Lion: From Balaam to Leibowitz and Back Again

Warren Zev Harvey

Warren Zev Harvey is Professor Emeritus in the Department of Jewish Thought at the Hebrew University of Jerusalem. He is the author of numerous studies on medieval and modern Jewish philosophy and the recipient of the EMET Prize in the Humanities (2009).

The great prophet of the gentiles, Balaam son of Beor, blessed the people of Israel with a blessing for military success: “Behold, a people shall rise up as a lion [labiʾ], and exalt himself as a regal lion [ari],[1] and shall not lie down until he eat of the prey and drink the blood of the slain” (Numbers 23:24).[2] Israel shall leap up like a lion and not rest until it has fully conquered its enemies. The prophet’s blessing is raw, forceful, and not politically correct. It is just because of verses like this that Friedrich Nietzsche so admired the Hebrew Bible. Indeed, what is the lion rising up and exalting himself if not the terrible blonde Bestie? Such is the morality and style of ancient Hebrew Scripture.

But “the language of the Torah is one thing, and that of the Sages something else” (BT ʿAbodah Zarah 58b). The Sages took Balaam son of Beor’s militaristic prophecy and turned it into a prophecy concerning a spiritual “rising up.” They changed “prey” and “blood” to “Torah” and “mitzvot.” In Midrash Tanḥuma (Mantua, Balak [14], 88b; Buber, Balak 23, 73a; cf. Numbers Rabbah 20:20), we read: “Behold, a people shall rise up as a lion – there is no nation in the world like them. Although they had been asleep to the Torah and the mitzvot, they awoke from their slumber like lions, eagerly recited the Shemaʿ, and proclaimed the kingship of the Holy One, blessed be He.”[4] The midrash speaks of a metaphorical slumber (cf. Maimonides, Laws of Repentance 3:4),[5] that is, a period during which Jews neglected the Torah and the mitzvot, such as the Babylonian exile, but in the end they awakened from their slumber and arose like lions to proclaim the unity of God and to crown Him as King.

In his Commentary on Numbers 23:24, Rashi quotes this text from Midrash Tanḥuma, but with significant changes. First, he does not interpret the Israelites’ sleep as metaphorical, but as literal. Second, he understands the lion to refer not to the Israelite “nation,” but to the individual Jew. Third, he conceives the character of the lion in light the Mishnah: “Be bold as a leopard, light as an eagle, swift as a gazelle, and mighty [gibbor] as a lion to do the will of your Father in heaven” (Abot 5:20).[6] Rashi writes: “‘Behold, a people shall rise up as a lion — when they awake [ʿomdin] from their sleep in the morning, they rise up mightily [mitgabberin] like a lion or regal lion [ke-ari] and eagerly perform the mitzvot: donning the tallit, reciting the Shemaʿ, and laying tefillin.”[7] In Rashi’s artfully revised midrash, the subject is not a historical event in which the people of Israel have sinned but now repent and return to monotheism, but rather it is the daily routine of the individual Jew who arises mightily each morning as a lion to perform the mitzvot. Rashi adroitly shifts the focus from nation to individual, from national morality to personal morality. Inspired by the Mishnah, he employs the verb mitgabberin (“they rise up mightily / valorously / heroically”). The Jew awakens every day at dawn and as a mighty lion he eagerly performs the mitzvot. In the words of Maharal, commenting on Rashi: “The mitzvot are acts of valor” (Gur Aryeh, ad loc.).[8]

When Rabbi Jacob ben Asher sought an opening for the “Laws of Conduct in the Morning” (Hilkhot Hanhagot ha-Adam ba-Boqer) at the beginning of his Arbaʿah Turim, he selected the Mishnah: “Be bold as a leopard, light as an eagle, swift as a gazelle, and mighty [gibbor] as a lion to do the will of your Father in heaven” (Oraḥ Ḥayyim, 1). But when Rabbi Joseph Karo sought an opening for his analogous “Laws of Conduct in the Morning” (Hilkhot Hanagat ha-Adam ba-Boqer) at the beginning of his Shulḥan ʿArukh, he recalled Rashi’s Commentary on Numbers 23:24, and wrote: “One should be mighty as a lion to arise [yitgabber ke-ari laʿamod] in the morning for the service of one’s Creator, and one should awaken the dawn! [cf. Psalms 57:9]” (Oraḥ ayyim, 1).[9] The first three Hebrew words here reflect three words in Rashi’s Commentary: mitgabberin, ke-ari, and ʿomdin. Rabbi Joseph Karo thus transformed Rashi’s descriptive account of one’s morning conduct into an explicit command: One should be mighty as a lion to arise in the morning for the service of one’s Creator!

This stirring opening of the Shulḥan ʿArukh made a profound impression on the Israeli philosopher Yeshayahu Leibowitz. He quoted it frequently in his writings and lectures. In one passage he writes: “The slogan of theocentric religion is ʿabodah, the service of God, and its purpose is formulated in the first paragraph of the Shulḥan ʿArukh: One should be mighty as a lion to arise in the morning for the service of one’s Creator! In contrast to a religion conceived in terms of what it endows a person, there stands a religion conceived in terms of what it demands of a person. No opposition is deeper than this!” (Yahadut, Am Yehudi, u-Medinat Yisrael, Tel-Aviv 1975, p. 338).[10] The purpose of the demanding religion of Torah and mitzvot, Leibowitz emphasizes, is articulated in the imperative: Yitgabber! Be mighty, be valorous, be heroic! He further clarifies: “Life according to Torah and mitzvot is a life of heroism [geburah] in which a human being conquers his natural inclinations and needs and subjugates them to the service of his Creator” (ibid., p. 61).[11] The heroism of Rashi, Maharal, Rabbi Joseph Karo, and Leibowitz is that of performing the mitzvot.

At present the State of Israel has embarked on a difficult war against the Islamic Republic of Iran, and has named its campaign “Operation Rising Lion” (ʿAm ke-Labiʾ). During the long years of Exile, our Rabbis, like the homilists of Midrash Tanḥuma, Rashi, and Rabbi Joseph Karo, creatively developed a spiritual exegesis of the prophecy of Balaam son of Beor. They had a different morality and a different style. Now, with the independence of the sovereign State of Israel, we have – for better or for worse — returned to the original interpretation of the great prophet of the gentiles.

Notes:

* A Hebrew version of this article appeared in Yashar Magazine, 20 June 2025.

[1] It is difficult to translate labiʾ and ari. Hebrew has at least a half-dozen words for “lion” (ari, aryeh, kefir, labiʾ, layish, and shaal), while English has only one. Labiʾ may have influenced the Greek léōn, the Latin, leo, the English lion, and the Yiddish leyb. I have translated labiʾ as “lion” and ari as “regal lion” (cf. Rashi on Genesis 49:9).
[2] הֶן עָם כְּלָבִיא יָקוּם וְכַאֲרִי יִתְנַשָּׂא, לֹא יִשְׁכַּב עַד יֹאכַל טֶרֶף וְדַם חֲלָלִים יִשְׁתֶּה.
[3] לשון תורה לעצמה, לשון חכמים לעצמן.
[4] הֶן עָם כְּלָבִיא יָקוּם. אין לך אומה בעולם כיוצא בהם. הרי הם ישנים מן התורה ומן המצות, ועומדין משנתן כאריות, וחוטפין קריאת שמע וממליכין לקב”ה. I thank Rabbi Dr. Yaakov Jaffe, who has noted the very many places where the Rabbis turn military descriptions into spiritual ones; e.g., BT Berakhot 4a and 18b, Shabbat 63a, Pesaim 68a, Sanhedrin 7b, and 93b, and 111b, and agigah 14a.
[5] עורו ישנים משנתכם ונרדמים הקיצו מתרדמתכם וחפשו במעשיכם וחזרו בתשובה וזכרו בוראכם

(“Awake, you who sleep…from your slumber, search your deeds, return in repentance, and remember your Creator”). Cf. Immanuel Kant, Prolegomena to Any Future Metaphysics, ed. L.W. Beck, New York 1950, p. 8: “David Hume…interrupted my dogmatic slumber and gave my investigations in the field of speculative philosophy a new direction.”
[6] הווי עז כנמר, וקל כנשר, ורץ כצבי, וגיבור כארי, לעשות רצון אביך שבשמים.
[7] הֶן עָם כְּלָבִיא יָקוּם. כשהן עומדין משנתם שחרית, הן מתגברין כלביא וכארי לחטוף את המצוות, ללבוש טלית, לקרוא את שמע, ולהניח תפילין.
[8] ומפני שהמצוות הן גבורה, לפי שמי שעושה מצוה פועל פעולה אלוהית נפלאה (“The mitzvot are acts of valor, for whoever performs a mitzvah performs a wondrous divine act”).
[9] יתגבר כארי לעמוד בבוקר לעבודת בוראו, שיהא הוא מעורר השחר!
[10] סיסמתה של הדת התיאוצנטרית היא ‘עבודה‘, עבודת השם, ותכליתה מנוסחת בסעיף הראשון של שולחן-ערוך: יתגבר כארי לעמוד בבוקר לעבודת בוראו‘. מול הדת הנתפסת מבחינת מה שהיא מעניקה לאדם, מוצגת הדת הנתפסת מבחינת מה שהיא תובעת מן האדם. ואין לך ניגוד עמוק מזה.
[11] החיים במסגרת של תורה ומצוות הם חיי גבורה, שבהם האדם מתגבר על נטיותיו הטבעיות ועל צרכיו הטבעיים ומשעבד אותם לעבודת בוראו.




A Desperate Plea for Help on Behalf of Vilna’s Old Jewish Cemetery

A Desperate Plea for Help on Behalf of Vilna’s Old Jewish Cemetery in 1919

By Shnayer Leiman

Recently, a brief study was posted online on Meir Zelmanovich, the custodian of Vilna’s old Jewish cemetery, who died a martyr’s death in 1920.[1] Here, we wish to add Zelmanovich’s only published writing, a Yiddish letter that appeared in Vilna’s יידישע צייטונג [Yidishe Tsaytung], on Monday, December 15, 1919.[2] The letter will appear below both in the original Yiddish and in an annotated English translation. It is a significant, and tragic, historical document. Also, mostly due to the recent discovery of a treasure trove of photographs relating to World War I, we will present several newly discovered photographs of Zelmanovich.[3]

For those unfamiliar with Vilna’s old Jewish cemetery, we note that according to a Jewish tradition in Vilna it was founded in 1487. Modern scholars, based upon extant documentary evidence, date the founding of the cemetery to 1593, but admit that an earlier date cannot be ruled out. The cemetery, still standing today (but denuded of its tombstones), lies just north of the center of the city of Vilna, across the Neris River, in the section of Vilna called Shnipishkes (Yiddish: Shnipishok). It is across from, and just opposite, one of Vilna’s most significant landmarks, Castle Hill with its Gedeminas Tower. The cemetery was in use from the year it was founded until 1830, when it was officially closed by the municipal authorities. Although burials no longer were possible in the old Jewish cemetery, it became a pilgrimage site, and thousands of Jews visited annually the graves of the righteous rabbis and heros buried there, especially the graves  of the Ger Zedek (Avraham ben Avraham, also known as the son of Graf Potocki, d. 1749), the Gaon of Vilna (R. Eliyahu ben R. Shlomo Zalman, d. 1797), and the Hayye Adam (R. Avraham Danzig, d. 1820). Such visits took place even after World War II.

Briefly, the historical context of the letter was the battle for control of Vilna in the aftermath of World War I. During the years 1914 to1922, nine different governments ruled in Vilna, making life miserable for its residents. Almost certainly, the greatest concentration of Jewish suffering in this period took place in 1919, when the Polish legionnaires unleashed a pogrom against Vilna’s Jews. Zelmanovich’s Letter to the Editor appeared in print in December 1919 and records in detail the damage to the dead; he left it for others to record the damage to the living.[4] This stage of Polish rule came to an end when the Russians recaptured Vilna in July of 1920. Russian rule lasted for some six weeks, and was followed by Lithuanian rule. On October 8, 1920 the Poles once again recaptured Vilna. Sadly, on October 10, 1920 Meir Zelmanovich was one of a handful of Jews murdered by the returning Polish legionnaires.

1. The Original Yiddish Version of Zelmanovich’s Letter.

2. An Annotated English Translation of Zelmanovich’s Letter.

The Hostile Incidents at Vilna’s Old Jewish Cemetery: (A Letter to the Editor)

Please provide me with a platform to describe the hostile incidents that have taken place – from Passover[5] until today – at the old Jewish cemetery.

Immediately after Passover, the fence (surrounding the cemetery) was breached, and horses were allowed to enter the cemetery. The officers in charge of the horses chose to move into my house, and helped themselves to whatever they could find. It was only when my daughter came down with typhus, that they left the house and encamped on the cemetery grounds. They burned the wooden tombstones, and broke stone tombstones as well. They smashed the tombstones of R. Yisrael Kreines’ father,[6] R. Yaakov Landau,[7] Rekhl the mother of R. Shimon Strashun,[8] R. Mordechai Meltzer’s wife,[9] and a few others. They were about to destroy the wooden tombstone of the Chief Rabbi, R. Hillel,[10]ho died in 1706,[11] but I managed to hide it while it was still whole.

The official rabbi,[12] Rabbi Rubinstein[13] was heavily involved in rectifying matters. We were able to arrange for the horses to be removed from the cemetery. The officers of the Zedakah Gedolah Society[14] arranged for the fence to be repaired at a cost of 7000 rubles. Now, however, the soldiers have returned with saws and axes and have pulled back and rearranged the fence so that anyone could enter the cemetery from the nearby public passage way. Thus, they once again are tearing down the rooftops of the mausoleums.

Regarding the Gaon’s[15] mausoleum, they have now, for a second time, torn down its roof, and also smashed its windows. They have also begun to break down its walls.

They tore off the rooftops of the mausoleums of R. Noah Petletzis[16] and R. Shmuel Landau.[17] Just last night, they placed the carcasses of 5 horses next to the mausoleums.

All our communal Jewish activists are obligated to come and view for themselves the devastation that is taking place in the old Jewish cemetery. And, at the same time, they are obligated to rescue whatever can still be rescued.

Meir Yisrael Zelmanovich,
Custodian of the Old Jewish Cemetery

———-

3. Newly Discovered Photographs of Meir Zelmanovich.

a) Meir Zelmanovich at the Mausoleum of R. Menahem Manes Chajes.

 

b) Photograph of Meir Zelmanovich at Vilna’s Old Jewish Cemetery.

The top photograph (left) is clearly the original that ultimately appeared in the postcard that was produced in 1916 (right) and discussed in our earlier study.[18] The photograph’s clarity and detail are far superior to that of the postcard, a clear reminder that some postcard reproductions need to be taken with a grain of salt.[19]

The bottom photograph, it seems to me, is a magnificent likeness of Meir Zelmanovich. Someone scribbled in the date 1916, which almost certainly is when it was taken.[20]

 

Notes

[1] S. Leiman, “In Praise of Ephemera: A Picture Postcard from Vilna Reveals its Secrets more than One Hundred Years after its Original Publication,” The Seforim Blog, July 27, 2020 (here). Cf. The Leiman Library (www.leimanlibrary.com), texts, item 143.

[2] Issue 181, p. 2, columns 1-4. The newspaper lists the Jewish calendrical date as well, 23 Kislev. For a brief history of Vilna’s short-lived יידישע צייטונג (it ceased publication in 1920), see D. Flinker, et al, eds., עיתונות יהודית שהיתה (Igud ha-Olami shel ha-Itonaim ha-Yehudim: Tel-Aviv, 1973), p. 246.

[3] In July of 2020, a huge collection of rare photos of Vilna was sold at auction on Ebay. The photos were made by a professional photographer who served as a photo correspondent working with the German 10th army, which occupied Vilna during World War I. Fortunately, about half of the photos were acquired by a coalition of scholars and patrons of scholarship in Lithuania who realized how significant these photos were. I am indebted to my Lithuanian colleague, Dr. Andrius Kulikauskas, for sharing the above information with me, after the fact. What Andrius could not know is that I too was a bidder in that auction (without knowing all the fine details about who took the photographs), and managed to acquire four photos taken at the Old Jewish cemetery in Vilna, including the two photos of Meir Zelmanovich reproduced below.

[4] For a fuller account of the pogrom itself, see the study cited above in note 1.

[5] Vilna’s Jewish community celebrated Passover in 1919 from the evening of April 14 through April 22. The Russian Red Army ruled in Vilna through April 18, 1919. On April 19, the Polish legionnaires replaced the Russian Red Army. Almost immediately, a pogrom ensued against the Jews, leading to much death and destruction. Vilna remained under Polish control during the period that Zelmanovich published his “Letter To The Editor.”

[6] R. Yisrael Gordon Kreines (1778-1856) was a learned Torah scholar adept in Russian. In 1837 he was appointed Rabbi of Vilna, largely for the purpose of fulfilling the Czarist regime’s requirement that a rabbi be appointed who could record in Russian all births, marriages, and deaths in the Jewish community. See H.N. Steinschneider, עיר ווילנא (Vilna, 1900), pp. 192-195. Kreines’s father, R. Avraham Gordon was a major lay leader (פרנס ) of Vilna who died in 1780. See S. Y. Fuenn, קריה נאמנה (second edition, Vilna, 1915), p. 187-188.

[7] R. Yaakov Landau (circa 1793-1828), a learned rabbinic scholar, was the oldest son of R. Shmuel Landau, also a rabbinic scholar of note (see below, note 17). R. Yaakov was the older brother of R. Yitzhak Eliyahu Landau (1801-1876), who served as rabbi and official preacher (מורה צדק ומגיד מישרים) of Vilna from 1868 until his death in 1876. R. Yaakov’s Landau’s full given name was Avraham Yaakov. Unfortunately, he died at an early age. His epitaph is preserved in Fuenn, pp. 253-254. Y. Klausner, קורות ביתהעלמין הישן בוילנה (Vilna, 1935), p. 63, note 2, reports that R. Yaakov Landau’s tombstone was no longer standing in 1935.

[8] R. Shimon Strashun (circa 1823-1905) was a distinguished rabbinic scholar who resided in Vilna, and was the son of a distinguished rabbinic scholar who also resided in Vilna, R. Avraham David Strashun (19th century). Avraham David’s first wife, חנה (d. 1824), was the mother of R. Shimon Strashun. See Steinschneider, p. 191. Assuming there is no error here on the part of either Steinschneider or Zelmanovich, it is possible that her full name was חנה רחל. The Yiddish name Rekhl is a common variant of the name Rokhl. See, e.g., A. Beider, A Dictionary of Ashkenazic Given Names (Bergenfield, 2001), pp. 560- 562, especially p. 561, column 2.

[9] R. Mordechai Meltzer (1797-1883) served as an official rabbi in Vilna with the title מורה צדק . He was the head of Vilna’s Ramajles (ראמיילעס) Yeshiva during the first half of the 19th century, where he trained many of Vilna’s most distinguished rabbis. In 1864, he was appointed Chief Rabbi of Lida (today in Belarus), where he served with distinction until his death in 1883. His wife, Sarah Devorah, died in 1830, and was buried in Vilna’s old Jewish cemetery. See Steinschneider, pp. 122-126.

[10] For a brief account of R. Hillel b. R. Jonah ha-Levi, and for the text of his epitaph, see Fuenn, p. 104. Wooden tombstones were commonplace in the old Jewish cemetery; not everyone could afford a stone tombstone. The wooden tombstone of R. Hillel b. R. Jonah ha-Levi, rescued by Zelmanovich, almost certainly no longer exists. A photograph of the tombstone, however, was preserved in the An-Ski Museum in Vilna, and published in Klausner, p. 42.

[11] The Yiddish original gives the Jewish year: [5]466.

[12] Under Czarist rule, the Russian government required Jewish communities to appoint a kazyonny ravvin “an official rabbi,” fluent in Russian, who – among his various responsibilities — would be responsible for recording (in Russian) births, marriages, and deaths. Rabbi Rubinstein’s initial appointment in Vilna was as kazyonny ravvin. Zelmanovich uses the Yiddish (and German) title ראבינער here to indicate Rabbi Rubinstein’s status at the time.

[13] Rabbi Isaac Rubinstein (1880-1945) was appointed “official rabbi” (see previous note) of Vilna in 1910. With the outbreak of World War I, the more traditional rabbis were forced to flee Vilna, and Rubinstein – for all intents and purposes – was the only functioning rabbi in Vilna. In this difficult period, and later under Polish rule, Rubinstein repeatedly interceded on behalf of the Jewish community, with great success. He served as a member of the Polish senate from 1922-1939. In 1928, he was appointed Chief Rabbi of Vilna. A leading religious Zionist, and a superb speaker, he managed to flee Vilna in 1940 (then under Soviet domination), and made his way to the United States in order to enlist aid on behalf of East European Jewry.

[14] The Zedakah Gedolah Society was Jewish Vilna’s official communal institution in charge of public welfare. Given the rampant poverty that prevailed throughout much of Vilna’s Jewish history, this was one of the most important institutions in Vilna. It assumed even greater significance when the Czarist regime abolished Vilna’s “Kahal” structure in 1844. One of the Zedakah Gedolah’s many tasks was to provide the lion’s share of the funding necessary for the upkeep of Vilna’s Jewish cemeteries. With the advent of World War I, it fell into a period of steady decline and would ultimately be liquidated under Polish rule in 1931. See Israel Cohen, Vilna (Philadelphia, 1943), pp. 121-122 and pp. 394-397. Cf. Andrew N. Koss, “Two Rabbis and a Rebbetzin: The Vilna Rabbinate During the First World War,” European Judaism 48:1 (2015), pp. 120-122.

[15] The reference is to the mausoleum of R. Elijah b. Solomon (1720-1797), the Vilna Gaon, which never fully recovered from the damage inflicted upon it by the Polish legionnaires.

[16] Noah Bloch Petletzis (d. 1809) was an exceedingly wealthy Jew who donated generous sums of money to Vilna’s various educational and charitable institutions. He singlehandedly provided the entire funding for the construction of the women’s section (עזרת נשים) in Vilna’s Great Synagogue. See Fuenn, p. 223-224; cf. Klausner, p. 66. He should not be confused with the Maskil Noah Bloch (d. 1846) who, after much controversy about exactly where in the Zaretcha cemetery he should be buried, was finally laid to rest. See H.N. Steinschneider, עיר ווילנא (Jerusalem, 2003), vol. 2, pp.48-49 (edited by M. Zalkin).

[17] R. Shmuel Landau (d. 1818) was a son-in-law of R. Hayyim Landau (d. 1797) of Brody, a founder and key supporter of the קלויז of Brody. On the “kloyz” of Brody, see N.M. Gelber, תולדות יהודי ברודי (Jerusalem, 1955), pp. 62-73. Not surprisingly, R. Shmuel adopted his father-in-law’s surname and brought it to Vilna. He was an exceedingly modest rabbinic scholar, whose 3 sons, all named Landau, would become well-known rabbinic scholars. R. Shmuel Landau’s epitaph (or, at least, a portion of it) was preserved by Fuenn, p. 230; cf. Klausner, p. 63.

[18] See above, note 1.

[19] Notice, e.g., the different facial expressions in the two photographs. When the two photographs are enlarged, it becomes obvious that the original photograph preserves much detail no longer visible in the postcard, including the fine detail of the vast terrain to the left of the mausoleum (alas, only partially captured by the scans presented her, but quite visible to the naked eye.)

[20] That all the photographs gathered here are, in fact, genuine likenesses of Meir Zelmanovich seems likely. Certainly the family photo published in the earlier study (see above, note 1) identifies him by name. His German passport of 1916 offers additional proof. During the German occupation, all residents of Vilna were required to have — and to carry at all times – a German passport (we would call it: an identity card). Zelmanovich’s German passport lists his correct name, age, and address (at the Old Jewish cemetery), and includes his passport photo! I am indebted to Regina Kopilevich, researcher and tour guide extraordinaire, for retrieving Zelmanovich’s passport from the many preserved in the Lithuanian State Historical Archives (Lietuvos Valstybes Istorijos Archyvas). Here is Zelmanovich’s passport photo:

Yet another unmistakable likeness of Meir Zelmanovich can be seen in two photographs preserved in the archives of the Ghetto Fighter’s House Museum at Kibbutz Lohamei Hagetaot. Both photos were taken in 1916 at the old Jewish cemetery. One photo (catalog number 31468) depicts Meir Zelmanovich and a teenager (almost certainly his son Sholom) standing next to the legendary tree that hovered over the ashes of the martyred Ger Zedek of Vilna, in the old Jewish cemetery’s south eastern corner. Another photo (catalog number 31467) depicts the father and son (now wearing an overcoat) standing at a pathway in the center of the old Jewish cemetery. The photos are available online, so there is no need to post them here. I am deeply grateful to art historian Dr. Vilma Gradinskaite of Vilnius for bringing my attention to the photos preserved in the archives of the Ghetto Fighter’s House Museum.




Rabboni Jesus – Confirmation from the Talmud?

Rabboni Jesus – Confirmation from the Talmud?
David M. Goldenberg*
The exchange one year ago between Pope Francis and Prime Minister Netanyahu over the language spoken by Jesus overshadowed any other news of the pope’s visit to Israel. The pope was right, of course, Jesus spoke Aramaic, not Hebrew, although Netanyahu could have offered a better rejoinder than his weak “But he knew Hebrew.” He could have said: “But he prayed in Hebrew.”
Among the proofs that Aramaic was the spoken language of Jesus’ time and place is the evidence of the New Testament, which no doubt informed the pope’s comment. Of the Aramaic words and phrases recorded in this text, perhaps the most cited is the word rabbouni (ραββουνι) or rabboni (ραββωνι), which is how Jesus is referred to by the blind man in Mark 10:51 and by Mary Magdalene in John 20:16. The text in John glosses the word by adding: “which means teacher.”
Years ago the spelling of this word caused confusion, since Jewish Aramaic and Hebrew texts traditionally vocalize the first letter with a ḥiriq (as in ribbono shel  ‘olam). But then the pataḥ vocalization was discovered in Palestinian Targum fragments from the geniza and in Targum Neofiti, as also in Samaritan Aramaic texts.  Some time later it was also found in Hebrew manuscripts.  Where the Mishna in Ta’anit 3.8 records Ḥoni ha-Ma’agal’s reference to God as ribbono shel olam, both MS Kaufmann and MS Parma vocalize the first word with pataḥ (Kaufmann as rabbuno; Parma as rabbono). Then geniza liturgical fragments of birkhot ha-shaḥar (Palestinian rite) turned up with the phrase רבון כל העולמים vocalized with a pataḥ under the resh.[1]
MSS Kaufmann and Parma have another point in common: as opposed to the printed editions of the Mishna, the original text of the manuscripts does not have the words של עולם; Kaufmann has them added above the line, and Parma in the margin (in both cases as clitics, written as one word). As scholars have noted, this indicates that the original was רבוני alone but a later hand added של עולם and extended the yod of רבוני (which is grammatically required and graphically obvious) to make it into a vav, thus producing עולם של רבונו.
The first person possessive suffix recalls the New Testament reference to Jesus as rabbouni /rabboni. In addition to the New Testament, the word with the first person suffix (‘my teacher’) is commonly found in several of the Aramaic texts mentioned above.  In regard to Hebrew texts, besides MSS Kaufmann and Parma, רבוני is commonly found in geniza manuscripts of Hebrew midrashic works. A search of the word on the Friedberg Genizah database (genizah.org) results in 23 hits of רבוני, all but one in Hebrew texts, and that figure does not even take into account cases where the reading is obvious but not certain and the search results did not therefore include it.[2]
An interesting example of רבוני in a Hebrew context is found in a reconstructed text of Bavli, ’Avoda Zara 17a. Here we find the story of R. Eliezer’s arrest for heresy. R. Eliezer, who lived in the second half of the first century and the beginning of the second century, explained his heresy to R. Akiva as follows (additions in curly brackets follow the uncensored Munich 95 and Paris 1337 manuscripts):

פעם אחת הייתי מהלך בשוק העליון של ציפורי ומצאתי אחד {מתלמידי יש”ו הנוצרי} ויעקב איש כפר סכניא שמו אמר לי כתוב בתורתכם (דברים כג) לא תביא אתנן זונה [וגו’] מהו לעשות הימנו בהכ”ס לכ”ג ולא אמרתי לו כלום אמר לי כך לימדני {יש”ו הנוצרי} (מיכה א) [כי] מאתנן זונה קבצה ועד אתנן זונה ישובו ממקום הטנופת באו למקום הטנופת ילכו. 

Translation: I was once walking in the upper market of Sepphoris when I came across one of the disciples of Jesus the Nazarene, Jacob of Kefar Sekhania by name, who said to me: “It is written in your Torah, You shall not bring the hire of a harlot . . . into the house of the Lord your  God (Deut. 23:19). May such money be used to build a toilet for the High Priest? I didn’t answer him. He said to me: “Thus Jesus the Nazarene taught me: For of the hire of a harlot has she gathered them and to the hire of a harlot shall they return (Micah 1:7) – They came from a place of filth, let them go to a place of filth.”

In place of אמר לי כך לימדני {יש”ו הנוצרי} [כי] מאתנן זונה קבצה…., the superior Marx-Abramson manuscript (JTS Rab 15) of ’Avoda Zara reads:  אמ’ לי כך למדו ישו רבו כי מאתנן זונה קבצה …. with an inserted ש over the כ of כך, and a notation mark inserted above the line between רבו and כי, as seen below.

In the printed edition, as well as MSS Paris and Munich, R. Eliezer recounts the disciple’s comments in direct discourse: “He said to me: ‘It is written in your Torah ….’” and “He said to me: ‘Thus Jesus the Nazarene taught me/us ….’” MS JTS, however, presents the first phrase in direct discourse, but the second in indirect discourse, as indicated by the third person pronominal suffixes in למדו and רבו (“Thus Jesus his teacher taught him”). Thus,[3]
Ed.:                 אמר לי כך לימדני [כי] אמר לי כתוב בתורתכם /
Paris:               אמ’ לי כתו’ בתורת’ / אמ’ לי כך למדנו ישו הנוצרי כי
Munich:  א’ לי כתו’ בתורתכ’ / א’ לי כך למדני ישו הנוצרי כי
JTS:           אמ’ לי כתוב כתורתכם / אמ’ לי [ש]כך למדו ישו רבו כי
The change to indirect discourse was, no doubt, what caused the scribe to insert the ש above כך. But clearly direct discourse is called for as indicated by the preceding direct discourse in אמר לי כתוב in MS JTS, and in the lack of ש in ישו כך לימדני/למדנו אמר לי in the other witnesses. What would have caused the (confusing) change to indirect discourse in the MS JTS?  
The notation mark above the line between רבו and כי gives a clue. That mark points to a marginal notation. Such notations in this manuscript often refer to another reading of the indicated text. Unfortunately, whatever the scribe wrote in the left margin has been covered by a strip of paper glued to the page to strengthen it and prevent its separation from the codex. But I wouldn’t be surprised if the marginal comment presented the reading רבוני, like that found in the Kaufmann and Parma manuscripts of the Mishna Ta’anit.  Perhaps an indication that רבוני was the original reading is the directly following quote from Micah 1:7, which begins with the word כי (כי מאתנן זונה קבצה ועד אתנן זונה ישובו). The anomalous reading of  רבוin MS JTS may well have derived from an original רבוני, which became רבו כי due to the graphic similarity of kaf and nun, and the fact that the verse in Micah began with כי. Once רבוני became רבו כי, other changes were required to conform to the third person suffix of רבו and the resulting indirect discourse of the text, and so לימדני was changed to למדו and a ש was inserted to turn כך into שכך. The missing כי in the printed edition may also derive from this confusion.
If this reconstruction is correct, not only do we have another case of the Hebrew word רבון with a first person pronominal suffix (רבוני ), but the word is used to refer to Jesus just as it is in the New Testament. So in addition to the blind man and Mary Magdalene, we have another who called Jesus רבוני – Jacob of Kefar Sekhania, the disciple of Jesus, who taught R. Eliezer an interpretation of a biblical verse.
The Gospel of John glosses the word רבוני as ‘teacher.’ Shouldn’t the possessive suffix (רבוני) require a translation ‘my teacher,’ just as the Aramaic and Hebrew uses of the word clearly indicate a translation ‘my teacher’?[4] Not necessarily. A translation without the possessive would be similar to the term רבי/Rabbi, in which the suffix lost its possessive meaning (‘my’) and the word, as a frozen term, came to mean ‘teacher’ or ‘master.’ Support for this may be found, although from a later period, in Arabic literature. The Qur’an (5:47, 66) preserves the word رباني (rabbānī), which, as the Kisters (father and son) showed, derives from רבוני.[5] But the word cannot mean ‘my teacher’ because in the Qur’anic context it appears in the absolute plural: ربانيون (rabbānīyuna) i.e., ‘teachers.’ In other words, the final vowel in רבוני did not function as a pronominal suffix, as the Kisters noted. The word, rather, evolved as a frozen term from an original meaning ‘my teacher’ into the meaning ‘teacher,’ just as John glossed rabbouni as ‘teacher,’ and just as רבי evolved in meaning from ‘my teacher/master’ to ‘teacher/master’ (Rabbi), which, incidentally, is how John elsewhere (1:38) translates rabbi (ραββι). Y. Kutscher explained the word רבן (as in רבן גמליאל) the same way, comparing it with the French monsignor.[6] In the final analysis, not only was the pope right that Jesus spoke Aramaic, but the evidence of Jesus’ speech in the New Testament records precisely the pronunciation and meaning of the Aramaic of his time and place.

* See David M. Goldenberg’s other articles on his website at http://sites.sas.upenn.edu/dmg2 or at https://upenn.academia.edu/DavidGoldenberg.

[1] See Ḥ. Yalon in Leshonenu 24 (1960) 162; Y. Kutscher, “Leshon ḥazal,” in Sefer anok Yalon (Jerusalem, 1963), pp. 268-271 (reprinted in Kutscher, Meḥqarim be-Ivrit uve-Aramit, Jerusalem, 1977, pp. צה-צח); Z. Ben-Ḥayyim. ’Ivrit we-Aramit nusaḥ Shomron 3.2 (Jerusalem, 1967), pp. 37-38. Targum Neofit references are in Michael Sokoloff, A Dictionary of Jewish Palestinian Aramaic of the Byzantine Period (Ramat-Gan/Baltimore, 1990, 2003), s.v. רבון. In addition to the references in these articles, note that a Syriac version of the original Greek Transitus beatae Mariae virginis has Mary refer to Jesus as “Rabbuli, the messiah” which W. Wright takes as “Rabbuni, the messiah” (W. Wright, trans. and notes, Contributions to the Apocryphal Literature of the New Testament, collected and edited from Syriac Manuscripts in the British Museum, London, 1865), pp. 19, trans.; 28 text; 60 note.  The liturgical fragments: Naftali Wieder, “Ha-ṣura rabbun bi-mqorot ’Ivriim,” Leshonenu 27-28 (1963-64) 214-217.
[2] With two exceptions (a piyyu‹ and a medieval letter), all are midrashic texts.
[3] The readings from MSS Paris and Munich are taken fromשאול ליברמן  מאגר עדי הנוסח של התלמוד הבבלי ע”ש = Sol and Evelyn Henkind Talmud Text Databank.
[4] Of the 23 instances recorded in the Friedberg database, all but one are petitions to God as רבוני, usually made by Moses. One (T-S Misc. 36.198 2v, lines 14 and 16) parallel רבוני and מרי, ’my master.’ In Aramaic, e.g., Targum Neofiti translates אדוני אברהם in Gen. 24:27 as רבוני אברהם.
[5] M.Y. and Menaḥem Kister, “Al Yehudei Arav — he’arot,” Tarbiẓ 48 (1979), pp. 233-234.
[6] Y. Kutscher, “Ha-Aramit shel ha-Shomronim,” in his Meḥqarim be-Ivrit uve-Aramit, Jerusalem, 1977, pp. רסג-רסב.



Upcoming Auction

Kestenbaum & Co. will be holding an auction next Thursday, Feb. 24th. On its site, it provides some highlights, and I wanted to point out a few others. Additionally, one can download the entire catalog by visiting the site. The first edition of R. Yosef Albo’s Sefer ha-Ikarim, Soncino 1485, being an incunabula is of course of note (lot 7). But, the colophon of this work is especially noteworthy. The colophon ends with “Ki mi-Tzion teitze Torah u-devar Hashem mi-Soncino.” Of course, this is a a play on the verse in Isaiah. While today we know that the printing press indeed usher in a new era of Torah and the dissemination of knowledge, this colophon at the end of a work published at the advent of the printing press is especially prescient.Another early and important work, is what is known as the “second Rabbinic bible,” today we know it as Mikra’ot Gedolot (lot 53). This edition as well as the “first” is discussed by Prof. Penkower in this post. Then we have a perennial favorite, R. Shmuel Arcivolti’s Ma’ayan Ganim (lot 41). This book is perhaps most well-known for its misuse. Prof. Shapiro’s post discusses some of the issues with the use of this work. But, it is worth noting that the book is divided into five sections, each beginning with the same illustration – a fountain. First, most early Hebrew books don’t contain illustration in the body (title pages are a different story). Second, the fountain shows a group of (very nude) cherubs with the fountain waters exiting from a less than flattering orifice. The book is currently available online, although who is to know when someone will discover the images and remove it. R. Yom Tov Lipmann Heller’s classic work on the Rosh – today known as Ma’adnei Asher and Divrei Chamudoth – is offered with its original title (lot 136). This is the first edition and the only to bear the original title – Maadeni Melech ve-Lechem Chammudoth. According to some, the change in title was precipitated by a false rumour that the original title indicated an insult to the ruling monarch. It is worth noting, that in the latest edition of R. Heller’s quasi-autobiography, Megilat Evah, the editor raises some questions as to whether this truly is the reason for changing the title. Another important title, in this case the title page is the Sha’ar bat Rabim (lot 169). This work has a beautifully illustrated title page as well as other pages. Please see this post On The Main Line where he discusses it. There are a few titles relating to haskalah. First, is one volume of the seminal Journal, Ha-Me’asef (lot 137). This volume contains the first appearance R. Yitzhak Satanow’s Mishlei Asaf, a work written in the style of Mishlei with extensive notes. As well as David Freidlander’s attack on R. Fleckles after Fleckles had denounced Mendelshon’s Biur. Finally, it contains an important article regarding the controversy of whether or not one can delay burial to ensure the person is in fact dead. One addition to the note on this lot, Moshe Samat has an important article on this last topic which was recently republished in the collection of his articles, Hadash Assur min ha-Torah. Another two haskalah works are Nachman Krochmal’s Moreh Nevuchei ha-Zeman (lot 164) and R. Moshe Kunitz’s defense of the Zohar, Ben Yochi (lot 165). Finally, R. Naftali Hertz Wessely’s Divrei Shalom ve-Emet (lot 209) rounds out the haskalah. This book which advanced novel, for that time, educational theories was a subject of a large controversy. Interestingly enough, today, most of his reforms have been incorporated into Jewish schools. The auction contains the Cassuto Collection (which you can read more about in the catalog) which focuses on Spainish and Portugese Jews. Now, for must of the past 500 years, that meant not Jews actually in those countries but who originated from those countries. The most popular of which is Holland – specifically Amsterdam. So we have a beautiful copy of R. Isaac Aboab work on Tanach with a portrait (lot 264) as well another (lot 263) from a Dutch Jews, where, inter alia, he criticizes the American revolution. On the topic of Dutch Jews, an excellent recent work is Nadler’s, Rembrandt’s Jews. See also this post discussing some internal conflicts within the Dutch community, as well as the first Jewish settlement in the Americas. A few letters of interest. First, a letter from the Chofetz Hayyim thanking a donor for their donation to the ladies auxilary of Radin (lot 232). There are three letters from each of the past three Luavitcher’s rebbitzins, all fairly personal, discussing their move from the “Motherland” (Russia) to Latvia (lots 246-48).




“Be-Esek Atevata”: A Contextual Interpretation of an Elusive Phrase in Akdamut Millin

“Be-Esek Atevata”: A Contextual Interpretation of an Elusive Phrase in Akdamut Millin
by David S. Zinberg
A centerpiece of the Ashkenazic liturgy for Shavuot, Akdamut Millin is an artistically sophisticated, epically dramatic, and emotionally charged piyyut.  After nearly a millennium, the liturgical-narrative masterpiece of R. Meir ben Yitzhak Sheliah Tzibbur continues to intrigue and to inspire.[1] 
Towards the middle of the poem, the poet abruptly changes scenes.  Speaking in his own voice, he announces that he will now praise God “before empires”:

שְׁבַח ריבון עַלְמָא, אֲמִירָא דַכְוָתָא:
שְׁפַר עֲלֵיהּ לְחַווּיֵהּ, בְּאַפֵּי מַלְכְּוָתָא:
What follows, without warning, is a confrontation – almost a poetic disputation – between the gentile nations and Israel. 

Intended, perhaps, to evoke the insecurity of the Jewish experience, the narrative turn is unexpected and jarring.  Following a meditation on the heavenly realms and the superiority of Israel over the angels, the poet imagines a coalition of nations gathering, “like waves,” to confront the Jewish community. 
Their tone first seems benign, even sympathetic.  They are impressed by the Jews and their steadfast religious devotion.  But their assimilationist agenda, backed by a hint of violence – “Join us, it’s for your own good, you know” — comes to the surface before long.
In these six lines, the nations appear and present their argument:

1          תָּאִין וּמִתְכַּנְשִׁין, כְּחֵיזוּ אַדְוָתָא:
2          תְּמֵהִין וְשַׁיְילִין לֵיהּ, בְּעֵסֶק אַתְוָתָא:
3          מְנָן וּמָאן הוּא רְחִימָךְ, שַׁפִּירָא בְּרֵיוָתָא:
4          אֲרוּם בְּגִינֵהּ סָפִית, מְדוֹר אַרְיְוָתָא:
5          יְקָרָא וְיָאָה אַתְּ אִין תַּעַרְבִי לְמַרְוָתָא:
6          רְעוּתֵךְ נַעֲבֵיד לִיךְ, בְּכָל אַתְרְוָתָא:

My translation:

1          They approach, gathering like waves
2          Amazed, question one another about her signs
3          “From where and who is your Beloved, most beautiful,
4          For whose sake you perish in the lions’ den?
5          You are so dear and so lovely!  If you join the hegemony,
6          We will grant you whatever you desire, everywhere”

This finely crafted passage is woven from a set of midrashim revolving around a dialogue in the Song of Songs (5:8-6:2) between the רַעְיָה, the beloved woman, and בְּנוֹת יְרוּשָׁלָיִם, the daughters of Jerusalem.
Below is the text separated by speaker:

הָרַעְיָה:
הִשְׁבַּעְתִּי אֶתְכֶם בְּנוֹת יְרוּשָׁלִָם אִם תִּמְצְאוּ אֶת דּוֹדִי מַה תַּגִּידוּ לוֹ שֶׁחוֹלַת אַהֲבָה אָנִי:

בְּנוֹת יְרוּשָׁלָיִם:
מַה דּוֹדֵךְ מִדּוֹד הַיָּפָה בַּנָּשִׁים מַה דּוֹדֵךְ מִדּוֹד שֶׁכָּכָה הִשְׁבַּעְתָּנוּ:

הָרַעְיָה:
דּוֹדִי צַח וְאָדוֹם דָּגוּל מֵרְבָבָה:
רֹאשׁוֹ כֶּתֶם פָּז קְוֻצּוֹתָיו תַּלְתַּלִּים שְׁחֹרוֹת כָּעוֹרֵב:
עֵינָיו כְּיוֹנִים עַל אֲפִיקֵי מָיִם רֹחֲצוֹת בֶּחָלָב יֹשְׁבוֹת עַל מִלֵּאת:
לְחָיָו כַּעֲרוּגַת הַבֹּשֶׂם מִגְדְּלוֹת מֶרְקָחִים שִׂפְתוֹתָיו שׁוֹשַׁנִּים נֹטְפוֹת מוֹר עֹבֵר:
יָדָיו גְּלִילֵי זָהָב מְמֻלָּאִים בַּתַּרְשִׁישׁ מֵעָיו עֶשֶׁת שֵׁן מְעֻלֶּפֶת סַפִּירִים:
שׁוֹקָיו עַמּוּדֵי שֵׁשׁ מְיֻסָּדִים עַל אַדְנֵי פָז מַרְאֵהוּ כַּלְּבָנוֹן בָּחוּר כָּאֲרָזִים:
חִכּוֹ מַמְתַקִּים וְכֻלּוֹ מַחֲמַדִּים זֶה דוֹדִי וְזֶה רֵעִי בְּנוֹת יְרוּשָׁלִָם:

בְּנוֹת יְרוּשָׁלָיִם:
אָנָה הָלַךְ דּוֹדֵךְ הַיָּפָה בַּנָּשִׁים אָנָה פָּנָה דוֹדֵךְ וּנְבַקְשֶׁנּוּ עִמָּךְ:

הָרַעְיָה:
דּוֹדִי יָרַד לְגַנּוֹ לַעֲרוּגוֹת הַבֹּשֶׂם לִרְעוֹת בַּגַּנִּים וְלִלְקֹט שׁוֹשַׁנִּים:
אֲנִי לְדוֹדִי וְדוֹדִי לִי הָרֹעֶה בַּשּׁוֹשַׁנִּים:

The רַעְיָה begs the Jerusalemite girls to find her love and to tell him of her longing.  They first ask, מַה דּוֹדֵךְ מִדּוֹד – how will we identify him?  In response, she provides detailed signs, in seven lines of verse, of his beauty and charm.  Their next question follows naturally:
אָנָה הָלַךְ דּוֹדֵךְ הַיָּפָה בַּנָּשִׁים אָנָה פָּנָה דוֹדֵךְ וּנְבַקְשֶׁנּוּ עִמָּךְ — now that we know something about your beloved, where did he go?  Tell us, and we will help you search for him. 
In the allegorical reading of the Song – and in the poet’s imagination – the רַעְיָה is Israel, the דּוֹד is God, and the daughters of Jerusalem represent the nations. 
Below are excerpts from the midrashic sources relevant to our passage (language which inspired the poet is highlighted in bold):

מכילתא דרבי ישמעאל בשלח – מסכתא דשירה ג
זה אלי . . . ר’ עקיבא אומר אדבר בנאותיו ובשבחיו של מי שאמר והיה העולם בפני כל אומות העולם. שהרי אומות העולם שואלין את ישראל לומר מה דודך מדוד שככה השבעתנו (שיר השירים ה) שכך אתם מתים עליו וכך אתם נהרגין עליו שנ’ על כן עלמות אהבוך (שם א) אהבוך עד מות, וכתיב כי עליך הורגנו כל היום (תהלים מד). הרי אתם נאים, הרי אתם גבורים, בואו והתערבו עמנו. וישראל אומרים להם לאומות העולם, מכירין אתם אותו [2]נאמר לכם מקצת שבחו: דודי צח ואדום דגול מרבבה (שיר השירים ה). כיון ששומעין שכך שבחו אומרים לישראל נלכה עמכם שנ’ אנה הולך דודך היפה בנשים אנה פנה דודך ונבקשנו עמך (שם ו) וישראל אומרים להם אין לכם חלק בו אלא דודי לי ואני לו וגו’ (שם ב) אני לדודי ודודי לי הרועה בשושנים (שם ו).
במדבר רבה ב:ד

אִישׁ עַל-דִּגְלוֹ בְאֹתֹת (במדבר ב): הה”ד (שיר השירים ו) מי זאת הנשקפה כמו שחר יפה כלבנה ברה כחמה אימה כנדגלות.  קדושים וגדולים היו ישראל בדגליהם וכל האומות מסתכלין בהם ותמהין ואומרים מי זאת הנשקפה וגו’ אומרים להם האומות שובי שובי השולמית (שיר השירים ז) הדבקו לנו בואו אצלנו ואנו עושין אתכם שלטונים הגמונים דוכסין אפרכין אסטרטליטין, שובי שובי ונחזה בך ואין נחזה אלא שררה שכן אמר יתרו למשה (שמות יט) ואתה תחזה וגו’ שובי שובי ונחזה בך
במדבר רבה ב:טז

ד”א והיה במקום וגו’ הה”ד (שיר השירים ח) מים רבים לא יוכלו לכבות את האהבה וגו’ ואומר אם יתן איש את וגו’ אמר רבי שמואל בר נחמן בשתי אהבות הכתוב הזה מדבר. ראשו מדבר באהבתו של ישראל. שאם יתכנסו כל אומות העולם ליטול את האהבה שבינו לבין ישראל אינן יכולין, שנאמר מים רבים לא יוכלו לכבות את האהבה ואין מים רבים אלא אומות העולם שנאמר (ישעיה יז) הוי המון עמים רבים וגו’.
שמות רבה כג:ה
מראש שניר (שיר השירים ד), בזכות יצחק, וחרמון, בזכות יעקב, ממעונות אריות, גלות בבל ומדי, מהררי נמרים, זו אדום
Below, we match each line or half-line from our Akdamut passage to its associated biblical or midrashic expression.  Note how each phrase either quotes directly from or alludes to imagery in the Song and its related midrashim.  For now, we will leave line 2 aside.  This line will be addressed separately.
1          תָּאִין וּמִתְכַּנְשִׁין כְּחֵיזוּ אַדְוָתָא
מים רבים לא יוכלו לכבות את האהבה וגו’ . . .  שאם יתכנסו כל אומות העולם ליטול את האהבה שבינו לבין ישראל אינן יכולין . . .ואין מים רבים אלא אומות העולם . ) . . במדבר רבה ב:טז(
 
3          מְנָן וּמָאן הוּא רְחִימָךְ, שַׁפִּירָא בְּרֵיוָתָא
שהרי אומות העולם שואלין את ישראל לומר מַה דּוֹדֵךְ מִדּוֹד שֶׁכָּכָה הִשְׁבַּעְתָּנוּ )מכילתא דרבי ישמעאל בשלח – מסכתא דשירה ג(
1.      מְנָן (“from where”) — אָנָה הָלַךְ דּוֹדֵךְ הַיָּפָה בַּנָּשִׁים אָנָה פָּנָה דוֹדֵךְ
2.      וּמָאן  — (“and who”)מַה דּוֹדֵךְ מִדּוֹד הַיָּפָה בַּנָּשִׁים

4a        אֲרוּם בְּגִינֵהּ סָפִית
שכך אתם מתים עליו וכך אתם נהרגין עליו[3])  מכילתא דר”י שם(
4b        מְדוֹר אַרְיְוָתָא
ממעונות אריות, גלות בבל ומדי, מהררי נמרים, זו אדום (שמות רבה כג:ה)  
         יְקָרָא וְיָאָה אַתְּ, אִין תַּעַרְבִי לְמַרְוָתָא
הרי אתם נאים, הרי אתם גבורים, בואו והתערבו עמנו) מכילתא דר”י שם(
         רְעוּתֵךְ נַעֲבֵיד לִיךְ, בְּכָל אַתְרְוָתָא
הדבקו לנו בואו אצלנו ואנו עושין אתכם שלטונים הגמונים דוכסין אפרכין אסטרטליטין) מכילתא דר”י שם(
Line 2 of this Akdamut passage – תְּמֵהִין וְשַׁיְילִין לֵיהּ, בְּעֵסֶק אַתְוָתָא – is particularly challenging.  What does the poet mean by בְּעֵסֶק אַתְוָתָא?  To which “signs” (אַתְוָתָא = אותות) does he refer?
Several translators and commentators on Akdamut interpret אַתְוָתָא as “miracles.”[4]  But that rendering is completely unsatisfactory, as this section of the poem does not address miracles.  Furthermore, in all the source-midrashim from which the nations’ argument is derived, there is no reference to miracles.  Indeed, had it referred to “miracles,” this line would be an aberration, as every other phrase in these six lines echoes specific language in the sources cited.

Taking a completely different approach, the ArtScroll Machzor renders אַתְוָתָא as “proofs”; i.e., in light of Israel’s endless suffering in exile, the nations demand proof that God still watches over Israel and plans to send the Messiah to redeem her.[5]

This interpretation has some merit, since it links line 2 to the nations’ adjacent observation regarding Israel’s persecution, i.e., אֲרוּם בְּגִינֵהּ סָפִית, מְדוֹר אַרְיְוָתָא (line 4).  Still, “proofs” is forced and unsupported by the biblical and midrashic sources.

I believe, instead, that the correct translation of בְּעֵסֶק אַתְוָתָא is “about her signs,” i.e., Israel’s signs.  This phrase was clearly borrowed from the Bemidbar Rabba passage (2:4) cited above, a discourse on the banners or “signs” (אֹתוֹת) of the tribes, as described in Numbers 2:2.  Note the association in Bemidbar Rabba 2:4 between עַל-דִּגְלוֹ בְאֹתֹת of Numbers and אימה כנדגלות of Song 6:10.  The Sages read the latter as a reference by the nations to Israel’s impressive banners (נדגלות = דגלים). 

Also note how the poet’s תְּמֵהִין וְשַׁיְילִין לֵיהּ is taken nearly verbatim from the expression וכל האומות מסתכלין בהם ותמהין ואומרים of Bemidbar Rabba, which is used in the context of the flags.   

Of course, the biblical אֹתוֹת often connotes an extraordinary, miraculous phenomenon.  For example:
וְהָיָה אִם-לֹא יַאֲמִינוּ גַּם לִשְׁנֵי הָאֹתוֹת הָאֵלֶּה וְלֹא יִשְׁמְעוּן לְקֹלֶךָ וְלָקַחְתָּ מִמֵּימֵי הַיְאֹר וְשָׁפַכְתָּ הַיַּבָּשָׁה וְהָיוּ הַמַּיִם אֲשֶׁר תִּקַּח מִן-הַיְאֹר וְהָיוּ לְדָם בַּיַּבָּשֶׁת  (שמות ד:ט)
וַיּוֹצִאֵנוּ ה’ מִמִּצְרַיִם בְּיָד חֲזָקָה וּבִזְרֹעַ נְטוּיָה וּבְמֹרָא גָּדֹל וּבְאֹתוֹת וּבְמֹפְתִים  (דברים כו:ח)
However, it appears certain – based on Bemidbar Rabba 2:4 – that the “signs” to which line 2 refers are Israel’s flags, rather than God’s miracles. Here, then, is the final midrashic source for our Akdamut passage:  
2          תְּמֵהִין וְשַׁיְילִין לֵיהּ, בְּעֵסֶק אַתְוָתָא
איש על דגלו באותות – הה”ד מי זאת הנשקפה וגו’ קדושים וגדולים היו ישראל בדגליהם וכל האומות מסתכלין בהם ותמהין ואומרים מי זאת הנשקפה וגו’)  במדבר רבה ב:ד(
What may have motivated the interpretation of אַתְוָתָא as “miracles” was a presumed link between two distinct reactions of the nations: תְּמֵהִין וְשַׁיְילִין לֵיה of line 2 andמְנָן וּמָאן הוּא רְחִימָך of line 3.
The nations’ focus in line 3 is, of course, on God (רְחִימָךְ – your Beloved).  The phrase מְנָן וּמָאן הוּא רְחִימָך is a conflation of אָנָה הָלַךְ דּוֹדֵךְ and מַה דּוֹדֵךְ מִדּוֹד, whose referent is God.  But in line 1 — תָּאִין וּמִתְכַּנְשִׁין — they accost Israel and, in line 2 — תְּמֵהִין וְשַׁיְילִין לֵיה — express wonder among themselves about Israel.  Their response in line 2 is to Israel, rather than to God.  They shift their inquiries to God only in line 3.

[1] On R. Meir ben Yitzhak, see Eliezer Landshut, Amudei Ha-Avoda (Berlin, 1862), pp. 162ff; Avraham Grossman, Hakhmei Ashkenaz Ha-Rishonim (Jerusalem, 1981), pp. 292ff.
[2] The variant text in Mekhilta De-Rabbi Shimon Bar Yohai – אי אתם מכירין אותו – is more readable.
[3] See also Shir Ha-Shirim Rabba 7:1:
אומות העולם אומרות לישראל עד מתי אתם מתים על אלהיכם ומשלמין לו . . .  ועד מתי אתם נהרגין עליו . . .  ועד מתי אתם גומלין טובות עליו ולו לעצמו, והוא גומל לכם רעות
[4] E.g., Mahzor Le-Hag Ha-Shavuot, ed. Wolf Heidenheim (Rodelheim, 1805 and reprints); Mahzor Shavuot, ed. Yonah Fraenkel (Jerusalem, 2000), p. 390, n. 22; and, most recently, Jeffrey Hoffman, “Akdamut: History, Folklore, and Meaning,” The Jewish Quarterly Review, 99:2 (Spring 2009), p. 178.
[5] The Complete ArtScroll Machzor – Shavuos (Brooklyn, 1995), p. 269.  The note on p. 269 attributes this idea to Mevo Ha-Shir by Shmuel Hayyim Yellin (Pietrokow, 1926).  However, “proofs” was already proposed by Aharon ben Yehiel Mikhel Ha-Levi in his Mahzor commentary Mateh Levi.  Yellin renders בְּעֵסֶק אַתְוָתָא as “on the matter of the arrival (of the Messiah),” based on an erroneous association of אַתְוָתָא with ואתא, Aramaic for  ויבא (“he arrived”).  The comments of Mateh Levi and Mevo Ha-Shir can both be viewed here.