Pets on Shabbat, Rabbi Morenu, and Epidemics

Marc B. Shapiro

1. In my last post here I wrote as follows:

R. Yitzhak Nahman Eshkoli calls attention to what he sees as another mistake made by those who published R. Moshe Feinstein’s works.[1] Here is Iggerot Moshe,Orah Hayyim 5, 22:21.

According to the text of R. Moshe’s responsum, animals are muktzeh, even those that children play with. This means that R. Moshe held that pets are also muktzeh. Yet in the small print the editor added that pets are permitted, even though this completely contradicts the first part of the sentence. See also Iggerot Moshe, Orah Hayyim 4, no. 16 (end), where R. Moshe forbids moving a fish tank on Shabbat and Yom Tov: דבע”ח מוקצין.

If you search online you will find a number of people who deal with R. Moshe’s view of pets on Shabbat. R. Chaim Jachter, referring only to Iggerot Moshe, Orah Hayyim 4, no. 16, states that R. Moshe held that pets are muktzeh. See here. Rabbi Dov Lev writes:

See Orach Chaim 308:39 that all animals are considered muktzeh. However, see Shu”t Igros Moshe (Orach Chaim 5:22:21) that rules that designated pets are exceptional and are not muktzeh. On the other hand, Rabbi Y. P. Bodner writes (Halachos of Muktzeh, Feldheim, p. 118) that he heard from Rabbi Feinstein that pets are indeed muktzeh. This is supported by Rabbi Feinstein’s responsum (#24) at the end of the book as well as by Shu”t Igros Moshe (Orach Chaim 4:16).

There are two interesting things here. The first is that R. Lev cites the most recent responsum in Iggerot Moshe that pets are not muktzeh without taking note of what many have seen as a contradiction between what R. Moshe wrote and the small print added by the editors. Also of significance is that R. Pinchas Bodner, who wrote a book on muktzeh and consulted with R. Moshe, claims that R. Moshe told him that pets are muktzeh. See also R. Natan Slifkin, Man and Beast: Our Relationships with Animals in Jewish Law and Thought, p. 237 n. 1.

R. Yonason Rosman, Petihat ha-Iggerot, p. 314, quotes R. Moshe Kaufman, a son-in-law of R. Mordechai Tendler, that after R Moshe gave his stringent answer to R. Bodner, he then reconsidered and came to a lenient opinion. R. Kaufman adds that  R. Moshe permitted his son-in-law, R. Moshe Tendler, to handle his cat on Shabbat.

R. Doniel Yehuda Neustadt, The Daily Halacha Discussion, p. 115, n. 108, writes that “there are conflicting sources regarding Harav M. Feinstein’s opinion on this subject.”

R. Anthony Manning writes:

In the 8th volume of Iggrot Moshe (published posthumously) (O.C. 5:22:21) Rav Moshe again rules that animals are muktza. However Rav Moshe’s grandson, R. Mordechai Tendler, adds afterwards – (אלא א”כ הם מיוחדים לשעשועים (פעטס. It is not clear if Rav Moshe agreed with this addition. Rabbi Pinchas Bodner writes (Halachos of Muktza p. 119 footnote 6) that he heard directly from Rav Moshe that pets are muktza.

R. Zvi Ryzman was also troubled by the apparent contradiction inIggerot Moshe,Orah Hayyim 5, 22:21. He wrote to R. Shabbetai Rapoport, as it was R. Rapoport and R. Mordechai Tendler who were the editors of this posthumous Iggerot Moshe volume and the ones responsible for the small print. Ryzman published his correspondence with R. Rapoport in Moriah 36 (Nisan 5778), pp. 358-359.[2]

I think that for most people R. Rapoport’s letter will settle the matter that R. Moshe did not regard pets as muktzeh. It would thus be permissible to handle your own cat that lives in your home, but not to do so with a stray cat or with an animal on a farm, as they are not pets. While we must be grateful to R. Rapoport for explaining matters, there is no question that this should have been properly explained in Iggerot Moshe, as the poor editing job there has created an enormous amount of confusion.[3]

Ryzman provides a number of sources in traditional texts that express a negative view of having dogs as pets. Chronologically, the first on his list is R. Jacob Emden in She’elat Ya’avetz, vol. 1, no. 17.[4] It is worth noting that R. Emden also discusses this matter in Birat Migdal Oz (Warsaw, 1912), p. 127a (5:16):

.ולגדל לשחוק בהן אית ביה איסור מוסיף אחד אנשים ואחד נשים ביחוד אותן המשתעשעים ומגעגעים בכלבים חלקים מעשה עכו”ם הוא ר”ל

R. Emden had another issue with dogs, in that he tells us that one of the leading members of the Ashkenazic community of Amsterdam named his dog after R. Emden’s father, as a way of showing how he despised him. This matter greatly upset R. Emden, and all he can write is:[5]

‘שהיה מגדל כלב וקורא לו שם כו
‘הוא גידל כלב וקרא שמו כו

We thus don’t know what exactly he called the dog. Azriel Shohet writes that he called it “Hakham Zvi,”[6] but that is not in the text, and he could have just as easily called the dog simply “Zvi” or some other form of the name.

Regarding dogs, the Shulhan Arukh, Even ha-Ezer 22:18, states:

אלמנה אסורה לגדל כלב מפני החשד

“A widow is forbidden to raise a dog, because of suspicion [people will suspect her of bestiality].”

As far as I can tell, there is agreement among the aharonim that this law also applies to a divorced woman, but there is no consensus about a single woman. There also seems to be agreement that there is no problem with a female dog.

Despite the fact that this halakhah is found in the Shulhan Arukh, there is no question that it is ignored in the Modern Orthodox world, either because people don’t know about it or because they find it far-fetched or even offensive. The Taz, Even ha-Ezer 22:10, brings a limud zekhut for ignoring this law from Tosafot, Bava Metzia 71a, s.v. lo, who understood the matter as being in the realm of humra, but that there is no actual prohibition as Jews are not suspected of bestiality:

לא תרבי כלבא: משום לזות שפתים בעלמא לפי שהולך אחריה שלא נחשדו ישראל על הזכור ועל הבהמה וגם אין אסור להתייחד

(The Taz’s words should be examined in the Machon Yerushalayim or Rosh Pinah editions which are corrected based on manuscripts.)

R. Isaac Lampronte (1679-1756) testifies that in eighteenth-century Italy theShulhan Arukh‘s ruling was ignored and the rabbis did not protest.[7]

אלמנה לא תגדל כלב בתוך ביתה . . . והאידנא לא ראיתי מוחים באלמנה מלגדל כלב אולי דעתה לא נחשדו ישראל על כך

In general, dogs don’t come out looking too well in rabbinic literature, something which must be distressing for all of us dog lovers. In a future post I will give examples of what I am talking about. However, there are a few positive things said about dogs as well. For example, Yalkut Shimoni, Shemot ch. 11 (no. 187), tells us that the dogs were rewarded for not whetting their tongues against the Israelites (Ex. 11:7):

שזכו לעבד עורות מצואתן לכתוב בהן ספר תורה תפילין ומזוזות

In this same section of Yalkut Shimoni there is the following passage about dogs, but I don’t think you can regard it as saying anything positive about them:

כת’ לכלב תשליכון אותו (שמות כב, ל) ללמדך שהכלב מכובד מן הגוי שהרי טריפה לכלב ונבילה לגוי

Let me make one final point about dogs. In Louis Jacob’s autobiography, Helping With Inquiries, pp. 54-55, he writes:

Before leaving my account of the Gateshead Kolel, I feel it would be incomplete unless I said something more about Rabbi Dessler, one of the most remarkable men I have ever met. Until he became the spiritual guide of the Ponievezh Yeshivah in B’nai B’rak, near Tel Aviv, Rabbi Dessler was the moving spirit behind the Kolel and his wise counsel was sought by its members even when he had moved to Israel. He was physically small and had a full but neatly trimmed beard until he went to Ponievezh, when he allowed it to grow long. He had studied in his youth at the famed Musar School in Kelm, presided over by the foremost disciple of Reb Israel Salanter, R. Simhah Züssel. He married the daughter of Reb Nahum Zeev, son of Reb Simhah Züssel. Reb Nahum Zeev was also an outstanding Musar teacher. He earned his living as a merchant in Koenigsberg, where he dressed and conducted his life in Western style. His wife and daughters dressed in the latest fashion. He even had a dog. Rabbi Dessler told us of the occasion when a Polish rabbi, in Koenigsberg to consult a physician, was invited by Reb Nahum Zeev to be a guest in his home. Witnessing the Western style in which the home was conducted, the rabbi was careful to eat very little, suspecting that the food was not completely kosher. Late at night, the Polish rabbi was awakened from his sleep by the sound of bitter weeping from a nearby room. Thinking someone needed help, the rabbi went on tiptoe to the room from which the sobs were coming only to hear the “Westernised gentleman” sobbing his heart out as he chanted the verse from Ecclesiastes: “Vanity of vanity; all is vanity.” Needless to say, after this experience, the rabbi had no further qualms about eating at Reb Nahum Zeev’s table.[8]

I cite this passage because it reports that that R. Ziv had a dog, and this information must have come from R. Dessler.

R. Ziv was a very great man and there is a lot more that can be said about him. R. Jehiel Jacob Weinberg reports that when he lived in Germany, not only did he dress in a modern fashion, but he also trimmed his beard and shook the hands of women. R. Yosef Yozel Horowitz of Novardok was very upset about these things and asked the young R. Weinberg, at this time serving as a rabbi in Pilwishki, to rebuke R. Ziv. R. Ziv told R. Weinberg, “What does he want from a Jew in Germany? I am just a simple Jew and I do not wish to cause ahillul ha-Shem. I behave like the other German Orthodox Jews.”[9] R. Weinberg added that all of R. Ziv’s actions were infused with Mussar ideals, and when he had a question, he traveled to the Hafetz Hayyim to consult with him.[10]

2. In my last post here I gave an example where the people who put together Mesorat Moshe from R. Mordechai Tendler’s notes did not understand what was being discussed. Here is another example from Mesorat Moshe, vol. 3, p. 343, no. 1.

It begins by saying that R. Moshe Feinstein receive a letter from רב מורינו. The editor explains that this refers to Jacob Rosenheim. When I read this I immediately knew it was a mistake. This volume of Mesorat Moshe covers Tevet 5735-Tevet 5736, and Rosenheim died ten years prior to this, in 1965.

Leaving this aside, the editors were led to think that the story concerned Rosenheim as he was given the honorary title “Morenu ha-Rav” by the Agudat Israel organization.[11] Yet even if he was alive at the time of the story, no one would have referred to him as “Rabbi Morenu.” In fact, he was not a rabbi even though subsequent to his death and continuing until now he is constantly given this title,[12] much like today every askan or writer associated with the Agudah is referred to as “Rabbi”. (R. Jehiel Jacob Weinberg commented that for the Agudah every rabbi who joins them is treated like a great gaon,[13] to which we can add that every askan is treated like a rabbi. For the haredi critics of the Agudah, it is not only that the askanim are treated like rabbis, but that they are often treated like gedolim. A recurring theme in haredi criticism of the Agudah, since the beginning and continuing until today, is that many of the important decisions taken by Agudat Israel in the past century were made by the askanim without consultation with the Torah leaders who are supposed to be in charge.[14])

Although I knew that Mesorat Moshe could not be referring to Rosenheim, I had no idea who רב מורינו was, and assumed that there was some problem in the transcription. It never occurred to me that מורינו here was actually a name. I have to thank R. Mordechai Berger who pointed out to me that the letter is referring to R. Zev Moreno (Morejno in Polish), who served as rabbi in Lodz until 1973 when he came to New York. R. Moreno has a Wikipedia page devoted to him here.

Even after leaving Lodz, R. Moreno continued to be regarded as the chief rabbi not only of this city but of the entire country of Poland. R. Moshe Feinstein even ruled that in all matters dealing with religious life in Poland, such as appointing rabbis or shochetim, R. Morenu had to give his approval. See here and here. When R. Menahem Joskowitz arrived in Warsaw in 1989 and started functioning as the Chief Rabbi of Poland, this caused a big dispute with R. Morenu who travelled to Warsaw to confront the new rabbi. See here.

R. Morenu was clearly somewhat of a character, as only such a person would have written letters to President Ephraim Katzir, Prime Minister Menachem Begin, and Foreign Minister Moshe Dayan with the following “genius” suggestions, in which great rabbis are placed in the highest political offices as figureheads, while the politicians do all the real work: The president of the State of Israel should be the Satmar Rebbe, three vice presidents (a position that Israel does not even have) should be R. Moshe Feinstein, the Gerrer Rebbe, and the Lubavitcher Rebbe, who will serve together with Katzir. R. Zvi Yehudah Kook should be appointed prime minister, while the real work of the prime minister’s office should be conducted by Begin. The foreign minister should be R. Yosef Shalom Elyashiv while Dayan carries out the actual duties of the foreign ministry. You can read all about his political suggestionshere.

R. Berger also called my attention to another source relevant to my last post where I discussed R. Abraham Sofer. In 2018 Minhagei Yeshivat Torah va-Da’at (Torah Vodaath)[15] was published. On p. 23 n. 45, the following story about Sofer appears. Particularly interesting is the report that the Satmar Rebbe told the young man who refused to allow Sofer to get an Aliyah and publicly embarrassed him to ask Sofer for forgiveness.

פעם נכנס לישיבת ביהמ”ד עליון תלמיד חכם נכבד נכד החת”ס, אשר מחמת דוחק הפרנסה עבד במוסד של קאנסרבטיבים. כאשר כבדו הגבאי בעליה, קפץ אחד מתלמידי הישיבה ועלה במקומו לס”ת, והוכיח את החכם הנכבד האיך יכול הוא לעבוד אצל פוקרים בעוד שסבו נלחם במסי”נ נגד הניאולוגים, וביישו ברבים עד שההוא יצא מביהמ”ד מבוייש. כאשר סיפרו זאת להרב ראובן גרוזובסקי זצ”ל, אמר שהוא בבחינת הלכה ואין מורין כן, וכשסיפור זה הגיע לאזניו של האדמו”ר מסאטמאר זצ”ל הגיב שהבחור עשה כהוגן, אך משום כבודו של החת”ס שהוא זקנו של הלה .הורה לבקש ממנו מחילה.

3. Since so many have recently discussed rabbinic responses to epidemics, let me add the following. In years past there were two understandings of how diseases were spread. One is known as the Miasma Theory, and I can do no better than to quote the opening lines of the Wikipedia entry on the topic: “The miasma theory (also called the miasmatic theory) is an obsolete medical theory that held diseases—such as cholera, chlamydia, or the Black Death—were caused by a miasma (μίασμα, ancient Greek: ‘pollution’), a noxious form of ‘bad air’, also known as night air. The theory held that the origin of epidemics was due to a miasma, emanating from rotting organic matter.”

The other theory is Germ Theory, which in non-scientific language must be regarded as a fact. Germ theory explains the spread of disease as coming about through the spread of living organisms. Until the second half of the nineteenth century, both the Miasma Theory and Germ Theory (in earlier versions) found supporters in the scientific community.

In an article published in 1851,[16] Joseph Loewy claims that the amora Samuel accepted the Miasma Theory. He calls attention to Bava Metzia 107b: “And the Lord shall take away from thee all sickness (Deut. 7:15). . . . Samuel said: This refers to the wind. Samuel follows his views, for he said: All [illness] is caused by the wind.”

Loewy also cites Ta’anit 21b:

Once Samuel was informed that pestilence was raging amongst the inhabitants of Be Hozae, and he ordained a fast. The people said to him: surely [Be Hozae] is a long distance away from here. He replied: Would then a crossing prevent it from spreading?

4. In my last post I discussed letters from R. Hayyim Ozer Grodzinski and R. Jehiel Jacob Weinberg to R. Isaac Unna that were sold by two auction houses. I mentioned how these letters came from the Unna archive at Bar Ilan University which had disappeared. A third auction house has also gotten into the act, and on June 30, 2020 the following letter from R. Grodzinksi to R. Unna is being auctioned. See here.

I refer to this letter in Between the Yeshiva World and Modern Orthodoxy, p. 126 n. 69.

Obviously, the person who acquired the Unna archive has decided to unload it, and as mentioned in my last post, Bar-Ilan University could not care less that documents that it agreed to watch over are now being sold at public auctions. In the previous post I showed how the Bar-Ilan manuscript numbers are clearly visible on the letters that were sold. Take a look at the letter above from R. Hayyim Ozer to R. Unna. There is no manuscript number visible. Yet this is how the letter really looks (ignore my handwriting at the top of the page).

The manuscript number appears right above the name “Grodzienski,” but has been removed from the image used by the auction house (yet presumably is still found on the actual letter).

Excursus

The general practice is to transliterate יעבץ in שאילת יעבץ as Ya’avetz. Yet in I Chron. 4:9-10, the Bible mentions a righteous man named יעְבּץ, and his name is spelled with a sheva under the ע and a dagesh in the ב. When speaking of R. Jacob Emden, יעבץ stands for יעקב בן צבי. Yet in the introduction to שאילת יעבץ, R. Emden tells us that the title also alludes to the righteous man named יעבץ in I Chron. 4:9-10, as both of their births came with pain. On the title page of his responsa, in giving the publication date, R. Emden also cites I Chron. 4:10 with the name of יעבץ.

I assume, therefore, that R. Emden intended us to pronounce the word in the title as Ya’betz. This is also grammatically correct, as there is a sheva under the ע. Regarding the title, also note that the word is written as יעבץ and not יעב”ץ.

In the introduction to שאילת יעבץ, R. Emden mentions that the mother of Othniel ben Kenaz named him Ya’betz because of her painful childbirth. It is true, as Jacob J. Schacter points out, that there is nothing in Chronicles “to support Emden’s assertion that Yavez and Athniel were the same person.” See Schacter, “Rabbi Jacob Emden: Life and Major Works” (unpublished doctoral dissertation, Harvard University, 1988), p. 70 n. 18. However, when R. Emden writes

קראתי בשם ספרי זה שאילת יעבץ, נסמך הכתוב בד”ה שאמו של עתניאל בן קנז קראתו יעבץ לאמר כי ילדה בעוצב

he has in mind Temurah 16a: “A tanna taught: Othniel is the same as Ya’betz. . . . He was called Othniel because God answered him, and Ya’betz because he counselled and fostered Torah in Israel.”

In I Chron. 2:55 it mentions “the families of scribes that dwelt at יעבץ.” Does this city have anything to do with the person Ya’betz mentioned in I Chron. 4:9-10? We have no evidence, but Radak, I Chron. 2:55, suggests that perhaps Ya’betz built the city and it was named after him. Rashi, ibid., connects יעבץ with the city אבץ in Josh. 19:10.

There is another noteworthy point about the name יעבץ. We find the following in Derekh Eretz Zuta, ch. 1:

ט’ נכנסו בחייהם בג”ע ואלו הן חנוך בן ירד ואליהו ומשיח ואליעזר עבד אברהם וחירם מלך צור ועבד מלך הכושי ויעבץ בנו של רבי יהודה הנשיא ובתיה בת פרעה וסרח בת אשר ויש אומרים אף ר’ יהושע בן לוי

This is a list of those who entered Paradise during their lifetimes. A few of the names are not what we would expect and need to be explained. There is also a textual issue, as another version has R. Joshua ben Levi replacing Hiram of Tyre rather than being added. Why Hiram should be on the list in the first place is something I can take up on another occasion. For now, I just want to note that the son of R. Judah ha-Nasi (other versions read בן בנו) was also named Ya’betz, and that he is reported to have entered Paradise alive.

There is another version that lists Ya’betz separately from the son of R. Judah ha-Nasi. See R. Matityahu Strashun, Mivhar Ketavim, pp. 90-91. Alfa Beita de-Ben Sira (Warsaw, 1927), p. 23, has both עבדו של רבי יהודה and Ya’betz.

The Jerusalem Talmud, Hagigah 2:1, refers to an amora named Ya’betz. For a list of post-talmudic figures named יעבץ, see R. Zev Aharon Teller in Beit Va’ad le-Hakhamim (Tishrei 5769), p. 504 n. 88. See also Asher Weiser, “Ya’betz,” Sinai 78 (1975), pp. 6-8. Masoretic scholars know of Ya’betz ben Shlomo. See e.g., Shlomo Zalman Havlin, Masoret Torah she-Be’al Peh (Jerusalem, 2012), p. 611.

For others who referred to themselves as יעבץ, including Judah Leib Gordon, see Saul Chajes, Otzar Beduyei ha-Shem (Vienna, 1933), pp. 162-163.

A very important figure called יעבץ is R. Emden’s contemporary, R. Jacob Ibn Tzur (Abensur; 1673-1753) of Fez, author of the responsa work Mishpat u-Tzedakah be-Ya’akov. For generations, all Moroccan Jews knew R. Ibn Tzur, who was also a poet, yet he is pretty much unknown in the Ashkenazic world. Menachem Elon recalls how he learned about R. Ibn Tzur. He was doing research on a topic and יעבץ was mentioned, but he could see that it did not refer to R. Emden. He investigated the matter and learned that there was another great halakhic authority who also is known as יעבץ. He writes:

גאון מופלג זה, שיותר ויותר התודעתי לתורתו ולאישיותו, היה זמן ניכר בבחינת נעלם בעולם התורה והישיבות הגדולות שבפולין, ליטא ואשכנז, וכמעט לא היה ידוע בין החוקרים, ומאד חוששני שכך הוא הדבר, עד עיצומם של ימים אלה

See Elon, “Yihudah shel Halakhah ve-Hevrah be-Yahadut Tzafon Afrika mi-le-Ahar Gerush Sefarad ve-Ad Yamenu,” in Moshe Bar-Yuda, ed., Halakhah u-Fetihut: Hakhmei Morocco ke-Foskim le-Dorenu (Tel Aviv, 1985), p. 24.

After R. Emden, the most famous יעבץ is R. Joseph Jabez of Spain, author of Or ha-Hayyim among other works. His name is often written as Yavetz or even Yaavetz, but I don’t know how he himself pronounced the first three letters. The one thing I can say is that he did not pronounce the final letter of his name as “tz”, as that is an Ashkenazic (inauthentic) pronunciation which never would have been heard in Spain and won’t even be heard today among Sephardim who have had a traditional Sephardic upbringing. See R. Benzion Cohen, Sefat Emet (Jerusalem, 1997), pp. 114ff. This explains why, for instance, in Hebrew Barcelona is written as ברצלונה and Safed is written as צפת.

With regard to צפת, the modern pronunciation is Tzefat. However, R. Meir Mazuz notes that the correct pronunciation is indeed Safed (using “s” for צ and the accent on the first syllable), and this is in line with the Arabic pronunciation. See his introduction to R. Hayyim Joseph David Azulai, He’lem Davar (Bnei Brak, 2006), p. 27. See also R. Jacob Saphir, Even Sapir (Lyck, 1866), p. 1a. In previous generations, this is how the Sephardim in Eretz Yisrael would pronounce it. See R. Elijah Hazan, Ta’alumot Lev, vol. 3, no. 19 (p. 38b). In the page on Otzar HaChochma the vowels are not clear, but you can see them clearly here.

R. Ovadiah Bartenura, in a letter sent from Eretz Yisrael, refers to the city as ספיתה. It should be vocalized as סׇפֵיתׇה as this is how the locals pronounced it, non-Jews and Jews alike. See Avraham Yaari, Iggerot Eretz Yisrael(Ramat-Gan, n.d.), p. 151.

It is true that there is a city צְפֵת (Tzefat) mentioned in Judges 1:17, yet this is a city in the south and has nothing to do with the northern city of Safed we all know so well. צְפֵת is never again mentioned in the Bible, which is understandable as Judges 1:17 tells us that the city was destroyed and its name was changed to Hormah.

As for the original pronunciation of צפת, R. Mazuz does not note that R. Elazar Kalir indeed pronounced the name of the city as Tzefat. Look at the first two lines below, which come from Kalir’s kinah איכה ישבה חבצלת השרון (from the Goldschmidt edition of Kinot, p. 50).

As you can see, the final word צפת can only be read as צְפַת. It thus seems that the pronunciation as Safed only dates from the medieval period. See Encyclopaedia Judaica, s.v Safed: “Between the talmudic period and the Crusades the history of Safed is not known. The town reappears in 1140 under the name Saphet.”

* * * * * *

[1] Tza’ar Ba’alei Hayyim be-Halakhah ve-Aggadah, p. 514 n. 1171
[2] This was called to my attention by Yonatan Emett. R. Rapoport mistakenly refers to R. Shimon Eider as the recipient of R. Moshe’s responsum instead of R. Pinchas Bodner. He also refers to R. Eider as shlita, even though he passed away in 2007.
[3] From the various quotations, you can see that there are different ways people have transliterated the first word of R. Moshe’s responsa, אגרות. There is a dagesh in the gimel perhaps because of a nun that dropped off. Regarding the word, see R. Solomon Judah Rapoport, Toldot Rabbenu Natan Ish Romi (Warsaw, 1913), p. 24; R. Matityahu Strashun, Mivhar Ketavim (Jerusalem, 1969), p. 82 n. 9.
[4] See Excursus regarding the word יעבץ.
[5] Megilat Sefer, ed. Bombach (Jerusalem, 2012), pp. 41, 64.
[6] Im Hilufei Tekufot (Jerusalem, 1960), p. 104.
[7] Pahad Yitzhak, s.v. almanah.
[8] The same story, with slight variations, is found in Kitvei ha-Saba ve-Talmidav mi-Kelm, vol. 2, p. 649.
[9] That German Orthodox Jews shook hands with women is mentioned by R. Solomon Carlebach, who states that he also does so if the woman puts her hand out and to not shake it would embarrass her. See Meir Hildesheimer, et al., eds. Le-David Tzvi (Berlin, 1914), p. 218 (Hebrew section).
[10] From an unpublished letter of R. Weinberg.
[11] At the beginning of the Hebrew section of the Festschrift fuer Jacob Rosenheim (Frankfurt, 1931), the Agudah declaration is printed.

[12] For R. Zvi Yehudah Kook, the “original sin,” as it were, of Agudat Israel is precisely that it was founded by a layperson (Rosenheim), and R. Zvi Yehudah contrasts this to Mizrachi which was founded by a great Torah scholar, R. Isaac Jacob Reines. See Be-Ma’arakhah ha-Tziburit (Jerusalem, 1986), p. 76. In his eulogy for Rosenheim, R. Jehiel Jacob Weinberg, Li-Frakim (2016 edition), p.  607, also refers to him as the founder of Agudat Israel. Yet it is more correct to say that Rosenheim was the major force in the founding of Agudat Israel, as he cannot be identified as the organization’s sole founder.
[13] “Scholars and Friends: Rabbi Jehiel Jacob Weinberg and Professor Samuel Atlas,” Torah u-Madda Journal 7 (1997), p. 111.
[14] See here for a recent example of the Agudah rabbinic leadership responding to such a claim (regarding synagogue closures and coronavirus). See here regarding Yaakov Litzman serving as minister in the current Israeli government, which was never approved by the rabbinic leadership of Yahadut ha-Torah. See also here.

In R. Jehiel Jacob Weinberg’s letter to R. Moshe Soloveitchik, dated Oct. 20, 1949, and published here for the first time, R. Weinberg writes (ellipsis in original):

.וצדק הרבי ממונקאטש ז”ל שאמר לי כי עתידה האגודה להעביר את מרכז היהדות מביה”מ לאולם האספות ושם ימחאו הרבנים מחיאות כף לנאומים והאדמורי”ם יתכבדו באמירת ברכות . . . חכם עדיף מנביא

[15] On its hundredth anniversary in 2019, Torah Vodaath put out a beautifully produced book, America’s Yeshiva: Celebrating a Century of Torah Leadership in America. The pictures are wonderful and the story of the yeshiva’s beginning and growth are told in an honest way. Also noteworthy is that the yeshiva has a website with a lot of historical information, including most of the high school yearbooks that were produced. See here. Just going through the yearbooks, looking at the pictures, and reading the entries on each of the graduating students makes history come alive. The following yearbooks are missing from the website: 1944, 1947, 1948, 1951, If anyone has these yearbooks, please reach out to the yeshiva so they can be uploaded. The last yearbook on the website is 1978, which I assume means that the students did not publish any more yearbooks.

I do have two comments about the Torah Vodaath website and book. On the website herethere are biographies of the roshei yeshiva. However, there is no biography for R. Dovid Leibowitz, even though the book, pp. 150-152, devotes three pages to him, as well as mentioning him elsewhere. I hope that the omission from the website is not an intentional slight because of the dispute between R. Leibowitz and R. Shraga Feivel Mendlowitz that led to R. Leibowitz leaving Torah Vodaath and founding his own yeshiva. See Moshe D. Sherman, Orthodox Judaism in America (Westport, CT, 1996), p. 129.

While I think the book as a whole is great, there is a real blemish on p. 630 when the newest rosh yeshiva is discussed. I think most will understand why this is a terrible bizayon ha-Torah (a double bizayon ha-Torah, i.e., omitting mention of grandfather and father).

We are grateful that in 2018, just as Torah Vodaath began to mark its milestone centennial year, the Yeshiva welcomed Rav Yitzchok Lichtenstein, a descendant of Rav Chaim Soloveitchik and a grandson through marriage of Rav Reuven Grozovsky, to lead the Yeshiva. Rav Lichtenstein was a talmid of Rav Dovid Soloveitchik in Yerushalayim.

On p. 628 the other rosh yeshiva, R. Yosef Savitsky, is introduced as follows: “Rav Yosef Savitsky was raised in Boston by his father Rav Mordechai, a highly-respected Rav.”

If R. Lichtenstein had distanced himself from his family, I could understand the omissions (not that it would be right, but I could understand it). Yet not only has R. Lichtenstein not done so, but he himself has contributed to the legacy of his grandfather, with his most popular contribution undoubtedly this edition of R. Soloveitchik’s insights on the Haggadah.

[16] “Toldot Shmuel,” Kokhvei Yitzhak 15 (1851), p. 31.

Jews, Medicine and the University of Padua: A Behind the Scenes Tour of a New Exhibit at the Jewish Museum of Padua
November 2, 2022- December 31, 2022
By Rabbi Edward Reichman, MD

The city of Padua (or Padova), just twenty-five miles southwest of Venice, has a rich and expansive Jewish history, though it is not typically on the itinerary of the Jewish traveler to Italy. One might perhaps recognize the city name as the penultimate stop on the train from Florence to Venice. The likes of Rabbi Yehuda Minz (Mahari Minz- 15^th century), Rabbi Meir Katzenellenbogen (Maharam Padua- 16^th century), and Rabbi Moshe Ḥayyim Luzzatto (Ramḥal- 18^th century) all lived and taught there, as did many other great personalities in Jewish history.

One of the centerpieces of the city is the University of Padua, one of the oldest universities in the world, which is celebrating its 800^th anniversary this year. To this day, it remains one of the premier universities in Europe. The Jewish history of this city is very much intertwined with the university. One remarkable connection between the two is geographical. As divine providence would have it, the Ghetto of Padua was established literally meters away from the university campus. A casual stroll from Palazza Bo, the iconic architectural center of the University of Padua, to the Ashkenazi Synagogue in the Ghetto, now home to the Jewish Museum in Padua, takes less than five minutes.

A new exhibit at the Jewish Museum of Padua, in collaboration with the University of Padua, explores the unique relationship between the university and the Jewish community in the pre-modern era, with particular focus on the medical training of Jewish students. The exhibit commemorates a key role the university played in Jewish medical history, beginning in the fifteenth century, as the first university to officially allow Jews to gain formal training in the field of medicine. Since the formation of the earliest universities,[1] Jews were officially barred by papal decree from attending, as the universities were by and large under the auspices of the Catholic Church. In the pages of this blog, we have drawn attention to the role the University of Padua played in Jewish medical education.[2] Most recently we focused on a rare genre of poems written in honor of Jewish medical graduates of this institution from the 16^th-18^th centuries.[3]

I am now delighted to inform you of a new exhibit at the Jewish Museum of Padua- Jews, Medicine and the University of Padua– which will run through December 31, 2022. The exhibit was inaugurated with an event on November 2, 2022. Introductions by representatives of the museum, the Jewish community of Padua and the University of Padua were followed by a recorded video address by Chief Rabbi Dr. Riccardo Di Segni of Rome, himself a prominent physician, on Judaism and medicine. The program concluded with my presentation about the training of Jewish medical students in Padua.[4]

The archival material occupies a large display case[5] and reflects three centuries of history through rare documents, including community and city archives, which have never been on public display. With the exception of the work of Vesalius, all the items are unica.

In addition, displayed throughout the exhibit hall are portraits of Jewish physicians from Padua from the Benvenesti Collection of the Museo d’Arte of Padua, and a slideshow of diplomas and congratulatory poems appears on the big screen.

Please join me for a behind the scenes virtual tour of some of the highlights of the exhibit.

I. Anatomy, Vesalius, and the Jewish Medical Students of Padua

Andreas Vesalius
De Humani Corporis Fabrica (1543)

Library of the University of Padua

On the lower left shelf of the case, we find an early edition of Andreas Vesalius’ De Humani Corporis Fabrica, open to the frontispiece. It is no exaggeration that the field of modern anatomy was born at the University of Padua under the vision of the famed professor of anatomy, Andreas Vesalius (1514–1564).[6] You may wonder why a copy of this volume, one of the most famous works in the history of medicine and anatomy, is part of an exhibit on Jewish medical history.

This monumental development in the history of medicine interfaced with the Jewish community of Padua in a number of ways. Much like this one anatomy book reveals the structures of the entire body, so too, this one book provides a window into a complex chapter of the experience of the Jewish medical student in Padua with respect to anatomy.

Hebrew Anatomical Terms

The anatomical terms detailed in the works of Vesalius – the Tabulae Anatomicae and De Humani Corporis Fabrica – are presented in multiple languages. One of those languages is Hebrew.[7] The reason for this is not specifically related to the Jewish medical students of Padua per se, but rather to the role the Jews played in the translation of medical works and the transmission of classical medical teaching from antiquity to the Middle Ages and Renaissance.[8]

Exactly who is responsible for the Hebrew translations in the Tabulae Anatomicae is unknown. Vesalius may have attended lectures on the Hebrew language by Joannes van Campen at the Pedagogium Trilingue in Louvain.[9] With the Hebrew terminology for the Fabrica, however, Vesalius duly acknowledges some assistance:

I have decided to give in the index principally a simple list of the names of the bones, first presenting those I use in the text; then the Greek; then, any others in Latin taken from authoritative writers, and all that in such way that it may have value. After these will follow the Hebrew, but also some Arabic, almost all taken from the Hebrew translation of Avicenna[10] through the efforts of Lazarus de Frigeis, a distinguished Jewish physician and close friend with whom I have been accustomed to translate Avicenna.[11]

The reference to Avicenna, the eleventh century Persian physician and polymath, refers to the Canon of Avicenna, one of the more influential medical works of that time. A magnificent, illustrated Hebrew manuscript translation of the Canon, which dates from the mid fifteenth century, is found in the University of Bologna,12] and the work was printed later in the fifteenth century. The Hebrew terminology in Vesalius, and its relationship to the Hebrew medical terminology of the Canon, has been studied by both historian and linguist alike.[13] Some have been less than complimentary.[14]

Vesalius credits Lazarus de Frigeis, “a distinguished Jewish physician and close friend,” with assisting him with the Hebrew translation in the Fabrica.[15] While some evidence has come to light about this friend, his exact identity still eludes scholars.[16] De Frigeis is believed to be depicted in the classic illustration on the frontispiece of the Fabrica, visible in the exhibit showcase, wearing characteristically Jewish garb.[17]

Vesalius and the Jewish Medical Students of Padua

Another relationship between Vesalius and the Jews[18] is inferred from his tenure as a lecturer at the University of Padua.[19] As Padua[20] was one of the only institutions of higher learning in the medieval and Renaissance periods to admit Jews,[21] Jews from across Europe flocked to attend.[22] These students however were not versed in either Italian or Latin, the academic language of discourse. They sometimes required translation for their studies. This is evidenced by the existence of a rare manuscript of the Fabrica in Yiddish dating from the late 1500s.[23]

One could imagine a group of German Jewish medical students sitting in the back of Vesalius’s lecture hall hunched over this very manuscript trying to keep pace with the day’s lesson.

Vesalius’s work also formalized and expanded the teaching of human anatomy at the University of Padua, as well as at medical schools throughout the world. The supply of cadavers was a perennial challenge for the medical school and each community which sent medical students for training at the university was required to provide bodies for the dissection table. This presented a unique problem for the Jewish students, as Jewish law forbids the dissection of the body after death. The Jewish medical students and Jewish community went to great lengths to gain exemption from this requirement. This is reflected in the Jewish community archives of this period.[24] There was also fear of grave robbing from the Jewish cemeteries.[25] Indeed, one scholar has suggested that one of the illustrated letters in the Fabrica depicts a scene of the grave robbing of a body from a Jewish cemetery.[26]

The “o” on the flag held by the putti was the symbol Jews were required to wear on their clothing.

In one case in 1676, a Jewish body was stolen before burial by medical students and brought to the anatomy table for dissection. Riots ensued and a compromise was ultimately reached. Isaac Cantarini wrote about this in his Paḥad Yitzḥak (1684). Roth recounts a case where disgruntled students kidnapped an etrog that was being transferred between communities on Sukkot and held it ransom in exchange for providing Jewish bodies for dissection.[27]

II. History of Degree Granting for Jewish Medical Students before 1615- Counts Palatine

Padua City Archives (1469-1470)
ASPd, Notarile, vol. 1946
Archivio di Stato di Padova

The oldest and rarest item of the exhibit (bottom left section- front) is a volume of the Padua city archives from the late 15^th century. The pages on display document the medical degree-granting process for Jewish students during this period.

In the early centuries of the University of Padua Medical School, doctoral degrees were granted by the Sacred College of Philosophers and Physicians in a Catholic religious ceremony. As such, this pathway to a medical degree was not a viable option for a religious Jew. However, non-Catholics, including Jews, could obtain medical degrees through a different pathway outside of the university walls, granted by specific individuals known as Counts Palatine, who received their authority from the Holy Roman Emperor. These ceremonies were held privately before a notary and witnesses.[28]

On display is a remarkable archival record from February 21, 1469, reflecting this degree-granting process. The passage recounts that the Holy Roman Emperor Frederick III, while visiting Italy, bestowed upon Judah Messer Leon[29] a double doctorate in medicine and liberal arts, in addition to the title of Counts Palatine, granting him the right to confer doctorates upon other Jews of proven worthiness.

Judah Messer Leon was an accomplished physician, professor, and Torah scholar who later taught at the University of Padua Medical School. His work Nofet Tzufim (Abraham Conat: Mantua, 1475), known to this blog audience as the first Hebrew book to be printed in the lifetime of its author,[31]is a treatise on rhetoric, utilizing the classical literary devices of the ancient discipline of rhetoric applied to the Torah. One of the uses for this work was to prepare the Jewish students who matriculated from foreign countries to the medical schools in Italy. Indeed, Messer Leon is purported to have organized a yeshiva where students could receive a comprehensive Jewish education while training in the secular disciplines necessary for higher studies in the humanities, philosophy, and medicine.[31]

In the same archival record, we learn that it would be just one year later that Messer Leon would exercise his privilege as a Counts Palatine. In Padua, on 27 February 1470, Rabbi Dr. Judah Messer Leon bestowed a medical degree upon the Jew Yoḥanan Alemanno in a private ceremony at his home. Alemanno was a prominent Italian rabbi, philosopher and Kabbalist who also apparently taught Hebrew to the likes of Pico Mirandola. The nature of the ceremony was similar to the conventional Padua University procedure and included presenting the new doctor with a signed book, placing a gold ring on his finger, a wreath on his head, tying a red silk thread around his waist, and kissing him on the cheek.[32] However, while the invocation to the ceremony for the typical Christian student was “In Christi Nomini,” Messer Leon’s invocation for Alemanno was “In Dei omnipotentis nomine amen” (in the name of the Omnipotent God, Amen).[33]

This was the precursor to the invocation which would be used for the formal diplomas of Jewish students in the following centuries, “In Dei Aeterni Nomine Amen.” Messer Leon exercised this extraordinary privilege a number of times during his lifetime.

Messer Leon was involved in a Jewish legal dispute regarding the permissibility of wearing academic robes. Issues relating to these robes included the obligation to wear tzitzit, as well as the concern that they might contain sha’atnez.[34]

In 1615, the Collegio Veneto was established to serve the purpose of granting degrees to non-Catholic students and essentially replaced the Counts Palatine. The diplomas on display in this exhibit are from the period of the Collegio Veneto.

III. Diplomas of Jewish Medical Graduates of the University of Padua

Diplomas of Padua Jewish medical graduates are exceedingly scarce. While there have been a few sold at auction over the last few decades,[35] such diplomas are rarely displayed in public. I have thus far identified a total of nineteen extant diplomas of Jewish Padua medical graduates. Only three examples are found in Italy, and all of them are on display at this exhibit. An additional diploma was reproduced for display,[36] and images of others appear on the screen in the exhibit hall. Below I describe the diplomas on display, accompanied by a brief bio of their (original) bearers.

1) Medical Diploma of Moise di Pellegrino (Moshe ben Gershon) Tilche[37]
University of Padua- 1687
Gross Family Collection (Tel Aviv, Israel)

The invocation for the diploma for the typical Padua graduate was “In Christi Nomini.” For Jewish students, such as Tilche, the invocation was typically amended to “In Dei Aeterni Nomini.” Tilche is identified as “Hebreus” in the diploma, which was common for most Jewish students.

This is one of only a few Jewish medical diplomas from Padua that bear the graduate’s portrait, and the only such example displayed in this exhibit. Below the portrait are putti holding a laurel wreath, a book, a ring, and a hat.

This is a remarkable and unique depiction of the features of the Padua graduation ceremony. In addition to placing the wreath and hat on the graduate, a ring was placed on his finger, and books were symbolically opened and closed to represent the transmission of knowledge. This is similar to the ceremony described above performed by Messer Leon. This is the only known such illustration found on any Padua diploma.

The year is listed as “currente anno” instead of the typical term with Christian reference, such as Anno Domini, Anno a Christi Nativitate, or Anno Christiano.

Witnesses: The two witnesses for Tilche’s diploma were the Jewish physician, and graduate of Padua, Isaac Vita Cantarini (AKA Yitsḥak Ḥayyim Cantarini) and the Jew Samuele Pace. A branch of the Pace family was established in Padua by the 17^th century. A member of the family, Solomon, received his medical degree from Padua in 1647.[38] Cantarini was a rabbi as well as a physician and was a prominent figure in the Padua Jewish community.[39] Cantarini was both the author and recipient of poems dedicated in honor of Padua medical graduates.

Moshe ben Gershon Tilche signed a letter published in the Jewish legal responsa of Sanson Morpurgo, another medical Padua graduate (1700),[41] about the custom of donning tefillin on ḥol ha-mo‘ed (intermediate days of the holiday).[41]

2) Medical Diploma of Samuele Coen[42]
University of Padua- 1702
University of Padua Archives Raccolta Diplomi, 33 (n. 3841)

There were sixteen medical graduates from the University of Padua from the seventeenth and eighteenth centuries with the last name of Coen, though they were not all related. Samuele was part of the sphere of Rabbi Moshe Ḥayyim Luzzatto (Ramḥal). It was a common custom for students’ mentors, fellow Padua students or alumni, or family members to compose congratulatory poems, mostly in Hebrew, to celebrate the student’s graduation. There are three students I have identified for whom we possess an extant copy of both a diploma and a congratulatory poem. Coen is one. Coen’s brother Moise, also a Padua medical alumnus (1675), composed a broadside poem in honor of Samuele’s graduation.[43]

Moise served as a witness for the graduation diploma of another Jewish student, Emanuel Colli, whose diploma is housed in the Magnes Collection in California.

In 1741, Coen’s daughter married another graduate of Padua’s medical school, Jacob ben Moses Alpron.[44] Rabbi Moshe Ḥayyim Luzzatto (Ramḥal) wrote a poem in honor of Alpron’s graduation.

It was not uncommon for the typical Padua medical diploma to include an illustration of the family coat of arms for the graduate. Coen’s diploma is one of a few examples of coats of arms found in diplomas of Jewish students, and the only example in our exhibit. The coat of arms includes the symbol of the Kohen tribe, two hands in the formation used for the priestly blessing. Above the hands appears a crown, and below it appears a raven.

Samuel Coen was clearly a member of the kohen tribe, as were a number of Padua medical graduates including Tuviyah haKohen Rofeh and Isaac Cantarini, for example. Given the introduction of systematic anatomical dissection into the medical school curriculum in the 16^th century, I have long wondered why there is no reference in the halakhic literature of this time to the issue of dissection for a Kohen, let alone for a Yisrael. The first references to dissection are in the late 1700s with the famous responsa of the Nodah biYehuda and Rav Yaakov Emden, though they contain no discussion about Kohanim. This is perhaps because the format of anatomy teaching involved the professor alone performing the dissection and teaching over the body. This is reflected in the design of anatomical theater of Padua. Students did not perform hands-on dissection; thus, the only potential issue would be tumat ohel, which at least according to some authorities is not generated by a non-Jewish corpse. However, as the original theater had a retractable roof to eliminate the foul odors during dissection, perhaps even tumat ohel may have been a non-issue.

Returning to the diploma, there are two sets of books on a table under the medallion, all of them labeled with the names of secular authors who were part of the standard curriculum at that time, including Plato, Aristotle, Hippocrates, Galen, and Avicenna.

I had hoped the name Maimonides might have appeared on the spine of one of the books.

Coen is identified as “Hebreus” in the diploma, which was the norm for Jewish students.

The year is listed as “currente anno” instead of the typical term with Christian reference, such as Anno Domini, Anno a Christi Nativitate, or Anno Christiano.

3) Medical Diploma of Moise Valle[45]
University of Padua – 1713
Biblioteca Statale del Monumento Nazionale di Praglia, Fondo Ebraico, 156

Moshe David Valle (1697-1777), one of the more well-known graduates of Padua, was an Italian Rabbi, physician, and kabbalist. He lectured for the Padua confraternity Mevakshei HaShem (seekers of God). He was a prolific author and teacher, as well as student, of Rabbi Moshe Ḥayyim Luzzatto (known as Ramḥal). He authored commentaries on the Torah and Prophets as well as works on Kabbalah.[46]  He is responsible for disseminating the teachings of Ramḥal. Ephraim Luzzatto, physician, poet and fellow graduate of the University of Padua, authored a poem praising Valle’s lectures.[47]

Ramḥal and the University of Padua

As we are discussing Valle, we would be remiss if we did not at least briefly mention the relationship of Ramḥal to the university and its students. Though not part of this exhibit, the relationship of Ramḥal with the students of the university has been explored.[48] It had long been debated as to whether Ramḥal actually attended the university, as evidence was elusive. Debra Glassberg Gail has recently discovered records of his matriculation,[49] though not graduation. I obtained copies of these records confirming the matriculation of Moise Vita Luzzatto at the universitas artistarum,[50] amongst the students of philosophy and medicine.

Matriculation Records of 1723

Moise Vita Luzzato di Giacob ebreo

Matriculation Records of 1725

Moise Vita Luzato di Giacob ebreo

Matriculation Records of 1726

Moise Vita Luzato di Giac ebreo

The Luzzatto family had a long and productive relationship with the university as described below regarding the diploma of Raffaele, which is on display. Some of Ramḥal’s most cherished students, including Yekutiel Gordon and Moshe David Valle, studied medicine in Padua, and I have identified at least eight medical students for whom Ramḥal wrote congratulatory poems upon their graduation.[51]

Returning to the diploma, Valle, as well as the other students represented in this exhibit, had the invocation amended to “In Dei Aeterni Nomini.” Valle is identified as “Hebreus” as well. The year is listed as “currente anno,” devoid of any Christian reference.

Valle was promoted by Bernardino Ramazzini, who was in contact with some of the Christian Hebraists of that time.[52]Ramazzini is also considered the founder of occupational medicine, and in his classic work on diseases of the tradesman he discusses the increased prevalence of scabies among the Jewish population.[53]

Valle is buried in the Jewish cemetery of Padua.

The Diploma Medallion

The Padua diploma typically contains a medallion on the front page, which was designed and intended for the inclusion of a portrait. However, as this option required an additional fee, it was not exercised by all students. As the basic structure of the diploma was templated, for those who refused the portrait option, the medallion nonetheless remained. In these cases, one thus finds the medallion left bare, or filled with text. The three aforementioned diplomas in our exhibit reflect the three possible options. While Tilche chose the premium package, his fellow graduates did not.

4) Medical Diploma of Raffaele Luzzatto[54]
University of Padua 1797
Centro per la Storia dell’Università di Padova

The latest diploma in our exhibit is likewise noteworthy, though not because of its artistic value. Raffaele was a member of the famous Luzzatto family, many of whom graduated the University of Padua Medical School.[55]Raffaele was from the town of San Daniele in the northeastern region of Italy, Friuli.[56] From the end of the 17th to the early 19th century, numerous members of the San Daniele Luzzatto family graduated from the Padua medical school.[57]In fact, Raffaele was in a direct, unbroken line of what would ultimately be six generations of Luzzatto physicians, many of them named Raffaele.[58]

Samuel David Luzzatto (1800–1865), the great scholar and bibliophile, known as Shadal, reports that on a visit to his uncle Isaac in San Daniele, he was shown the medical diploma of Isaac’s father, Raphael.[59] Shadal then commented, “We learn that the poet Isaac was preceded by a Raphael and an Isaac, and was followed by a Raphael and an Isaac, all of them doctors.” This diploma on display may be the very diploma Shadal saw on his visit.

This is a simple unilluminated diploma comprised solely of calligraphic text. The invocation reads “In Dei Nomine,” similar but not identical to the invocations of the other diplomas in this exhibit.

Close inspection reveals that the word “Dei” is written over erased text of a longer word. There are a few additional erasures, including the words under the granting authority of the degree, which reflect the possibility that this diploma was templated for a Christian student, and originally read, “In Christi Nomine.”

Further proof for this theory is that the invocation for the Jewish student usually read, “In Dei Aeterni Nomine,” with the word “Aeterni” added. This is not the case here, as given the limited space of the templated invocation, it would not have been possible to add the additional word. Of note, Luzzatto’s graduation record in the Padua University Archives actually bears the invocation, “in Christi Nomine.”

There are a number of cases where the archival record for Jewish students bears the standard Christian invocation, while the student diploma does not. The archival scribe may have simply followed the usual formula without much thought, and the student would likely never have known otherwise. The diploma, however, was given to the student to possess in perpetuity and therefore the emendation to “in Dei Aeterni Nomine” would have been preferred for a Jewish student.

Luzzatto is also not identified as a hebreus in either the archives or in the diploma. Furthermore, while the diplomas of Tilche, Coen and Valle amended the format for the date to remove any Christian reference, this diploma retains the conventional Christian dating, “Anno a xti Nativ” (shorthand for Anno a Christi Nativitate).” All the aforementioned observations support the suggestion that this diploma was originally templated for a Christian student.

IV. Benvenisti Collection of Portraits of Physicians

Padua’s Museo d’Arte contains the Benvenisti collection of portraits of physicians. Displayed are reproductions of portraits of some Jewish physicians,[60] some of whom graduated from the University of Padua. I highlight two examples below.

1) Sabbato Vita Marini (1662-1748)

Marini’s famous portrait is used for the museum exhibit advertising.

Shabtai Ḥayyim Marini graduated from Padua in 1685[62] and was a close friend and possible teacher of Rabbi Moshe Ḥayyim Luzzatto (Ramḥal).[62] In addition, he translated into Hebrew the first three books of Ovid’s Metamorphoses from the Italian translation of Giovanni Andrea dell’Anguillara.[63] Joseph Almanzi composed an ode to Marini in his Nezem Zahav:

2) Samuele Medoro (1788-1854)

Samuel Medoro (1788-1854), received his training in the University of Padua, served as surgeon in the La Confraternità Israelitica “Sovvegno” di Padova, which endowed medical assistance to Jews throughout Italy, and published many medical articles. He was an active participant in the debate about the requirement for oral suction as part of the circumcision procedure. His handwritten lectures on cicumcision were sold at auction in 2013 by Kedem Auction House in Jerusalem.[64]

Conclusion

If you happen to be in Italy before the end of the year it may just be worth the detour from Venice to catch a rare glimpse of a little-known chapter at the crossroads of Jewish, Italian, medical and academic history. While there, make sure to book a tour with the museum, which includes the synagogue and cemeteries. In the old cemetery are buried Rabbi Meir Katzenellenbogen, who was a teacher and mentor to the Jewish medical students of Padua;[65] Abraham Catalano, physician and author of the work Olam Hafukh[66] on the 1631 plague (a reproduction of which is on display at the exhibit); and Moshe David Valle, who was a staunch supporter of Ramḥal and whose diploma is on display. If you have even the remotest interest in the history of medicine or anatomy, the University of Padua is home to the first and longest standing permanent anatomical theater in the world, completed in 1595, just steps away from the exhibit. In fact, the theater benches were not only occupied by many Jewish medical students over the centuries, there is also a record of Jews from the community (non-students) attending dissections when the theater was first built.[67] It is thus evident that you do not need to be a doctor (or health care provider) to appreciate this medically related exhibit.

I conclude with the following serious offer (though my wife Sara might describe it otherwise). If you make it to the exhibit in person, feel free to contact me, and I would be delighted to give you a tour while you are there- time and time zone permitting. (I have already done it once.)

Appendix- Jews, Medicine and the University of Padua: The Uncut Version

Below are a number of sections I had hoped to include in the exhibit, but for a variety of reasons did not make the cut.

Seforim/Books related to the Graduates

The original exhibit proposal included a section of first or early edition books/seforim related to or composed by Padua medical graduates. Included in this selective list are:

• Paḥad Yitzḥak by Isaac Ḥayyim Cantarini (Padua- 1664), which includes an account of a Jewish body kidnapped for the purpose of dissection by the non-Jewish medical students of Padua.

• The ubiquitous Ma’aseh Tuviyah by Tuviyah HaRofeh (Padua-1683), one of the most famous graduates from Padua.[68]

• Mateh Dan by David Nieto (Padua- 1687), patterned after the Kuzari.

• Paḥad Yitzḥak, the first halakhic encyclopedia, by Isaac Lampronti (Padua- 1696).

• Shemesh Tzedakah, responsa by Shimshon Morpurgo (Padua- 1700).

I also happened upon an article by Professor Joanna Weinberg about the collection of Hebrew printed works in the Antoniana Library of Padua.[69] A number of the items in this collection, all of which were printed before 1663, would be perfect for an exhibit on Jews and Medicine in Padua:

• Cannon of Avicenna:[70] One of two Hebrew incunabula in this library, it is the only known Hebrew medical incunabula. Could Lazarus de Frigeis have used this copy when assisting Vesalius with the Hebrew terms of the Fabrica? Speculative to be sure, but certainly not out of the realm of possibility. Perhaps marginalia are present in the copy to shed light.

• Shiltei ha Gibborim by Abraham Portelone:[71] Though neither medical in content nor written by a Padua graduate, it is nonetheless authored by one of the most famous Jewish medical personilites of that time and would certainly have been known to and possibly owned by the Jewish medical students in Padua. In addition, his son was a medical graduate of Padua and was promoted by none other than Galileo.

• Pesakim from R. Yehuda Mintz and R. Meir Katzenellenbogen:[72] These two Torah giants were leaders of the Padua Jewish community in their day and certainly interacted and taught the Jewish medical students.[73]

• Sefer Elim by Yosef Shlomo Delmedigo:[74] Delmedigo is one of the greatest alumni of Padua and amongst other things was known for his relationship with Galileo.[75]

In addition to the content of these books, their provenance was also relevant to our exhibit. Many of the Hebrew books held in the Antoniana Library originally belonged to Paduan Jews, evidenced by the family names inscribed on the title pages. I do not think it unreasonable to imagine that some of these works were actually used by Jewish medical students in Padua. Furthermore, I discovered that Pontificia Biblioteca Antoniana was a mere 750 meters from the Jewish Museum and Ghetto. It seemed too good to be true… and it was. The library requested exorbitant restoration fees for the items prior to transfer and regretfully financial constraints precluded this option. Alas, it was not meant be. I had also hoped to obtain Messer Leon’s Nofet Tzufim from the Vatican Library, but not unsurprisingly, was met with the same response and result.

Congratulatory Poems for the Jewish Medical Graduates of Padua

After having researched and written extensively about the congratulatory poems for the Jewish medical graduates of Padua, you might expect to find at least one hard copy of such a poem as part of the exhibit. However, for financial, legal and insurance reasons, the exhibit was limited to items found in Italy, primarily in the environs of Padua. Remarkably, of the over one hundred Hebrew congratulatory poems I have identified, not one is found in Italy. They are primarily found in Israel, America, England and Hungary. There is one single poem in the university archives written in Italian in honor of Samuele Coen,[76] whose diploma appears in the exhibit. The author is one of the University of Padua staff diploma illustrators, and I have yet to determine the story behind its composition. It does not in any way represent the genre of this poetry. In lieu of the physical poems, a slideshow of examples of congratulatory poems, along with examples of additional diplomas, is projected on the screen of the exhibition hall.

Padua Medical Graduates as Mohelim, Performing Circumcision on the Children of Their Fellow Graduates and Mentors

Identifying physicians of Jewish lineage is of great interest to some historians, but my interest lies at the intersection of medical practice and religious observance. The practice of circumcision by physicians is one such interface, and the physician-Mohel combination is not that common even today (with the exclusion of urologists). While this topic merits its own broader study, I have identified a number of Padua medical graduates who were also mohelim. Remarkably, in two cases, the pinkas mohel, or circumcision registry, is still extant, revealing another “medical” connection.

1) David Loria

Loria graduated Padua in 1623. Upon his graduation, Rabbi Yehuda Aryeh Modena composed a poem in his honor which now resides in the Oxford Bodleian Library.[77]

This poem is unique amongst the medical student poems, as it is one of only two medical student poems written in Aramaic.[78]

Loria and Modena maintained connection long after Loria’s graduation from medical school.[79] Indeed, Modena offered to bestow rabbinic ordination upon David Loria, though the latter declined for unknown reasons.[80] Loria was also a mohel and performed the rite for Modena’s grandson, Avtalion, in March 1636.[81] Though a physician in the Ghetto of Padua, Loria Fled Padua during the plague of 1631. However, he made extensive arrangements to provide for the needy.[82]

2) Salomon Lampronti[83]

Salomon was the son of the famous Isaac Lampronti, physician, rabbi, and author of Paḥad Yitzḥak. Isaac (Padua, 1696) and his son Salomon (Padua, 1734) were alumni of Padua’s medical school. Salomon was a mohel and his pinkas survived the ravages of time. Though I was unable to access the entire work, the passage shown in the Kedem auction catalogue[84] happened to include the record of Lampronti’s circumcision of the son of the physician Solomon Zamorani,[85] a Padua graduate of 1753.[86] Zamorani was also a student of the younger Lampronti. I suspect there are children of other Padua medical graduates included in this ledger.

3) Menahem Navarra[87]

Navarra completed his medical studies in 1740, and the poem below was written in honor of his graduation by Isaiah Romanin.[88]

Navarra was a mohel and, like Lampronti, his pinkas mohel has survived. Among those for whom he performed the rite were the children of Jacob Grassin Basilea and Raffael Ferrarese, both Padua medical graduates.[89] Below are examples of some of the entries:

March 27, 1757, son of Yaakov Gershon Basilea (Padua, 1735)[90] 

On December 2, 1769 Navarra circumcised the second son of Raffael Ferrarese (Padua, 1762), one of twins. The milah was performed one month after birth. Note he is called an “uman” (i.e., rofeh uman), which may possibly refer specifically to a university-trained physician.

There is a pinkas Milah housed in the University of Pennsylvania Library[91] which belonged to a member of the Fermi (or possibly Fermo/Firmo) family,[92] though the specific family member remains unknown. The entries run from 1705 to 1736. Therein are multiple references to Shimshon Morpurgo, a rabbi/physician graduate of Padua (1700).[93]

While the dates of the pinkas would align perfectly with the Padua medical graduate Moshe Yaakov son of David Fermo (Padua, 1701), I have no evidence to support his identification as the work’s author.[94] Furthermore, the spine of the work is stamped in gold with the words, Pinḳas mohel leha-R. Firmo. While the “R” typically refers to Rav, perhaps in this case the “R” stands for rofeh, though I admit this is unlikely.

A Few Comments Regarding The First Woodcut Border Accompanying The Prague 1526 Haggadah

The Prague 1526 edition of the Haggadah is one of the most important illustrated haggadot ever published.  It is perhaps the earliest printed illustrated haggadah for a Jewish audience and served as a model for many subsequent illustrated haggadot.[1] The earliest printed haggadah with illustration was published in 1512 in Latin and for a non-Jewish audience. That haggadah contains six woodcuts, and was intended as a response to the infamous anti-Semite Pfefferkorn’s screeds against Judaism.[2]The woodcut accompanying the first page shows three Jews around the seder who have four cups in front of them.  Although the Talmud explicitly states that one is not required to have four distinct cups of wine, presumably the image is a crude method of indicating the four-fold nature of the wine during the seder rather than prescribing custom.

The Prague 1526 edition was published by Gershom and his brother Gronom Katz on Sunday, 26th of Tevet 5287 or December 30, 1526.[3] This detailed publication information does not appear on the title page, rather it appears at the end of the book and is  referred to as a colophon.  The colophon is a manuscript convention that was incorporated into earlier printed books. The Prague 1526 edition does not have a title page at all.  At that time, the usage of the title page was only in its early stages.[4]

1.          The Earliest Hebrew Title Pages

As with non-Hebrew titles, the title page developed over time, both in terms of content as well as usage.[5]   The first Hebrew title page is that of the Sefer Rokeah published in Fano in 1505.[6] But that title page is really one of the more basic forms of the title page, known as a “label title page” providing only the title and author and no other ornamentation or information.[7] In that same year, an edition of Abarbanel’s Zevah Pesach was published in Constantinople.  This edition was the first to contain a border with the title and author, but no place or date of publication.[8] The first Hebrew book containing all the elements of a traditional title page, border, title, author, place and date is likely the 1511 Pesaro edition of the Talmud published by Soncino.[9]

Traditionally, the Hebrew title page is referred to as a “sha’ar” or gate.  The theory behind this description is that many title page borders are comprised of “gates,” the most common are the pillars that adorn many Hebrew books and are assumed to be those at Saint Peter’s Basillica in Rome.  Their inclusion in Hebrew books is perhaps linked to the (discredited) notion that the Catholic Church maintains certain portions of the Jewish Temple, and these pillars were actually in the Temple.  The first Hebrew book to use an architectural border is Daniel Bomberg’s edition of the Jerusalem Talmud published in 1522.[10]

1. Illustrations in Hebrew Books

Returning to the Prague 1526 haggadah, as mentioned previously, this edition was copiously illustrated, including the first page of the book. This is not the first example of Hebrew printed illustrations.  The earliest illustration to appear in a Hebrew book is that of a lulav and a handful of other explanatory images accompanying the Rome edition of the Sefer Mitzvot Gedolot dated to before 1480.[11]

The first fully illustrated Hebrew book was published in the incunabula period as well, it is Isaac ben Solomon Ibn Sahula’s Meshal ha-Qadmoni, printed in Italy, circa 1491, by Gershom Soncino.[12]

The border surrounding the first page of the Prague 1526 incorporates both Jewish as well as non-Jewish elements.  First, it is obvious that a Jew had a hand in the border as, in the inset, it displays someone performing bedikat hametz (searching for the bread) where he is using the traditional implements of a candle and chicken feather.  The outside border is less Jewish, and as many have noted, appears to be a copy of Italian/German renaissance borders.  The two most likely candidates for models for Prague are the border first used in the 1518 edition of Sacri Doctoris by Raymond Lulli (available here) or a border first used in 1519 for Paolo Ricci’s, Lepida et litere in Augsburg and reused in an Augsburg 1522 edition of Erasmus, Ad reverendum (available here).  Although we cannot pinpoint exactly which of these, if any, served as a model, what is clear is that among the images included in this border are bare-breasted women.

The use of bare breasted women to illustrate the haggadah is not limited to Prague. Both Charles Wengrov and Elliot Horowitz have pointed to earlier manuscript antecedents for Prague’s usage of such illustrations.[13] Aside from the printed example of the Prague 1526 Haggadah, this convention continued in manuscripts as well illuminated after 1526.  There are at least four such 16th century examples.[14] Additionally, and contrary to Horwitz’s contention that Spanish Jews were less accepting of such displays,[15] the Sarajevo Haggadah, which originated in Spain around 1350, includes two panels of Adam and Eve both depicting a bare-breasted Eve.

Likewise, the Golden Haggadah, 1320 Spanish manuscript includes the same form of illustration of the Adam and Eve scene.  Additionally, the Golden Haggadah includes images of nude bathers when it depicts Miriam standing from afar to see what will become of baby Moses.[16]

III.            Censorship in Modern Reprints of Prague 1526

            These historical antecedents notwithstanding, recent reprints of Prague 1526 have not been as accepting.  This initial border has been altered to airbrush and removes the bare breasts.  In 1989, a facsimile edition of Prague 1526 was published with the commentary of the Prague rabbi, Rabbi Yehuda Loew (Maharal). This border has been “touched up.”

Similarly, in 1998, a colorized facsimile edition of Prague 1526 was published.  Although the publishers took great pains to provide color where before there was black and white, they also altered this border.

Oddly enough, although they found this image offensive, they decided to reproduce it in two other places in this reprint even though this image only appears once in the original. Here is the original:

Not only is the first border altered, but other instances of bare breasts have been removed; most notably the image accompanying the verse from Ezekiel 16:7 “I made you grow like a plant of the field. You grew up and developed and became the most beautiful of jewels. Your breasts were formed and your hair grew, you who were naked and bare.”

(As discussed previously here a later, Venice 1609, edition also altered this page.)  Again in 2001, a facsimile of Prague 1526 “published by the Religious Council of Efrat in honor of the settlement’s twentieth anniversary . . . . two illustrations are surreptitiously deleted: the bare breasted woman” accompanying the verse from Ezekiel.[17] Most recently, in 2009, the airbrushed image of this woman was reproduced in The Schechter Haggadah: art, history; commentary.[18]

[1] There may be an earlier illustrated print haggadah, however, only 12 leaves of this haggadah are extant making it difficult to date (or identify the country of origin).  For a bibliography regarding this fragment haggadah see Y. Yudlov, Otzar haHaggadot, Magnes Press, Jerusalem:1997, entry 9; and most recently, Eva Frojmovic, “From Naples to Constantinople: The Aesop Workshop’s Woodcuts in the Oldest Illustration Printed Haggadah,” in The Library, Sixth Series, Vol. XVIII, No. 2, June:1996, pp. 87-109.

[2]  See R. Cohen, Jewish Icons: Art & Society in Modern Europe, University of California Press, CA:1998, pp. 21-22; see also Y.H. Yerushalmi, Haggadah; History: A Panorama in Facsimile, Philidelphia:1978, plates 6-8.

[3] Aside from the edition discussed herein, there is at least one copy of another haggadah that is also published by Cohen in Prague that same year.  While both versions are substantially similar, some of the images and borders have been changed.  Relevant for our purposes, is that the image accompanying “Sefokh” which is a full
page border with images of bare breasted women, has been replaced with a more innocuous border found elsewhere in the haggadah.  See Yudlov, Otzar, entry 8; A. Ya’ari, Bibliography of the Passover Haggadah,
Bamberg & Wahrman, Jerusalem:1960, entry 7; Rabbi Charles Wengrov, Haggadah & Woodcut: an Introduction to the Passover Haggadah Completed by Gershom Cohen in Prague, Shulsinger Bros., New York:1967, pp. 78-9.

[4] The first Prague imprint to include a separate title page is in a 1526 edition of Yotzrot published by Cohen.  See Wengrov, Haggadah & Woodcut, p. 82 n.238.

[5] Although, with regard to the adoption of the title page, Jews appear to adopt this convention at or near the time as society at large, that was not the case with other literary advances.  While the majority of the western world adopted the codex and discarded the scroll some time in the third century, the first recorded Jewish reference to the codex does not occur until the late
eighth or the early ninth centuries.  See Anthony Grafton, “From Roll to Codex: A Christian Initiative,” in Crossing Borders, Hebrew Manuscripts as a Meeting-place of Cultures, ed. Piet van Boxel & Sabine Arndt, Bodleian Library:2012, pp. 15-20.

[6] A.M. Habermann, Title Pages of Hebrew Books, Museum of Printing Art, Safed:1969, pp. 8-9.

[7] For a discussion of the development of the title page as well as the different types, i.e., label, border, end-title, see M.M. Smith, The Title-Page its early development 1460-1510, The British Library & Oak Knoll Press, London & Deleware:2000.

[8] See M.J. Heller, The Sixteenth Century Hebrew Book: An Abridged Thesaurus, Brill, Leiden & Boston:2004, vol. I, pp. 6-7.

[9] The border used for the Pesaro Talmuds first appeared in Decachordum Christianum (The Christian Ten String Harpsichord) published in Fano, 1507 by Gershom Soncino.  See M.J. Heller, Printing the Talmud, pp. 104-117  Additionally, see Heller’s discussion, id. p. 113, regarding Soncino’s reuse of the Dechachaordum‘s frames.  In reality, although the frames were originally cut for Decachordum, they were first used on Gershom’s edition of Bahya ibn Pakua’s commentary on the Torah, published four months prior to Decachordum.  See M.J. Heller, The Sixteenth Century Hebrew Book: An Abridged Thesaurus, Brill, Leiden & Boston:2004, vol. I, p. 41; Smith, The Title-Page, supra, pp. 47-59 (discussing the use of the blank title page).

[10]  See A.M. Habermann, “The Jewish Art of the Printed Book,” in Jewish Art, An Illustrated History, ed. Cecil Roth [revised ed. by B. Narkiss], New York Graphic Society Ltd., Connecticut:1971, pp. 167-68.  In Habermann’s earlier work, Title Pages of Hebrew Books, p. 9, he erroneously asserts that the earliest works to include architectural title pages were Soncino’s Melitza le-Maskil and Bomberg’s Tanach, both published in 1524/25.

[11]  See Joshua Bloch, “The Library’s Roman Hebrew Incunabula,” in Hebrew Printing & Bibliography, ed. Charles Berlin, New York:1976, p. 140.  For a description of this work see S. Iakerson, Catalogue of Hebrew Incunabula from the Collection of the Library of the Jewish Theological Seminary of America, JTS, New York & Jerusalem:2005, entry 7.

[12] See A.M. Habermann, “The Jewish Art of the Printed Book,” supra, at 169.  Habermann appears to argue that this is first printed Hebrew book containing illustrations, is incorrect. As discussed above, the first was the Rome edition of Sefer Mitzvot Gedolot. He is not alone in this error.  Ursula Schubert makes the same error.  See Ursula Schubert, Jewish Book Art, From the Renaissance until Emancipation, [Hebrew], Kibbutz hami-Uchad, Tel Aviv:1994, p. 27.  Habermann, id., notes that the great Hebrew bibliographer, Mortiz Steinschneider, was tricked with regard to one of the illustrations contained in Meshal
ha-Qadmoni.  Steinschneider, in a discussion about the alleged Christian origins of these illustrations, called attention to the fact that in one of them contains a monk wearing a crucifix. But, in the interim we have learned “that this last embellishment was a
practical joke played by a Christian scholar. . . [the crucifix] having been added by [a later] hand!”  Regarding the history and origins of the images included in Meshal ha-Qadmoni, see César Merchán-Hamann, “Fables from East to West,” in Crossing Borders, pp. 35-44; Ursula Schubert, Jewish Book Art, pp. 27-8.

[13]  Rabbi Charles Wengrov, Haggadah & Woodcut, p. 47 nn.112-13;Elliot Horowitz, “Between Cleanliness and Godliness,” in Tov Elem: Memory, Community & Gender in Medieval & Early Modern Jewish Societies, ed. E. Baumgarten, et al., Bialik Institute, Jerusalem:2011, *38-*39.

[14] Mendel Metzger, La Haggada Enluminée, E.J. Brill:1973, plate LIV, nos. 303-305; Chantily Haggadah, Musée Condé, Ms.
732, fol. 13, reproduced in Index of Jewish Art, eds. B. Narkiss & G. Sed-Rajna, Jerusalem-Paris:1976, vol. I, card no. 36.

[15] Horowitz, “Between Cleanliness,” at *38, (“One suspects that a Spanish Jew coming to Germany in the early 15th century would have been equally surprised to see an image of a naked woman” in a Hebrew manuscript.).

[16]  The Golden Haggadah, ed. Bezalel Narkiss, Pomegranate Artbooks, California:1997, figs. 17 & 24.

[17]  Id. n.37.  Horowitz only notes the 2001 example of censorship of Prague 1526, and apparently is unaware of the earlier
examples.  Additionally, he chastises the Efrat reproduction for erroneously indicating a 1527 publication date.  Efrat is not only in erring regarding the secular date.  The first facsimile edition (Berlin:1925), which includes a scholarly introduction, full title
is:  “Die Pessach Haggadah Des Gerschom Kohen Gedruckt Zu Prag 5287/1527.” Perhaps one can excuse the error as, in reality, it was completed on the eve of 1527, December 30, 1526.

[18] The Schechter Haggadah: Art, History & Commentary, [illustrations selected and annotated by David Golinkin], Schechter Institute of Jewish Studies, Jerusalem:2009, p. 36, fig. 16.1.