Shaul Stampfer has republished a revised and expanded edition of his HaYeshiva haLita’ot b’Hitavato. The book which is devoted to three yeshivot, Volozhin, Slobodka, and Telz, as well as the Kovno kollel. The book tracks the Volozhin yeshiva from its inception to its closure and the Slobodka and Telz yeshivot until the turn of the twenteenth century.

This book was originally Stampfer’s dissertation, Shlosh Yeshivot Litayot b’Meah haTisha Asarah (1981) and was published in book format in 1995. This edition includes numerous updates as well as much new information, especially regarding the closure of Volozhin. Stampfer now argues, based upon new Russian governmental documents, which he includes Hebrew translation of, that the Yeshiva was closed due to the its own internal upheaval. This internal strife was caused by R. Naftali Tzvi Yehuda Berlin (Netziv) attempting to install his son as Rosh haYeshiva. At Telz a similar fight broke out also regarding succession, as well as in Volozhin itself, on two separate occasion. However, the last fight caused such a rapid decline in the internal going ons of the Yeshiva, the government had it shut. The closure did not have to do with the haskala, the Russian government wanting to meddle into Jewish education or any of the other reasons offered. Instead, as has been borne out throughout Jewish history, the Jews brought it upon themselves. For example, the burning of the Talmud in France after the controversy regarding Rambam’s writings as well as the banning of the Talmud in the 16th century were caused or at least the catalyst was internal fighting amongst the Jews.

The book also debunks other theories regarding the opening of Volozhin. Some claim the R. Hayyim Volozhin ask R. Eliyahu of Vilna (Gra) and received his blessing to open the what was the first Yeshiva. Stampfer, however, questions this and notes that in the initial Kol Koreh R. Hayyim Volozhin makes no mention of this, something that would have bolstered his fundraising efforts. Second, Stampfer also proves that the opening of Volozhin was not in response to the Hassidic movement.

Aside from the above, the book is full of first hand accounts of the Yeshivot. These include, Volozhin started praying in the morning at 9 am and the prayers only ran 15-20 minutes. Stampfer qualifies this by noting haNetz haHama in Vilna (just north west of Volozhin) during the winter is 9:17 and also notes the 15-20 minutes is probably slightly exaggerated. Telz yeshiva was the first to institute grade levels in a yeshiva. Also, according to Simcha Assaf’s account, R. Lazer Gorden encouraged him to learn Russian and had his son teach Assaf in his own home. Stampfer includes much about the influence of Zionism and the haskalah on the yeshivot. All you ever wanted to know about all the infighting in the Yeshivot. The first to move to establish a kollel was R. Yitzhak Ya’akov Reines, who was highly controversial with the establishment of his yeshiva in Lida – arguably a precursor to Yeshiva University. These are only a tiny portion of the terrrific nuggets that can be found in this book.

I purchased this book at Beigeleisen in Boro Park (718-436-1165)

Printing was started by non-Jews, however, Jews quickly entered the printing business. However, at times, Jews “borrowed” from non-Jews sources with some interesting repercussions.

Early on many of the Jewish books borrowed title pages from non-Jewish works. This was so, as early title pages utilized woodcuts, which were rather expensive to make. In an effort to cut costs, printers would reuse these woodcuts from other books. Soncino in his early Talmuds as well as in other books used the title page that was used for Aesop’s Fables. (See Marvin J. Heller, The Printing of the Talmud, p. 68-70)

In 1697 the Teshuvot haBakh were published for the first time. This first edition actually has two variant editions. The first one was published with a rather elaborate title page that included unclothed women. It appears this edition was immediately pulled and a second title page was substituted. This second page was much simpler with just two cherubs above the text of the title no more nudes. (For more on this topic of altering title pages, see Isaac Rivkind, Sefer Ashir B’Sha’arim, in Studies in Bibliography and Booklore, vol. 1 1953 p. 96-100; A. Freimann, “Ueber Schicksale hebraischer Bucher,” in Zeitschrift fur Hebrasche Bibliographie, X (1906) esp. p. 175)
More recently, R. Mordechai Yaffo’s Levush was republished. This reprint, aside from resetting the type, adding the Eliyaha Rabba and Zuta, and adding additional notes also includes an extensive introduction. This introduction traces the history of the various editions of the Levush as well as explaining its overall value. When it traces the printing history, it includes reproduces the title page of the first edition (Lublin 1589). However, this title pages has strategic white outs. In the first edition on the title page it includes female nudes, these are now whited out.

The inclusion of nudes was not that uncommon. I have seen other seforim that include such depictions either on the title page or at times even in the text. One notable example is a Mahzor published in Venice in 1710. This edition includes a depiction of semi-nude women right before the start of Barukh She’amar. From an artistic perspective this arguably adds to the book, however, from a religious perspective one must assume that it may offend some. However, there is no explanation for this picture so we are left to wonder what was the motive of the publishers.