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“Be-Esek Atevata”: A Contextual Interpretation of an Elusive Phrase in Akdamut Millin

“Be-Esek Atevata”: A Contextual Interpretation of an Elusive Phrase in Akdamut Millin
by David S. Zinberg
A centerpiece of the Ashkenazic liturgy for Shavuot, Akdamut Millin is an artistically sophisticated, epically dramatic, and emotionally charged piyyut.  After nearly a millennium, the liturgical-narrative masterpiece of R. Meir ben Yitzhak Sheliah Tzibbur continues to intrigue and to inspire.[1] 
Towards the middle of the poem, the poet abruptly changes scenes.  Speaking in his own voice, he announces that he will now praise God “before empires”:

שְׁבַח ריבון עַלְמָא, אֲמִירָא דַכְוָתָא:
שְׁפַר עֲלֵיהּ לְחַווּיֵהּ, בְּאַפֵּי מַלְכְּוָתָא:
What follows, without warning, is a confrontation – almost a poetic disputation – between the gentile nations and Israel. 

Intended, perhaps, to evoke the insecurity of the Jewish experience, the narrative turn is unexpected and jarring.  Following a meditation on the heavenly realms and the superiority of Israel over the angels, the poet imagines a coalition of nations gathering, “like waves,” to confront the Jewish community. 
Their tone first seems benign, even sympathetic.  They are impressed by the Jews and their steadfast religious devotion.  But their assimilationist agenda, backed by a hint of violence – “Join us, it’s for your own good, you know” — comes to the surface before long.
In these six lines, the nations appear and present their argument:

1          תָּאִין וּמִתְכַּנְשִׁין, כְּחֵיזוּ אַדְוָתָא:
2          תְּמֵהִין וְשַׁיְילִין לֵיהּ, בְּעֵסֶק אַתְוָתָא:
3          מְנָן וּמָאן הוּא רְחִימָךְ, שַׁפִּירָא בְּרֵיוָתָא:
4          אֲרוּם בְּגִינֵהּ סָפִית, מְדוֹר אַרְיְוָתָא:
5          יְקָרָא וְיָאָה אַתְּ אִין תַּעַרְבִי לְמַרְוָתָא:
6          רְעוּתֵךְ נַעֲבֵיד לִיךְ, בְּכָל אַתְרְוָתָא:

My translation:

1          They approach, gathering like waves
2          Amazed, question one another about her signs
3          “From where and who is your Beloved, most beautiful,
4          For whose sake you perish in the lions’ den?
5          You are so dear and so lovely!  If you join the hegemony,
6          We will grant you whatever you desire, everywhere”

This finely crafted passage is woven from a set of midrashim revolving around a dialogue in the Song of Songs (5:8-6:2) between the רַעְיָה, the beloved woman, and בְּנוֹת יְרוּשָׁלָיִם, the daughters of Jerusalem.
Below is the text separated by speaker:

הָרַעְיָה:
הִשְׁבַּעְתִּי אֶתְכֶם בְּנוֹת יְרוּשָׁלִָם אִם תִּמְצְאוּ אֶת דּוֹדִי מַה תַּגִּידוּ לוֹ שֶׁחוֹלַת אַהֲבָה אָנִי:

בְּנוֹת יְרוּשָׁלָיִם:
מַה דּוֹדֵךְ מִדּוֹד הַיָּפָה בַּנָּשִׁים מַה דּוֹדֵךְ מִדּוֹד שֶׁכָּכָה הִשְׁבַּעְתָּנוּ:

הָרַעְיָה:
דּוֹדִי צַח וְאָדוֹם דָּגוּל מֵרְבָבָה:
רֹאשׁוֹ כֶּתֶם פָּז קְוֻצּוֹתָיו תַּלְתַּלִּים שְׁחֹרוֹת כָּעוֹרֵב:
עֵינָיו כְּיוֹנִים עַל אֲפִיקֵי מָיִם רֹחֲצוֹת בֶּחָלָב יֹשְׁבוֹת עַל מִלֵּאת:
לְחָיָו כַּעֲרוּגַת הַבֹּשֶׂם מִגְדְּלוֹת מֶרְקָחִים שִׂפְתוֹתָיו שׁוֹשַׁנִּים נֹטְפוֹת מוֹר עֹבֵר:
יָדָיו גְּלִילֵי זָהָב מְמֻלָּאִים בַּתַּרְשִׁישׁ מֵעָיו עֶשֶׁת שֵׁן מְעֻלֶּפֶת סַפִּירִים:
שׁוֹקָיו עַמּוּדֵי שֵׁשׁ מְיֻסָּדִים עַל אַדְנֵי פָז מַרְאֵהוּ כַּלְּבָנוֹן בָּחוּר כָּאֲרָזִים:
חִכּוֹ מַמְתַקִּים וְכֻלּוֹ מַחֲמַדִּים זֶה דוֹדִי וְזֶה רֵעִי בְּנוֹת יְרוּשָׁלִָם:

בְּנוֹת יְרוּשָׁלָיִם:
אָנָה הָלַךְ דּוֹדֵךְ הַיָּפָה בַּנָּשִׁים אָנָה פָּנָה דוֹדֵךְ וּנְבַקְשֶׁנּוּ עִמָּךְ:

הָרַעְיָה:
דּוֹדִי יָרַד לְגַנּוֹ לַעֲרוּגוֹת הַבֹּשֶׂם לִרְעוֹת בַּגַּנִּים וְלִלְקֹט שׁוֹשַׁנִּים:
אֲנִי לְדוֹדִי וְדוֹדִי לִי הָרֹעֶה בַּשּׁוֹשַׁנִּים:

The רַעְיָה begs the Jerusalemite girls to find her love and to tell him of her longing.  They first ask, מַה דּוֹדֵךְ מִדּוֹד – how will we identify him?  In response, she provides detailed signs, in seven lines of verse, of his beauty and charm.  Their next question follows naturally:
אָנָה הָלַךְ דּוֹדֵךְ הַיָּפָה בַּנָּשִׁים אָנָה פָּנָה דוֹדֵךְ וּנְבַקְשֶׁנּוּ עִמָּךְ — now that we know something about your beloved, where did he go?  Tell us, and we will help you search for him. 
In the allegorical reading of the Song – and in the poet’s imagination – the רַעְיָה is Israel, the דּוֹד is God, and the daughters of Jerusalem represent the nations. 
Below are excerpts from the midrashic sources relevant to our passage (language which inspired the poet is highlighted in bold):

מכילתא דרבי ישמעאל בשלח – מסכתא דשירה ג
זה אלי . . . ר’ עקיבא אומר אדבר בנאותיו ובשבחיו של מי שאמר והיה העולם בפני כל אומות העולם. שהרי אומות העולם שואלין את ישראל לומר מה דודך מדוד שככה השבעתנו (שיר השירים ה) שכך אתם מתים עליו וכך אתם נהרגין עליו שנ’ על כן עלמות אהבוך (שם א) אהבוך עד מות, וכתיב כי עליך הורגנו כל היום (תהלים מד). הרי אתם נאים, הרי אתם גבורים, בואו והתערבו עמנו. וישראל אומרים להם לאומות העולם, מכירין אתם אותו [2]נאמר לכם מקצת שבחו: דודי צח ואדום דגול מרבבה (שיר השירים ה). כיון ששומעין שכך שבחו אומרים לישראל נלכה עמכם שנ’ אנה הולך דודך היפה בנשים אנה פנה דודך ונבקשנו עמך (שם ו) וישראל אומרים להם אין לכם חלק בו אלא דודי לי ואני לו וגו’ (שם ב) אני לדודי ודודי לי הרועה בשושנים (שם ו).
במדבר רבה ב:ד

אִישׁ עַל-דִּגְלוֹ בְאֹתֹת (במדבר ב): הה”ד (שיר השירים ו) מי זאת הנשקפה כמו שחר יפה כלבנה ברה כחמה אימה כנדגלות.  קדושים וגדולים היו ישראל בדגליהם וכל האומות מסתכלין בהם ותמהין ואומרים מי זאת הנשקפה וגו’ אומרים להם האומות שובי שובי השולמית (שיר השירים ז) הדבקו לנו בואו אצלנו ואנו עושין אתכם שלטונים הגמונים דוכסין אפרכין אסטרטליטין, שובי שובי ונחזה בך ואין נחזה אלא שררה שכן אמר יתרו למשה (שמות יט) ואתה תחזה וגו’ שובי שובי ונחזה בך
במדבר רבה ב:טז

ד”א והיה במקום וגו’ הה”ד (שיר השירים ח) מים רבים לא יוכלו לכבות את האהבה וגו’ ואומר אם יתן איש את וגו’ אמר רבי שמואל בר נחמן בשתי אהבות הכתוב הזה מדבר. ראשו מדבר באהבתו של ישראל. שאם יתכנסו כל אומות העולם ליטול את האהבה שבינו לבין ישראל אינן יכולין, שנאמר מים רבים לא יוכלו לכבות את האהבה ואין מים רבים אלא אומות העולם שנאמר (ישעיה יז) הוי המון עמים רבים וגו’.
שמות רבה כג:ה
מראש שניר (שיר השירים ד), בזכות יצחק, וחרמון, בזכות יעקב, ממעונות אריות, גלות בבל ומדי, מהררי נמרים, זו אדום
Below, we match each line or half-line from our Akdamut passage to its associated biblical or midrashic expression.  Note how each phrase either quotes directly from or alludes to imagery in the Song and its related midrashim.  For now, we will leave line 2 aside.  This line will be addressed separately.
1          תָּאִין וּמִתְכַּנְשִׁין כְּחֵיזוּ אַדְוָתָא
מים רבים לא יוכלו לכבות את האהבה וגו’ . . .  שאם יתכנסו כל אומות העולם ליטול את האהבה שבינו לבין ישראל אינן יכולין . . .ואין מים רבים אלא אומות העולם . ) . . במדבר רבה ב:טז(
 
3          מְנָן וּמָאן הוּא רְחִימָךְ, שַׁפִּירָא בְּרֵיוָתָא
שהרי אומות העולם שואלין את ישראל לומר מַה דּוֹדֵךְ מִדּוֹד שֶׁכָּכָה הִשְׁבַּעְתָּנוּ )מכילתא דרבי ישמעאל בשלח – מסכתא דשירה ג(
1.      מְנָן (“from where”) — אָנָה הָלַךְ דּוֹדֵךְ הַיָּפָה בַּנָּשִׁים אָנָה פָּנָה דוֹדֵךְ
2.      וּמָאן  — (“and who”)מַה דּוֹדֵךְ מִדּוֹד הַיָּפָה בַּנָּשִׁים

4a        אֲרוּם בְּגִינֵהּ סָפִית
שכך אתם מתים עליו וכך אתם נהרגין עליו[3])  מכילתא דר”י שם(
4b        מְדוֹר אַרְיְוָתָא
ממעונות אריות, גלות בבל ומדי, מהררי נמרים, זו אדום (שמות רבה כג:ה)  
         יְקָרָא וְיָאָה אַתְּ, אִין תַּעַרְבִי לְמַרְוָתָא
הרי אתם נאים, הרי אתם גבורים, בואו והתערבו עמנו) מכילתא דר”י שם(
         רְעוּתֵךְ נַעֲבֵיד לִיךְ, בְּכָל אַתְרְוָתָא
הדבקו לנו בואו אצלנו ואנו עושין אתכם שלטונים הגמונים דוכסין אפרכין אסטרטליטין) מכילתא דר”י שם(
Line 2 of this Akdamut passage – תְּמֵהִין וְשַׁיְילִין לֵיהּ, בְּעֵסֶק אַתְוָתָא – is particularly challenging.  What does the poet mean by בְּעֵסֶק אַתְוָתָא?  To which “signs” (אַתְוָתָא = אותות) does he refer?
Several translators and commentators on Akdamut interpret אַתְוָתָא as “miracles.”[4]  But that rendering is completely unsatisfactory, as this section of the poem does not address miracles.  Furthermore, in all the source-midrashim from which the nations’ argument is derived, there is no reference to miracles.  Indeed, had it referred to “miracles,” this line would be an aberration, as every other phrase in these six lines echoes specific language in the sources cited.

Taking a completely different approach, the ArtScroll Machzor renders אַתְוָתָא as “proofs”; i.e., in light of Israel’s endless suffering in exile, the nations demand proof that God still watches over Israel and plans to send the Messiah to redeem her.[5]

This interpretation has some merit, since it links line 2 to the nations’ adjacent observation regarding Israel’s persecution, i.e., אֲרוּם בְּגִינֵהּ סָפִית, מְדוֹר אַרְיְוָתָא (line 4).  Still, “proofs” is forced and unsupported by the biblical and midrashic sources.

I believe, instead, that the correct translation of בְּעֵסֶק אַתְוָתָא is “about her signs,” i.e., Israel’s signs.  This phrase was clearly borrowed from the Bemidbar Rabba passage (2:4) cited above, a discourse on the banners or “signs” (אֹתוֹת) of the tribes, as described in Numbers 2:2.  Note the association in Bemidbar Rabba 2:4 between עַל-דִּגְלוֹ בְאֹתֹת of Numbers and אימה כנדגלות of Song 6:10.  The Sages read the latter as a reference by the nations to Israel’s impressive banners (נדגלות = דגלים). 

Also note how the poet’s תְּמֵהִין וְשַׁיְילִין לֵיהּ is taken nearly verbatim from the expression וכל האומות מסתכלין בהם ותמהין ואומרים of Bemidbar Rabba, which is used in the context of the flags.   

Of course, the biblical אֹתוֹת often connotes an extraordinary, miraculous phenomenon.  For example:
וְהָיָה אִם-לֹא יַאֲמִינוּ גַּם לִשְׁנֵי הָאֹתוֹת הָאֵלֶּה וְלֹא יִשְׁמְעוּן לְקֹלֶךָ וְלָקַחְתָּ מִמֵּימֵי הַיְאֹר וְשָׁפַכְתָּ הַיַּבָּשָׁה וְהָיוּ הַמַּיִם אֲשֶׁר תִּקַּח מִן-הַיְאֹר וְהָיוּ לְדָם בַּיַּבָּשֶׁת  (שמות ד:ט)
וַיּוֹצִאֵנוּ ה’ מִמִּצְרַיִם בְּיָד חֲזָקָה וּבִזְרֹעַ נְטוּיָה וּבְמֹרָא גָּדֹל וּבְאֹתוֹת וּבְמֹפְתִים  (דברים כו:ח)
However, it appears certain – based on Bemidbar Rabba 2:4 – that the “signs” to which line 2 refers are Israel’s flags, rather than God’s miracles. Here, then, is the final midrashic source for our Akdamut passage:  
2          תְּמֵהִין וְשַׁיְילִין לֵיהּ, בְּעֵסֶק אַתְוָתָא
איש על דגלו באותות – הה”ד מי זאת הנשקפה וגו’ קדושים וגדולים היו ישראל בדגליהם וכל האומות מסתכלין בהם ותמהין ואומרים מי זאת הנשקפה וגו’)  במדבר רבה ב:ד(
What may have motivated the interpretation of אַתְוָתָא as “miracles” was a presumed link between two distinct reactions of the nations: תְּמֵהִין וְשַׁיְילִין לֵיה of line 2 andמְנָן וּמָאן הוּא רְחִימָך of line 3.
The nations’ focus in line 3 is, of course, on God (רְחִימָךְ – your Beloved).  The phrase מְנָן וּמָאן הוּא רְחִימָך is a conflation of אָנָה הָלַךְ דּוֹדֵךְ and מַה דּוֹדֵךְ מִדּוֹד, whose referent is God.  But in line 1 — תָּאִין וּמִתְכַּנְשִׁין — they accost Israel and, in line 2 — תְּמֵהִין וְשַׁיְילִין לֵיה — express wonder among themselves about Israel.  Their response in line 2 is to Israel, rather than to God.  They shift their inquiries to God only in line 3.

[1] On R. Meir ben Yitzhak, see Eliezer Landshut, Amudei Ha-Avoda (Berlin, 1862), pp. 162ff; Avraham Grossman, Hakhmei Ashkenaz Ha-Rishonim (Jerusalem, 1981), pp. 292ff.
[2] The variant text in Mekhilta De-Rabbi Shimon Bar Yohai – אי אתם מכירין אותו – is more readable.
[3] See also Shir Ha-Shirim Rabba 7:1:
אומות העולם אומרות לישראל עד מתי אתם מתים על אלהיכם ומשלמין לו . . .  ועד מתי אתם נהרגין עליו . . .  ועד מתי אתם גומלין טובות עליו ולו לעצמו, והוא גומל לכם רעות
[4] E.g., Mahzor Le-Hag Ha-Shavuot, ed. Wolf Heidenheim (Rodelheim, 1805 and reprints); Mahzor Shavuot, ed. Yonah Fraenkel (Jerusalem, 2000), p. 390, n. 22; and, most recently, Jeffrey Hoffman, “Akdamut: History, Folklore, and Meaning,” The Jewish Quarterly Review, 99:2 (Spring 2009), p. 178.
[5] The Complete ArtScroll Machzor – Shavuos (Brooklyn, 1995), p. 269.  The note on p. 269 attributes this idea to Mevo Ha-Shir by Shmuel Hayyim Yellin (Pietrokow, 1926).  However, “proofs” was already proposed by Aharon ben Yehiel Mikhel Ha-Levi in his Mahzor commentary Mateh Levi.  Yellin renders בְּעֵסֶק אַתְוָתָא as “on the matter of the arrival (of the Messiah),” based on an erroneous association of אַתְוָתָא with ואתא, Aramaic for  ויבא (“he arrived”).  The comments of Mateh Levi and Mevo Ha-Shir can both be viewed here.



Introduction to The Song of Songs (An Excerpt) by Amos Hakham

Introduction to The Song of Songs (An Excerpt)
by Amos Hakham
Translated by David S. Zinberg

Amos Hakham passed away on August 2, 2012 at the age of 91.  The following is an unofficial translation of an excerpt from the Introduction to his commentary on the Song of Songs, published in 1973 by Mossad Harav Kook, in the Da’at Mikra series of Bible commentaries.  

The selection below is an outstanding example of Hakham’s distinct approach, in both his Introduction and commentary, characterized by uncompromising scholarship coupled with faithfulness to tradition.  Here and in his other writings, he displays a profound mastery of the Bible and the literature of the Sages, a keen eye for subtle literary and linguistic features of the text, a love of Jewish tradition, and a genuine religiosity that is never cloying.  His style is marked by a fluid, graceful clarity.  With courage and sensitivity, Hakham confronts one of the most challenging subjects in traditional biblical exegesis.   

Hakham’s presentation is transparent and honest rather than pedantic.  First, he cites a broad range of general approaches and specific theories, from both traditional and modern sources.  He then carefully and fairly evaluates each view, adds his own observations and, finally, offers a  conclusion.   

Biblical quotations are from the New JPS Version, except for translations inconsistent with Hakham’s understanding of the verse.  The translation of a passage from Maimonides’ Mishneh Torah is from I. Twersky, A Maimonides Reader (New York: Behrman House, 1972).  Where valuable, I have included Hakham’s original Hebrew in square brackets.  Hakham’s footnotes are not included in this translation.    

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The Content and Meaning of the Song of Songs in the Literal Sense
The Song of Songs, in the natural sense of Scripture [peshuto shel mikra], is about a man’s love for his beloved woman [ahavat ha-dod le-ra’eyato], and the woman’s love for him.
The question of continuity and division is critical for understanding the Song of Songs, and there are a variety of views on the subject.  Aggadists tended to interpret its verses independently, each conveying its own idea.  Opposing this method, Rashi wrote in his Introduction: “There are many aggadot on this book . . . but they are inconsistent with the syntax of Scripture and the sequence of the verses.  I have endeavored to follow the natural sense of the verses and to interpret them sequentially . . .”  Indeed, one who studies Rashi’s commentary on the Song of Songs will find that he attempts to interpret the entire book as a single, continuous poem.  For Rashi, the continuity of the Song of Songs lies mainly within its referent [nimshal], which is Israel’s history from its origin to the end of days.  R. Abraham ibn Ezra interpreted the Song of Songs in similar fashion, though Ibn Ezra also tried to find continuity within its literal sense.  In his commentary, the Song of Songs is a chronology of events taking place between two lovers.
A number of modern biblical scholars attempted to follow this approach to its logical conclusion; they maintained that the Song of Songs is a single, continuous poem written in the form of a dramatic dream vision.  But adherents of this view are forced to posit far-fetched interpretations and to take many verses out of context.  Other scholars held that the Song of Songs is an anthology of several poems (excerpts of poems, for the most part) — composed in various periods and provenances — which were compiled haphazardly at a later time.
The most plausible approach, I believe, is as follows:  The Song of Songs is not a continuous chronology of two lovers, and it is certainly not a drama.  But neither is it an anthology of poetic excerpts.  Rather, it is an anthology of complete poems written by a single author on a single subject, following a specific methodology and purpose.  The poems are sometimes brief and simple, sometimes lengthy and complex.  Nevertheless, for the most part they are self-contained units.  In the commentary, I have assigned a unique title to each poem and have also noted its division into sections or stanzas.  Often, the divisions are ambiguous; other commentators have split or combined the poems differently.  But these are merely details which do not undermine the central thesis that the Song of Songs is an anthology of complete poems.
As mentioned, the overall theme of the poems is the love between the dod and his ra’eyah.  However, there are several differing opinions regarding the circumstances in which the poems were composed.  Rashi (in the  Introduction to his commentary) says that the ra’eyah in the Song of Songs is a “widow of the living,” i.e., her husband has abandoned but has not divorced her, and she longs for him in her songs.  He consoles her, promising that he will yet return.  Ibn Ezra reads the Song of Songs as the story of a preadolescent girl, whose beloved is a shepherd, guarding a vineyard.  
Modern biblical scholars have suggested that the poems in this book do not describe events which took place between a particular pair of lovers but, instead, these songs were popular at wedding banquets.  As proof, some point to a statement of the Sages forbidding the use of lyrics from Song of Songs in drinking halls (Sanhedrin 101a; Tosefta Sanhedrin 12:5).  Because the Sages prohibited such a practice, their argument goes, this was in fact the original custom.  It was eventually forbidden, they say, due to deteriorating moral standards and out of fear that it might create an atmosphere of levity leading to the desecration of the sacred.  Among those who maintain that the Song of Songs comprises wedding songs, some suggest that the name “Solomon” — appearing seven times in the book — refers not to King Solomon, but to the groom, who is likened to a king.  In light-hearted humor, he is caricatured as “Solomon.”  Some have claimed that these songs were originally sung at festivals for Israelite girls, such as the dance festival at Shiloh recorded in Judges (21:21), and the festival mentioned at the end of Mishnah Ta’anit (4:8) as well as the Targum to Lamentations, on the phrase “her maidens are unhappy” (1:4).         
The most reasonable approach, I believe, is as follows: Although the Song of Songs does include dance songs (e.g., “Turn back, turn back, O maid of Shulem!” 7:1), one cannot claim that all the poems are dance songs.  It is likely that the poet borrowed phrases from dance songs and embedded them, as necessary, within his poems.  Likewise, some of the poems may have originally been wedding songs — at least one, ending in the words, “Eat, friends, drink deeply, beloved” (5:1), is an obvious example; it is a call to the diners at a wedding banquet to eat and drink — but one cannot generalize this to all the poems.  Most likely, the portraits of the lovers within the Song of Songs depict a variety of circumstances.  In some, the lovers may be formally unconnected; in others, they may be betrothed, at their wedding banquet, or already married.  Also, the notion that every “Solomon” is a metaphor for the groom seems far-fetched.  Sometimes, “Solomon” is simply King Solomon himself.  
The love portrayed in the Song of Songs is untainted and pure.  It is entirely within the bounds of that which is appropriate, permissible, and accepted.  No divine or human obstacle stands in the way of their love.  The ra’eyah brings her dod to her mother’s home; that is, everything is conducted according to custom and convention, and with the family’s approval.  The ra’eyah does have desperate moments.  But although she calls herself “lovesick” (2:5, 5:8), she is referring to an intense longing for her beloved rather than an emotional crisis.  At times, the ra’eyah refuses her dod, and the dod may elude her and disappear, but that does not mean that there was animus between them.  Instead, this dynamic should be understood as “a rejection with the left hand, and an embrace with the right.”  The ra’eyah is treated cruelly by her brothers, but they do not keep her away from her beloved.  They are intent only on increasing their possessions but, in  the end, they relinquish what is hers.
Whether the entire Song of Songs refers to a single pair of lovers, or describes multiple couples, is a significant question.  That is, can all that is said of the dod and the ra’eyah be conflated within the portrait of an individual man or woman?  There do not appear to be substantive contradictions between the different descriptions of the dod and ra’eyah; we may thus assume that the book intends to describe different circumstances or events in the lives of a pair of lovers who actually lived at some point in time.  
I do not mean to suggest that everything recounted in the Song of Songs should be taken as a narrative or that it only describes events that actually took place between two specific individuals.  The very nature of poetry is to portray circumstances more beautifully and more perfectly than they really are.  Here too, the primary goal of the Song of Songs is to present an ideal portrait of the innocent love between a dod and his ra’eyah.  But the descriptions are based on reality.  
The dod portrayed in the Song of Songs is a shepherd.  His sheep are never mentioned explicitly in the poems, but “shepherd” is used several times as his alternate name.  Although there appear to be instances where “shepherd” is used a metaphor for the dod, wandering the hills and tending his gardens like a grazing gazelle, he is initially depicted as a real shepherd, as implied by the verse, “Where do you pasture your sheep?  Where do you rest them at noon?” (1:7).  Possibly, because he would wander the countryside with his sheep, he mentions the names of several places scattered far and wide throughout the land.  It is also possible that because he was a shepherd, he compares his love’s beauty to flocks of goats and ewes.  But there is no hard evidence that compels us to interpret the text this way.  Nevertheless, we may infer from Scripture that he roamed the mountains (“leaping over mountains”; 2:8), which is consistent with shepherding.  The image of the dod is depicted with all the emotion and intensity of one who is “lovesick.”  Scripture suggests that he was tall (“preeminent among ten thousand,” “stately as the cedars”; 5:10,15), that his hair was “curled, and black as a raven” (5:11), his cheeks were ruddy and bearded (“his cheeks are like beds of spices”; 5:13), and he was a swift runner (2:9, 8:14).    
The ra’eyah is also tall, with an upright posture (“Your stately form is like the palm”; 7:8), her hair is black (“Your hair is like a flock of goats”; 4:1), and her complexion is dark as well (“because I am swarthy”; 1:6).  The white of her teeth, which “bear twins” (6:6), stands out against her dark face.  Her movement and her gait are full of grace (“How lovely are your feet in sandals, O daughter of nobles!”; 7:2).
She is called a “daughter of nobles,” and the poems imply that she was from a well-to-do family: She wears costly perfumes, and her brothers offer her a “silver battlement” (8:9).  They own vineyards, but she too has a vineyard of her own.  Her brothers direct her to tend the vineyards, and she also tends to sheep (perhaps at the advice of her dod, so that he might see her more easily: “Go follow the tracks of the sheep, and graze your kids by the tents of the shepherds”; 1:8).  The portrait in the Song of Songs suggests that her brothers treated her heavy handedly, forcing her to work in the vineyards.  She knew her dod previously and, unbeknownst to her brothers, fell in love with him; to them, she was still a child.  After much time elapsed, the brothers were finally inspired to provide for their sister’s upcoming marriage, only to discover that she had already found her intended.                                              
God is never mentioned in the Song of Songs.  This is likely one of the motivations for the Sages’ pronouncement that “every ‘Solomon’ in the Song of Songs is divine” (Shavu’ot 35b).  But the question remains why God is not mentioned explicitly.  Commentators and thinkers have said that the holiness of a text is not determined by tallying its divine names.  Just as there are texts whose sacredness is self-evident even without reference to God, so is the untainted and sacred love depicted in the Song of Songs.  Nevertheless, it seems that the poet deliberately excluded the explicit form of God’s name from the text.  Possibly, because the poems — in their literal sense — were originally meant to be recited as expressions of love between a groom and bride, it was feared that they might not always be recited in purity, and for this reason God’s name was omitted.  It is also possible the omission contains a moral statement, related to Rava’s comment (Mo’ed Katan 18b), that a lover may not solicit divine intervention in the hope of marrying his love.            
It is also worth noting that the dod and ra’eyah are nowhere mentioned by name.  They address each other not by proper name, but by pet name, like dodi, ra’eyati, and many others.  The ra’eyah’s friends are called “Daughters of Jerusalem,” and the dod’s friends are called “companions” [haverim], “friends” [re’im], and “beloved” [dodim].  This is a known biblical feature, in which male or female characters may remain anonymous for the duration of a lengthy and detailed narrative.    

The Song of Songs as a Parable of Divine Love
In the Midrash, the Sages offered many allegorical interpretations of the Song of Songs, taking its earthly love as a parable for the love between God and Israel.  This notion is based on prophecies in which God’s covenant with Israel is symbolized by the marriage covenant between a man and his beloved wife.  The great medieval Jewish exegetes interpreted the Song of Songs within this conceptual framework and objected strenuously to the idea that its meaning is limited to its literal, natural sense of the love between a man and woman.
It is well known that the term “parable” [mashal] in the Bible, as well as in Hebrew generally, has several different meanings.  Many types of parables are found in the Bible (and not all parables are explicitly termed “parables”).  The parable in the Song of Songs is apparently not the type in which the referent displaces the literal sense but, instead, adds a nobler and more sacred meaning to the natural meaning.  That is, although the natural, literal sense refers to the love between a flesh-and-blood dod and ra’eyah, by virtue of the fact that their love is wholesome, innocent, pure, and holy, it is worthy of serving as a representation and a model for a more exalted love.  Support for such an approach can be found in the statements of the Sages and Jewish scholars throughout history.  Indeed, while the Sages of the Midrash interpreted the Song of Songs’ love as that between Israel and God, they also interpreted it naturally, viewing the dod and the ra’eyah as two human beings.  For example, in R. Yohanan’s exegesis of the verse, “I have come to my garden, my own, my bride” (5:1; see the commentary, in the poem’s summary section) [In the summary of that poem, Hakham cites Vayikra Rabba (9:6): “The Torah teaches you proper etiquette: A groom may enter the bridal chamber only after receiving his bride’s consent. First, (the bride) says, ‘Let my beloved come to his garden and enjoy its luscious fruits’ (4:16); and only then (in the next verse, the groom responds), ‘I have come to my garden, my own, my bride’ -dsz].  This is linked to the idea, appearing frequently in the literature of the Sages, that all aspects of marital relations are rooted in holiness and allude to holy matters.  For this reason, the marriage blessings include the following: “The barren will surely rejoice when her children return to her joyfully.  Blessed are you, God, who brings joy to Zion with her children.”  From the formulation of this blessing, we may infer that the joy experienced by every bride and groom represents the joy associated with the redemption and the ingathering of the Diaspora.  There are many kabbalistic teachings which take aspects of marital relations as symbols of lofty matters.      
We should also draw attention to the mistaken notion that the Sages interpreted the Song of Songs allegorically because they considered its natural sense to be unworthy of the Holy Scriptures. It is not so.  Some of the greatest exegetes have noted that one must not even contemplate the idea that a prophetic text would employ something inherently offensive to suggest that which is holy and pure.  Rather, just as the referent is holy, so is the allegory.  The fact that the prophets compare the covenant between God and Israel to the marriage covenant suggests that the latter is sacred and noble.  The Sages have said, “If a married man and woman are worthy, God’s presence dwells with them” (Sotah 17a).
As noted, many exegetes interpreted the Song of Songs allegorically, viewing the ra’eyah as an emblem for Israel and the dod for God.  Thus, the love between the dod and the ra’eyah represents God’s love for his people and Israel’s love for God.  In the Midrash, the Sages followed this exegetical method.  Likewise, the Targum translated the Song of Songs allegorically and ignored its literal sense.  Many such midrashim are embedded in Jewish liturgical poetry [piyyutim].  On Passover, several communities once recited — some still do — piyyutim based entirely on the Song of Songs, from start to finish, on the subject of God’s love for his people and the promised redemption.  Many piyyutim for other occasions include phrases from the Song of Songs; such phrases were a quintessential part of the piyyut vocabulary and, subsequently, entered popular usage.  
The great medieval exegetes such as Rashi, Ibn Ezra, and others, were also of the view that the Song of Songs allegorizes God’s love for his people.  The difference between the approach of Rashi and Ibn Ezra and that of the Midrash is as follows:  The Midrash generally ignores the allegory entirely and exclusively addresses the referent.  The exegetes, on the other hand, also address the literal sense of the allegory.  Furthermore, they attempt to connect adjoining verses and to find context and continuity within the Song of Songs as a whole.  In their view, the Song of Songs includes hints regarding all of Jewish history, from its origins until the end of days.  The hints are not of a general nature; they refer to specific future events.  Thus, for example, Rashi interprets the verse, “Before I knew it, my desire set me mid the chariots of Ammi-nadib” (6:12) as an allusion to the civil war between the Hasmonean brothers John Hycranus and Aristobulus, which led to Israel’s subjugation by Rome.  They saw the Song of Songs as a prophetic or visionary work.  But there are those who do not accept — within the natural sense of the book — interpretations predicting future events.  However, this objection does not undermine the view which sees the love in the Song of Songs as emblematic of God’s love for his people.  
All the midrashim and the exegesis cited above view the ra’eyah as a “collective personification,” representing Israel as a whole.  However, some exegetes emphasize that God’s love applies to each Jew individually and they thus identify the ra’eyah with the devout soul, serving God out of love and longing for Him.  The Bible does contain expressions supporting the notion that the devout’s yearnings for God are represented by human love, e.g.: “We long for the name by which you are called” (Is. 26:8); “My soul thirsts for you, my body yearns for you” (Ps. 63:2); “My soul is attached to you” (Ps. 63:9).  See also Hagigah 15b where the verse “Draw me, let us run after you” (Song 1:4) is said to refer to R. Akiva, who “entered the orchard” of divine wisdom in peace, and left in peace.  Maimonides writes in the Laws Concerning Repentance (10:3):
What is the love of God that is befitting?  It is to love the Eternal with a great and exceeding love, so strong that one’s soul shall be knit up with the love of God, and one should be continually enraptured by it, like a lovesick individual, whose mind is at no time free from his passion for a particular woman, the thought of her filling his heart at all times, even when sitting down or rising up, when he is eating or drinking.  Even more intense should be the love of God in the hearts of those who love Him.  And this love should continually possess them, even as He commanded us in the phrase, “with all your heart and with all your soul” (Deut. 6:5).  This, Solomon expressed allegorically in the sentence, “for I am sick with love” (Song 2:5).  The entire Song of Songs is indeed an allegory descriptive of this love.
See also what Maimonides states in Guide of the Perplexed, Section III, at the end of chapter 51.
Many exegetes followed this approach by interpreting the details of the Song of Songs as allusions to the inner spiritual life of devout lovers of God; their feelings, longings, uncertainties, doubts, failures, and triumphs in attaining their goal, to gaze upon the beauty of the Lord.  A number of them saw allusions to scientific and philosophical subjects — as they understood them — within the detailed descriptions of the book.  Among the adherents of this approach are R. Samuel ben Judah ibn Tibbon (translator of the Guide of the Perplexed), R. Joseph ibn Aknin (a disciple of Maimonides), R. Joseph ibn Kaspi (a commentator on the Bible and on the Guide), and R. Meir Malbim.  R. Abraham ibn Ezra and R. Isaac Arama (author of the Akedat Yitzhak) rejected this type of exegesis.  In their respective Introductions to the Song of Songs, they underscored the obligation to remain completely faithful to the Sages, and they rejected the conception of the Song of Songs as an allegory of anything other than the love between God and his people. Yet it appears that their statements were not directed at Maimonides.  His words stand firm, and we may take the yearnings of love in the Song of Songs as faithful expressions of the worshiper’s yearnings for God.  However, in Maimonides’ view, the allegory applies to the general theme of the book, but we should not attempt to draw  parallels between details of the allegory and details of the referent.       
We must also mention the kabbalistic approach to the Song of Songs.  Generally, “we are not to delve into hidden things”; as R. Isaac Arama writes in the Introduction to his commentary on the Song of Songs, he does not wish to address kabbalistic interpretations.  Still, it was the kabbalists who, in recent times, popularized its study — or, at least, its recitation — among the Jewish populace.  Based on their commentaries, the custom of reciting the Song of Songs before the Service for Welcoming the Sabbath has become widespread.    
In simple terms, the kabbalistic view is essentially this: The love in the Song of Songs represents the longing of creation for its Creator, the longing of worlds detached and distant from their origin to return and reunite with their Maker.  However, for our purposes we must emphasize that for kabbalists, that which takes place in the supernal realms is reflected in (or, casts a shadow upon) the events of our world.  The reflection is revealed in multiple stages and by various means.  Thus, we may conclude, a variety of hermeneutics of the Song of Songs are possible: The literal interpretation, describing the love between a man and woman; the midrashic, referring to God’s love for his people; the hermeneutic which speaks of the devout’s love for God; the mystical interpretation, which is about the love that permeates all of creation.  For kabbalists, each hermeneutic points to the same essential idea, even if revealed in a variety of ways and in different stages.



“Rabbi David Hoffmann, ZL” by Eliezer M. Lipschuetz – A Translation

Rabbi David Hoffmann, ZL
By Eliezer M. Lipschuetz
Introduction, Translation, and Notes by David S. Zinberg
David S. Zinberg blogs at Realia Judaica.

Introduction

Rabbi Dr. David Zvi Hoffmann was a unique figure in the history of both German Jewish Orthodoxy and academic Jewish Studies.[1] He was widely regarded by contemporaries as an unequaled master of Halakha and Wissenschaft, and as a major leader in both communities. The biographical essay below by Eliezer Meir Lipschuetz, translated from Hebrew, was attached to the Hebrew translation (by Eliezer Barishansky) of Re’ayot Makhri’ot Neged Velhoizen, Hoffmann’s critique of the Documentary Hypothesis (Jerusalem, 1928 and available on HebrewBooks.org). Hoffmann’s original version, Die Wichtigsten Instanzen gegen die Graf-Wellhausensche Hypothese, was published in Berlin in 1904 (available on archive.org). Carla Sulzbach’s English translation, an MA thesis titled David Zvi Hoffmann’s . . . main arguments against the Graf-Wellhausen hypothesis, can be downloaded here.

Lipschuetz’s brief but rich portrait is notable for its first-hand account of Hoffmann, as a scholar, teacher, writer, and as a pious Jew. While clearly enamored of his subject, Lipschuetz expresses some gentle criticism of Hoffmann. He laments the fact that Hoffmann wrote in German rather than Hebrew, and harshly criticizes the general neglect of Hebrew by both Wissenschaft and German Orthodox writers. Lipschuetz also faults Hoffman for not proposing an alternative theory to the Documentary Hypothesis to reconcile inconsistencies in the Torah, even if Hoffmann successfully – in Lipschuetz’s estimation – negated the theory by demolishing its assumptions. Following the latter critique, Lipschuetz offers a somewhat tentative defense of Hoffmann.
For a brief biography of Lipschuetz, see the entry here in David Tidhar’s Entziklopedia Le-Halutze Ha-Yishuv U-Vonav.

The translation is non-literal, but I have tried to preserve the tone and style of the original. Where Lipschuetz’s Hebrew terminology adds value to the translation, I include it in square brackets. Common dates have been added alongside, or substituted for, Hebrew dates. In the notes, I include links to online versions of works cited.
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The story of his life – the properly developed life of a Torah scholar – was not eventful. His birthplace, Jewish Hungary, was unique; she experienced a late spiritual awakening, and for generations lacked any great Torah scholar or spiritual leader. But from the very moment her Torah began to shine, she was granted a short-lived daybreak full of light and vitality. She influenced much of the Diaspora, in many fields of study, both within and beyond the Jewish domain. He was born in the community of Verbó (Nitra province) in Hungary,[2] on 1 Kislev 5604 (November 24, 1843). His father was a local religious arbitrator [dayan]. He received the standard cheder education, though it included personal attention and supervision. From the time of Rabbi Moses Sofer, Hungary was blessed with yeshivot whose curricula differed from those of Lithuanian yeshivot. Even as a young man, he earned a reputation as a Talmudic prodigy [ilui]. He studied at the yeshivot of Verbó and Pupa[3] and later at the yeshiva of that generation’s most prominent rabbi [gadol ha-dor], Rabbi Moses Schick, in Sankta Georgen[4] near Pressburg,[5] where he was his teacher’s absolute favorite.

Around this time, a notable event took place in Hungary: Rabbi Esriel Hildesheimer, a German Torah scholar who served as rabbi of Eisenstadt, founded a yeshiva for both Torah and secular studies during a period of extremist agitation. The two opposing camps had separated angrily, and the Jewish community was split in two. At this inopportune time, the life of this yeshiva was cut short, as was the residence of its founder in Eisenstadt, due to the shrill protests of the ultra-conservative camp. It was feared that an extremist war would be waged against Rabbi Hildesheimer or, even worse, that he would mount a counter-offensive against the Torah leadership. Purity and Torah were in danger of becoming apostasy; alas, such is the power of communal dissension. He escaped the place of expected misfortune and returned to his native Germany where he became a rabbi and innovative leader of the Orthodox community.

Rabbi Hoffmann was Rabbi Hildesheimer’s student at his yeshiva in Eisenstadt and when his teacher departed, he did as well, arriving at the Pressburg Yeshiva, the central yeshiva in Hungary. Later, he studied at the University of Vienna and from there moved to Germany where he taught at the preparatory school of the Jewish Teachers Institute at Höchberg, near Würzburg. There, he was a colleague of Rabbi Seligman Baer Bamberger, another German Orthodox rabbi, whose goal was to safeguard the light of Torah within daily life. Rabbi Bamberger was a old-school scholar; he was mild mannered in ideological controversies and viewed the Jewish community as single entity which should not easily be split.

In 1875 [sic], Rabbi Hoffmann composed a dissertation, A Biography of Mar Shmuel,[6] and received a doctorate from the University of Tübingen.[7] He then married a woman from a prominent family, who survived him, and was invited by Rabbi Samson Raphael Hirsch to teach at the high school he had founded. This was the first modern school for Orthodox students. Rabbi Hirsch fought the battle for Torah with the weapons of modern Enlightenment. He strove to consciously combine Enlightenment and Jewish ideology, but he viewed himself as a wartime general, and was inclined to separate and confine the Orthodox community. Rabbi Hoffmann served for a number of years as a teacher in Rabbi Hirsch’s school, and was close to him. After only a short time, Rabbi Hoffmann became closely connected with three of the spiritual leaders of the new Orthodox movement in Germany. At that time, Orthodox Judaism was aroused to defend itself, to establish relations with the new culture, and to create a Torah lifestyle within a foreign society. These three great leaders, though they had different personalities and goals, stood at the vanguard of the movement, to organize and dig in the troops. Rabbi Seligman Baer Bamberger continued to support earlier developments, disapproved of separatism, and strove to preserve an ideal of perfection untarnished by current fads. Rabbi Samson Raphael Hirsch understood the full extent of the battle; he felt obligated to pursue total, uncompromising Enlightenment, and a Judaism that included full intellectual awareness. He established an ideological basis for Judaism, founded on intellect, and created a rationalist system based on principles of faith. He considered his age one of creating boundaries and he preferred separatism. Rabbi Esriel Hildesheimer believed that his mission was to advance the scientific understanding of Judaism and to preserve its image in the eyes of science. He desired that Torah should never be forgotten in Israel, and although he too believed at the time in the need for separation, he maintained his sense of responsibility towards the wider community. The leadership of German Orthodoxy succeeded, then and forever, to create the type of Jew who combines within himself involvement in daily life [derekh eretz] and the fear of God, and to create a modern Orthodox lifestyle, including an Orthodox literature and science, though not on a large scale. These were transitional years, and immersion in transitional conflicts did not cause Rabbi Hoffmann mental anguish or psychological trauma; “he came and he left in peace.”[8] He was close with all three leaders at a formative period of his life; he was influenced by all three, but his approach was primarily that of his original teacher, Rabbi Esriel Hildesheimer. Together, they set themselves a goal, and worked towards it jointly throughout their entire lives.

When Rabbi Hildesheimer founded the Rabbinical Seminary in Berlin, as a center of Torah and Science in our time, he called on his student to teach Talmud. Rabbi Hoffmann taught Talmud and halakhic works [posekim] at that institution for forty-eight years. After the founder’s passing, he was appointed Rector of the Rabbinical Seminary (1899). The government and the University granted him the title of Professor (1918) and through old age he never left the Beit Midrash; he taught Talmud and posekim to the students and held a class on Talmud for lay members of the community.

Those who knew him while he was still alive know that his personality was as great as his Torah. One would have to return to the medieval period to witness such a persona among the German or French Hasidim. He was a man with no sense of his own greatness. He exuded humility and everything about him was simplicity. His words, in writing and in speech, were always to the point; he never spoke extravagantly, or used ornate speech, or showed off his knowledge. Truth was the expression of his personality. A measure of spirituality, piety, and modesty resided within his diminutive, silent frame, which was crowned by a brilliant mind. This is exactly how he appeared to me just weeks before his passing. He had attained a sort of calm, an equanimity, contentment, and clarity, which bestowed on him a peaceful beauty. He was always willing to serve even the most minor student; he was never indignant and no one could insult him. This man, who was as diligent in religious observance as one of the ancient righteous [tzadikim ha-rishonim], was shy by nature and humble before God and man. His integrity guided his relationships, without making him bitter or prickly. He had a sense of humor, was pleasant with everyone he met, and could even poke fun occasionally without ever hurting a soul. While his teacher Rabbi Hildesheimer was an activist, he was a “dweller in tents,” inclined to quiet research and study.

As much as he rarely left the “four cubits of Halakha,” he was not removed from daily life. He was well versed in the ways of the world and sensitive to life’s problems. There was no human or Jewish issue with which he was unfamiliar. Although not a political person, he participated in the movements of our people, joined in Orthodox undertakings, and had an appreciation for activism and political movements. In spirit, he was close to Mizrahi, but was an executive member of Agudath Israel, a member of the Aguda’s Council of Torah Sages, and a president of the Orthodox rabbinic association.[9] (The latter group was ideologically close to the Berlin Rabbinical Seminary and was not radically secessionist. There is another rabbinical association based in Frankfurt[10] which is completely secessionist, and yet another general union[11] for rabbis of all camps). He valued equally the undertakings of all those loyal to Torah, and did not exclude even those Jews who rejected separatism. In general, it was not his nature to stand apart, create divisions, or engage in weeding out opponents. He was a true pursuer of peace [rodef shalom]; he endeavored to abstain from conflict and was not combative in matters of Torah. He debated, but would not attack or behave triumphantly. The very essence of his being was peace [hotamo hayya ha-shalom].

His German style is clear and simple, without excessive use of flowery expressions. It is the fine language of a scientist, suitable for scientific material; there is gentleness in such simplicity. His Hebrew style is rabbinic, and it too is not weighed down by flowery expression (though occasionally it does show the influence of Haskalah writing). But his Hebrew style is plodding, apparently unable to express modern ideas. Hebrew’s major effort in recent times has been the adaptation of the language to modern concepts, the expansion of word usages, and the substitution of archaic usages with modern ones. He never acquired this level of Hebrew (though we should not think that he opposed the recent effort towards linguistic adaptation). He did not write much in Hebrew. For the most part, he wrote in Hebrew only when he composed halakhic responsa, notes, and a handful of commentaries. For the sake of being recognized by Gentile scholars, Wissenschaft Des Judentums sacrificed Hebrew on the altar of foreign language. German Orthodoxy committed a comparable sin by abandoning Hebrew in order to level the playing field between Orthodox Judaism and Liberal Judaism. It is a pity that Rabbi Hoffmann’s works were written in a foreign tongue, and were thus destined to have limited influence or value.[12] In any language, his ideas are properly organized and clearly stated, the ordering and contents are lucid and plain, and there is no strain or drag in his writing. His method is to offer a theory, accompanied by evidence, in a convincing and logical manner.

Rabbi Hoffmann had an extensive, multi-faceted grasp of European learning. He knew classical languages thoroughly, studied Semitic languages, and mastered several European languages. His knowledge spanned the entire range of Enlightenment learning and science.

He was also a great Torah scholar [gadol ba-Torah], without equal in Germany. We tend to measure a gadol by both erudition and intellect. Rabbi Hoffmann was great in both senses, in the sense of the term as used by elite Torah scholars [lamdanim]. His erudition covered all areas of Torah learning. Unlike those modern scholars who consider the Talmud a subject for antiquarian study, he studied the early and late Talmud commentaries. Talmud was not only fit for historical research; it was a living subject that had never died, whose past could only be explained by its continuity through the ages. He would clarify and simplify, and remove later embellishments. During the course of his teaching and his analysis, complexities became clear. He disliked artificial Talmudic sophistry [pilpul shel hidud],[13] but valued Talmudic analysis based on true notions [pilpul shel emet], which he practiced his entire life. He taught Torah publicly throughout his life; his teaching style was plain and clear. He would explain the topic under discussion in the simplest manner, and those who understood him realized that there was a thesis underlying this simplicity that could resolve halakhic disputes, determine the correct interpretation, and might even refute the opinion of an early or late Talmudic authority. Most scholars who teach Talmud disregard fundamental, introductory principles, relying on previously acquired knowledge; Rabbi Hoffmann did not. He would explain fundamental ideas that could be easily understood. These included synthetic words, popular expressions, halakhic issues, archeology, Talmudic methodology, the structure of Talmudic passages, and their textual context. He would explain all of these matters logically and lucidly.

His responsa[14] were published posthumously; others edited them for publication. He never intended to publicize them[15] and most were products of their time [le-tzorekh sha’a]. For decades, critical issues and complex questions from every corner of Germany were sent to him, by laymen as well as rabbis, who considered themselves his disciples and relied completely on his wisdom. Sometimes, a village rabbi would be confounded by a halakhic question and would travel that day to Berlin to consult with his teacher, or else send a telegram, or write a letter with his halakhic query. He was like the Great Sanhedrin for all German Jewry. Most questions were on contemporary matters that remain of practical interest. Essentially, these were questions on the Jew’s relationship to daily phenomena and technology: Issues related to manufacturing and commerce; social and communal matters; prayer and synagogue practices; questions on electricity and the telephone pertaining to Sabbath law; attending non-Jewish schools on the Sabbath; business arrangements with non-Jewish partners with regard to the Sabbath; laws pertaining to medication on Passover; the question of an Orthodox rabbi presiding over a Liberal congregation; the law on taking an oath bare-headed; shaving for medical reasons; Torah education for girls (he permitted it); women’s suffrage. In his responsa, he determined the halakha in a straightforward manner, by reference to the early and late authorities; he categorized their positions, and arrived at a halakhic decision. There were times when he utilized modern science or critical methods to clarify Talmudic issues. He may cite the writings of natural scientists, quote the opinion of medical experts, refer to scientific works, and then reply with his halakhic ruling. He only rarely engaged in the lengthy give-and-take of halakhic argumentation. For the most part, he simply cited his sources and outlined his halakhic ruling. He did not hesitate to reference halakhic abridgements, which most great Torah scholars normally ignore. In this transitional period, circumstances required setting patterns of daily life and social norms for Judaism within the modern world which, willy nilly, impacted the Jew. An important creation of German Orthodoxy was this model of modern life within which the Orthodox Jew could live without conflict. Rabbi Hoffmann was involved in all of these questions. He helped establish Halakha’s attitude to modern life and set parameters for permitted and prohibited behavior. Some of the questions he was asked by laymen display a real integrity that bring honor to the questioner.

The secular courts regularly consulted with him to clarify points of Jewish Law. He was often called as an expert witness in court at infamous trials, i.e., trials of anti-Semites. These events affected him deeply. When the survival of the German Empire hung in the balance,[16] I heard him say that this was divine punishment, measure for measure, for the monarchy’s lack of intervention in the trial of Fritsch,[17] who blasphemed against Heaven. As he said this, his voice shook with emotion. As a result of such trials, he composed his work on the Shulhan Arukh (first edition, 1885; second edition, 1895),[18] in which he outlined the role of posekim in our tradition – even though Rabbi Joseph Karo [ha-Mehaber] is the normative posek – and he clarified many details of the laws pertaining to Gentiles. Based on first editions of printed works, he explained the halakhic distinctions between Christians and other Gentiles. This work contains much detailed knowledge and explanations derived from his deep understanding.

The Wissenschaft establishment considered him one of its architects. Wissenschaft is primarily concerned with reconstituting the past from literary remnants, employing an historical-philological method, and embracing all aspects of Judaism. It is conservative by nature. Its originators held traditional beliefs but, over time, it became fundamentally antagonistic to Orthodox Judaism. The Orthodox were distressed over the inability of this heritage to strengthen tradition. The goal of Rabbi Hoffman and his teacher Rabbi Hildesheimer was to fortify the borders of Wissenschaft so that it could not harm tradition, and so that traditional ideology would not be harmed by Wissenschaft scholarship. They were determined to analyze the sources using the scientific method, and were confident that the Torah could not be damaged by true science. He demanded extreme caution, both from himself and from others. Whenever he discovered a conflict between scholarship and Torah he suspected that the conflict stemmed from a lack of precision, from flawed science or from superficial disregard of the sources. He was not narrowly constrained within his field; all of Jewish scholarship and all fields of Torah study were within his purview. Aside from the books he wrote, he published numerous articles. He stood constant guard, responding to every scientific discovery in his fields from the standpoint of both scientific criticism and traditional ideology. The truth of tradition was part of his consciousness. There was no boundary between his Talmudic analyses and his scientific research. He did not employ two methodologies, even if he was a master of two methodologies. He might clarify a halakha using textual variants or historical considerations, and he would employ all the tools of a Torah scholar to confirm details of critical study. For the benefit of critical scholarship, he made available a vast quantity of Talmudic and rabbinic material previously inaccessible to scholars.

In his book The First Mishna (1882, and translated into Hebrew by Dr. Samuel Greenberg),[19] he cast new light on the history of the Oral Law, and laid a foundation for the new field of Mishna criticism. Previously, most scholars believed that prior to our Holy Teacher, Rabbi Judah the Prince, there were only scattered, disorganized, and disjointed halakhot, until Rabbi Judah compiled them. It was considered groundbreaking when someone tried to show that compilations of halakhot were available in the Beit Midrash in Rabbi Akiva’s day. Had this issue come up earlier, many scholars may have hesitated to address it; but the question with its full implications had not yet arisen. Rabbi Hoffmann came forward and proved – with proofs withstanding critical evaluation – that at the time of the elders of the Shamai and Hillel schools there existed a First Mishna, fully complied and having a fixed text. Major mishnayot and basic halakhot in our Mishna derive from the First Mishna, and the very expression mishna rishona found in the sources is not only meant in contrast to a late Mishna on a particular halakha, but that this was the title of a compilation of halakhot used in the Beit Midrash during this period. He adduced proofs from mishnayot which, he showed, were from the Second Temple period; from common terminology; from the internal arrangement of the halakhot; and, primarily, from Tannaitic disputes. He believed that for the most part, these disputes were based on disagreements about the original wording and interpretation of the First Mishna, and that the relationship of the later Tannaim to the First Mishna was like that of the Amoraim to the Mishna as a whole. From the time the First Mishna was compiled, it was subject to much editing and came out in several revisions, comprising layer upon layer, until it was finalized in Rabbi Judah’s time. He then attempted to determine, by precise criticism, the makeup of the First Mishna, using internal signs as well as statements of Amoraim who were familiar with the Tannaitic world (though he did not employ enough of the latter method).
As examples he used Tractate Avot, in which he identified three revisions, and chapters in Pesahim and Yoma in which he identified multiple layers. He believed that mishnayot containing halakhic midrash were the oldest. He was of the opinion that prior to the compilation of the Mishna, the Soferim and the Tannaim studied the Oral Law in the format of halakhic midrash, accompanying Scripture. Associated with each verse they transmitted any relevant halakha, accepted interpretation, popular custom, and contemporary statute. These were attached to the biblical words and verses. The Soferim and early Tannaim proceeded from one verse to the next, interpreting each word, and associating halakhot with each and every letter. Mishnayot surviving from this early midrash are embedded in our Mishna, a clear sign that they derive from the First Mishna. Rabbi Yitzhak Isaac Halevy[20] succeeded him and followed his method (without mentioning his name[21]), though he disagreed with some of the details of Rabbi Hoffmann’s thesis. Rabbi Halevy dated the compilation of the First Mishna (which he termed the “Foundational Mishna” [yesod ha-mishna]) earlier, to the period of the late Soferim, the last members of the Great Assembly. This theory is reasonable, but must be considered speculative, while Rabbi Hoffmann’s dating is supported by evidence and can withstand serious critical appraisal. Still, one should not dismiss Rabbi Halevy’s opinion as mere reasonable speculation. One may criticize Rabbi Hoffmann for underemphasizing the notion of gradual, anonymous, literary evolution, which could account for the Mishna’s creation from an historical perspective. Rabbi Halevy also disagreed with Rabbi Hoffmann’s view – a view shared by Rabbi Zechariah Frankel – that halakhic midrash preceded the Mishna. Rabbi Halevy took the opposite position, that the apodictic Mishnayot preceded halakhic midrash, and that the latter defined and restricted the apodictic halakhot. I believe that Rabbi Halevy was unsuccessful in shaking the foundations of Rabbi Hoffmann’s thesis. I believe one must distinguish between the midrash of the Soferim – which derives Halakha from Scripture, and for each new question applies exegesis to Scripture as an halakhic source – and the midrash of the Tannaim, which attempts to support and define previously compiled halakhot.[22] In one fell swoop, Rabbi Hoffmann illuminated the entire process of the Mishna’s creation, explicated the Tannaitic period, and laid the foundation for the field of scientific criticism of the Mishna, a field whose future is bright. This discipline does not damage traditional belief. On the contrary, it pushes back the date of the Oral Law’s compilation, and thus bolsters the antiquity of tradition.

There is obvious scientific value to his book An Introduction to Halakhic Midrashim (Berlin, 1887),[23] in which he defined the evolutionary pathways of halakhic midrash. He discovered two trends or styles within halakhic midrash: One of the school of Rabbi Akiva and the other of Rabbi Ishmael. He identified the signs by which one may distinguish between these two schools: Variations in exegetical style; differences in the names of Tannaim cited; differences in linguistic expression and exegetical structure. He demonstrated that there were once two parallel sets of halakhic midrashim on four books of the Pentateuch, written according to each method. His thesis was validated when it helped discover remnants of Tannaitic midrash. He published these in edited and annotated versions:

1. “On a Mekhilta to Deuteronomy,” in Shai la-Moreh (Berlin, 1890)[24]
2. Likutei Batar Likute mi-Mekhilta le-Sefer Devarim (Berlin, 1897)[25]
3. Midrash Tannaim al Sefer Devarim (Berlin, 1908)[26]
4. Mekhilta de-Rabbi Shimon al Sefer Shemot (Frankfurt, 1905)[27]
5. Midrash ha-Gadol al Sefer Shemot, two volumes (Berlin, 1913-1921)[28]

Two of these books[29] were published by the author in complete form; their conclusions are straightforward and they are clear and well-organized. When I discussed these two books with him, he admitted that with respect to his ideas, he was preceded by Rabbi Israel Lewy of Breslau, in the latter’s books The Mishna of Abba Shaul[30] and Mekhilta De-Rabbi Shimon.[31] However, it must be noted that Rabbi Lewy – an unequaled scholar – wrote obliquely, whereas Rabbi Hoffmann constructed fully developed systems. Rabbi Hoffmann also translated and wrote a commentary on Mishna Nezikin and began work on Taharot. [32] He calmly expressed doubt about completing the commentary on Taharot in his lifetime. Although the translation was intended mainly for laypeople, the commentary includes notes and explanations of lasting value, especially on Taharot.

Scattered among his articles and responsa are studies on Talmudic philology and Jewish History. He was among the first to use the Samaritan Aramaic translation of the Bible for linguistic study of the Mishna and Talmud. He made emendations to the Talmud; interpreted obscure passages; attempted to reconcile conflicting chronologies; researched the history of the Sanhedrin; resolved difficulties in the writings of Josephus; utilized Jewish Hellenistic literature to explain Talmudic passages; analyzed etymologies of loanwords from Greek and Latin; tried his hand at comparing Hebrew and Aramaic to other Semitic languages; interpreted difficult chapters in Tractate Midot; elucidated Talmudic archeology; wrote commentaries on liturgy and piyyutim; and, he founded a scholarly journal which he edited for several years (1876-1893), the Magazin für die Wissenschaft des Judentums.[33] He achieved his self-imposed goal: To study Judaism by the scientific-critical method, and to bring respectability to scholarship that is loyal to tradition. His spoke with equanimity and conducted himself with humility. No opponent could act presumptuously toward him, and no one could cast doubt on his commitment to scientific scholarship.

In the end, he crossed over the boundary he had originally set for himself, and engaged in biblical studies. At most rabbinical seminaries in the West, there was no study of the Written Law except for some instruction on medieval commentaries. Wissenschaft scholars did not study Bible out of fear of taking a stand on fundamental principles concerning the Torah. They did not have the courage to challenge the prevailing opinions of Gentile scholars. Chumash was studied at two Berlin seminaries – at Maybaum’s Liberal seminary,[34] and also at the Orthodox seminary founded by Rabbi Hildesheimer – since both academies recognized the challenges posed by modern biblical studies, and each had its own unique approach to Torah study. Teaching Chumash at the seminary led him to study exegesis and to analyze the conclusions of biblical criticism. He then wrote his book against Wellhausen, the most prominent biblical critic, The Principle Arguments Against Wellhausen [Re’ayot Makhr’iot Neged Velhoizen],[35] published in 1904, in which he sanctified God’s name by his critique of criticism. He critically assessed the proofs employed by criticism, and highlighted the flaws in its arguments. In this way he attempted to destroy Wellhausen’s structure, removing each level, brick by brick. He especially fought the Documentary Hypothesis, refuting its assumption of multiple textual layers. He revealed its artificiality and its lack of foundation, as well as its internal inconsistencies, using proofs based on the methods and principles of the critics themselves. He refuted their proofs for the existence of separate biblical source-documents, based on the notion of distinctive terminology, by listing parallels between expressions used in the Prophets and in the Torah, thus negating the belief that the Prophets were unaware of sections of the Torah. He cited ironclad evidence regarding internal connections between the sources, showing how they were indeed parallel according to the critics’ own methodology.

After this fundamental work, he devoted himself to publishing his commentaries on Leviticus[36] and Deuteronomy.[37] Here he battled the destructive criticism on behalf of Scripture, using every available scientific and deductive weapon. At the same time, by citing a vast quantity of Talmudic and rabbinic material, he demonstrated the contribution of the Oral Law to understanding the simple meaning of Scripture. From one chapter to the next, he pursued critical theory, contradicted each of its conclusions, and made sense of the verses.

He also made an effort, in which he was preceded by several Jewish scholars (Rabbis Naftali H. Wesseley, Meir L. Malbim, J. Z. Mecklenberg), to demonstrate the unity of the Written and Oral Laws, both in the long introduction to Leviticus and within the commentary. He investigated the division and ordering of biblical paragraphs [parshiyot], and even addressed matters of philosophy and the rational justification of the commandments [ta’ame ha-mitzvot]. One might consider his commentary the “Orthodox version” of scientific exegesis. Before his time, Orthodox Judaism was resigned not to respond to criticism, choosing silence instead. He blazed a new path which, however, is not suited for the general public. It is a pity that he did not write his commentaries in Hebrew, but we can rejoice at the fact that his fundamental work against Wellhausen has now been translated.

One might fault him for responding to biblical criticism by negation only; for demonstrating the emptiness of the critics’ proofs but not offering a positive resolution to the problems they raise; for not confronting speculation with certitude; for not proposing a positive theory to resolve inconsistencies in the Torah. It is possible that he intended only to negate, and left the positive response to faith and tradition.[38]

Six years ago today, on 19 Marheshvan 5682 (November 20, 1921), he passed away at the age of 78. At the time, we all felt that he had no replacement, and that the generation had been orphaned. He was accorded much honor by his students and by all of German Orthodoxy; an honor that cultured people confer on their teachers; an honor that brings honor to those who give it.

There is no replacement for a giant, but there is comfort in his teaching.

May his soul be bound in the bond of life.

19 Marheshvan 5688 (November 14, 1927)
[1] For an introductory bibliography on Hoffmann, see the note here on a Seforim Blog post by Dr. Shnayer Leiman. The following sources can be found online on archive.org: Marx, Essays in Jewish Biography; Ginzberg, Students, Scholars and Saints.
[2] Today: Vrbové, Slovakia
[3] Today: Pápa, Hungary
[4] Today: Svätý Jur, Slovakia
[5] Today: Bratislava, Slovakia
[6] Mar Samuel, Rector der jüdischen Akademie zu Nehardea in Babylonien (Leipzig, 1873); available on Google Books.
[7] The dating of Hoffmann’s doctorate to 1875 is either a mistake or a typographical error, as the date on the published version of Mar Samuel (see previous note) is 1873. In Essays in Jewish Biography, p. 204 (see note 1), Alexander Marx dates Hoffman’s doctoral diploma to December 17, 1870.
[8] A reference to Rabbi Akiva’s return from the pardes (“orchard”) of secret mystical learning, free of physical, psychological, or religious injury; cf. Hagiga 13a. Hayyim Tchernowitz (Rav Tzair) uses the same expression with regard to Hoffmann in his biographical essay; cf. “R. David Zvi Hoffmann: Le-Partzufo Haruhani,Ha-Tekufah, v. 13 (1922), p. 479.
[9] Vereinigung Traditionell-Gezetzestreuer Rabbiner
[10] Verband Orthodoxer Rabbiner. Thanks go to Dr. Marc B. Shapiro for this identification.
[11] Allgemeiner Rabbiner Verband in Deutschland. On the history of these organizations, see Matthias Morgenstern, From Frankfurt to Jerusalem: Isaac Breuer and the History of the Secession Dispute in Modern Jewish Orthodoxy (Leiden, 2002) pp. 38ff.
[12] Lipschuetz echoes Hoffmann’s own fear about the legacy of his German writings (see his introduction to Melamed Le-Ho’il and see note 15). Nearly a century later, we can state that Hoffmann’s major German works have had and will continue to have lasting influence, as nearly all of his published monographs have appeared in Hebrew translation. His commentary on Exodus was recently published in Hebrew from a German manuscript (trans. Asher Wasserteil, Jerusalem, 2010).
[13] Hoffmann appears to have changed his attitude to this type of pipul in his later years. In his introduction to Melamed Le-Ho’il (p. 2), he states that pilpul designed to sharpen the minds of students, even if it disregards logic, is more desirable in Germany than it once was. Since Torah scholarship and appreciation for Torah scholars has waned, pilpul shel harifut may help endear Torah learning to students. Hoffmann makes this point to justify the inclusion of his own pipul-style writings in Melamed Le-Ho’il.
[14] Melamed Le-Ho’il (Frankfurt, 1926); available on HebrewBooks.org.
[15] Melamed Le-Ho’il was edited by Hoffmann’s son Moses and published posthumously in 1926. But there is evidence to suggest that Hoffmann wished to publish the manuscript in some form; see Moses Hoffmann’s testimony here in his introduction to the printed version: וידוע למקורביו כי היה בדעתו בימי זקנותו להוציאם לאור הדפוס. In his own introduction to the manuscript, the senior Hoffmann expresses the hope that his children and his students benefit from its contents. He also states clearly his desire that Melamed Le-Ho’il becomes part of his permanent legacy – ויהיה לי לזכרון לדור אחרון – compared to his German writings which, he says, may soon be forgotten.
[16] Presumably near or at the conclusion of World War I.
[17] Theodor Fritsch (1852-1933), German anti-Semitic writer and publisher. See Richard S. Levy, Antisemitism: A Historical Encyclopedia of Prejudice and Persecution, v. 1 (Santa Barbara, 2005), pp. 249ff; link here.
[18] Der Schulchan-Aruch und die Rabbinen über das Verhältniss der Juden zu Andersgläubigen (Berlin, 1885); available on Google Books.
[19] Die erste Mischna und die Controversen der Tannaim (Berlin, 1882); Hebrew translation, Ha-Mishna Ha-Rishona U-Felugta De-Tanna’ei (trans. Samuel Greenberg, Berlin, 1914); available on HebrewBooks.org.
[20] Yitzhak Isaac Halevy Rabinowitz (1847-1914), author of Dorot Ha-Rishonim (Frankfurt, 1906ff.); available on HebrewBooks.org.
[21] Tchernowitz (p. 485) makes the same accusation against Halevy.
[22] I.e., Hoffmann was correct in saying that the earliest midrash, of the Soferim, was written as an interpretive layer attached directly to Scripture, and that it preceded the compilation of the First Mishna. However, Tannaitic midrash was indeed written as a subsequent elaboration of the First Mishna.
[23] Zur Einleitung in die halachischen Midraschim
[24]Uber eine Mekhilta zu Deuteronomium,” in Jubelschrift zum Siebzigsten Geburgstag des Dr. Israel Hildesheimer (Shai la-Moreh) p. 83ff.; available on Google Books.
[25] Available on archive.org.
[26] Available on HebrewBooks.org.
[27] Available on HebrewBooks.org.
[28] Available on HebrewBooks.org, here (v. 1) and here (v. 2).
[29] Presumably nos. 3 and 4.
[30] Uber Einige Fragmente aus der Mischna des Abba Saul (Berlin, 1876).
[31] Ein Wort über die Mechilta des R. Simon(Breslau, 1889); available on Google Books.
[32] Mishnayot : Shishah Sidre Mishnah Be-Nikud Ha-Otiyot Uve-Haʻataḳah Ashkenazit (Berlin, 1893-1897).
[33] Began publication in 1874 as Magazin für Jüdische Geschichte und Literatur, edited by Abraham Berliner. From 1876, was renamed and published under the joint editorship of Berliner and Hoffmann.
[34] Siegmund Maybaum (1844-1919), lecturer at the Hochschule für die Wissenschaft des Judentums.
[35] Original version, Die Wichtigsten Instanzen Gegen die Graf-Wellhausensche Hypothese (Berlin, 1904); available on archive.org. Hebrew translation by Eliezer Barishansky (Jerusalem, 1928); available on HebrewBooks.org.
[36] Original version, Das Buch Leviticus (Berlin, 1905-1906); available on Google Books, here (v. 1) and here (v. 2). Hebrew version, Sefer Vayikra (trans. Zvi Har-Sheffer and Aharon Lieberman, Jerusalem, 1976).
[37] Original version, Das Buch Deuteronomium (Berlin, 1913-1922). Hebrew version, Sefer Devarim (trans. Zvi Har-Sheffer, Tel Aviv, 1961); available on the Daat website. Hoffmann’s commentary on Genesis, Sefer Bereshit, was published in Hebrew from a German manuscript (trans. Asher Wasserteil, Bnei Brak, 1969) and is available on Daat.
[38] Tchernowitz (pp. 489ff.) makes the same observation regarding Hoffmann’s sole focus on negating Wellhausen and offers a similar, though more vigorous, defense of Hoffmann. He says that “negating the negation” [shelilat ha-shelila] was sufficient for his purpose, since the burden of proof lies on one who questions the traditional view of the Torah. He adds that many had tried, but failed, in their attempt to prove the traditional view. Thus, the negative approach was preferable, by which Hoffmann could show that science does not contradict tradition. Moreover, Tchernowitz says, Hoffmann’s main objective was to show that the Documentary Hypothesis, though widespread, was merely a belief – and an unsupportable one at that – lacking scientific merit.