His edition of the haggadah was special not only for the copperplate and the illustrations, but for a specific illustration, one of the earliest Hebrew maps of Israel (the map on top, you can click to see a zoomable view). This haggadah included a fold out map (it was rather large) of the travels of the Jews through the desert and into Israel. Many (Yerushalmi and Yaari) incorrectly assert this was actually the first Hebrew map, however, as we will see in a moment that is wrong. But this map and the haggadah was rather popular and was reprinted four times in a little over one hundred years. [It was reprinted this year, however, the reprint is terrible. It seems they photocopied it and then had a three-year-old add color. The map is included in this reprint, not a fold out page, but as the end papers of the binding.]

The map itself has north on the right and east on the right as was common for maps of that time a compass is supplied in the bottom middle of the map. The legend on the top reads “This will allow every person to see the route of the forty year journey . . . ” And in keeping with previous Jewish books there is a nude in the lower right hand corner perhaps representing an Egyptian(?).

This was not the first Hebrew map of Israel. Instead, that milestone goes to a book with its own interesting history. The Biurim on Rashi was published in 1593 in Venice and attributed to R. Nathan Shapiro. This work includes two illustrations. The first is of the menorah (reprinted many times to this day) and the second is a map of Israel. This is the first Hebrew map. However, although on the title page this book is supposedly written by R. Shapiro, this was not the case. Instead, R. Shapiro’s son published his fathers comments on Rashi in 1697 in a work titled Imrei Shefer. In the introduction he explains why there are two books from his father both on the same topic.

ואתם קדושי עליון אל תתמהו על החפץ שזה שתנים ימים יצא בדפוס איזה ביאורים הנקראים על שם הגאון אדוני אבי ז”ל, כי המציאוהו אנשים, אנשי בלי עול מלכות שמים, חיבור אשר מצאו, ומי יודע המחבר אם נער כתבו ורצו לתלותו באילן גדול אדני אבי ז”ל, חלילה לפה קדוש להוציא מפיו דברים אשר אין בהם ממש, כי הכל תוהו ובוהו ומזויף מתוכו, כלו עלו קמשונים כסו פניו חרולים. וכאשר הגיעו הספרים ההם בגלילות אלו הכרוז בהסכמת כל רבני ורשאי המדינות שלא ומכרו ויהיו בבל יראה ובבבל ימצא בכל ארצות אלו. ואשר קנו מהם יחזר להם המעות ולא ימצא בביתך עולה

[“Do not wonder why I am publishing what was published just two years ago, the Biurim, in my father’s name. As wicked people, people who found a book, a book which may have been written by a child. However, they wanted to use my father’s good name to publish their work. But, my father would never say such stupidities which appear in that book, their book is worthless and a forgery. When this was discovered all the Rabbis agreed that this book [Biurim] should be under a ban, no one should be allowed to keep it. Whomever purchased it should have their money returned, they should not allow a stumbling block into their home.”]

So this book was actually a forgery and not really from R. Shapiro however, it still did provide the first map, albeit a crude one. In the Imrei Shefer there is no map.

His son was not the only one to question the authenticity of the Biurim. R. Yissachar Bear Ellenburg in his Be’er Sheva and in his Tzedah L’Derekh states unequivocally that R. Shapiro did not write the Biurim.

Sources: A. Yaari Maps of Israel in the Haggadah, Machanyim, 55 (1971) 152-159; (for more on converts in printing see Yaari, Mehker Sefer, 245-55); Introduction Imrei Sefer, Lublin 1697 (on differences in the printings of the Imrei Shefer see Yudolov, Areshet, 6 (1981) 102 no. 7); Biurim, Venice 1693; R. E. Katzman, “Rabbi Nathan Nata Shapiro – Ha-Megaleh Amukot” in Yeshurun 13 (Elul 2002) 677-700; Introduction [R. E. Katzman]Seder Birkat HaMazon im pirush shel R. Noson Shapiro, 2000 Renaissance Hebraica, 1-10; Yeushalmi, Haggadah and History, plate 69.

[As you can also see, for some reason the text of this edition has two yuds in the word ענינו I don’t know why.]

Also, you can see in the top left hand corner of the illustration (click on the picture for a more detailed view) a lamp is lit as well. I assume this was also to show the lack of marital relations. The law on Yom Kippur is that one needs to have a light on, according to one understanding this is so one will not come to have relations with ones wife. Perhaps this was used here for the same effect. This understanding is bolstered by the fact the Talmud in Yoma learns the prohabition against marital relations on Yom Kippur from the Eygptian slavery. (Yoma, 74b)

According to one scholar, Israel Yuval, this understanding of the verse is polemical in nature. He explains that when the Jews were prohibited from martial relations this was “pain” as this “counteracts the claim of Jesus’ miraculous birth.” If one could have a child born through miraculous means, then it would mitigate the effect of abstinence. Consequently, we are emphasizing the Jewish view is that such abstinence is harmful.

[However, some have questioned Yuval’s emphasis on finding Christological elements in the hagadah.]

Sources: Yerushalmi, Haggadah and History, plate 50; Joshua Kulp, The Origins of the Seder and Haggadah, Currents in Biblical Research, 4.1(2005) 109-134 (discussing Yuval and summarizing the state of the current literature); Safrai and Safrai, Haggadah of the Sages, 136-138.

The Prague haggadah is filled with fascinating and important illustrations. As we have seen previously, the Prague haggadah contained nudes, which when appropriated later were removed. This included in the haggadah context as well as in other works.

Aside from these illustrations, there is an illustration of Abraham when God takes him “from the other side of the river.” In the Prague haggadah we have Abraham in a row boat. However, when this was appropriated in the Mantau, 1560 haggadah, the row boat was changed into a gondola.

Also, this haggadah contains brief comments or instructions as well as the text of the haggadah. There are two which bear mention. The first is the passage underneath the Tam – simple – son. Typically, the simple son is understood to be less than stellar. However, in this haggadah, the verse תמים תהיה עם ה’ אלקך (One should be simple with God) (Devarim 18:13). As this verse is claiming this simplemindedness is a good attribute, this seems to indicate that the simplemindedness of the son is something positive.

The second passage comes in the form of an instruction. In the margin at the mention of marror the bitter herb, is the following “It is a universal custom to point at one’s wife [at the mention of marror] as the verse says ‘I have found the woman worse [more bitter] than death. (Kohelet 7:26)'”

HaGaon written by R. Dov Eliakh in three volumes discusses everything and anything having to do with the Vilna Gaon. Most of the book is not controversial at all, instead, in painstaking detail R. Eliakh chronicles what we know about the Gra and the times he lived in. However, the third volume was the one that many took issue with. That volume, which discusses the controversy between the hassidim and the non-hassdim, also includes most of the primary literature on the topic. That means, R. Eliakh quotes extensively from many of the early anti-hassidic tracts which were published. Some of these contain scathing critiques of the hassidim and accuse them of rather disturbing acts.

However, as many are aware this was not the first time these were published. All of these, and more, have been published by Mordecai Wilensky, in his Hasidim u-Mitnagdim (which is now available again). In fact, much of this has even been translated into English in Elijah Schochet’s The Hasidic Movement and the Vilna Gaon. But, for some who are unaware of these, Eliakh’s book was highly disturbing.

The main complaints came, as is not a surprise, from hasidic circles. For instance, in the magazine Olam haHasidut, has three issues devoted to the book. On the cover of two of those issues, the book HaGoan appears in flames. Needless to say they were not fans of the book. The title reads אוי לדור שכך עלתה בימיו (how unfortunate we are to have this happen in our time). Among the major complaints about the book is that it is “written in the style of the maskilim (enlightenment).” I assume that means that as Eliakh documented everything he wrote that is in the style of the maskilim.

Additionally, they complain that as this controversy is no longer applicable (as the hasidim of today don’t do what they did back then), it serves no purpose in relating this again.

Now, here is where Making of a Godol comes in. R. Nathan Kamenetsky records what his father, R. Yaakov’s opinion on whether to discuss the history of the controversy between the hasidim and the non-hasidim. “My father [R. Yaakov] approved of snubbing of ‘a book on the Goan of Vilna by an outstanding author’ because ‘the author had purposely omitted chapters dealing with the Gaon’s opposition to Hasiduth and that he [R. Yaakov] said, ‘It is prohibited to conceal substantive and important issues such as these. Such distortion is tantamount to falsehood.'” R. Nathan Kamentsky goes on to relate that the book in question was R. Landau’s biography of the Gra and that his father [Rav Yaakov Kamenetsky] actually confronted R. Landau and accused him of “falsifying the image of the Gaon.” See Making of a Godol vol. 1 pp. xxvii (available here).

Consequently, R. Yaakov felt that leaving out such a seminal fact in a biography was equivalent to lying. However, as we see, the publishers of Olam haHassidut appear to disagree. They are not the only ones. R. Yaakov Perlow, the Novominsker Rebbi, wrote a long article where he also takes issue with Eliakh’s book. He also claims that R. Eliakh should have left out the details of the controversy.

It would appear that there is a fundamental controversy as to whether or not one should lie regarding history. In fact, in the journal Ohr Yisrael, there was an article addressing this very point – whether one should lie to tell stories that create yirat shamyim. The author concludes “if the teacher is telling stories which are not true, but is doing so leshem shamyim, so long as he doesn’t make a habit out of it, there is a place to be lenient in this matter, however, one should try to minimize this.”

Interestingly, in the next volume the Admor from Slonim has a stinging rebuttal of the article. He starts by saying, “Our tradition is based upon truth . . . how terrible it is to inject lies into our tradition.” He then explains such a view undermines our entire religion “whomever permits [one to lie] it is as if he is creating uncertainty in the truth of our entire tradition, which is based upon the passing from generation to generation. My teachers have taught that one should only accept truthful stories.”

So it would appear that there is an ongoing controversy, one which implicated the book HaGaon, with some arguing lying or covering up fundamental historical facts, is ok. While others claim this is totally unconscionable.

Sources: Olam haHassidut no. 88, Shevat 2002; 89, Adar 2002; 90, Nissan, 2002. Rabbi H. Oberlander, “HaIm Mutar l’Saper Ma’siyot shaninom amitim kedi l’orrer al yedi zeh l’Torah v’lyerat shaymim, Ohr Yisrael, 29 p. 121-123; R. Avrohom Weinberg (Admor M’Slonim Beni Brak), Letter, Ohr Yisrael, 30, 244. See also, Ari Zivotofsky, Perspectives on Truthfulness in the Jewish Tradition, Judaism 42:3 (Summer, 1993): 267-288. R. Yaakov Perlow, Yeshurun vol. 10 starting on page 831. Der Yid, Talumat Seftei Sheker haDovrot al Tzadik Atik, March 17, 2006. See also here for a discussion of the book. There are others that discuss this as well, and in R. Nathan Kamenetsky’s introduction he quotes them. Further, as a helpful reader/movie buff has noted, I should have included R. Dr. Jacob J. Schacter’s article on this topic available here.

As some of you have brought up in the comments regarding other works that had been plagiarized I thought it would be appropriate to discuss some of the more famous and those less so of instances of plagiarism.

The first example, is perhaps the most well-known one, that of the work Mekore Minhagim. This work which in question and answer form, discusses the sources and reasons for various customs was first printed in 1846 in Berlin by R. Avrohom Lewysohn (1805-1861). This work contained 100 of these questions and answers and consequently ended with a , ויזרע אברהם מאה שערים ויברכו ה and Avrohom planted 100 gates. This, of course referenced the authors name and the fact he wrote 100 questions. This is lifted from the verse in Genesis 26:12 ויזרע יצחק . . .מאה שערים ויברכו ה.

However, if today one tries to purchase this book (any one still can it has been reprinted many times) instead of a photocopy of the 1846 edition by Lewysohn, one gets a book with the same title but the author’s name is actually Yosef Finkelstein (originally published in Vienna in 1851). Also, instead of 100 questions there are only 41. Those differences aside, the remaining 41 questions and answers are word for word the same as Lewysohn’s.

This plagiarism was noted almost immediately by David Cassel, (1818-1893), in the first issue of Monatsschrift für Geschichte und Wissenschaft des Judentums, October, 1852 p. 34. However, this did not stop Finkelstein, and his edition was published possibly twice in 1851 alone and from then on numerous times to this day.

While Finkelstein’s is word for word, he was forced to change a few minor things. One in particular was the play on the verse at the end, his reads, ויזרע ויסף מא’ שערים. Although he attempted to retain the play on the verse, this fails as there was only 41 gates in his edition.

Finkelstein did not stop there. When his treachery was revealed in the paper HaMagid, he actually went on to argue that it was Lewysohn who copied from him and not the other way around. Finkelstein claimed when he was passing through Berlin, Lewysohn asked to borrow his manuscript and surreptitiously copied it. Finkelstein, however, does not explain how Lewysohn was able to add the additional 59 question and answers. Additionally, we will see in the next installment on this book, how Finkelstein gives himself away.

For more on plagiarism especially the halakhic discussion see here.