Afikoman – “Stealing“ and Other Related Minhagim
* A version of this article was printed in April of last year in Ami Magazine.
* A version of this article was printed in April of last year in Ami Magazine.
Marvin J. Heller is the award winning author of books and articles on early Hebrew printing and bibliography. Among
his books are the Printing the Talmud series, The Sixteenth and Seventeenth Century Hebrew Book(s): An Abridged Thesaurus, and collections of articles.
In a variation of this, two internet sites that reproduce the full text of Hebrew books both include Rav Isaac
Hutner’s (1906-80) Torat ha-Nazir (Kovno, 1932). This, the first edition, has three approbations; a full page hascoma from R. Hayyim Ozer Grodzinski (1863–1940), and the following page two approbations, side by side, from R. Abraham Duber Kahana (1870–1943) and Rav Kook. The first internet site, with more than 53,000 books for free download, follows R. Grodzinski’s approbation with a blank page and then the text. The second, a subscription site with more than 76,000 scanned books, goes directly from R. Grodzinski’s hascoma to the text, dispensing with the blank page, also not reproducing the second page of approbations. It is not clear whether the copies scanned were faulty, the scanning incomplete, or the omission intentional. Nevertheless, to conclude this section on a positive note, surprisingly, given the omission of Rav Kook’s approbation in both scans of Torat ha-Nazir, both sites list and provide an extensive number of Rav Kook’s works.

Turning to Besamim Rosh Saul Berlin’s infamous forgery, it claims to be the responsa of R. Asher ben Jehiel (Rosh, c. 1250–1327), among the most preeminent of medieval sages of European Jewry. The title-page describes it as the responsa Besamim Rosh, 392 responsa from books from the Rosh and other rishonim (early rabbinic sages) compiled by R. Isaac di Molina and with annotations Kasa de-Harshana by the young Saul ben R. Ẓevi Hirsch, av bet din, here (Berlin).[27] It is dated “and will keep you in all places where you goושמרתיך בכל אשר תלך 553 = 1793)” (Genesis 28:15), note Asher אשר in the date. In Besamim Rosh Berlin, having become an adherent of the haskalah, presents ideas inconsistent with and at variance with traditional halakhic positions. Among the novel responsa are removing the prohibition on suicide due to the difficult conditions of Jewish life; permitting shaving on Hol ha-Mo’ed; requiring a shohet to test the sharpness of his knife on his tongue; saying a blessing over non-kosher food; disregarding commandments that are upsetting; not taking Megillat Esther seriously; and that Jews beliefs can change. An example of the responsa, albeit a brief one and without Berlin’s Kasa de-Harshana, is the much quoted responsum concerning “legumes, rice, and millet which some Ashkenazic rabbis prohibit and is the practice in some communities. . .” (105b: no. 138): The responsum states:
The publisher of these books was Johann Koelner, the distinguished Frankfurt am Main printer (1708-27), credited with publishing half of the Hebrew books printed in Frankfurt up to the middle of the nineteenth century as well as a fine edition of the Babylonian Talmud.[37] Koelner began printing with Hinnukh Beit Yehudah; it is unusual in that there are two title-pages for the book, one noting that it was printed in Frankfurt am Main, the other stating that Hinnukh Beit Yehudah was printed, in an enlarged font with, Amsterdam, in a smaller font, letters, and the place of printing, Frankfurt am Main, also set in a smaller font.[38]
Another, quite different, inadvertent, error is of interest. In the late seventeenth- early eighteenth century a small number of printers of Hebrew books employed monograms, formed from the Latin initials of the Hebrew printer’s name, as their devices. Several were mirror-image monograms, which can be read directly and in reverse (mirror) image, resulting in more attractive and certainly more complex pressmarks than the simple interlacing of letters; perhaps graphic palindromes.[49] They are, however, often difficult to interpret; the undiscerning reader is often unaware that the mark is a signet rather than an ornamental device.
As previously mentioned on the blog a new work by Rabbi Yakov Stahl was just printed (for reviews of some of his earlier works see here and here). This work is called Segulah (Hard cover, 153 pp.) Sefer Segulah is a collection of articles on disparate topics, related to Minhag, Halacha, Piyyut, Midrash and Aggadah. It is an excellent collection of articles on topics not often written about in seforim, by others, full of interesting observations from an extremely rich and wide range of sources. There is a special emphasis of usage of Piyutim in many of these articles, which are still an almost untapped mine for sources. Amongst the topics discussed in this work is about an old minhag to have a rooster in front of the darshan at weddings. Another is about staring at Rainbows. Still another is an interesting, possibly new early source for the minhag to say Shirat Hayam every day in davening. There are two nice original articles related to Purim. One deals with an old minhag to read the Megillah during the Shabbasim before Purim and another deals with the Tefilah הרב את ריבנו.
This sefer was printed in a limited edition of 350 copies. A full table of contents and a sample of a chapter are available upon request.
Copies are available while supplies last for shipping; in Eretz Yisroel the price is $13.50, including shipping. To the US and England the price is $16.50, including shipping. Contact me at Eliezerbrodt@gmail.com
Copies of Rabbi Stahl’s other works are still available, such as:
Copies of אלפא ביתא תניתא דשמואל זעירא ב’ חלקים by R. Shmuel Ashkenazi and edited by Rabbi Stahl are also still available for purchase. Email me for the table of contents.
While the only mandated mitzvot for Chanukah consist of lighting candles and saying the full hallel, there are numerous other customs that have come to be associated with Chanukah.
The custom to play driedel on Chanukah is steeped in mystical allusions. From the letters which appear on the driedel to the way the driedel spins, people have offered explanations to link this to Chanukah. The Beni Yisscar, R. Tzvi Elimelch says that the reason the dreidel is spun from the top and the gragger on Purim is turned from the bottom has to do with how each holiday’s miracles were effected. On Chanukah the miracle came from above, directly from God. However, on Purim, the miracles were directly brought about by the actions of Ester, Mordechi and the Jewish people. Thus, the dreidel is spun from the top showing the miracle came from above, and the gragger from the bottom showing the miracle came from below. Others explain the symbolism of the letters that appear on the dreidel, נ, ג, ה, ש. According to one explanation these hint to the mitzvot that we have on Chanukah, נרות שמונה (candles all eight nights) and הלל גמר (the complete hallel). Others note the gematria (numerical value) of the letters which correspond to the same gematria as משיח (the Messiah). Others still, link the letters with גשנה the city Yosef secured for his family in Egypt.
According to at least one source, the custom of playing dreidel was actually started in the time of the Maccabis. They say that in an effort to circumvent the Greek decree against studying the Torah, children and their teacher would have a dreidel handy to start playing in case the Greeks came upon them studying the Torah. They would claim they were not studying instead they were just playing dreidel.
Despite all of these explanations, in truth, dreidel is not Jewish in origin. Rather, driedel is really the rather old game of teetotum. Teetotum, which uses a top with four sides and four letters is one and the same with dreidel. The letters that appear on the dreidel are really just the Hebrew letters that appear on a German or Yiddish teetotum, G, H, N, S. G= ganz (all), H halb (half), N nischt (nothing) and S schict (put). Teetotum dates back to at least the 16th century long before we have any Jewish allusions to dreidel(it was originally totum or top, but became TEEtotum due to the use of T for take all, on the top). The well-known depiction of children’s games done by Brueghel in 16th century includes Teetotum(see here and here for the complete painting). The earliest Jewish mention of dreidel or the significance of it dates to the late 18th century.
The story connecting dreidel to the ruse of the Maccabis was first published in the book Minhagi Yeshurun, which was first published in 1890 (the name was changed to Otzar Kol Minhagi Yeshurin in the third edition, which is available online here from Hebrewbooks.org . The author included a nice picture of himself at the beginning, although he was a Rabbi in Pittsburgh at the turn of the twentieth century, he is holding a quill pen.) His source is a contemporary of his. [As an aside, although his explanation of dreidel is well-known he offers a similar explanation for playing cards on Chanukah, i.e. that the Maccabi did so. However, that one is not nearly as well know.]
The custom of Chanukah Gelt appears to have changed over time. The earliest sources that mention money on Chanukah connect it with either collecting money for the poor (presumably for money to purchase the necessary implements for the Chanukah lights)(Sefer Mataamim) or giving money to ones children’s teachers. (Hemdat Yamim, Chapter 3 Chanukah early 18th century, anonymous author, some claim was Nathan of Gaza, Shabbtai Tzvi’s “prophet” others just a student of the Ari).
Again, especially amongst the Hassidic commentators, the custom took on a life of its own, both in its scope to include giving money to children and in its significance. There was also a special emphasis on giving their respective Rebbi money as well. R. Chaim Palache (Pellagi) (1788-1869) is the first to mention giving children money. He offers a kabbalistic reason “as children are representative of נצח והוד (eternity and glory). Something I don’t profess to have any idea what that means.
Another custom, again somewhat late in origin, is the custom to not study Torah on Christmas eve. Menachem Butler has a post here on some sources, however, one should add that there is now a full length sefer devoted to this topic, Yisrael Barukh Mestinger, Nitel U’Meorosav, 2000. As well as a pamphlet, Hefaru Toresecha, maamar maktif mminhag avotanu bi-yadun (sic) odot lel ha-ofel nitel nacht, u-minhag yisrael l’vatel ma-asek ha-torah, 2004. Additionally, R. Gavreil Zinner, devotes a section of his work, Neta Gavreil on Chanukah to Nitel.
For more on the various customs associated with Chanukah, see Neta Gavreil Chanukah; Pardes Eliezer Chanukah 2 vol.; R. Yitzhak Tessler, HaDreidel (Sivvivon) B’Chanukah: Mikoroteha, Tameha, u’Minhageha, in Ohr Yisrael 50-62, vol. 14 (Tevat תשנ”ט).
A Year in Berlin:
The Beginning of Hebrew Printing in Berlin in c. 1699
by Marvin J. Heller
The publishing of Hebrew books in Berlin is a relatively late phenomenon. The article provides a background to early Hebrew printing and then discusses the first Hebrew press in Berlin. It addresses Jewish history in Berlin, explaining why Hebrew printing began there at the end of the seventeenth century, almost two hundred and fifty years after it began elsewhere. Several unique works, rather than the usual communal prayer books and bibles, are described in some detail in the article.
Hebrew printing has a rich and lengthy history. The first Hebrew books were printed close to the mid-fifteenth century, in 1469 and 1472, approximately a decade and a half after Johann Gutenberg printed the first Bible in c. 1455 in Mainz, Germany. Those first Hebrew books, printed in Rome by Obadiah, Menasheh, and Benjamin of Rome, and several who followed, are undated. Their name appears in the colophon of R. Moses ben Nahman’s (Nahmanides, Ramban, 1194–1270) Torah commentary[1] The first dated Hebrew book was Abraham ben Garton ben Isaac’s edition of Rashi’s Torah commentary (Reggio di Calabria, 1475, completed 10 Adar, 5235 = Friday, February 17, 1475). It was followed soon after by Jacob ben Asher’s Arba’ah Turim, printed in Piove di Sacco, Padua province on 28 Tammuz, 5235 (July 3, 1475).[2]
A conservative listing of Hebrew books that can be said with certainty to have been printed prior to 1500 are, according to A. K. Offenberg, 139 titles, which he writes “may yet be too high.”I[3] In an index Offenberg records close to twenty locations in which Hebrew incunabula were printed, in Italy, Spain, and a 1493 Constantinople edition of the Arba’ah Turim.[4] Among the more notable locations in which Hebrew printing occurred in the incunabular period are Mantua, Bologna, Ferrara in Italy, and Guadalajara in Spain.
In contrast to the small number of incunabular imprints, approximately 2,700 titles were printed in the following century, that is, from 1500-1599. To be more precise, 2,672 Hebrew titles (or books with Hebrew letters) were printed, according to Yeshayahu Vinograd, in the sixteenth century. In the seventeenth century the number of Hebrew books published increased to 3,526 entries.[5] The primary centers of Hebrew printing in those centuries were, respectively, Venice and Amsterdam. Parenthetically, the latter’s imprints were sufficiently popular that publishers in other locations frequently wrote with a small font “printed with” and in a large font “Amsterdam,” and again in a small font “letters.” Below, again in a small font, the actual place of printing.[6]
That Hebrew printing began so much later in Berlin than in other centers of printing might seem unlikely, given the subsequent importance of that city’s Jewish community and press. However, it is not surprising in light of the early history of Berlin Jewry, which was difficult, indeed stormy. Expelled in the middle-ages, during the Black Death, Jews were allowed to return in 1354, but not permitted a synagogue. There is no further mention of Jews until the sixteenth century. Subsequently, Jews were expelled and readmitted several times. Gotthard Deutsch and A. Freimann write that “The real history of the Jewish community of Berlin does not begin until the year 1671.” At that time, Jews expelled from Vienna were admitted to Berlin. On Jan. 3, 1676, a decree was issued which stated “die Juden in Berlin in ihren Freyheiten und Privilegien nicht zu turbiren, noch zu kränken, sondern sie vielmehr dabey gebürend zu schützen” (not to disturb or worry the Jews of Berlin in their grants and privileges, but to protect them properly).”[7]
Hebrew printing in Berlin began soon after, that is, in the last decade of the seventeenth century. According to the Jüdisches Museum Berlin, Hebrew printing in Berlin, “which commenced later than in other German cities,” began when Daniel Ernst Jablonski published a Hebrew Bible in 1699.[8] Yeshayahu Vinograd, in the Thesaurus of the Hebrew Book, records eleven works printed from 1690 through 1699, eight in the latter date. He begins with a 1690 quarto format (40) Bible attributed to a Knebell, who Moritz Steinschneider describes in his entry for the 1699 Bible as “Opera et impensis Jo. Henri Knebel . . .” (the works and expenses of Jo. Henri Knebel),” the printer given as Jablonski.
The 1690 Bible entry is followed by two 1698 octavo editions (80: 90 pp., no pagination given for the second edition) of Psalms both in the Bodleian library and then the 1699 imprints.[9] Steinschneider dates the first Psalms as “3–9 Tischri 458 (18-24, Sept. 1697), the second as [ca. 1697-9]. These are followed by an edition of Bereishit (Genesis).[10] Also printed at this time was a siddur (prayer book) and another edition of Psalms. All of these works, as well as the following titles, were printed at the Jablonski press.
Daniel Ernst Jablonski’s (1660-1741) involvement with Hebrew printing is surprising given his background and career. He was the son of Peter Figulus, a minister of Unity of the Brethren (Unitas fratrum) and grandson of Johann Amos Comenius, the last bishop of the Unity. Jablonski served as a preacher at Magdeburg in 1683, and from 1686 to 1691 as head of the Brethren College at Polish Leszno (Lissa), a position filled by his grandfather. In 1691, Jablonski was appointed court preacher at Königsberg by the elector of Brandenburg. In 1693, he was transferred to Berlin as court preacher, and in 1699 he was consecrated a bishop of the Unity of the Brethren, where he worked to bring about a union between the followers of Luther and Calvin. In 1700, Jablonski became a member of the Academy of Sciences (Brandenburgische Societät der Wissenschaften), serving between 1710 and 1731 as director of Philology and Oriental Studies and, from 1733 and 1741, as president of the Academy.[11] He was also the author of several books on Christian theology and philosophy.
In Berlin, Jablonski established a Hebrew printing press. Vinograd very conservatively crediting him with having printed as many as twenty titles. However, a significant multiple of that number of titles were printed in Berlin at that time with no printer’s name assigned to them in the Thesaurus, or, in some instances, attributed to an editor at the press.[12] Concerning Jablonski’s heading a Jewish press in Berlin, it may not seem as improbable as it appears. Jews could not initially obtain licenses to own a printing-press, so that of necessity, the owner had to be a non-Jew, although the managers and workers were usually Jewish. Jablonski employed a number of Jewish workers at his press. The most important was Judah Loeb ben David Neumark (d. 4 Nissan = April 9, 1723) from Hanau, author of Shoresh Yehudah (Frankfort on the Main, 1692), the manager of and an editor at the Jablonski printing-house.[13]
Another of Jablonski’s achievements relates to the printing of the Talmud. He was instrumental in securing approval for Michael Gottschalk, the Frankfurt an der Oder printer, and Johann Christoph Beckman, professor of theology at the University of Frankfurt an der Oder, to publish the Frankfurt an der Oder Talmud (1697-99). Jablonski’s opinion was requested by Friedreich III, Elector of Brandenburg, after Gottschalk and Beckman sought permission to print the Talmud. Jablonski’s measured response was, overall, positive; he found the Talmud to be, with reservations, a work of value, and recommended that Friedreich approve the request to republish that work. Jablonski subsequently printed the first Frankfurt on the Oder/Berlin Talmud together with Gottschalk (1715-22).
We turn now to the more distinct books published at the Jablonski press, that are non-biblical nor prayer books, although the press issued both. Our first title is Azmot Yosef, novellae on tractate Kiddushin by R. Joseph ben Isaac ibn Ezra (c. 1560–1620), attributed in bibliographies to Neimark, as it is his name that appears on the title-page. Perchance, he managed the press and Jablonski was the proforma owner.
Azmot Yosef – Azmot Yosef was published in folio format (20: 125 ff.) in the year “[Show me a sign of] Your favorאות לטובה ( 459 = 1699) that my enemies may see and be frustrated because you. O Lord, have given me aid and comfort (Psalms 86:17). R. Joseph ben Isaac ibn Ezra (c. 1560–1620) was a scion of the renowned Ibn Ezra family of Spain. Publication of Azmot Yosef is attributed by Vinograd to L. Neimark. Joseph ben Isaac Ibn Ezra was a student of 1R. Samuel de Medina (Maharashdam, 1506-89) and of R. Aaron ben Solomon ben Hasson (16th Cent.). Ibn Ezra subsequently headed the yeshivah of Don David ben Yahya, where he had several eminent students, among them R. Shabbetai Jonah. He later left Salonika for Constantinople, and afterwards served as rabbi in Larissa and Sofia.[14]
The first paragraph of the title-page, a reprint of the first edition, states that it is an explanation of the rules by which the Torah is explicated, and that it is:
a commentary in iyyun and pilpul (deliberation and casuistry) of tractate Kiddushin, from the beginning until the end, on the Talmud, Rashi, Tosafot, Rif, Rambam, Rosh, his son the Ba’al ha-Turim, and others on the laws of kiddushin (betrothal). After the iyyun and pilpul I conclude with the halakhah . . . .
Also, for the benefit of the students [I explain] the rules of [kal ve-homer] (a fortiori inference), dayyo (sufficiency), and other rules: I also delve deeply into the passages of parah ve-rahel in Kol ha-basar and at the end of Kaitzad ha-regel.
The second paragraph, somewhat lengthy, informs that Azmot Yosef was printed previously in Salonica in 1601, further expounds it virtues, and informs that it is being printed for the second time in the praiseworthy city of Berlin and extols Friedreich III.
Azmot Yosef
Courtesy of the Library of Agudas Chassidei Chabad Ohel Yosef Yitzhak
In addition to the peshat (clear meaning of the text) on Kiddushin, Azmot Yosef also addresses Talmudic methodology. Ibn Ezra was also the author of Rosh Yosef, novellae on the Tur, Ḥoshen Mishpat, of which the part on taxes and associated communal issues was published as Massa Melekh (Salonica (1601). Some of his responsa were published in the responsa of R. Shabbetai Jonah, R. Solomon ha-Kohen, and R. Samuel Hayyun.
Azmot Yosef is an important work on Kiddushin and has been reprinted several times. Initially printed in Salonika (1601), as noted above, at the press of Abraham and Joseph BathSheba, this is the second edition; four additional printings of Azmot Yosef are recorded in the Bet Eked Sepharim, the most recent a Warsaw edition (1883).[15]
Gefen Yehidit – Our next work, Gefen Yehidit is a multi-part work, primarily on ethics, by R. Ze’ev Wolf ben Judah Leib of Rosienie. It was published in a small sextodecimo format (160: 59 ff.)
Gefen Yehidit
Courtesy of the National Library of Israel
The title page of Gefen Yehidit has a brief text that states that it is:
A book, small in size but of great quality. It speaks of matters of ethics and reverence in a clear language . . . The author should have merit. He is one of the maskilim (a person of understanding) and in this small book he demonstrates his expertise and sharpness. . .
Included is Sefer Luah ha-Hayyim which speaks of remedies in order that a person should be healthy and strong in order to serve his God continuously.
The title page is dated “a sign for good אות לטובה (459 = 1669)” (Psalms 86:17). Next is the introduction (1b-2a) of R. Judah Leib Hanau,[16] who brought the book to press. In his introduction, Ze’ev Wolf begins with a quote from Midrash Ruth in which Rav Ashi says that this Megillah is not primarily wisdom nor Torah, but to learn from it gemillut hasadim (acts of kindness), so too the work that he is writing. He informs that he has had a difficult life, and frequently quotes from the Zohar.
The text, in a single column in rabbinic letters, is comprised of Gefen Yehidit, a work of mussar (ethics); an accounting (39a-40b), beginning with and based on the memorial prayer El Malei Rahamim, of what befell the Jews of Podhajce (Podgaitsy), Ukraine in 1677 during a Tartar incursion and massacre of the Jews; followed by a dirge (40b-41a); Zemer le-Purim (42a-46b), verse for that festival in both Hebrew and Yiddish, translated word for word into the latter language because that is the language of Ashkenazim; and concluding with Luah ha-Hayyim (47a-59b), a popular medical work.
Gefen Yehidit has been reprinted several times, beginning with a Hanau (1717) edition.
Luah ha-Hayyim – Although included in Gefen Yehidit Luah ha-Hayyim is an independent work. In contrast to the other additional parts of the former title, Luah ha-Hayyim has its own title-page. Written by R. Hayyim ben Benjamin Ze’ev Bochner,[17] (for our ealier discussion regarding Bochner on the SEfohere), a prolific writer, whose works include Orḥot Ḥayyim, a commentary on R. Isaac Tyrnau’s Minhagim (1669, Prague), Mayim Ḥayyim, homilies and comments on Bible and Talmud, and Toẓeot Ḥayyim on grammar. This edition of Luah ha-Hayyim is based on earlier edition printed by Johann Christoph Wagenseil (Altdorf, 1687), also part of a larger work.
Luah ha-Hayyim
Courtesy of the National Library of Israel
The title-page states that it is:
Luah ha-Hayyim
“It will be a cure for your body [a tonic for your bones] (Psalms 3:8) etc.” “They are life to him who finds them; healing for his whole body (Psalms 4:22):
Abbreviated rules of conduct for a person in the matter of healing to maintain a healthy body and it is a primary principle in the service of the Lord. In order to benefit the public, we have printed anew R. Hayyim ben Benjamin Ze’ev Bochner of Cracow’s work. It received in the past approbations from leading medical authorities for all these words are true and correct to those who are knowledgeable and meritable.
This is followed by approbations of two doctors from Lublin. An example of the text (51a-52b) is:
a clear white wine , sweet and aromatic, is healthy and caring. If one drinks a measure of wine, it is a balm for the body, for it increases bodily heat and strengthens as a lion. It gladdens the heart and hones the mind. It also helps in the digestion of food. The measure of a reviis as the amount to drink is logical.[18] More than this measure one should cease and desist. However, if one is accustomed to become inebriated from it and drinks more then enough than the head is ill and the heart is pained. One whose nature is warm and thirsts to drink should mix a little water every time. Honey that is clear and of average sweetness and strength is somewhat comparable to the nature of wine in all respects. . . .
A popular work the Thesaurus of the Hebrew Book records twelve editions of Luah ha-Hayyim, but again these are generally not independent publications.[19]
Keter Torah – Keter Kehunah – our final publication, is a Kabbalistic work on Psalms and liturgy by R. Joseph ben Moses (Ashkenazi), darshan of Przemyslany (17th cent.) Printed in quarto format (40: 91, 62-66, [1]; 76 ff.) Keter Torah and Keter Kehunah are, respectively, the second and third parts of Keter Yosef, the first part of which was printed in 1700.[20] Joseph ben Moses, who was a darshan (preacher), served as rabbi and dayyan in Przemyslany.
Each part was printed separately and has its own title page, albeit with the same frame but somewhat varying text. The pillared frame has cherubim at the top and at the bottom of the frame an eagle with a shield, and holding a sword in one talon and a scepter in the other. In its beak is a banner with the date of the respective volume.[21]
The title page of Keter Torah states that it is the second part of Keter Yosef,
A holy workbook, old replete with new, a desirable commentary, where is its like? On Psalms by the author of Zafenat Pa’ne’ah and Haluka de-Rabbanan. He is the great darshan, grandson of the gaon R. Abraham Ashkenazi, descended from Rashi, son-in-law of R. Abraham av bet din in Luntshits, and a branch and descendant of R. Saul Wahl.
It is dated “Now Israel loved Joseph אהב את יוסף וישראל (459 = 1699)” (Genesis 37:3). Keter Torah has an introduction from the author followed by the text, comprised of Psalms in the middle of the page in square vocalized letters with Joseph’s expansive commentary, Keter Yosef, on the sides in rabbinic letters. The text is divided by the days of the week and has the heading Keter Yosef. The title page of Keter Kehunah states that it is part three of Keter Yosef and that
It is the threefold part that “is not quickly broken” (cf. Ecclesiastes 4:12). In it are found at intervals some sharp novellae on Tosafot and gemara. I have entitled it Keter Torah on the order of the avodah (divine service) for the entire year. It is by the great darshan . . .
Keter Kehunah
Courtesy of Hebrewbooks.org
Keter Kehunah is dated “This is the Torah of the burnt offering זאת תורת העולה (459 = 1699)” (Leviticus 6:2). Here, too, the text is comprised of the liturgy of the daily ma’amadot (division of prayers) in the center of the page in square vocalized letters, the commentary Keter Yosef on the sides in rabbinic letters, and the heading Keter Yosef. After the daily ma’amadot are bakashot for the day and bakashot in the manner of Kabbalah. The daily ma’amadot are followed by kabbalistic prayers for special occasions such as selihot for Mondays and Thursdays, fast days, Rosh Hodesh, Shabbat with special Torah readings, Shabbat Teshuvah, Hanukkah, Purim, brit milah, kinnot for Tishah be-Av, and for dreams. There is also a prayer for someone incarcerated from R. Leone (Judah Aryeh) Modena.
This is the sole edition of any of the parts of Keter Yosef. Joseph was also the author of a commentary included in Haggadah Haluka de-Rabbanan (Amsterdam, 1695), a commentary on the Passover Haggadah; Ketonet Passim (Lublin, 1691), discourses on festivals and the Haggadah; and Zafenat Pa’ne’ah he-Hadash (Frankfurt am Oder, 1693-94, above) on diverse subjects.
In conclusion, we have described individual publications that are not part of the customary frequently printed works comprising traditional and necessary parts of Jewish literature, that is, biblical and liturgical books, although, as noted above, such works were also published by the Jablonski press. The subject matter of these other varied books addressed here encompasses Talmudic novellae, ethics, medical recommendations, and a Kabbalistic work.
What is particularly noteworthy is, given the late start of Hebrew publishing in Berlin, that it rapidly became a center of Hebrew printing. The Thesaurus records 457 titles issued by the Berlin press in the following century (1700-1799), a remarkable growth for a new press that had hardly published any books in the previous century and for a community that was initially young and relatively small compared to other Jewish communities. Despite the small number of works published in that early period, at the end of the seventeenth century, the books published not only addressed communal needs, but also included a variety of valuable works expressing the varied intellectual needs and interests of the community. It quickly grew from a small but press that had from its beginning began by serving its community with needed and valuable varied works to a press of significance.
[1] Concerning those first Hebrew imprints see Moses Marx, “On the Date of the Appearance of the First Hebrew Book,” in Alexander Marx Jubilee Volume (New York, 1950), pp. 481-501.
[2] The above dates are Julian dates. The dates in the Gregorian calendar, adopted in Rome in 1582 in place of the Julian calendar are, for Rashi’s Torah commentary, February 26, 1475. The Gregorian date for the Arba’ah Turim would be July 12, 1475.
[3] A. K. Offenberg, Hebrew Incunabula in Private Collections (Nieuwkoop, 1990), p. xxiii-xxv, 186-94. It should be noted that other authorities cite a higher number of titles for the incunabular period. A significantly lower number is given by Richard Gottheil and Joseph Jacobs in “Incunabula” Jewish Encyclopedia vol. 6 (New York, 1901-06), p. 575 who write that 101 works printed in Hebrew letters can be identified as certainly printed before 1500. In contrast, according to Herrmann M.Z. Meyer / Angel Sáenz-Badillo, write there are “175 (207) editions printed with Hebrew letters ascertained by copies preserved in public collections.” “Incunabula” (Encyclopedia Judaica, vol. 9 (Jerusalem, 2007),vol. 9 pp. 757-58.
[4] The dating of the 1493 Constantinople edition of the Arba’ah Turim has been questioned, many bibliographers consider the correct date to be 1503. Offenberg in a convincing article, substantiates the correct date as 1493 (Offenberg, “The First printed Book Produced at Constantinople (Jacob ben Asher’s Arba’ah Turim, December 13, 1493),” in A Choice of Corals: Facets of Fifteenth-Century Hebrew Printing, pp. 102-32.
[5] Yeshayahu Vinograd, Thesaurus of the Hebrew Book. Part I Indexes. Books and Authors, Bibles, Prayers and Talmud, Subjects and Printers, Chronology and Languages, Honorees and Institutes. Thesaurus of the Hebrew Book (Jerusalem, 1993-95), pp. xxiv-xxvi [Hebrew].
[6] Mozes Heiman Gans describes this practice, writing “so highly-prized were books ‘printed in Amsterdam’ or ‘be-Amsterdam’ that cunning rivals invented the phrase ‘nidfas ke-Amsterdam’, i.e. in the manner of Amsterdam, hoping to deceive the readers by relying on the similarity of the Hebrew k and b.” Mozes Heiman Gans, Memorbook. History of Dutch Jewry from the Renaissance to 1940 with 1100 illustrations and text (Baarn, Netherlands, 1977), p. 140: Also see Marvin J. Heller, “Who can discern his errors? Misdates, Errors, Deceptions, and other Variations in and about Hebrew Books, Intentional and Otherwise: Revisited,” http://seforim.blogspot.com/, Sunday, July 03, 2016, reprinted in Essays on the Making of the Early Hebrew Book (Leiden/Boston, 2021), pp. 507-36.
[7] Gotthard Deutsch, A. Freimann, “Berlin,” Jewish Encyclopedia vol. 3. pp. 69-71.
[8] Jüdisches Museum Berlin: https://www.jmberlin.de/en/collection-hebrew-printing-in-berlin.
[9] Moritz Steinschneider, Catalogus Liborium Hebraeorum in Bibliotheca Bodleiana (CB, Berlin, 1852-60), col. 112 no. 702; Vinograd, Thesaurus of the Hebrew Book. Part II, p. 111.
[10] Steinschneider, nos. 694, 1050, 1028.
[11] https://en.wikipedia.org/wiki/Daniel_Ernst_Jablonski.
[12] Vinograd, Thesaurus of the Hebrew Book. Part I, p. 451.
[13] Ch. B. Friedberg, History of Hebrew Typography of the following Cities in Central Europe: Altona, Augsberg, Berlin, Cologne, Frankfurt M., Frankfurt O., Fürth, Hamberg, Hanau, Heddernheim, Homberg, Ichenhausen, Neuwied, Wandsbeck, and Wilhermsdorf. Offenbach, Prague, Sulzbach, Thannhausen from its beginning in the year 1513 (Antwerp, 1935), pp. 87-88 [Hebrew].
[14] See Ya’akov Shemuel Speigel’s introduction to Ibn Ezra’s responsa for additional biographical information. She’elot u-Teshuvot Rebi Yosef ibn Ezra, ed. Ya’akov Shemuel Speigel (Jerusalem, 1989), 5-30. Speigel specifically discusses Azmot Yosef, its editions and its reception. Id. 21-24.
[15] Ch. B. Friedberg, Bet Eked Sepharim, (Israel, n. d), ayin 1064 [Hebrew]. Eli Genauer updated the Bet Eked entry, which records books from 1474-1950, informing that later editions of Azmot Yosef were published in Jerusalem by Levin-Epstein in 1951, 1958, 1962, 1969, and 1976. There was also a Warsaw 1912 and a New York edition form the 1950’s as well as a Jerusalem 1988 edition, all attesting to the popularity of Azmot Yosef. Genauer quoted a yeshiva student’s joke concerning Azmot Yosef “how do you know that Jews were learning Maseches Kiddushin when they left Mizrayim [Egypt]? Because it says they took the Atzmos Yosef [bones of Joseph’ with them” (Exodus 13:19) and is also included in Kovets Mifarshim ‘al Meskhet Kiddusin, published in 2000 and 2019.
[16] He is the father of the famed grammarian Shlomo Zalmen Hanau. On some of his title pages, he indicates that his father was a sha”tz (cantor).
[17] For our discussion regarding Bochner and his works, see our post on the Seforim Blog, “Hayyim Ben Benjamin Ze’ev Bochner: Kabbalist, Talmudist, and Grammarian.”
[18] A reviis equals 1-½ eggs (see Mishna Berura 271:68) https://oukosher.org/halacha-yomis/what-is-the-volume-of-a-reviis/.
[19] Vinograd, Thesaurus of the Hebrew Book. Part I, p. 67
[20] Regarding the possible Sabbatian elements in this work, see Shnayer Leiman, Sefarim Ha-Hashudim be-Sha’abatot, in Sefer ha-Zikhron le-Reb Moshe Lipschitz, Rafael Rosenbaum, ed., (New York, 1996), p. 887.
[21] Concerning the eagle motif see Marvin J. Heller, “The Eagle Motif on 16th and 17th Century Hebrew Books,” Printing History, NS 17 (Syracuse, 2015), pp. 16-40, reprinted in Essays, pp. 5-29.
Rambam The Poet?
Ovadya Hoffman
Most readers are familiar with the general character and productivity of Maimonides, I will therefore keep the preamble to a minimum. The indelible legacy left by Maimonides is that of a legalist and thinker, not of a poet or a preacher. That’s not to say that Maimonides lacked the poetic skill. In fact, even from his purely legal works one can detect his elegant tongue and imaginative faculties, never mind the many missives, introductions and intermittent non-legal material included in his Code which exhibit overt tones of a skillful mouthpiece characterized by his eloquent and passionate appeals, charming metaphors and moving rhetoric.[1] And yet, not much –if any- of his authentic, complete pieces of poetry survived.[2]
One poem ascribed to Maimonides was composed in Arabic depicting the story of Purim. Recently, a dear friend, Jacob Djmal of The Jewish Bookery, showed me a book containing this poem declaring it to be of Maimonidean authorship. I will use this source as my point of departure.
R. Yosef Shabbtai Farhi published a book titled Nora Tehilot in Livorno 1864.[3] On the title page the author states he has translated the book of Esther into colloquial Arabic (“ולכן נתתי אל לבי… להעתיקה בלשון ערבי”) and included a piyyut in Arabic authored, so he claims, by Maimonides (“ונפך שפי’ר[4] פיוט בל’ צח ערבי מהרמב”ם ז”ל יפה אף נעים”). However, Farhi provides no information as to the piyyut’s provenance. One wouldn’t be afoul to suspect that, regardless of the piyuut’s origin, its attribution to Maimonides could easily garner sales. Who would pass up a book containing a rare glimpse of the great Maimonides’ poetic creativity? Again later on (31a) the author titles the aforementioned piyyut “בלשון ערבי מהרמב”ם ז”ל מיוסד על פי מאמרי רז”ל על סדר א”ב… לחן אימפיסאר קירו קונטאר”. So what are we to make of this piyyut? Where did Farhi get it from?
A manuscript housed at the Ben Zvi institute (MS. 1327), dating from a year before Farhi’s book was published, is a handwritten copy of what alleges to be an Arabic translation of Esther authored by Maimonides (“ספר מג'[ילת] אס'[תר] מלערבי הנקרא שרח אל מגלה להר’ משה בר מימון זלה”ה”).[5] At the end of the manuscript (beginning on p. 76) the same piyyut which appears in Farhi’s book is produced here except it lacks any attribution.[6] It could be fair to assume that the copyist only naturally considered the piyyut to be of the same authorship as the translation, Maimonides, although he didn’t state as much. He may have chosen to include it in the manuscript on the belief that it was from Maimonides or he may have harbored doubts as to its authenticity and therefore left it unattributed. In any case, where did this copyist get it from?
Another book titled “פירוש מגלת אסתר בלשון ערבי הנקרא שרח אל מגלה להנשר הגדול ארך הכנפים ורב הנוצה הרמב”ם ז”ל” was published in Livorno 1759 at the behest of Abraham b. Daniel Lombroso.[7] At the end of the first paragraph (2a) it reads: “ואל שרח משחר אליה מלקוטין מן כלאם רבותינו ז”ל ואל תלמודיין אל בבלי ואל ירושלמי” (loosely translated: a translation based on an anthology of both Talmuds). At the conclusion of the translation a number of piyyutim by various authors are produced. One of those piyyutim are evidently of anonymous authorship and simply titled “פיוט בלשון ערבי מיוסד על פי מאמרי רז”ל לחן אינפיסר קיירו אקונטאר” (p. 46a).
With no older documentation of this piyyut, I can only guess that one -possibly Farhi himself- hastily assumed an Arabic poem, appended to an Arabic translation authored, allegedly, by Maimonides belonged to him as well and consequently formalized the attribution.
Addendum
In 1845 Michael Sachs wrote that he was skeptical about Maimonides’ involvement and authorship of poetry.[8] About a year later, in a letter to Sachs upon receiving his book, Samuel D. Luzzatto argued with one of Sachs’ points regarding a particular piyyut ascribed to Maimonides and then marshaled evidence from R. Shimon b. Tsemaḥ (Duran) in his Magen Avot p. 84[a] where it is evident that Maimonides wrote two other piyyutim. However, Luzzatto added, the word “הרמב“ן” in Magen Avot is a printing error and should read “הרמב“ם”; [9] more on this below. Years later, in 1854, Shneur (Senior) Sachs repeated the notion of Maimonides’ aversion to composing poetry and maintained that all which we have from him is a single piyyut.[10] Eliezer Landshuth further attempted to set the record and addressed the later Sachs in his book, quoting Shadal and his emendation to the text of the Magen Avot.[11] I won’t go on to list a record of all the authors who followed suit in quoting the Magen Avot as a source for Maimonides’ authorship of a couple other piyyutim and will suffice to say that as late as the early 1900s Meir S. Geshuri asserted the same claim[12] and he was likewise cited by the celebrated Hayyim Schirmann.[13]
The Magen Avot was first published in Livorno 1785. Here[14] is the page:
Alternatively, here is the text:
כבר כתבתי כי הן הם דברי הרמב”ן בה’ יסודי התורה וכן כתב בתשובה שהנפש צורה בלא גולם ולא גוף אבל זוהר וגזרה ומקור הדעת ואינה צריכה לגוף לפי’ … אבד הגוף לא תאבד היא אלא עומדת בעצמה וקיימת כמו מלאך ונהנית באורו של עולם והוא עה”ב וכן יסג הוא ז”ל במחרך א’ בך רוח בשם נקבה חיה כשגל נצבה. ממקור החיים חוצבה. מידעה שגבה. מגלגל שכל שאבה. חכמתה כים רחבה. ייהי הגיית איש לראש. נשמה שרי דרוש. אכן רוח היא באנוש. וכן יסד בגאולה המתחלת אמרו בני אלהים כמה אתן לפועלי צדק וגם אני מכם מה לבני שאול ולי. וכן בפיוט יפתה עלמת לא נודע מי יסדו אבל אומר כי המיסד סוח יענים יסדו שאומר כי ירמיה יסדו אכל נראה שחכם גדול היה דבר באותו פיוט בסוד הנשמה ובבית א’ אומר על הנשמה שאלה חופש מאשר עובר בה יחלה יום להנפש בו ואל תכבד העבודה כי יסוד נפש חי כלי אובד יום פרידה כאשר קדמת הגוף יהי נמצא הוא קדומה אך לפי תומת מעשיה נרצה או זעומה
Besides for the unintelligible sentences and typos, the most glaring error is, as Shadal and others called attention to, the printing error of רמב”ן instead of רמב”ם. Now, if that’s all one corrects it is now conceivable that Duran ascribed to Maimonides the piyyutim which he mentioned. Somewhat surprising, or not, is that the same errors appear exactly so in the newer edition of Magen Avot published by Mechon HaKtav in Jerusalem 2007, despite the publisher’s claim of it being critically edited.[15]
Of the different manuscripts I consulted in determining the original text only one had a different and coherent read. This manuscript is estimated to be from 15th-16th century and is housed in The Royal Danish Library.[16] In order to grasp the flow of the material it is necessary to include the preceding paragraph (in the image above, it begins four lines above the yellow box). Following, is my transcription of the manuscript:
וכן החכם ר׳ אברהם ז״ל כתב בפי׳ קהלת כי מה שאמ׳ והרוח תשוב אל האלהים אשר נתנה סותר דברי האומרים שהנפש מקרה שהמקרה לא ישוב וכן נראה שזה הוא דעתו כי כתב בפי׳ תלים כי הנפש והנשמה והרוח שם אחד לנשמת האדם העליונה העומדת לעד ולא תמות ונקראה נפש גם רוח בעבור שלא תראה לעין כי אם אלה וכן כת׳ בפרש׳ כי תשא ובכל מקום קורא אותה נשמה עליונה כמו שכתב בפרש׳ ואלה המשפטים ר״ל כי היא אינה מושגת אלא מצד פעולותיה הנקראים נפש ורוח רואה החכם ז״ל כי הנשמה יצאו ממנה כח ההזנה הנקרא נפש וכח ההרגש הנקרא רוח אבל הוא עצם אלהי לפי הנראה מדעתו ולא הכנה לבד. וכן יסד הוא ז״ל במחרך אחד בך רוח בשם נקבה חיה כשגל נצבה ממקור אור יוקבה מצור החיים חוצבה מי דעה אותה שגבה מגלגל שכל שאבה חכמתו היא רחבה ויהי בגויית איש לראש נשמה שדי דרוש וכן רוח היא באנוש. וכן יסד בגאולה המתחלת אמרו בני אלהים במה אתן לפועלי צדק וגם אני מכם מה לבני שאול ולי. וכבר כתבתי כי כן הם דברי הר״ם במז״ל בהלכות יסודי התורה. וכן כתב בתשובה שהנפש צורה בלא גולם ולא גוף אבל טהר וגזרה ומקור הדעת ואינה צריכה לגוף לפי׳ כשיאבד הגוף לא תאבד היא אלא עומדת בעצמה וקיימת כמו מלאך ונהנית באורו של עולם והוא עולם הבא וכן בפיוט יפתה עלמת לא נודע מי יסדה אבל אומרי׳ כי המיסד סורו יענים יסדו אשר אומרים כי ירמיה הנביא יסדו אבל נראה שחכם גדול היה דבר באותו פיוט בסוד הנשמה ובבית אחד אומר׳ על הנשמה שאלה חופש מאשר עובד בה יחידה יום להנפש בו ואל תכבד העבודה כי יסוד נפש חי בלי׳ אובד יום פרידה באשר קדמת גוף יהי נמצא היא קדומה אך לפי תומת מעשים נרצה או זעומה
As observed by others, we see that the correct reading is רמב”ם instead of רמב”ן. But most significantly, we see that some lines from Duran’s discussion of Abraham ibn Ezra’s view [regarding the nature of the soul] were transposed to after the mention of Maimonides, giving the impression that “וכן יסד הוא ז”ל” and “וכן יסד” refers to Maimonides, thereby leading scholars to believe that Duran attributed these piyyutim to Maimonides. Indeed the quoted muḥarrakh[17] “בך רוח” and the geulah[18] “אמרו בני אלהים” are both compositions of ibn Ezra.[19] In conclusion, the basal support, which for years scholars have pointed to for evidence of Maimonides’ rôle as a poet, is negated.
At this point we should make mention of the last piyyut which Duran notes that “some say Jeremiah authored, nevertheless it’s apparent a great sage spoke it”. This piyyut, also of the muḥarrakh genre, has since been identified as being authored by R. Joseph ibn Zaddik (11-12th century) and subsequently published in a collection of his piyyutim.[20]
As I attempted to have this brief essay completed in time for Purim I lay here the pen and hope to return to a discussion of a perplexing and elusive piece quoted by Duran.
[1] See, however, Isadore Twersky, Introdution to the Code of Maimonides (New Haven & London 1980), 250 fn. 29.
[2] Cf. Hayyim Schirmann, Toldot HaShirah Ha’Ivrit BeSfarad HaNotsrit Ubederom Tsarfat (Jerusalem 1997), 280 fn. 6 for bibliographical references. See also addendum below.
[3] https://hebrewbooks.org/34131
[4] A play-on-words of Ex. 28:11 “והטור השני נפך ספיר”; with ‘שפיר’ meaning ‘good, fine’.
[5] See the journal Sarid U’palit (R. Yaakov Moshe Toledano, Tel Aviv n.d.), i p. 65 and Perush Megilat Esther LeHanesher HaGadol Rabbenu HaRambam (trans. Yosef Yoel Rivlin, Jerusalem 1952 [in a note to the latter’s preface 1943 is given as the publication year for Toledano]). Toledano believed this to be an original translation by Maimonides and only alluded to anonymous gainsayers. See however Hartwig Hirschfeld’s critical analysis of the translation in his essay Notiz uber einen dem Maimuni untergeschobenen arabischen Commentar zu Esther (Semitic Studies in Memory of Rev. Dr. Alexander Kohut, Berlin 1897) 248ff. Per Toledano’s dismissal of the translation belonging to Rabbi Maimon, Maimonides’ father, on account of a quote not found in the respective translation, cf. Tiferet Yisrael (R. Shlomo b. Tsemaḥ Duran, Venice c. 1600) 118b, quoting an Arabic translation, which according to his father, was authored by Rabbi Maimon.
[6] https://www.nli.org.il/en/manuscripts/NNL_YBZ000115506/NLI#$FL31920894
[7] https://www.nli.org.il/en/books/NNL_ALEPH001773455/NLI . Cf. above, fn. 5.
[8] Die religiöse Poesie der Juden in Spanien (Berlin 1845), 204.
[9] Ozar Nechmad (Vienna 1857), vol. 8 p. 27. Shadal’s letter is dated 26 Kislev 1846. Leopold Zunz likewise suggested the correction, Literaturgeschichte der synagogalen Poesie (Berlin 1865), 478.
[10] Kerem Hemed (Berlin 1854), viii p. 30.
[11] Amude Ha-Aboda (Berlin 1857), 230.
[12] Rabbenu Moshe ben Maimon, ed. J.L. Fischman (Tel Aviv 1935), 289.
[13] Toldot HaShirah Ha’Ivrit BeSfarad HaNotsrit Ubederom Tsarfat (Jer. 1997), 281 fn. 9; see also Yosef Tobi in Ben ‘Ever La’arav (Tel Aviv 2014), vii 83 fn. 148. Regarding the halachic texts of Maimonides and the Geonim which Tobi cites to demonstrate Maimonides’ assailment of poetry, cf. Boaz Cohen’s Law and Tradition in Judaism (New York 1959), 167ff.
[14] https://hebrewbooks.org/pdfpager.aspx?req=9446&st=&pgnum=171&hilite=
[15] https://hebrewbooks.org/pdfpager.aspx?req=39932&st=&pgnum=552
[16] http://www5.kb.dk/manus/judsam/2009/sep/dsh/object21822/en/#kbOSD-0=page:174
[17] Arabic for ‘mover’; alternatively, ‘prompter’. Of Spanish style, and often employed by ibn Ezra, the muḥarrakh was usually recited before a reshut for Nishmat Kol Ḥai. On the reason for the given name, cf. Ezra Fleischer’s Shirat Hakodesh Ha’ivrit Beyeme Habenaim (Jerusalem 1975) 399-400, Leon J. Weinberger’s Jewish Hymnography (London & Oregon 1998) 436, Peter Cole’s The Dream of the Poem (Princeton University Press 2007) 537 and an original theory suggested by Ephraim Hazan in Tarbiz (Jerusalem 1977) xlvi 323.
[18] The concluding piece of a Yotser sequence.
[19] The former was published in toto in Jacob Egers’ Diwan LeRabbi Avraham ibn Ezra (Berlin 1886), 21 fn. 67 [beginning “אל מתנשא על כל לראש”], but confused, and thence omitted, by Israel Davidson in Otsar HaShirah VeHapiyyut (New York 1970), i n. 3854 with another “אל מתנשא” incorrectly supplying Egers as a source. Davidson’s reference to David Rosin’s Reime und Gedichte des Abraham ibn Esra (Breslau 1887) “ב 16”, does not yield our piyyut and appears to be incorrect. The latter was published, most recently, in Avraham ibn Ezra – Shirim, ed. Israel Levin (University Tel Aviv 2011), 191; here and other editions have “במה אתן לפועלי חסד ואם אני…” unlike Magen Avot. Cf. Egers, ibid., 165 n. 198; translated into English in Leon J. Weinberger’s Twilight of a Golden Age (University of Alabama Press 1997), 246ff.
[20] Yonah David, Shire Yosef ibn Zaddik (Israel 1982), 55 and elegantly translated into English by Peter Cole, ibid., 139.