Recent Notes On Hebrew Pronunciation

Recent Notes On Hebrew Pronunciation

By Rabbi Avi Grossman

Edited by Mr. Jonathan Grossman 

Many of the ideas discussed in this article were in my notebook for some time, and just as I was getting around to preparing them for publication, my prolific colleague Rabbi Reuven Chaim Klein sent a copy of Professor Geoffrey Khan’s The Tiberian Pronunciation Tradition of Biblical Hebrew to me. After reading it and briefly corresponding with the author, I concluded that it was time to release this article. Professor Khan invites the yeshiva world to read his book, available for free at this link, and to check out his website. Full disclosure: although Prof. Khan’s research is enlightening, not only do I not agree with or endorse everything he claims, I do not believe that certain points are admissible as halachic sources in the Bet Midrash. 

With regards to the details of halachic pronunciation, I have already released my own book wherein I try to show how the rishonim would pronounce Tiberian Hebrew, and I direct readers to Rabbi Bar Hayim’s videos on the subject. Rabbi Bar Hayim follows the views of Rabbi Benzion Cohen. All of us are attempting to recreate something that we cannot really know, and for now, we still have to debate the fine details. I seriously doubt that the Masoretes spoke a ritual Hebrew that sounded exactly the way any of us describes it. 

Before getting into the nitty gritty of Prof. Khan’s arguments, I would like to introduce some basic ideas that can be gleaned from an elementary, comparative study of Arabic.

A few years ago I took some classes in modern spoken Arabic, which I hoped would help me begin to read Maimonides’s original writings. Aside from helping me realize how there is so much I have to learn about that language, it helped me learn more about Biblical Hebrew. Fifteen years ago, when I started working on what would become my aforementioned book about Masoretic Hebrew, I wondered about certain missing consonants. Thankfully, those and many other questions I had have been somewhat answered, and I now wish to present some of my own findings. I realize that for some, these may not be so novel, but my intention is to bring them to the attention of those in the yeshiva world who, for whatever reason, would enjoy learning about this but will not come across these issues in their regular courses of study.

Concerning the Consonants:

Arabic has only a cursive form, unlike our Hebrew which has had over the course of time many forms, including the common, Assyrian block form and the various cursive forms, which thanks to the advent of modern-Hebrew education has become much more standardized. Also, many letters have up to four forms: the isolated (stand-alone) form, the initial form, which the letter takes at the beginning of the word or in the middle of the word when the previous letter is cursively non-connective, the medial form, and the final form. For some letters, there is significant overlap. See a chart here, for instance. 

The Arabic letter alif is basically the Hebrew alef, but it is used much more often as a mater lectionis, the Latin translation of the Hebrew אם קריאה. (See below.) 

The Arabic equivalent of bet, ba, is always strong, meaning that in most forms of Arabic there is no letter that represents the weak bet sound, that of V, while the Arabic equivalent of pei, fa, is always weak, and never strong.This means that in most forms of Arabic there is no letter that represents the strong pei sound, that of P. Thus, many native Arabic speakers have a hard time pronouncing foreign words that have the P or V sounds. Today, in Israel at least, the solution is to use the stop, B, to also represent the P, thus giving us words like بيانو, biano, for piano, while the V sound is a variant of the fa, ف, and sometimes it is marked with three dots on top instead of one to indicate the V. Consequently, Israelis who pronounce their surnames that begin with vav in the standard, European-influenced accent, e.g. Vaynshtain instead of Weinstein, have the Arabs spell their names with a variant of fa

Unlike in Hebrew, the diacritical dots you find above and below certain Arabic letters are not vocalizations but rather critical components of the letters. It seems that early on the diacritics were used to distinguish between alternate sounds created by single letters, like the dagesh qal is and was used to distinguish between sounds made by single letters, while other letters originally had unique forms, but evolved into identical forms, and the diacritics were introduced in order to preserve the distinctions. The initial and medial forms of the Arabic letters ba, nun, ya (the equivalent of the Hebrew yod), and ta (the equivalent of the Hebrew tau) are orthographically identical and distinguished by the diacritics, the ba with one dot below, the ya with two; the nun with one above, and the ta with two, even though in all of the earlier Semitic alphabets, the equivalent consonants had distinct forms. This has made Arabic very receptive to new letters: it is very easy to modify an already existing letter form by adding anywhere from one to three dots as a superscript or subscript. In Hebrew, we still have not completely assimilated new consonantal symbols into new letters (the ג׳, ץ׳, ז׳, etc.), and the typical method of representing them looks out of place in context. 

Gimmel: In many languages, the hard G sound has been assimilated to a soft one, and this is as true in Arabic as it is with certain English words. However, the Arabic jim is not always pronounced like a J, which, as I pointed out in my book, is a combination of the D sound followed by a voiced shin (SH) sound, or the voiced equivalent of the CH sound achieved by clustering the T and SH sounds. Rather, jim makes the voiced shin sound (the G in massage) on its own. Also, the jim is still pronounced like a hard G in some countries, such as Egypt. 

Dal is the Arabic equivalent of our dalet, and it, like our dalet, has a weak, fricative counterpart, the dhal, (as in “the”), although unlike Hebrew, in which the weakness or strongness of the bet, gimmel, dalet, kaf, pei, or tau (the “beged kefet” letters) depends on the form of the word, and one set of rules governs all of these letters, in Arabic it seems that dal and dhal no longer have such a relationship, and as above, are now considered separate letters. 

The Arabic waw serves the same purposes as our vav. More on that soon. 

Het has its equivalent in the Arabic ha, while the sound of our kaf’s weak counterpart, khaf, appears in Arabic as a variation of the ha, pronounced kha, and the latter is represented by writing the former with an additional upper dot: ح and خ, respectively, while the one with a lower dot, ج, is the aforementioned jim. This seems to indicate that the weak sound of the khaf that distinguishes our Hebrew so much from English is a historical latecomer, and that while we first made it a variation of kaf, the Arabs made it a variation of het, and indeed, since in most Jewish circles the het is pronounced (incorrectly) as a khaf, perhaps the Arabs were just anticipating us. Many academics claim that the sound migrated; even in Hebrew the sound of the khaf was made by the het in certain words, but later, when all hets were pronounced alike, the sound was given to the weak kaf. This would explain why, for instance, certain proper nouns have been historically transliterated unusually. E.g., Jericho, Rachel, etc.

The Arabic counterpart of tet is the ta, but unlike our Hebrew tet which has no voiced counterpart, like tau has dalet and samech has zayin, the Arabic ta does have a voiced counterpart, the dad, ض, which is the D in words like Ramadan. Just like English transliterations of Hebrew commonly lose the distinction between tau and tet, they also lose the distinction between dal and dad, and in many systems used to teach Arabic to Hebrew speakers, they simplify the dad and tell them that just like they always pronounce the tet like a tau, they can pronounce the dad like a dal.

The Arabic counterpart of the yod is ya, and it pretty much behaves like the yod, but has traditionally been used as a mater lectionis even more than yod has. For example, many transliterations of Hebrew into Arabic not only use the ya to represent the Hebrew tzeirei, they even use the ya to represent the segol in open, accented syllables.

I was asked concerning the yod in second-person-possessive male suffixes, as in, for example בנֶיךָ ba-NE-cha: if the yod is not meant to be pronounced as part of the segol vowel, why is it even there? My proposed answer is that it is there to distinguish the singular from the plural, along the lines of the silent yod in the third person counterparts of those nouns, for example in בנָיו ba-NAW, which most never even get around to wondering why we do not pronounce as ba-NAYW. I believe that the yod in words such as בניו may have once been pronounced, and this explains the suffix’s relationship to its Aramaic counterpart, וֹהִיx or וֹיx. In essence, the two languages present the combined sound of the low vowel with the two semivowels, just that in Hebrew the Y sound preceded that of the W, whereas in Aramaic the W sound preceded the Y. Similarly, up until the common era, decisors would represent the western sound of “OW” (as in “brown” and Ashkenazi surnames with “baum” in them) in Yiddish and Yiddish-influenced written Hebrew as וֹי, “oy,” despite the inaccuracy. In any event, the silent yod in the plural possessive suffix is a critical indicator of the plural state, even more so than the potential vav of the holam in words like אבֹתֶיך  and עֹלֹתֵיכם. As a matter of fact, the vast majority of these words are written in the Torah with the yod and not the vav, and even when there is no need for a possessive or constructive suffix, the vav of the (generally) feminine plural suffix is usually omitted. Rather, the holam is usually written plene when the vav (or the yod that it replaces) is part of the root of the word. Thus, there is always a vav after the first tau in the word Torah (of the root yod-reish-silent hei) and its derivatives, but more often than not there is no vav after the reish indicating the plural of Torah.)

Sometimes, at the end of words, the alif is in the form of a ya minus the two lower dots that  distinguish the ya from the ta, ba and nun. Such an alif is called an alif maqsura (a “shortened alif”), and is often used in place of the ya that was part of the root word. See below for how this may relate to the phenomenon of the equivalency of yod and silent hei as the third letter of many Hebrew roots.

The Arabic counterpart of kaf, ka, is always strong. This would remind us of the instances in which the suffix khaf in Hebrew is strong, as in ארוממךָּ, although in spoken Arabic, what was once the sound of qamatz/patah after the suffix ka has now been placed before the kaf, such as in possessives that end with the sound “ak” instead of “ka.”  Similarly, the possessive suffix is pronounced “kha” in Hebrew, while in Aramaic it is pronounced as “akh.” 

The Arabic counterpart to lamed, lam, is often orthographically combined with the alif that precedes it or comes after it. Certain Hebrew printers would use a combined letter for alef and lamed; I do not know who learned from whom (no pun intended), or if it is just a coincidence. 

Samech has no true Arabic counterpart because the Arabic sin corresponds to both the Hebrew sin and samech. Considering how the samechsin redundancy in other Semitic languages predates the Arabic’s language’s evolution, this is understandable. Yiddish also has this phenomenon: in native Yiddish words, only samech is used to represent the S sound, and the sin is only used for words that have their source in semitic languages. Rav Mazuz recently pointed out that in Rashi-era French, not only did the samech and sin sound like an S, but the shin also did, and this is why when Rashi invokes French, the shin is usually used for the S sound. 

Ayin exists also in Arabic, although orthographic variants thereof, specifically the addition of a diacritic dot above, changes the ayin to a ghayn. (I would have expected the aforementioned jim to therefore to be an orthographic variant of this letter instead of the ha.) Many have pointed out that early Greek translations of personal nouns such as ra’am, ‘amora and ‘aza have used the progenitor of the latin G, and this would indicate that Hebrew once had a similar dual use for the ayn symbol, and as Professor Khan has shown me, the jim was once actually the equivalent of a hard G, and still is in some places, so it would be a natural and eventual variant of the ghayn

Pei’s equivalent is the fa. It has this weak form, and never a strong form. As I wrote above, modern Israeli Arabic uses a new variant of the ba, but with three lower dots, to represent the P sound. 

The tzadi has the Arabic sad. Further, the sad has a voiced counterpart, ظـ, ẓāʾ, the most recently developed letter in the Arabic language, and the sad and tet are already variants of each other, with the ta being a sad with a vertical line. Strangely, the voiced counterpart of the ta is a sad with an extra dot, ضـ, while the voiced counterpart of the sad, the ẓāʾ, is a ta with a dot. I would have done the opposite. Years ago I wondered why Hebrew did not have these letters. I now realize that they are just too inconvenient, or else we could also expect to see the fricative forms of both the tet and the dad in Arabic. Thus, Arabic developed and maintained letters to represent many of the consonantal sounds that were either lost by spoken dialects of Hebrew, or were never present in Hebrew. Considering that the twenty-two-letter Hebrew alphabet is considered sacrosanct by the Hebrews, and that even the weak sounds from the six beged kefet letters did not earn their own letters, I do not believe we will see new Hebrew letters to represent these sounds any time soon, although the sound of the jim (represented in Modern Hebrew by ג׳) and the modern English CH (represented by צ׳), for instance, are today ubiquitous. I was prompted to think about this by my daughter, who, in second grade, was mindful enough to point out that her version of the Alphabet had both bet and vet, but Ashrei, as printed in her siddur, only had a verse for bet.

Modern Hebrew tutorials for spoken Arabic use the samech to represent the Arabic sad, because the samech is much closer to the way sad should be pronounced than the way the Modern Hebrew tzadi is, although on some street signs, proper nouns with sad’s are rendered with tzadi in Hebrew, e.g. the town of Musmus in the Galilee is מוצמוץ, which delighted my daughter. Also, the ubiquitous condiment hummus, although spelled חומוס in modern Hebrew, should be spelled חֻמֻץ to accurately reflect its Arabic spelling. There are even some families here in Israel that do not eat chickpeas on Passover not because they are legumes but because back in the old country, the word was too similar to חמץ, “leaven.”

Quf: Many people know that the Hebrew quf should be pronounced like the true Arabic quf, what the speech professionals call the voiceless uvular stop, or, to the rest of us, the sound made by pressing the tongue farther back in the mouth, but like the quf in Modern Hebrew, the Arabic quf has also suffered from neglect. In some places it is pronounced like a hard G, while in others it is pronounced like a K, as we do, and sometimes, especially in local dialects, it is not pronounced at all, and is basically treated like an alif. For example, local speakers refer to Jerusalem as al-uds instead of al-quds, and even al-uds often comes out as il-uts, all of the previous with a short vowel sound. Or the imperative of stand up is um instead of qum, and daqiqeh, minutes, becomes da’i’eh

Reish: The Arabic sign for reish is the zayn with an additional dot on top, which may indicate the closeness of the two sounds. According to Sefer Yetzira, the reish is produced by the teeth, just like the zayin and samech.  

Shin and sin are one symbol, with the shin having three dots on top. They both even resemble the Assyrian shin: س ش. The extra tails do not appear mid word.

Tau: Both the strong and weak tau have Arabic counterparts, the ta and tha, respectively, with the former with two dots, the latter with three. As we mentioned, the strength of the Hebrew beged kefet letters depends on a letter’s position in a given word, while in Arabic that is not the case. 

More interestingly, the ta has a common silent form, called “ta marbuta,” literally, a “sad ta,” that appears as the feminine suffix roughly equivalent to the qamatz-silent-hei suffix in Hebrew. Interestingly enough, this ta marbuta is silent, like our hei, and is even written as a ha but distinguished by the characteristic two dots on top, just like a ta. That is, orthographically it is a combination of ha and ta. Just like the Hebrew hei suffix becomes an actual tau in various construct states, the ta marbuta becomes an actual ta in construct states. For example, the Arabic word for automobile is sayara, while “his car” is sayarato. When we consider Hebrew, we often think of the silent hei as converting to tau in construct forms, whereas from this point of view, the tau can be considered the default letter, and the hei that exists in isolated forms is the simplified form. This explains, for instance, why we encounter words like zimrath as in עזי וזמרת י-ה and aqereth in מושיבי עקרת הבית are spelled with the tau although they are not in the construct state. (Hat tip: Rabbi Yedidya Naveh of Koren Publishers.)

This is reminiscent of the phenomenon in Hebrew that in certain roots, the final silent hei become a tau in certain conjugations, e.g. ראה is ראתה in the feminine, while in other conjugations it becomes a yod, e.g., as in ראיתי and ראינו. Had an alef been in those roots, it would have stayed in both types of conjugations: the feminine of ברא is ברָאת, and the first persons are בראתי and בראנו.

Concerning the possessive suffixes, in spoken Arabic the male form is as in Hebrew, an O sound, but it is written with a silent ha, reminiscent of uncommon instances where the mater lectionis is also hei for the holam, as in שלמֹה, שילֹה, אהלֹה, and סֻכֹּה. Whereas in Hebrew, the female possessive suffix is usually qamatz-nonsilent (mappiq) hei, and this is mostly overlooked in spoken Hebrew. I know of no one, (not even the usual professionals who otherwise pronounce things properly) who actually tries to pronounce the mappiq hei in conversation. The equivalent suffix in spoken Arabic is much easier to say, as it is written as ha-alif, and is pronounced as “ha.”

The lack of a local Arabic equivalent to the hard G sound made by gimmel has led to some interesting inconsistencies regarding how to spell Ben Gurion, which comes up often considering all the places named after him. Some spell his name with a jim, others with a ghayn, and others with the new, hard-G gim, the aforementioned jim but with three dots instead of one. The first version enjoys the precedent that the Hebrew gimmel has been represented by the Arabic jim, and it is up to the reader to know that historically both were pronounced as G, while the second version enjoys the precedent that foreign words with a hard G have been represented with a ghayn because vocally it is is closest to the hard-G sound. For example, in Arabic a gorilla is called a ghorilla. Indeed, in this case they would be pronouncing “Gurion” with a form of gimmel, just the weak form. I have noticed that, especially around the eponymous airport, all three Arabic spellings of Gurion are commonplace.

Otherwise, many Israeli street signs can be seen as the work of vigilant trolls, who mock the way most Jews pronounce the tzadi, vav, tet, and quf incorrectly. For example, the signs pointing to my town, Kochav Yaakov-Tel Zion, appear as they should in Hebrew, כוכב יעקב – תל ציון, but in Arabic they are rendered as كوخاڤ ياكوڤ تل تسيون, which, represented in Hebrew characters, is כּוכאבֿ יאכּובֿ תל תשיון. That is, although the Biblical name of Jacob has a well-known classical rendering in Arabic, because the Jews pronounce the ayin and quf as alef and kaf respectively, they are rendered as such, and the same with the tzadi of Zion, rendered ts because that is how it is pronounced. Similarly, place names with tet are transliterated with the counterpart of tau, ta, because that is how it is incorrectly pronounced. An example: טירת צבי, Tirat Zvi, is rendered by the Arabic equivalent of תיראת תשבֿי. Lastly, פתח תקוה is (thankfully) transliterated into formal English as Petah Tiqwa, but in Arabic it is   ‎بتاح تكفا, or in Hebrew characters, פּתאח תכּבֿא, although it would have been more egregious had they rendered the first word as פתאך.

The Vowels

The Arabic counterpart of the dagesh hazaq is the shadda, a small W or shin-like symbol written above the letter indicating its gemination. The counterpart of the sh’wa nah (silent sh’wa) indicating that the consonant closes the previous syllable is the sukkun, which appears as a small circle above the letter in question.  

As a general rule, the major vowels are represented with their plene spellings, while the minor vowels are defective, and the ya represents what sound like the Hebrew tzeirei and hiriq, while the waw represents the holam and shuruq sounds. However, there is more ambiguity with regard to the representations of the minor vowels: there is one vowel superscript symbol that represents the short patah sound, and not coincidentally it is called fat-ha, while a single waw-like superscript is used to represent both the equivalents of the qamatz qatan and qubbus, and a single subscript dash represents the equivalents of the short segol and hiriq. Surprisingly, accented, segols in open syllables are transliterated into Arabic also as plene. For example, Petah Tiqwa, above, is sometimes spelled with a yod after the pei equivalent, פיתאח. And, along those lines, many of the counterparts of the qamataz gadol are represented by an additional alןf, as are patahs in open-accented syllables. Thus, names like Ibrahim (Abraham) and Binyamin are written with alif’s after the reish and ya respectively, and in Israel place names with the words sha’ar and har are represented by the Arabic equivalents of האר and שאער. This far more liberal use of the alif to represent the presence of vowels is also characteristic of Yiddish, in which the alef has completely transformed from a mater lectionis into a vowel-letter, although I would be very grateful if someone could enlighten me as to why in Yiddish, our ancestors chose to represent the segol with the ayin. I cannot fathom even a tenuous connection between that particular vowel and the consonant.

Concerning mater lectionis it must be noted that although in many of the languages under discussion they are silent place holders that do not affect the pronunciation, once upon a time they did. It is not due to some arbitrary decision or convenience that the prophets chose to represent the holam and shuruq sounds, for example, with a waw. Rather, it is because the vav and yod once were, and often should still be, a natural, necessary, and logical component of the vowels’ pronunciations, and as I wrote about in my book, the true hiriq and shuruq sounds cannot be articulated without the natural semivowels that complete them, and when they are followed by guttural letters that necessitate the additional patah g’nuva, or the epenthetic in Prof. Khan’s jargon, the semivowel is even geminated. 

Plural suffixes: Instead of im, יםx, in Arabic, as in Aramaic, “in” is often used. In feminine forms, instead of oth, ותx,  ات, which is the equivalent of אתx, is used. However, many nouns have a unique plural form that does not employ a suffix or any set rule of new vowel structure.

And now for the nitty-gritty of Prof. Khan’s book. The second volume of Khan’s work is a translation of the Hidāyat al-Qāri, which was written by a prominent grammarian, and it and other Karaite works and documents make up a significant portion of his sources. Although there may be that which we can learn from both Karaite and Samaritan sources, they can hardly be considered by traditional Jews to be sources for anything halacha l’ma’aseh. For example, the notion that the shuruq form of vav hahibbur before labial letters is pronounced as “wu,” and not “u,” is very hard for me to believe, especially because it contradicts most modes of pronunciation among world Jewry, and makes one wonder why such a vav would not therefore be considered a complete syllable unto itself. As I wrote about last time, an analysis of the trop indicates that the Masoretes did not not count the prefix vav as a syllable even when it was pronounced as a shuruq. If they had been pronouncing such a vav as “wu”, it would count as a full syllable, especially if it preceded a letter with a sh’wa. I believe that even the Karaites and Samaritans themselves do not pronounce it that way anymore, if they ever did. R’ Schachter likes to relate a story about a conversation between Rabbi Soloveitchik and Rabbi Saul Lieberman, in which the former was dismissive of certain medieval sources, because just like today when we have pseudo-scholars who write halachic nonsense, they also had such things back then. Just because you can find that Karaites distinguished between the mobile and silent sh’was using different criteria from ours, we should do as they do?!

I would also like an explanation as to why, considering the mountain of proof that the vav was and should be pronounced like a W and not like a V, he recommends that it be pronounced as a V in certain instances. It is inconsistent in theory as well as in practice. However, it is interesting to note that historically Jews in Palestine began to assimilate the vav into a V sound around the same time that speakers of Greek began to assimilate the sound. Although I am happy to let people speak however they may like, I would strongly recommend against this and another common phoneme, namely the Modern Hebrew pronunciation of reish. Both made it into Modern Hebrew via Yiddish, and both make Modern Hebrew sound unpleasantly Germanic. For example, the word aquarium is both pleasant and easy to pronounce, and sounds like a fun place to visit with children, while ak-VA-ghi-um is jarring, hard to pronounce, and sounds sinister. If most can pronounce the vav and reish properly, they should try to do so. For those who may ask, I spell the name of the letter v-a-v in order to distinguish it from the Aarabic waw, although I believe that it makes the W sound. 

Prof. Khan’s take on orthoepy on page 101 fits with my point here that the Sifrei Emet have a higher tendency toward conjunctive cantillation marks than the rest of the books of the Bible. Along similar lines, you will find that in the majority of the biblical books, the non-Emet books, the lower level disjunctives, which therefore also occur earlier in a particular half of a verse, tend to be musical flourishes, and not unsurprisingly, can have many more conjunctive words (i.e., words marked with conjunctive trops) preceding them. For example, silluq and ethnah have at most one conjunctive word connected by either a mercha or munah, respectively, and the second-level disjunctives like tip’ha and zaqef have at most two conjunctives, while the pazer and t’lisha g’dola often have four or five conjunctives, and even up to seven at my last count. (Often, a string of connective words form one adjectival phrase beginning with asher, that or who, even if that phrase itself has many parts of speech.) Jacobson has already pointed out that there are no disjunctives lower than these, and therefore, even at preceding words where we would expect disjunctives, we find conjunctives. There is thus a proportional relationship between musicality and connectivity. 

A recurring argument is that when the Karaite transliterations into Arabic omit mater lectionis, the indication is a short vowel in the original Hebrew. I disagree, because we see that the farther back we go in Biblical Hebrew, fewer and fewer long vowels, especially qamatz and holam, are in the plene form. Incidentally, some have asked me for rules of thumb as to when the holam is plene or deficient. I have two of them: 1. In post-biblical Hebrew, the accented holam of segolate nouns is deficient (e.g., חֹדֶש, עֹשֶק, אֹכֶל, etc.) while in participles, the holam is unaccented and written in the plene form (e.g., אוֹכל, עוֹשֶק, etc.). In Biblical Hebrew, the older the book, the less likely these participles are to have the vav. 2. In the Torah and the earlier biblical books, the holam is often deficient when it is part of a plural suffix. Those words in which it is written plene, e.g., in בנות, are the exceptions. However, when the vav is part of the root, it usually is written, for example when the root of the word is yod-reish-(silent) hei and the conjugation is in the hif’il, which is why the word תורה and its variants are written in the plene form. 

Pg. 113. I used to joke that the common Ashkenazi practice of distinguishing between qamatz and patah and tzeirei-segol was an enactment of the biennial convention of Ashkenazic Jewry, for if you were to claim that qamatz and patah used to sound the same, and tzeirei-segol sounded the same, why do Ashkenazim distinguish between? However, Prof. Khan seems to say that it was apparently the case, and we are left looking for an explanation as to how our ancestors figured out the difference in theory and adopted it in practice. 

The argument on page 409 regarding epenthetic vowels fits with the argument I made previously about the pronunciation of ohela.

Pg. 428: Yaamdu. I believe that Prof. Khan and I are making similar proposals, except that he is using much more advanced terminology. 

Pg. 450: As per the brilliant and indispensable treatise on cantillation found in the classic Tiqqun Mishor, I believe that it is much easier to explain the vocalization of the word מה (ma) with the rules governing the hei hay’dia, the definite article. The atei merahiq (dehiq) explanation may account for the dagesh in the first letter of the second word, but it does not account for the variety of possible vowels: segol, qamatz, patah, etc. that parallels that of the hei hayedia and that can be explained using the general principles of vowel shifts. 

Pg. 509. Is the masoretic hyphen supposed to be called a מַקֵּף or מַקָּף? I can entertain either, just like the exact vowelization (and names for that matter) of the words we use for the vowels are also pretty dynamic, and the same can be said of the trop. 

Pg. 519: Prof. Khan does not find any lengthening of the vowel in the syllable marked by the metiga of the zaqef gadol, nor of the geresh of the ravia mugrash. As I wrote earlier, I am of the belief that these particular symbols are quite arbitrary, and their placement is less about accentage, etc., and more about distinguishing them from similar symbols, and explains why trop like the dehi and t’lisha gedola are always marked on the first syllables even if those syllables are not accented. 

Pg. 524: Concerning the verb להניח, Prof. Khan offers that the forms which have the dagesh are not reflective of a different root altogether, but rather are a convention to create a distinctive meaning. The forms with the weak nun imply “to give rest,” while the forms with the strong nun imply placement. It would thus seem logical that the blessing on laying t’fillin should be להַנּיח תפלין and not להָניח תפלין. However, most siddurim follow the Shulhan Aruch’s ruling (Orah Hayim 25:7) to use the latter formulation, and indeed, the Mishna B’rura there explains that the weaker form implies placement, while it is the strong form that implies handing over. However, in the original source in the Beth Yosef, it is mentioned that there is no actual difference in meaning between the two forms, but the weak form is preferred because it is the one used in the verse (Ezekiel 44:30), להָניח ברכה, “to place a blessing within your house.” The Vilna Gaon seems to endorse this view. 

The following is from a letter I wrote to the publishers of the Makbili edition of the Mishneh Torah:

במהדורתכם, בהלכות תפילין, פרק ד׳, כל פעם שמדובר על מעשה הנחת תפילין וברכתה, הנו״ן דגושה והתנועה לפניה או חיריק חסר או פתח, ושתיהן תנועות קלות, וזה למרות דעת השולחן ערוך וכמה אחחרונים שצ״ל נו״ן רפה והתנועה לפניה או קמץ או צירה, ושתיהן תנועות גדולות. לדעת מרן הבית יוסף, זה בגלל שהנחת תפילין שורשו נו״ח, ומעשה ההנחה הוא בבנין הפעיל, לעומת הנחה בנו״ן דגושה, שהיא באה משורש אחר ומשמעותה לשון עזיבה

?האם דעתו של הרמב״ם מפורשת שכן צריכים להגות ״הנחה״, או האם יש לכם סיבה אחרת בשיטת הניקוד

In short, they decided to vowelize l’haniah t’fillin, the blessing on laying t’fillin, with a dagesh in the nun, l’hanniah t’fillin. This is in contrast to most known opinions, including that of the Shulhan Aruch. Whose opinion were they following, bearing in mind that Maimonides himself did not actually state anything in regards to the matter and his own editions of the Mishneh Torah were not vowelized?

The editor answered that

:זוהי תמצית תשובת ד”ר יחיאל קארה, עורך המשנה של המהדורה לענייני ניקוד

במהדורתנו ניקדנו על פי המסורת התימנית, וכן הוא גם בכ”י קאופמן של המשנה. אכן במקרא אפשר שיש מקום להבחין בין “והניח לכם מכל אויביכם” ב-נ’ פשוטה לעומת “והניחם שם” ב-נ’ דגושה, כהבדלה בין נתינת מנוחה לבין שימה, אך הדבר אינו מוחלט, ובכל מקרה מדובר במה שמכונה “פועל עלול”, שבו יש תנועה בין הגזרות השונות. וראה גם במילון אבן שושן, שמביא את שתי הצורות בלא להבחין ביניהן

Or in short, that there is a Yemenite tradition that it should be that way. Indeed, one Yemenite rabbi showed me some Yemenite codes that explicitly record the practice.

A few years ago, I found what may be the source for the Yemenite/Maimonidean tradition.  According to the Shulhan Aruch, the three-letter root of l’haniah is nunyod (or waw)-heth. Thus, all the letters of the root are present in that conjugation, and thus do not require any letter to be geminated in order to compensate. However, In The Guide for the Perplexed, 1:67, Maimonides wrote (Friedlander translation):

Our Sages, and some of the Commentators, took, however, nuaḥ in its primary sense “to rest,” but as a transitive form (hif’il), explaining the phrase thus: “and he gave rest to the world on the seventh day,” i.e., no further act of creation took place on that day.

It is possible that the word wayyanaḥ is derived either from yanaḥ, a verb of the class pe-yod, or naḥah, a verb of the class lamed-he, and has this meaning: “he established” or “he governed” the Universe in accordance with the properties it possessed on the seventh day”; that is to say, while on each of the six days events took place contrary to the natural laws now in operation throughout the Universe, on the seventh day the Universe was merely upheld and left in the condition in which it continues to exist. Our explanation is not impaired by the fact that the form of the word deviates from the rules of verbs of these two classes: for there are frequent exceptions to the rules of conjugations, and especially of the weak verbs: and any interpretation which removes such a source of error must not be abandoned because of certain grammatical rules. We know that we are ignorant of the sacred language, and that grammatical rules only apply to the majority of cases.

Thus, it seems that in the form l’hanniah, the yod of the beginning of the shoresh has been left out, necessitating the dagesh in the second letter of the root, the nun. However, Maimonides acknowledges the apparent difficulty: usually, when the first letter of a root is yod, verbs in the hiph’il conjugation are vowelized with a full holam after the prefix, for example להוציא from יצא and להושיב from ישב, and even להוליך from הלך, which does not even have a yod

Pg. 599-600: The discussion reminds me of my epiphany concerning the Vilna Gaon’s pronunciation of זֵכר. The difficulty native speakers have when trying to distinguish between sets of similar sounds is very frustrating, especially when they attempt to add their own vowelizations. I tell Israeli schoolteachers that it is not even worth it for them to try, because when it comes to qamatz-patah and segol-tzeirei, they will always get it wrong. 

Finally, Prof. Khan is not alone in advocating that the sh’wa na’ of Tiberian Hebrew be pronounced basically like a hataf patah. Support for this position comes from written testimony that describes it as such. However, I do not accept this. It seems to me today, linguists discuss dozens of types of vowels, and spoken English, for example, utilizes dozens of vowel sounds, but in the medieval period, they used to only discuss three, and then five, different vowel qualities. It makes sense that to them, the sh’wa would have to fit into one of those descriptive categories even if we now have the tools to be more specific. Further, if the sh’wa was supposed to sound like a hataf patah in the majority of cases, why did the Msaoretes choose the sign of the sh’wa, which half the time is used to mark a letter that closes a syllable, and not the hataf patah, which they had already created to mark specific sh’wa’s? Also, it would be a practice that contradicts the living custom of most of Jewry, and would require a thoroughly novel explanation as to why the pronunciation of the vav hahibbbur changes before words that begin with a letter vowelized with sh’wa. However, I also believe that a sh’wa should not be pronounced identically to the short I sound as is common in most places today. The best description of the sound that I can offer today is the sound in the word “the,” as in “I went to the store.”

Concerning Vav Hahippuch

As opposed to the conjunctive vav, the vav hahippuch generally turns a past-tense verb into future tense, and a future-tense verb into past tense. Many thus believe that the hippuch, inversing, refers to the tense. But, the vav hahippuch inverses a lot more:

The accentage: In most past-tense verbs converted to future, the accent is shifted from the middle syllable, if that is its position, to the last syllable. E.g. a-HAV-ta is “you loved,” whereas w’A-hav-Ta is “you shall love”. (Most speakers of Hebrew are unaware that the past-tense second person plural verbs are accented on the last syllable: אהבתם is ahav-TEM, and not aHAV-tem, and when marked with the vav hahippuch stay accented as such.) Notable exceptions occur in verbs with yod/silent hei as the last letter of the root. E.g., w’a-SI-tha, “you shall make,” is accented on its middle syllable even though it is future tense. Once again it is verbs of this category that are the major exception; last time I pointed out that the singular masculine past-tense conjugations of these verbs do not follow the rule of athei merahiq. In the case of a future-tense verb made past, the accent is shifted from the last syllable to an earlier one. (e.g., ya-QUM becomes way-YA-qom, and yo-MAR becomes way-YO-mer).  

The syntax: Standard form would be subject-verb-object. When vav-hahippuch is utilized, the order is verb-subject-etc.. This is the usual form used throughout the Bible when describing events, and usually in chronological order. When I teach about vav hahipppuch, this is the first indication: Does the verb start the sentence or clause instead of the subject? If yes, then you most likely have vav hahippuch.

Lastly, the vocalization is changed, at least from future to past. Instead of simply being marked with a sh’wa, or whatever would have taken the sh’wa’s place based under other considerations (e.g., becoming a shuruq before labial letters), the vav hahippuch is vowelized with either a patah before the future-prefix tau, yod, or nun, or a qamatz before the future prefix alef, which cannot receive a dagesh. Thus, when you have a vav hahippuch before a first-person singular pi’el verb like avaqqesh, which starts with an alef vocalized with a hataf patah, the vav hahippuch will be marked with a qamatz. There are two practical applications with regard to the meaning: If the vav preceding such a verb was not a vav hahippuch, it would be marked with an ordinary patah and the verb is in standard future-tense form, and therefore the reader must distinguish between the two. If he does not, he should be corrected, and normally, the vocalization of the vav hahippuch actually matters.  However, the vocalization of the vav hahibbur, which can prefix all parts of speech, is not critical, i.e., whether one pronounces it with a sh’wa, or any vowel, or as a shuruq, does not affect the meaning and intent. Because vav hahippuch only prefixes verbs, any time a vav prefixes anything but a verb, I would not correct the reader if he pronounces it with the wrong vowel. For example, if one were to read וגדולה as vig-do-LA  instead of ug-do-LA, or ושמעון as wa-shim-’ON instead of w’shim-’ON.

As far as I can tell, classical Aramaic has no vav hahippuch, and perhaps others can weigh in on whether such a form exists in other semitic languages.  

Once one is familiar with the style of the vav hahippuch, he will notice that certain verses (or parts of verses) actually follow standard syntax: The subject will precede the verb, which will be in the correct tense. In such cases, the subject may be preceded by a vav hahibbur, and the overall indication will be that the information expressed is that which had happened previously. I.e., such a style of syntax indicates the past perfect. Some examples:

Genesis 4:1: והאדם ידע את חוה אשתו, “The man had known his wife, Eve.” Many scholars have pointed out that this indicates that Eve had at least conceived her first children before Adam ate of the forbidden fruit, with the Midrash even describing Cain’s birth the day Adam and Eve were created.

Genesis 14:1: עָשׂוּ מִלְחָמָה אֶת-בֶּרַע מֶלֶךְ סְדֹם, “They had made war against Bera, King of Sodom, etc.” As is evident from the subsequent verses, the initial war preceded the events of the running narrative by some fourteen years.

Genesis 18:17: וַה׳ אָמָר הַמְכַסֶּה אֲנִי מֵאַבְרָהָם אֲשֶׁר אֲנִי עֹשֶׂה “And the Lord had said, would I conceal from Abraham that which I am doing?” That is, God had already decided, so to speak, that He would inform Abraham of the judgment against Sodom and Gomorrah. 

If you read II Samuel 2, it seems that Abner crowned Ishbosheth in the aftermath of Saul’s death, shortly before or right around the time David was crowned king of Judah, and considering that the verse describes how Ishbosheth’s kingdom gradually expanded as more tribes accepted him, it seems to me that it took David five and a half years after Ishbosheth’s death to then be accepted as king over all of Israel, and in support of the Ttosafists’ classical position against that of  Rashi’s (Sanhedrin 20a) , it took some time before Ishboshesh was accepted  by all of the tribes, but the five years of no kingdom seem to have been after his death, as the tribes came around to accepting David as king.  




Eliezer Brodt: A Censored Work by a Student of R. Hayyim of Volozhin: The Case of Menuchah u-Kedushah

A Censored Work by a Student of R. Hayyim of Volozhin:
The Case of Menuchah u-Kedushah
By Eliezer Brodt

A few years ago (c2000) a fascinating sefer was reprinted called Menuchah u-Kedushah. The sefer was written by R. Yisrael Isserl from Ponevezh. Not much is known about the author except that he was a talmid of R. Hayyim of Volozhin. It’s clear from the sefer that he was a very special person and a big talmid hakham. The haskamot that he received from the R. Naftali Zevi Yehudah Berlin (Neziv), R. Bezalel HaKohen and R. Avraham Eisenstadt, author of the Pitchei Teshuva, show that he was a very prominent, well-known person (for some reason these haskamot were omitted in the reprinted edition). R. Shlomo Elyashiv, the author of the Leshem, also writes that he was an Ish Kadosh, a Holy Man. It appears that he was a melamed [teacher], and (as we will see) it seems that he must have been an excellent one. In the recent reprint, R. Shmuel Auerbach writes that the sefer was famous in particular as a guide in raising children and many followed it and became true Ovdei Hashem. Interestingly, the sefer was originally published anonymously (Vilna, 1864).

In this post I would like to discuss this sefer a bit. The author in his introduction (which, oddly enough, was omitted in the newest reprinted version of the sefer) outlines very clearly what he had wanted to accomplish with this work. Divided into three parts, the first is called Sha’ar HaTefillah, an explaining as to what one should do in order for his tefillot to be accepted. Included are many explanations on different parts of Tefillah. The second part is called Sha’ar HaTorah, which is the way the author feels one should teach children. The third part is called Sha’ar Yichud HaMa’aseh which includes advice how to battle the Yetzer Hara in all different situations.

The sefer reviews many interesting things especially vignettes from R. Elijah Gaon of Vilna (the Gra) and R. Hayyim of Volozhin. Also, included are many beautiful explanations on different areas of Tanakh and Aggadah. Aside from the explanations, this the sefer also includes many halakhot and minhagim. The sefer begins with a nice collection of halakhot of kavod seforim including that the prohibition to use one sefer under another one to bring it closer to you, or leaning completely on seforim like a shtender. To list a few examples of Ta’amei Minhagim brought throughout the sefer: the reason behind the mitzvah to eat on Erev Yom Kippur (pg 51) and giving tzedakah (pg 204). He is very against talking at all during davening; even talking in learning between aliyot (pg 75). The author also wrote a lengthy discussion regarding the proper time to light the Chanukah menorah; opining to light after ma’ariv. The author states that the only reason why R. Elijah Gaon of Vilna lit earlier was because of concern that if he would have waited until after ma’ariv he would have this on his mind the throughout davening, similar to a groom who is exempt from kriat shema (pg 160) due to his preoccupation. When he discusses sitting shiva on ones parents he exclaims ‘do not just sit there making the same mistake most do’; namely, they claim that since it is prohibited for a mourner to learn Torah, they leave a Sefer Iyyov on the stool nearby just to glance at from time to time and fall asleep. Rather, one is supposed to learn the topics that a mourner is allowed to so that one could give one’s parent many merits; there is enough material to learn for three weeks (pp. 88-89)! He writes to his son any shiur that he goes to after he dies he should always say the kaddish de’rabbanan for him; not only the first year (pg 95-96).

Many interesting discussions on various topics, such as the Neshama Yetairah that one gets on shabbat (pp. 49-50) are found throughout the sefer. He also has a lengthy discussion on the now-famous topic (in light of all the biographies on the gedolim) that no great person achieved anything great in life without working very hard for it. The talmudic use of the term “Noch Nafshei” a term of resting, was not hapenstance. Instead, it was used to demonstrate that, in many instance, those persons did not have easy lives, and thus only after death is it approriate to use a term of rest – hence Noch Nafshei. This is in reference to Tana’aim and Amoraim; how much more so in regard to regular people (pp. 79-82). Elsewhere in the sefer he has a long discussion on chumrot, writing very strongly: “one should be concerned that the yetzer hara is bribing him and allowing him to do them so he will be too occupied to observe the ikkar.” As an example for this he gives, he points out that in Minhagei Ha-Gra that he had eaten Matzah Shemurah the whole Pessach. Whereas the author realizes that if because of this chumrah he will have to eat separately from the rest of his family and not have proper simchat yom tov which is a de’oraita, he should not be makpid on eating matzah shemurah which is just a pious action (pp. 155-156).

Another point of interest that he writes is that the Messilat Yesharim was written with ruach hakodesh so listen to what he says (pg 158). When he talks about the sefer Nefesh Ha-Hayyim from his teacher R. Hayyim of Volozhin, he writes “listen to his holy mouth as the sefer is exactly like its name ‘life for the soul’ and one should know that ruach hakodesh is in all the words in the sefer so that it should be accepted by its readers” (pg 69).

After reading all this it would seem to appear that this is a very good work and there should be no problems with anything written in it. However this is not the case. The people who printed it write that in the section called “Sha’ar HaTorah” we were advised by gedolim not to print some parts. This is very strange because as mentioned earlier he had very prominent haskamot from some big gedolim and as the Leshem writes he was a Holy Man, and he was also a known student of R. Hayyim of Volozhin. One is left wondering what in the world could have been wrong with what he had written prompting censor?

In the 1967 reprint of the original edition by Meir Kleiman, the missing pages are included, about five all together. In short, what the deleted material is as follows, he saw many people who had no business becoming teachers taking the job only for the money. He writes that he was a teacher and he would spend a few weeks trying to understand each student what was the best way to deal with him. Another thing he writes is the importantance that boys have a proper understanding of the Hebrew language; not that he has to be a baki in dikduk just to know the basics than it’s easier to learn chumash. Once the boy knows chumash only than should you go on to learn Gemara. When he begins this limud, be careful to go slowly so as not to over burden him. The main point is not to learn enmass, rather emphasis on making sure the student fully understands everything before going further. Instead what happens is the boy only knows how to parrot what the teacher says and on shabbos he shows this off to the father; however nothing of value ever comes out of this. Another thing he writes is in regard to the failure to teach the boys tanakh; not only Gemara as the study of Tanakh is extremely important. Professor Simha Assaf brings much of this edited part in his Mekorot le-Toledot ha-Hinnukh be-Yisrael (vol. 1 Pg 607-613). R. Yitzchak Abadie discusses this whole section in his Teshuvot Ohr Yitzchak (pp. 444-450), available for download at www.HebrewBooks.org.

Reading all of the above, one can only wonder as to what was wrong with printing these parts; the author can not be accused of having haskalic leanings for a few reasons: One, if he did have haskalic leanings, then why allow the rest of the sefer be reprinted. In all honesty, the very thought is quite ridiculous; the Leshem writes he was a Holy Man and a reading of the sefer will show how true that is. Also he was very against learning philosophy saying that only the Rishonim were they on the level to learn it (pg 47).

What’s interesting about all this is many schools in the United States would do well to follow this advice in their educational methods; I am sure it would help many. Not that it’s the solution to all the problems with the children of today but it’s certainly a good start. Interestingly enough R. Yakov Horowitz in a recent article in his column ‘Chinuch Matters’ in the English Mishpacha 143 (Pg 10) called ‘It Doesn’t Start in Tenth Grade‘ writes the same point. R. Yakov Horowitz continues with this theme in the next issue in an article called ‘Training Wheels‘. Of course these columns have been met with opposition. One reader writes (English Mishpacha 145, pg 6) “Torah is acquired thru yegia through no other method can Torah become yours. Making torah easy at the beginning only makes it harder later on. The author mentioned that he is backed by various Achranoim who have suggested alternative methods for teaching torah. It should definitely be mentioned that these methods were unaccepted in Klal Yisroel. Mesorah means tradition passed on Midor Ldor not looking in seforim for unaccepted methods.”

One only wonders what this reader is talking about as shown here a Holy Man and talmid of R. Hayyim of Volozhin wrote these same suggestions as R. Yakov Horowitz and received good haskamot from important known gedolim. Further more as I have mentioned R. Shmuel Auerbach writes that the sefer was famous, in particular, as a guide in raising children and many followed it and became true Ovdei Hashem.




A year in Berlin: The Beginning of Hebrew Printing in Berlin in c. 1699

A Year in Berlin:
The Beginning of Hebrew Printing in Berlin in c. 1699
by Marvin J. Heller

The publishing of Hebrew books in Berlin is a relatively late phenomenon. The article provides a background to early Hebrew printing and then discusses the first Hebrew press in Berlin. It addresses Jewish history in Berlin, explaining why Hebrew printing began there at the end of the seventeenth century, almost two hundred and fifty years after it began elsewhere. Several unique works, rather than the usual communal prayer books and bibles, are described in some detail in the article.

Hebrew printing has a rich and lengthy history. The first Hebrew books were printed close to the mid-fifteenth century, in 1469 and 1472, approximately a decade and a half after Johann Gutenberg printed the first Bible in c. 1455 in Mainz, Germany. Those first Hebrew books, printed in Rome by Obadiah, Menasheh, and Benjamin of Rome, and several who followed, are undated. Their name appears in the colophon of R. Moses ben Nahman’s (Nahmanides, Ramban, 1194–1270) Torah commentary[1] The first dated Hebrew book was Abraham ben Garton ben Isaac’s edition of Rashi’s Torah commentary (Reggio di Calabria, 1475, completed 10 Adar, 5235 = Friday, February 17, 1475). It was followed soon after by Jacob ben Asher’s Arba’ah Turim, printed in Piove di Sacco, Padua province on 28 Tammuz, 5235 (July 3, 1475).[2]

A conservative listing of Hebrew books that can be said with certainty to have been printed prior to 1500 are, according to A. K. Offenberg, 139 titles, which he writes “may yet be too high.”I[3] In an index Offenberg records close to twenty locations in which Hebrew incunabula were printed, in Italy, Spain, and a 1493 Constantinople edition of the Arba’ah Turim.[4] Among the more notable locations in which Hebrew printing occurred in the incunabular period are Mantua, Bologna, Ferrara in Italy, and Guadalajara in Spain.

In contrast to the small number of incunabular imprints, approximately 2,700 titles were printed in the following century, that is, from 1500-1599. To be more precise, 2,672 Hebrew titles (or books with Hebrew letters) were printed, according to Yeshayahu Vinograd, in the sixteenth century. In the seventeenth century the number of Hebrew books published increased to 3,526 entries.[5] The primary centers of Hebrew printing in those centuries were, respectively, Venice and Amsterdam. Parenthetically, the latter’s imprints were sufficiently popular that publishers in other locations frequently wrote with a small font “printed with” and in a large font “Amsterdam,” and again in a small font “letters.” Below, again in a small font, the actual place of printing.[6]

That Hebrew printing began so much later in Berlin than in other centers of printing might seem unlikely, given the subsequent importance of that city’s Jewish community and press. However, it is not surprising in light of the early history of Berlin Jewry, which was difficult, indeed stormy. Expelled in the middle-ages, during the Black Death, Jews were allowed to return in 1354, but not permitted a synagogue. There is no further mention of Jews until the sixteenth century. Subsequently, Jews were expelled and readmitted several times. Gotthard Deutsch and A. Freimann write that “The real history of the Jewish community of Berlin does not begin until the year 1671.” At that time, Jews expelled from Vienna were admitted to Berlin. On Jan. 3, 1676, a decree was issued which stated “die Juden in Berlin in ihren Freyheiten und Privilegien nicht zu turbiren, noch zu kränken, sondern sie vielmehr dabey gebürend zu schützen” (not to disturb or worry the Jews of Berlin in their grants and privileges, but to protect them properly).”[7]

Hebrew printing in Berlin began soon after, that is, in the last decade of the seventeenth century. According to the Jüdisches Museum Berlin, Hebrew printing in Berlin, “which commenced later than in other German cities,” began when Daniel Ernst Jablonski published a Hebrew Bible in 1699.[8] Yeshayahu Vinograd, in the Thesaurus of the Hebrew Book, records eleven works printed from 1690 through 1699, eight in the latter date. He begins with a 1690 quarto format (40) Bible attributed to a Knebell, who Moritz Steinschneider describes in his entry for the 1699 Bible as “Opera et impensis Jo. Henri Knebel . . .” (the works and expenses of Jo. Henri Knebel),” the printer given as Jablonski.

The 1690 Bible entry is followed by two 1698 octavo editions (80: 90 pp., no pagination given for the second edition) of Psalms both in the Bodleian library and then the 1699 imprints.[9] Steinschneider dates the first Psalms as “3–9 Tischri 458 (18-24, Sept. 1697), the second as [ca. 1697-9]. These are followed by an edition of Bereishit (Genesis).[10] Also printed at this time was a siddur (prayer book) and another edition of Psalms. All of these works, as well as the following titles, were printed at the Jablonski press.

Daniel Ernst Jablonski’s (1660-1741) involvement with Hebrew printing is surprising given his background and career. He was the son of Peter Figulus, a minister of Unity of the Brethren (Unitas fratrum) and grandson of Johann Amos Comenius, the last bishop of the Unity. Jablonski served as a preacher at Magdeburg in 1683, and from 1686 to 1691 as head of the Brethren College at Polish Leszno (Lissa), a position filled by his grandfather. In 1691, Jablonski was appointed court preacher at Königsberg by the elector of Brandenburg. In 1693, he was transferred to Berlin as court preacher, and in 1699 he was consecrated a bishop of the Unity of the Brethren, where he worked to bring about a union between the followers of Luther and Calvin. In 1700, Jablonski became a member of the Academy of Sciences (Brandenburgische Societät der Wissenschaften), serving between 1710 and 1731 as director of Philology and Oriental Studies and, from 1733 and 1741, as president of the Academy.[11] He was also the author of several books on Christian theology and philosophy.

In Berlin, Jablonski established a Hebrew printing press. Vinograd very conservatively crediting him with having printed as many as twenty titles. However, a significant multiple of that number of titles were printed in Berlin at that time with no printer’s name assigned to them in the Thesaurus, or, in some instances, attributed to an editor at the press.[12] Concerning Jablonski’s heading a Jewish press in Berlin, it may not seem as improbable as it appears. Jews could not initially obtain licenses to own a printing-press, so that of necessity, the owner had to be a non-Jew, although the managers and workers were usually Jewish. Jablonski employed a number of Jewish workers at his press. The most important was Judah Loeb ben David Neumark (d. 4 Nissan = April 9, 1723) from Hanau, author of Shoresh Yehudah (Frankfort on the Main, 1692), the manager of and an editor at the Jablonski printing-house.[13]

Another of Jablonski’s achievements relates to the printing of the Talmud. He was instrumental in securing approval for Michael Gottschalk, the Frankfurt an der Oder printer, and Johann Christoph Beckman, professor of theology at the University of Frankfurt an der Oder, to publish the Frankfurt an der Oder Talmud (1697-99). Jablonski’s opinion was requested by Friedreich III, Elector of Brandenburg, after Gottschalk and Beckman sought permission to print the Talmud. Jablonski’s measured response was, overall, positive; he found the Talmud to be, with reservations, a work of value, and recommended that Friedreich approve the request to republish that work. Jablonski subsequently printed the first Frankfurt on the Oder/Berlin Talmud together with Gottschalk (1715-22).

We turn now to the more distinct books published at the Jablonski press, that are non-biblical nor prayer books, although the press issued both. Our first title is Azmot Yosef, novellae on tractate Kiddushin by R. Joseph ben Isaac ibn Ezra (c. 1560–1620), attributed in bibliographies to Neimark, as it is his name that appears on the title-page. Perchance, he managed the press and Jablonski was the proforma owner.

Azmot YosefAzmot Yosef was published in folio format (20: 125 ff.) in the year “[Show me a sign of] Your favorאות לטובה ( 459 = 1699) that my enemies may see and be frustrated because you. O Lord, have given me aid and comfort (Psalms 86:17). R. Joseph ben Isaac ibn Ezra (c. 1560–1620) was a scion of the renowned Ibn Ezra family of Spain. Publication of Azmot Yosef is attributed by Vinograd to L. Neimark. Joseph ben Isaac Ibn Ezra was a student of 1R. Samuel de Medina (Maharashdam, 1506-89) and of R. Aaron ben Solomon ben Hasson (16th Cent.). Ibn Ezra subsequently headed the yeshivah of Don David ben Yahya, where he had several eminent students, among them R. Shabbetai Jonah. He later left Salonika for Constantinople, and afterwards served as rabbi in Larissa and Sofia.[14]

The first paragraph of the title-page, a reprint of the first edition, states that it is an explanation of the rules by which the Torah is explicated, and that it is:

a commentary in iyyun and pilpul (deliberation and casuistry) of tractate Kiddushin, from the beginning until the end, on the Talmud, Rashi, Tosafot, Rif, Rambam, Rosh, his son the Ba’al ha-Turim, and others on the laws of kiddushin (betrothal). After the iyyun and pilpul I conclude with the halakhah . . . .

Also, for the benefit of the students [I explain] the rules of [kal ve-homer] (a fortiori inference), dayyo (sufficiency), and other rules: I also delve deeply into the passages of parah ve-rahel in Kol ha-basar and at the end of Kaitzad ha-regel.

The second paragraph, somewhat lengthy, informs that Azmot Yosef was printed previously in Salonica in 1601, further expounds it virtues, and informs that it is being printed for the second time in the praiseworthy city of Berlin and extols Friedreich III.


Azmot Yosef

Courtesy of the Library of Agudas Chassidei Chabad Ohel Yosef Yitzhak

In addition to the peshat (clear meaning of the text) on Kiddushin, Azmot Yosef also addresses Talmudic methodology. Ibn Ezra was also the author of Rosh Yosef, novellae on the Tur, Ḥoshen Mishpat, of which the part on taxes and associated communal issues was published as Massa Melekh (Salonica (1601). Some of his responsa were published in the responsa of R. Shabbetai Jonah, R. Solomon ha-Kohen, and R. Samuel Hayyun.

Azmot Yosef is an important work on Kiddushin and has been reprinted several times. Initially printed in Salonika (1601), as noted above, at the press of Abraham and Joseph BathSheba, this is the second edition; four additional printings of Azmot Yosef are recorded in the Bet Eked Sepharim, the most recent a Warsaw edition (1883).[15]

Gefen YehiditOur next work, Gefen Yehidit is a multi-part work, primarily on ethics, by R. Ze’ev Wolf ben Judah Leib of Rosienie. It was published in a small sextodecimo format (160: 59 ff.)

Gefen Yehidit

Courtesy of the National Library of Israel

The title page of Gefen Yehidit has a brief text that states that it is:

A book, small in size but of great quality. It speaks of matters of ethics and reverence in a clear language . . . The author should have merit. He is one of the maskilim (a person of understanding) and in this small book he demonstrates his expertise and sharpness. . .

Included is Sefer Luah ha-Hayyim which speaks of remedies in order that a person should be healthy and strong in order to serve his God continuously.

The title page is dated “a sign for good אות לטובה (459 = 1669)” (Psalms 86:17). Next is the introduction (1b-2a) of R. Judah Leib Hanau,[16] who brought the book to press. In his introduction, Ze’ev Wolf begins with a quote from Midrash Ruth in which Rav Ashi says that this Megillah is not primarily wisdom nor Torah, but to learn from it gemillut hasadim (acts of kindness), so too the work that he is writing. He informs that he has had a difficult life, and frequently quotes from the Zohar.

The text, in a single column in rabbinic letters, is comprised of Gefen Yehidit, a work of mussar (ethics); an accounting (39a-40b), beginning with and based on the memorial prayer El Malei Rahamim, of what befell the Jews of Podhajce (Podgaitsy), Ukraine in 1677 during a Tartar incursion and massacre of the Jews; followed by a dirge (40b-41a); Zemer le-Purim (42a-46b), verse for that festival in both Hebrew and Yiddish, translated word for word into the latter language because that is the language of Ashkenazim; and concluding with Luah ha-Hayyim (47a-59b), a popular medical work.

Gefen Yehidit has been reprinted several times, beginning with a Hanau (1717) edition.

Luah ha-Hayyim – Although included in Gefen Yehidit Luah ha-Hayyim is an independent work. In contrast to the other additional parts of the former title, Luah ha-Hayyim has its own title-page. Written by R. Hayyim ben Benjamin Ze’ev Bochner,[17] (for our ealier discussion regarding Bochner on the SEfohere), a prolific writer, whose works include Orḥot Ḥayyim, a commentary on R. Isaac Tyrnau’s Minhagim (1669, Prague), Mayim Ḥayyim, homilies and comments on Bible and Talmud, and Toẓeot Ḥayyim on grammar. This edition of Luah ha-Hayyim is based on earlier edition printed by Johann Christoph Wagenseil (Altdorf, 1687), also part of a larger work.

Luah ha-Hayyim

Courtesy of the National Library of Israel

The title-page states that it is:

Luah ha-Hayyim

It will be a cure for your body [a tonic for your bones] (Psalms 3:8) etc.” “They are life to him who finds them; healing for his whole body (Psalms 4:22):

Abbreviated rules of conduct for a person in the matter of healing to maintain a healthy body and it is a primary principle in the service of the Lord. In order to benefit the public, we have printed anew R. Hayyim ben Benjamin Ze’ev Bochner of Cracow’s work. It received in the past approbations from leading medical authorities for all these words are true and correct to those who are knowledgeable and meritable.

This is followed by approbations of two doctors from Lublin. An example of the text (51a-52b) is:

a clear white wine , sweet and aromatic, is healthy and caring. If one drinks a measure of wine, it is a balm for the body, for it increases bodily heat and strengthens as a lion. It gladdens the heart and hones the mind. It also helps in the digestion of food. The measure of a reviis as the amount to drink is logical.[18] More than this measure one should cease and desist. However, if one is accustomed to become inebriated from it and drinks more then enough than the head is ill and the heart is pained. One whose nature is warm and thirsts to drink should mix a little water every time. Honey that is clear and of average sweetness and strength is somewhat comparable to the nature of wine in all respects. . . .

A popular work the Thesaurus of the Hebrew Book records twelve editions of Luah ha-Hayyim, but again these are generally not independent publications.[19]

Keter Torah – Keter Kehunah – our final publication, is a Kabbalistic work on Psalms and liturgy by R. Joseph ben Moses (Ashkenazi), darshan of Przemyslany (17th cent.) Printed in quarto format (40: 91, 62-66, [1]; 76 ff.) Keter Torah and Keter Kehunah are, respectively, the second and third parts of Keter Yosef, the first part of which was printed in 1700.[20] Joseph ben Moses, who was a darshan (preacher), served as rabbi and dayyan in Przemyslany.

Each part was printed separately and has its own title page, albeit with the same frame but somewhat varying text. The pillared frame has cherubim at the top and at the bottom of the frame an eagle with a shield, and holding a sword in one talon and a scepter in the other. In its beak is a banner with the date of the respective volume.[21]

The title page of Keter Torah states that it is the second part of Keter Yosef,

A holy workbook, old replete with new, a desirable commentary, where is its like? On Psalms by the author of Zafenat Pa’ne’ah and Haluka de-Rabbanan. He is the great darshan, grandson of the gaon R. Abraham Ashkenazi, descended from Rashi, son-in-law of R. Abraham av bet din in Luntshits, and a branch and descendant of R. Saul Wahl.

It is dated “Now Israel loved Joseph אהב את יוסף וישראל (459 = 1699)” (Genesis 37:3). Keter Torah has an introduction from the author followed by the text, comprised of Psalms in the middle of the page in square vocalized letters with Joseph’s expansive commentary, Keter Yosef, on the sides in rabbinic letters. The text is divided by the days of the week and has the heading Keter Yosef. The title page of Keter Kehunah states that it is part three of Keter Yosef and that

It is the threefold part that “is not quickly broken” (cf. Ecclesiastes 4:12). In it are found at intervals some sharp novellae on Tosafot and gemara. I have entitled it Keter Torah on the order of the avodah (divine service) for the entire year. It is by the great darshan . . .

Keter Kehunah
Courtesy of Hebrewbooks.org

Keter Kehunah is dated “This is the Torah of the burnt offering זאת תורת העולה (459 = 1699)” (Leviticus 6:2). Here, too, the text is comprised of the liturgy of the daily ma’amadot (division of prayers) in the center of the page in square vocalized letters, the commentary Keter Yosef on the sides in rabbinic letters, and the heading Keter Yosef. After the daily ma’amadot are bakashot for the day and bakashot in the manner of Kabbalah. The daily ma’amadot are followed by kabbalistic prayers for special occasions such as selihot for Mondays and Thursdays, fast days, Rosh Hodesh, Shabbat with special Torah readings, Shabbat Teshuvah, Hanukkah, Purim, brit milah, kinnot for Tishah be-Av, and for dreams. There is also a prayer for someone incarcerated from R. Leone (Judah Aryeh) Modena.

This is the sole edition of any of the parts of Keter Yosef. Joseph was also the author of a commentary included in Haggadah Haluka de-Rabbanan (Amsterdam, 1695), a commentary on the Passover Haggadah; Ketonet Passim (Lublin, 1691), discourses on festivals and the Haggadah; and Zafenat Pa’ne’ah he-Hadash (Frankfurt am Oder, 1693-94, above) on diverse subjects.

In conclusion, we have described individual publications that are not part of the customary frequently printed works comprising traditional and necessary parts of Jewish literature, that is, biblical and liturgical books, although, as noted above, such works were also published by the Jablonski press. The subject matter of these other varied books addressed here encompasses Talmudic novellae, ethics, medical recommendations, and a Kabbalistic work.

What is particularly noteworthy is, given the late start of Hebrew publishing in Berlin, that it rapidly became a center of Hebrew printing. The Thesaurus records 457 titles issued by the Berlin press in the following century (1700-1799), a remarkable growth for a new press that had hardly published any books in the previous century and for a community that was initially young and relatively small compared to other Jewish communities. Despite the small number of works published in that early period, at the end of the seventeenth century, the books published not only addressed communal needs, but also included a variety of valuable works expressing the varied intellectual needs and interests of the community. It quickly grew from a small but press that had from its beginning began by serving its community with needed and valuable varied works to a press of significance.

[1] Concerning those first Hebrew imprints see Moses Marx, “On the Date of the Appearance of the First Hebrew Book,” in Alexander Marx Jubilee Volume (New York, 1950), pp. 481-501.
[2]
The above dates are Julian dates. The dates in the Gregorian calendar, adopted in Rome in 1582 in place of the Julian calendar are, for Rashi’s Torah commentary, February 26, 1475. The Gregorian date for the Arba’ah Turim would be July 12, 1475.
[3] A. K. Offenberg, Hebrew Incunabula in Private Collections (Nieuwkoop, 1990), p. xxiii-xxv, 186-94. It should be noted that other authorities cite a higher number of titles for the incunabular period. A significantly lower number is given by Richard Gottheil and Joseph Jacobs in “Incunabula” Jewish Encyclopedia vol. 6 (New York, 1901-06), p. 575 who write that 101 works printed in Hebrew letters can be identified as certainly printed before 1500. In contrast, according to Herrmann M.Z. Meyer / Angel Sáenz-Badillo, write there are “175 (207) editions printed with Hebrew letters ascertained by copies preserved in public collections.” “Incunabula” (Encyclopedia Judaica, vol. 9 (Jerusalem, 2007),vol. 9 pp. 757-58.
[4] The dating of the 1493 Constantinople edition of the Arba’ah Turim has been questioned, many bibliographers consider the correct date to be 1503. Offenberg in a convincing article, substantiates the correct date as 1493 (Offenberg, “The First printed Book Produced at Constantinople (Jacob ben Asher’s Arba’ah Turim, December 13, 1493),” in A Choice of Corals: Facets of Fifteenth-Century Hebrew Printing, pp. 102-32.
[5] Yeshayahu Vinograd, Thesaurus of the Hebrew Book. Part I Indexes. Books and Authors, Bibles, Prayers and Talmud, Subjects and Printers, Chronology and Languages, Honorees and Institutes. Thesaurus of the Hebrew Book (Jerusalem, 1993-95), pp. xxiv-xxvi [Hebrew].
[6] Mozes Heiman Gans describes this practice, writing “so highly-prized were books ‘printed in Amsterdam’ or ‘be-Amsterdam’ that cunning rivals invented the phrase ‘nidfas ke-Amsterdam’, i.e. in the manner of Amsterdam, hoping to deceive the readers by relying on the similarity of the Hebrew k and b.” Mozes Heiman Gans, Memorbook. History of Dutch Jewry from the Renaissance to 1940 with 1100 illustrations and text (Baarn, Netherlands, 1977), p. 140: Also see Marvin J. Heller, “Who can discern his errors? Misdates, Errors, Deceptions, and other Variations in and about Hebrew Books, Intentional and Otherwise: Revisited,” http://seforim.blogspot.com/, Sunday, July 03, 2016, reprinted in Essays on the Making of the Early Hebrew Book (Leiden/Boston, 2021), pp. 507-36.
[7] Gotthard Deutsch, A. Freimann, “Berlin,” Jewish Encyclopedia vol. 3. pp. 69-71.
[8] Jüdisches Museum Berlin: https://www.jmberlin.de/en/collection-hebrew-printing-in-berlin.
[9] Moritz Steinschneider, Catalogus Liborium Hebraeorum in Bibliotheca Bodleiana (CB, Berlin, 1852-60), col. 112 no. 702; Vinograd, Thesaurus of the Hebrew Book. Part II, p. 111.
[10] Steinschneider, nos. 694, 1050, 1028.
[11] https://en.wikipedia.org/wiki/Daniel_Ernst_Jablonski.
[12] Vinograd, Thesaurus of the Hebrew Book. Part I, p. 451.
[13] Ch. B. Friedberg, History of Hebrew Typography of the following Cities in Central Europe: Altona, Augsberg, Berlin, Cologne, Frankfurt M., Frankfurt O., Fürth, Hamberg, Hanau, Heddernheim, Homberg, Ichenhausen, Neuwied, Wandsbeck, and Wilhermsdorf. Offenbach, Prague, Sulzbach, Thannhausen from its beginning in the year 1513 (Antwerp, 1935), pp. 87-88 [Hebrew].
[14] See Ya’akov Shemuel Speigel’s introduction to Ibn Ezra’s responsa for additional biographical information. She’elot u-Teshuvot Rebi Yosef ibn Ezra, ed. Ya’akov Shemuel Speigel (Jerusalem, 1989), 5-30. Speigel specifically discusses Azmot Yosef, its editions and its reception. Id. 21-24.
[15] Ch. B. Friedberg, Bet Eked Sepharim, (Israel, n. d), ayin 1064 [Hebrew]. Eli Genauer updated the Bet Eked entry, which records books from 1474-1950, informing that later editions of Azmot Yosef were published in Jerusalem by Levin-Epstein in 1951, 1958, 1962, 1969, and 1976. There was also a Warsaw 1912 and a New York edition form the 1950’s as well as a Jerusalem 1988 edition, all attesting to the popularity of Azmot Yosef. Genauer quoted a yeshiva student’s joke concerning Azmot Yosef “how do you know that Jews were learning Maseches Kiddushin when they left Mizrayim [Egypt]? Because it says they took the Atzmos Yosef [bones of Joseph’ with them” (Exodus 13:19) and is also included in Kovets Mifarshim ‘al Meskhet Kiddusin, published in 2000 and 2019.
[16] He is the father of the famed grammarian Shlomo Zalmen Hanau. On some of his title pages, he indicates that his father was a sha”tz (cantor).
[17] For our discussion regarding Bochner and his works, see our post on the Seforim Blog, “Hayyim Ben Benjamin Ze’ev Bochner: Kabbalist, Talmudist, and Grammarian.”
[18] A reviis equals 1-½ eggs (see Mishna Berura 271:68) https://oukosher.org/halacha-yomis/what-is-the-volume-of-a-reviis/.
[19] Vinograd, Thesaurus of the Hebrew Book. Part I, p. 67
[20] Regarding the possible Sabbatian elements in this work, see Shnayer Leiman, Sefarim Ha-Hashudim be-Sha’abatot, in Sefer ha-Zikhron le-Reb Moshe Lipschitz, Rafael Rosenbaum, ed., (New York, 1996), p. 887.
[21] Concerning the eagle motif see Marvin J. Heller, “The Eagle Motif on 16th and 17th Century Hebrew Books,” Printing History, NS 17 (Syracuse, 2015), pp. 16-40, reprinted in Essays, pp. 5-29.




Answers to Quiz Questions and Other Comments, part 1

Answers to Quiz Questions and Other Comments, part 1
By Marc B. Shapiro
It is now time to announce the names of those who were able to answer the quiz questions I posed. The only two people to answer both questions correctly were Alex Heppenheimer and Yonason Rosman. I fortunately had two CDs so both of them received the prize.

Question no. 1 was: The word for turkey is תרנגול הדו. There is a dagesh in the dalet. Why? Bring a proof for your answer from Berakhot between page 34a and 38a.

Alex Heppenheimer emailed as follows: “The dagesh represents a missing nun in the word הדו. The Aramaic form, in Berachot 36b, is הנדואי. (There is also similarly הנדויין in Yoma 34b and ר’ יהודה הנדואה in Kiddushin 22b.)”

This is correct. The name India (and thus also Hindu) originates with the Persians and Greeks for the land beyond the Indus River. You can see in the Aramaic terms referred to by Heppenheimer that the nun is part of the word. See also the Targum to Esther 1:1 where הדו is translated as .הנדיא Bava Batra 74b, Avodah Zarah 16a, and Bekhorot 37b have other forms of the word, all including the nun.[1] Berakhot 37b refers to נהמא דהנדקא, i.e., “Indian bread.” Targum Ps. Jonathan to Gen. 2:12 translates translates חוילה as הינדקי.

(As to why turkey was referred to by those in Spain, and later the rest of Europe, as “Indian fowl”, that is because when it was first brought back to Europe it was believed to be coming from the area around India, which is where Columbus himself thought that he had ended up.)

For those who are interested in grammatical matters like how the dagesh is used, let me recommend a new book, Adir Amrutzi’s Dikdukei Aviah (Tel Aviv, 2010). In speaking of nuns that drop off, on p. 13 he calls attention to Kiddushin 70a where the word אתרונגא appears. The nun in this word shows us that the plural of etrog is not etrogim, but etrugim, with a dagesh in the gimel and a kubutz under the resh. The singular word etrog should be written as אתרג (All this follows the pattern of tof-tupim [תף-תפים], dov-dubim [דב-דבים]. When the vav holam is in the word, the holam sound remains: חול-חולות, עוף-עופות).

Returning to India, the passage in Berakhot 36b reads: “The preserved ginger which comes from India (הנדואי) is permitted.” The problem is that when you look at Rashi, for his translation of הנדואי he writes: כושיים.

Cushi’im means “Ethiopians” (Translating “Cush” as “Ethiopia” does not imply that it corresponds to the borders of modern day Ethiopia. Some even prefer “Nubia” to Ethiopia”, as Ethiopians are Semitic while Nubians are “Hamitic” [and Cush was a son of Ham]. It perhaps also can refer generally to black Africa. This can explain Pesahim 94a which states that Egypt is one sixtieth of Cush. Also, the Targum to II Chron. 21:16 translates כושים as אפריקאי.)

So where does Rashi get the idea that Cushites are Indians? Did he not know that הנדואי means India? In his commentary to Kiddushin 22b he writes as follows:


הנדואה: מארץ כושי כוש מתרגמינן הנדואה

We see the same identification by Rashi in Yoma 81b.[2] Since the book of Esther distinguishes between India (הדו) and Cush, and Rashi identifies הנדואה with Cush, one might be tempted to conclude that Rashi didn’t realize that הנדואה is the same as הדו. But is it possible that he wouldn’t know this?

And to confuse matters even more, in Avodah Zarah 16a, where הינדואה is mentioned, Rashi explains that it means ארץ הדו.

So not only do we have the problem of Rashi identifying הנדואה as Cush, but we also have the problem of consistency, because in one instance he identifies the place correctly. To add one more thing to the mix, in his commentary to Sukkah 36a Rashi states that Cush is further from the Land of Israel than it is from Babylonia. This means that Rashi thought that Cush is to the east of Babylonia. In other words, Rashi does not believe that Cush is Ethiopia.[3]

So where does Rashi get this notion? He actually gives us his source in his commentary to Yoma 34b, where he refers to the Targum to Jeremiah 13:23. This verse famously states: “Can the Cushi change his skin, or the leopard his spots?” If you look at the Targum on this verse Cushi is translates as .הנדואה In the Targum to Isaiah 11:11 Cush is also identified as India.

So again, I ask, what is going on here? How could the Targum translate Cushi as “Indian”?

P. S. Alexander writes as follows: “It was a common view in ancient geography, shared by Ptolemy and probably also the author of the book of Jubilees . . . that Ethiopia was joined to India in the east. It is this idea that lies behind the [talmudic] statement that Cush and Hodu are adjacent.”[4] He also notes that the Indians dark skin was one reason for the identification. Furthermore, Alexander tell us, there was an ancient belief that there was a land connection between Ethiopia and India south of the Indian Ocean.

Since we have been speaking of India,[5] let me share with you what I found in R. Hayyim Hirschensohn’s Nimukei Rashi on Bamidbar (a copy of which I will give out to the winner of my next quiz[6]). On p. 81b he suggests that the revolt in India against English rule was a punishment of England for splitting the Land of Israel when it created Transjordan.

Returning to the quiz, my second question was: There is a rabbinic phrase that today is used to praise a Torah scholar, but in talmudic days was used in a negative fashion. What am I referring to?

Megillah 28b speaks of a צנא דמלא סיפרי . Today this expression is used to praise scholars. Yet if you look at the talmudic passage its meaning is the exact opposite. Rashi explains:
אינו אלא כסל שמילאוהו ספרים ואין מבין מה בתוכה אף שונה הלכות ולא שימש ת”ח ללמוד שיבינוהו טעמי משנה ופעמים שדברי משנה סותרין זה את זה וצריך לתרצה כגון הכא במאי עסקינן וכגון הא מני רבי פלוני היא וכגון חסורי מיחסרא אינו יודע מה שונה.

Rashi’s explanation should remind people of a phrase used by R. Bahya Ibn Paquda in Hovot ha-Levavot 3:4. In its medieval Hebrew translation it became famous: חמור נושא ספרים. I first heard this expression in yeshiva. Only later did I realize that it came from R. Bahya, and only some time later did I learn that R. Bahya didn’t invent it. Rather, it originates in the Quran 62:5.[7]

* * *

Since this post is not up to my normal length, let me make some more comments. At least one person thinks that my criticism of Artscroll regarding Kalir is unfair. If you recall, I originally criticized them for identifying Kalir as a tanna. In my last post I mentioned that in the first edition of the Artscroll Machzor this identification is rejected, and only in subsequent editions does the Machzor state that Kalir was a tanna. I also claimed that Artscroll knows the truth but in order to mollify its critics, changed what it originally wrote.

This, incidentally, is not the only time that I assume that Artscroll knows what it is writing is incorrect, but writes so anyway. I have a good example of this in the book I am currently working on, so I don’t want to give it away now. I already noted another example in Limits, where I call attention to the introduction to the Artscroll Chumash which states: “Rambam sets forth at much greater length the unanimously held view that every letter and word was given by God to Moses” (emphasis added). This statement, that the view of the Rambam is unanimously held, is false. Furthermore, Artscroll knows it is false, and in its commentary to Deut. 34:5 it mentions the talmudic view that the last verses were given to Joshua.[8]

Here is another example along these lines that I think readers will find interesting. It comes from the new Artscroll Midrash Rabbah, and was called to my attention by R. Avrohom Lieberman (who already called my attention to the Kalir change in the Machzor).

In explaining Tikun Soferim, Artscroll’s note states that this “cannot, Heaven forbid” be taken literally. Yet the editors of Artscroll, who are learned men, know perfectly well that there are traditional sources that state precisely this (See Limits, pp. 98ff). There is no question that the intent of the words “Heaven forbid” is to make the reader think that Artscroll’s perspective is unanimously held.

Since we are now on the subject of Artscroll (the most important and influential Orthodox publishing venture of all time), and lots of people want me to post more on this topic, let me give one final example.[9] It comes from Ecclesiastes, as I dealt with this book in the last series of posts. The upshot of what I and others have already pointed out is something everyone already knew, namely, that Artscroll has a religious agenda. Much like the New York Times’ agenda can be seen not only in the editorial page, but in the news reports as well, so too Artscroll’s agenda is seen not only in the “overviews,”[10] but in the selection of commentaries also. There is enough material for a very long and detailed article spelling all this out.

Eccl. 2:8 states: .עשיתי לי שרים ושרות
What does this mean? The simple explanation is that the author, traditionally Solomon, is telling us about all the wonderful things he amassed with which to enjoy himself, and among them are “men singers and women singers.” Artscroll translates the passage as “I provided myself with various musical instruments.” Now this might be an apologetic translation, but if so, it is not Artscroll that is to be too criticized, but the Talmud, Gittin 68a, since according to Rashi this is how the Talmud explains the words.[11] Artscroll is obviously within its rights to adopt this understanding, even if one assumes that this explanation is not in accord with the simple sense of the verse.

The problem comes with the next passage in the Artscroll commentary which states: “Rav Yosef Kara, Alshich, Metzudas Zion and others translate ‘singers.’” I will get to Kara and Alshich shortly, but let’s begin with Metzudat Tziyon, since this is easiest for most people to access as it appears in the Mikraot Gedolot. He writes as follows:

שרים: משוררים זכרים. ושרות: משוררות נקבות

So now I ask my fair-minded readers: Is Artscroll’s statement that Metzudat Tziyon translates שרים ושרות as “singers” accurate? I think the answer is clearly “no”. Metzudat Tziyon translates the words in question as “male singers and female singers,” and yet—don’t tell me you are surprised—in Artscroll this morphs into “singers”. Why would Artscroll fudge the translation? The answer is obvious. They don’t want people to think that Solomon would have listened to women singing. I am not sure why this is so problematic for them. After all, if Solomon engaged in idolatry (at least according to the biblical text’s simple meaning),, hearing women sing is not so far-fetched. In fact, in his comment on some other words in the verse, R. Jacob Lorberbaum[12] writes as follows):

רמז על שעבר על לא ירבה נשים שהזהירה התורה

Lorberbaum, therefore, has no difficulty in seeing the verse as pointing to misdeeds of Solomon.

Let us now see what Kara and Alshich say on the verse, since they too were quoted by Artscroll. Kara’s commentary is printed in Otzar Tov, ed., Berliner and Hoffmann (Berlin, 1886-1887), p. 10: עשיתי לי שרים ושרות: תיקנתי לי זכרים ונקיבות לשורר לפניי

Alshich explains the verse to be referring to משוררים ומשוררות

So we see that the commentators Artscroll refers to are explicit that the meaning of the passage is “male and female singers.”

Among other sources that interpret this way are Kohelet Rabbati, ad loc:


שרים ושרות: זמרין וזמרתא

Yalkut Shimoni, Kohelet no. 968:

עשיתי לי שרים ושרות: משוררים זכרים ונקבות.

See also the Targum to Eccl. 2:8, where שרים ושרות is translated as .זמריא וזמריתא

R. Moses Almosnino, Yedei Moshe (Tel Aviv, 1986), Eccl. 2:8 (p. 58), even explains why the female singers were desirable, as they helped create a better harmony:


על כן אמר שהיו לו שרים ושרות שהם המשוררים והמשוררות, אנשים ונשים יחד, שבהתמזגם יהיו הקולות ערובות, שקול האשה דקה וקול האיש הוא קול יותר עב, ובהתמזגם יחד יצא השיר בנועם.

When the Jews returned from Babylonia to the Land of Israel in the days of Ezra and Nehemiah, the Bible (Ezra 2:65, Nehemiah 7:65) states explicitly that they came with משוררים ומשוררות, “male and female singers.”

As for how Solomon could listen to women sing, for those who feel the need to answer this question, perhaps Solomon agreed with those authorities who feel that there is no blanket prohibition on hearing a woman’s singing voice,[13] a viewpoint that has recently been resurrected by Rabbis Moshe Lichtenstein,[14] David Bigman[15] and Avraham Shammah.[16] According to this perspective, only singing that is sexually arousing is forbidden.[17] Let us not forget that the Talmud speaks of a woman’s voice. It is the post-Talmudic authorities who clarify that this refers to a singing voice, but does this mean any singing voice or only one that in the minds of normal men could be arousing?

R. Marc Angel agrees with the rabbis mentioned in the last paragraph. He writes: “When the prohibition of “kol ishah” is applied to all instances of women singing in the presence of men, this is a distortion of the intent of the halakha. . . . Men and women may sing in the presence of those of the other gender, as long as the songs are of a religious nature, or of a general cultural nature (e.g., opera, folk songs, lullabies).”[18]

R. Yonatan Rosenzweig doesn’t go so far as to permit one to attend a concert with a female singer, but he does say that since today many people are used to hearing recordings of women’s voices, that possibly it is even permissible to watch a woman singing on television.[19]

A number of years ago there were ads in New York Jewish papers for a concert by Neshama Carlebach. The ads stated that the concert was open for women, as well as for men for whom the singing was permissible. This was a very strange formulation. Knowing that R. Mordechai Tendler was Neshama’s posek, I asked him about this. He explained to me that the language originated with him and was based on the notion that the prohibition against kol ishah is not a blanket prohibition, but depends on whether the singing is sexually arousing. (This approach can be supported by the view found in some rishonim that kol ishah that is not sexually arousing is only forbidden during keriat shema. Otherwise, there is no prohibition.[20]) Therefore, men who are used to hear women sing and will not be aroused by Neshama are permitted to attend the concert, and this explains the strange language in the ads.[21] Tendler also told me that this view of kol ishah as being what we can call a “situational prohibition” rather than an absolute issur, was held by his grandfather, R. Moshe Feinstein.[22]

This opinion, that whether or not a woman’s singing voice is prohibited depends on how men will react to it, will no doubt strike some as “unorthodox.” This approach is definitely not as widely held today as in years past. Yet many people reading this post can recall a time when kol ishah, as a general prohibition, was simply not an issue for the Modern Orthodox, or even for many of the more right-wing Orthodox. This was no different than the situation in Germany, where pretty much all of the Orthodox, including members of Hirsch’s community, saw no problem in attending the opera.

If you went back to the 1960s, other than the hasidim and the tiny yeshiva world, it would be hard to find an Orthodox Jew in New York City who didn’t see the Broadway performance of “Fiddler on the Roof.” I would even assume that that there were some roshei yeshiva who saw it. Until the 1980s there was no problem with Modern Orthodox synagogues sponsoring trips to Broadway musicals. My own shul even put on a performance of “Fiddler on the Roof” in the early 1980s. That would be unimaginable today at almost all Orthodox shuls.[23] (Yet somehow YU is able to continue its long tradition of a fundraising night at the opera, and I have not heard of any attempt by the roshei yeshiva to end this practice.)

Until the 1980s, girls would also have solo singing roles in the musical productions put on by many Modern Orthodox yeshiva high schools and summer camps. (Was there a Modern Orthodox summer camp where girls did not sing?) Readers can correct me if I am wrong, but as far as I know, only Ramaz, Flatbush, and SAR still have girls singing solos.[24] The other schools that have girls sing have them do so in groups, or at least with one other girl.

To bring us back to the earlier era, where women singing was acceptable in the Modern Orthodox world, let me quote Rabbi Marc Angel:

I was raised in the Sephardic community of Seattle, Washington, and well remember our many family gatherings where romances were sung. Jews of great piety sang right along with those of lesser piety. I do not remember anyone ever objecting to the singing of love songs by men and women. In the early 1980s, Haham Dr. Solomon Gaon, himself a Judeo-Spanish-speaking rabbi, taught classes in Sephardic folklore at my Congregation Shearith Israel in New York City. I well remember him singing love songs, enthusiastically and nostalgically. Both of us participated in a program of Sephardic culture sponsored by the Hebrew College of Boston. A female soloist sang a selection of romances, after which Haham Gaon not only applauded loudly but rose to speak in praise of the singer for her beautiful rendition of the songs. Haham Gaon, who served as chief rabbi of the Spanish and Portuguese Congregations of England and as head of the Sephardic Studies Program of Yeshiva University in New York, was a very prominent Orthodox Sephardic rabbi and a man of impeccable piety.[25]

R. Eliezer Berkovits wrote:


Nowadays, the singing of a woman is not fundamentally different from what the original Halakhah termed “her regular voice.” A woman’s voice, even when she is singing, is nothing unusual today, and it is no more distracting during the Shema prayer than that of a man singing. Only in specific amorous situations as in the Song of Songs, may it have a sensual quality.[26]
In Hirsch’s famous Schiller speech, delivered at his Frankfurt school, a note states that male and female students alternatively sang songs.[27] As I pointed out in my own note to the speech, girls were permitted to sing at Hirsch’s school. Mordechai Breuer, Modernity Within Tradition, p. 411 n. 11, calls attention to a report in Jeschurun 18 (1885), p. 11, of a public function at the school at which a teenage girl sang in the presence of a crowded audience.

In Between the Yeshiva World and Modern Orthodoxy, p. 216, I quote Jacob Rosenheim who attempts to explain why Hirsch permitted girls to sing at public examinations in the higher grades (and I also note that this passage was censored in the Netzah translation). A halakhic justification of hearing unmarried girls sing was actually penned by R. Isaac Unna, the rav of Mannheim. The short responsum appears in his Shoalin ve-Dorshin no. 2.

Unna cites the Ba’er Heitev thatקול פנויה מותר . In context, what this means is exactly what it says, namely, that unlike a married woman’s (singing) voice, which is always prohibited, the singing of an unmarried woman is permitted to be heard. When he says this is permitted, he means if it doesn’t cause sexual thoughts. (Moderate sensual thoughts would be permitted according to Maimonides, as I mention below.) If it does, then of course it is forbidden. But this prohibition is a general prohibition against arousing oneself sexually and has nothing to do with the prohibition of kol ishah, which only refers to married women and is apparently based on the assumption that the voice of a married woman is always sexually arousing.[28]

In recent generations, poskim have all written that the פנויה referred to here is one who does not have the status of a Niddah, that is, a pre-pubescent girl. The first source to adopt this approach seems to be the eighteenth-century Peri Megadim, Orah Hayyim 75:3. As far as I can tell, none of the early poskim who discuss the matter even mention this point, and they all assume that פנויה mean an unmarried woman, of any age. This approach also continued among certain poskim even subsequent to the Peri Megadim.

See for example this page R. Jacob Pardo’s Apei Zutrei (Venice, 1797), Even ha-Ezer 21:8:

Pardo is very clear that פנויה means exactly what it says. He compares the halakhah of kol ishah to that of hair covering, and just like only a married woman has to cover her hair, so too it is only a married woman’s voice that is prohibited, not the voice of a single woman. (As mentioned already, this would only be prohibited if it was sexually arousing.) As for extending the prohibition to unmarried women, he sees this as an excessive stringency and applies the rabbinic phrase kol ha-mosif gorea, noting that the people will not listen to such a ruling and this will turn them into brazen sinners.

This is not to say that Pardo approves of listening to single women sing. He doesn’t, and applies to such singing the rabbinic phrase מוטב שיאכלו ישראל בשר תמותות כשרות, which comes from Kiddushin 22a and is stated with reference to something distasteful. It is distasteful, yet permitted nonetheless. Pardo’s careful distinction between what is preferred behavior and what the halakhah actually requires is seen in this comment as well, where he refers to Job. 31:1: “[I made a covenant with mine eyes;] how then should I look upon a maiden?”[29]


הן אמת דלבטל ההרהור יש להחמיר ע”ד ומה אתבונן על בתולה. אך אינו מן הראוי להשוותה לנשואה לאסור מפאת הדין.

Here is a page from R. Aaron ha-Levi, Mateh Aharon (Salonika, 1820), p. 260b, where we see some more interesting comments, including defending a rabbi who permitted listening to the voice of a single woman.

And finally, here is a page from R. Hayyim Kasar’s Shem Tov, a twentieth-century commentary on the Mishneh Torah, Hilkhot Issurei Biah 21:2. While Kasar is quite strict in forbidding a man to hear the voice of an ervah, even if he is not familiar with her, he is also clear that a penuyah means an unmarried woman and that there is no blanket prohibition on hearing her voice, just like there is no blanket prohibition on seeing the hair of an unmarried woman.

I would only add that this makes perfect sense according to Maimonides. If, as Maimonides says, one is permitted to look at an unmarried woman and enjoy her beauty,[30] it stands to reason that one can listen to the singing of an unmarried woman and also enjoy it.[31]

Returning to German Orthodoxy, Der Israelit was the newspaper of the German separatist community. Yet it seems to have had no problem highlighting an Orthodox female opera singer and stressing her commitment to Orthodoxy.[32] Mordechai Breuer called attention to this last point, and I assume that he didn’t have any knowledge of opera or he would have pointed out that the female singer referred to by the paper, Rosa Olitzka (1873-1949), was quite famous in her day. Here is a picture of her.

Right after telling us that Olitzka is the daughter of the hazan of the Berlin Adass Jisroel (i.e., R. Esriel Hildesheimer’s separatist community), Der Israelit mentions her starring as Carmen in the London Opera production. One can find a good deal of material about Olitzka online,[33] and can even purchase recordings of hers.[34] Maybe a reader knows whether she remained observant in her later years.

Breuer also refers to the JüdischePresse’s review of the opera “Samson and Delilah”.[35] While Der Israelit was the paper of the Frankfurt Orthodox, Jüdische Presse was published by the Orthodox of Berlin.[36]

The view that kol ishah is not an absolute prohibition, but depends on whether or not the singing is sensual in nature, was also held by R. Joseph B. Soloveitchik, at least according to R. Aharon Rakeffet.[37] Rakeffet has also reported on a number of occasions that the Rav attended the opera in Berlin.[38] At the Maimonides School first Hanukkah Banquet in 1939, “the program included Betty Brooks, a prominent radio personality singing a variety of Jewish and English songs, Mabel Wingert, a dancer, and Frost and Helene, society dancers.”[39]

R. Ovadiah Yosef’s viewpoint on kol ishah is also worth noting, especially as it has undergone a change. In the first volume of Yabia Omer, published in 1954, R. Ovadiah deals with the following question (Orah Hayyim no. 6):

נשאלתי בדין קול זמר של אשה בגרמפון או ברדיו, אם יש בו משום קול באשה ערוה, וצריך להזהר שלא לשמעו בעת ק”ש ותפלה.
His formulation reflects the notion we have already seen, expressed by some rishonim, that the prohibition of kol ishah is a special prohibition related to shema (and prayer), rather than a general prohibition on hearing women sing (which if sexually arousing would be forbidden on other grounds.)

Here is how he formulates the question and answer in the table of contents:

קול זמר של אשה ברדיו וגרמפון, אין צריך להזהר מלשמעו בשעת ק”ש ותפלה, כשאינו מכיר את המשוררת, ואין בזה משום קול באשה ערוה
We see from here that there is no problem of kol ishah when you are not familiar with the female singer. In other words, you can recite shema and tefillah while hearing this. Again, however, this is not related to the wider issue of sensual songs. If you are “turned on” by hearing a song even if you don’t know the singer, then it is forbidden at all times. But by the same token, since the prohibition of kol ishah is exclusive to shema and tefillah, the implication is that a woman’s voice at other times is not prohibited if it doesn’t arouse sensual feelings.

Based on this understanding of R. Ovadiah’s responsum, I don’t think there is a contradiction between this teshuvah and R. Ovadiah’s well known love for the music of the Egyptian singing sensation Umm Kulthum.[40] Here is what Umm Kulthum looked like in her younger years.

If R. Ovadiah’s responsum in Yabia Omer intended a blanket prohibition on hearing the voice of a woman you are familiar with, rather than just confining this prohibition to shema and tefillah, then we would be confronted with a tremendous contradiction between the responsum and how R. Ovadiah lived his own life. It is not like R. Ovadiah wrote something in his responsum and did something else in his private life where people couldn’t see. His love of Umm Kulthum’s music was something everyone knew about, and he listened to it in the company of others. Clearly, therefore, his responsum which prohibits listening to the singing of one you are familiar with only applies during shema and tefillah. At other times, it is only prohibited if one is sexually aroused by the music, and since R. Ovadiah was not, he was permitted to listen to Umm Kulthum. Rabbi J. David Bleich is therefore incorrect when he summarizes R. Ovadiah’s responsum as follows: “Rabbi Yosef concurs in this ruling but adds that it is forbidden to listen to a female vocalist who is known to the listener even if the woman in question is known to him only through photographs.”[41] (I hope no one attempts to argue that R. Ovadiah didn’t know what Umm Kulthum looked like. She was only the most prominent celebrity in Egypt, with her picture everywhere.)

I was also informed by R. Avraham Yosef that his father, R. Ovadiah, later retracted his ruling in this responsum that if you are familiar with the singer that you can’t hear her voice in shema and tefillah. I later saw that R. Ovadiah himself states as much in Yabia Omer, vol. 9 no. 108:43:

ומה שכתבתי שם שאם ראה אותה בתמונה ג”כ, אסור, אינו מוכרח, שיש לומר . . . “ביודעה ומכירה”, זהו רק כשראה אותה בחיים חיותה במלא קומתה

If you hear her voice while you are saying shema or reciting blessings, R. Ovadiah advises וירכז מחשבתו לכוין בברכותיוR. Ovadiah’s words בחיים חיותה במלא קומתה might be taken to imply that even if you know the woman from television, there still is no prohibition of kol ishah.

R. Avraham Yosef states that while it is permitted to hear a woman sing even if you know what she looks like, it is not permitted to attend a live performance or even watch on television. R. Avraham assumes that alllive and television performances are prohibited, not only those that could be sexually arousing.[42] It also needs to be stated that despite how I interpreted R. Ovadiah, that female singing is only prohibited if it is sensual music, the upshot of what R. Ovadiah states throughout his writings is that by definition a live female singer is sexually arousing and thus prohibited. Although I think the evidence shows that R. Ovadiah agrees that theoretically kol ishah is only forbidden if it leads to <>hirhurim >, in practice he assumes that <>alllive female singing falls into this category. (I wonder, however, if he would also forbid the live singing of a very old woman, which would in no way be sensual.)


I found another interesting passage regarding kol ishah in the Meshivat Nefesh of R. Yohanan Luria (16th century). On p. 144, after explaining how the women of the desert could sing in front of the men (Ex. 15:21), he writes:

ומזה הטעם ראוי למחות לנשים המשוררות לכלות לפני האנשים רק הבתולות שמותרים בזה כדי לחבב הבחורים לקפוץ עליהם לשם אישות.

He makes the same point on the previous page, and concludes (p. 143):

רק הבתולות ראוי להם שיחבבו עצמם על הבריות לקפוץ אחריהם

What it means is that while married women can’t sing in front of men, unmarried women are permitted to do so in order to attract the attention of the young men, similar to what they did in Temple days when they would dance before the eligible bachelors.

Some might be wondering, how was this permitted since married men will also hear the women sing, and being that they are not in the “market” for a wife, what permission is there for them to listen to and be physically attracted to the young women? I think the answer is obvious, that those men who would have had improper thoughts were not supposed to listen to the women, just as I presume they were not supposed to watch the single women dance in Temple days. Yet the Sages did not ban this dancing because of what some men might be thinking, and similarly, Luria permits the singing by single women and is not concerned that some married men might also be listening. The logic behind Luria’s position is that young men looking for brides are supposed to be attracted to young women. The latter dress up nicely so that the men look at them, they put on makeup for this purpose, and yes, they sing in front of the men, all in order to make themselves attractive.

Here is the title page of Luria’s sefer.

I already mentioned the opera, so before concluding I refer you to S.’s post here.

He points to an early eighteenth-century communal decree in Altona-Hamburg-Wandsbek forbidding attendance at the opera, except for on Hanukkah and Purim when it was permitted. The text is also found in Simhah Assaf, Ha-Onshin Aharei Hatimat ha-Talmud, p. 116.

Finally, I would like to point to a very interesting source that as far as I know has never been mentioned in any of the many halakhic articles dealing with kol ishah. I refer to R. Joseph Hayyim’s Imrei Binah, ch. 3, no. 79. Here is the page.

For those who are unclear as to what he means, he explains it himself in his book Ateret Tiferet im Pelaot Rabot. Here is the title page of the book, which for some reason is not on hebrewbooks.org or Otzar ha-Hokhmah. The text that appears in Imrei Binah also appears in this book, and R. Joseph Hayyim’s explanation is found on p. 116 (no. 202).

According to R. Joseph Hayyim, if the singing of an individual woman is accompanied by instruments, meaning that there are “many voices”, then it is permissible. This is an incredible limud zekhut, because pretty much every singer today is accompanied by music.[43]
[1] Referring to the beginning of Esther, where Ahasuerus is said to rule from Hodu to Cush, the Talmud, Megillah 11b, states:
From Hodu to Cush: Rav and Samuel gave different interpretations of this. One said that Hodu is at one end of the world and Cush at the other, and the other said that Hodu and Cush adjoin one another, and that [the meaning is that] as he ruled over Hodu and Cush, so he ruled from one end of the world to the other.
This passage should immediately raise a couple of questions in people’s minds. 1. Since there is no doubt that both amoraim knew where India and Ethiopia were located, why did one of them explain that the two countries are next to each other? How come he didn’t accept the common identification of Cush and Ethiopia? 2. According to the first opinion, that Hodu is at one end of the world and Cush at the other, are we to understand from this that he thought that the world was flat? (I realize that “end of the world” could be used the same way we use it today, but I wonder if that is the peshat.)

[2] See also his commentary to Isaiah 18:1, where he regards Cush as being in the East.

[3] In the last post I spoke a bit about what Rashi regarded as beautiful, based on his commentary to Song of Songs. We also find from other comments of his that he did not regard Cushim as beautiful. Based upon what we have already seen, I assume that for Rashi a Cushi would have an Indian complexion. (See Moed Katan 16b regarding the skin of the Cushites.) In his commentary to Gen. 12:11 he speaks of “black and repulsive people, brothers of the Cushim.” In Num. 12:1 the Torah speaks of the Cushite that Moses married. Rashi does not take this literally and writes: “Because of her beauty she is called Cushite, as one calls his handsome son ‘Cushite’ in order that the evil eye should not have power over him.” (This same passage appears in Midrash Tanhuma 96:13, and see Yitzhak Aviner, Heikhal Rashi [Tel Aviv, 1960], vol. 4, p. 234, that it was inserted from Rashi into the Tanhuma). I think it must be very hard to teach this Rashi in elementary and even high school. One can easily see that if one of the students is a “person of color” or the student’s parent is, that the assumption of this Rashi could be very hurtful to the student. Has any reader had to deal with this?

For the same approach by Rashi, and here too it appears to be his own interpretation (although obviously based on the earlier rabbinic understanding of Cushite), see Sukkah 53a, where it mentions that Solomon had two Cushite servants. Rashi writes:

תרי כושאי: על שם שהיו יפים קרי להו הכי
See Arukh la-Ner, ad loc., who questions Rashi’s explanation, since while the Sages speak of Tziporah as being called Cushite in Num. 12:1 because of her beauty, they never say that a man would be called Cushite if he was handsome. This is precisely why I noted that what Rashi writes here is apparently his own interpretation.

Incidentally, the Artscroll translation to this passage makes as unfortunate error. While the Talmud speaks of “two Cushites”, Artscroll translates תרתי כושאי as “two Cutheans.”


The Vilna Talmud’s version is תרתי כושאי, while Rashi has תרי. Rashi’s text preserves the correct version (see also Arukh ha-Shalem, s. v. כש, p. 348 n. 4) as תרי is masculine while תרתי is feminine. In R. Meir Mazuz’s new book, Darkhei ha-Iyun, p. 5, he deals with these words and calls attention to the common grammatical error when people write תרתי דסתרי. Since דסתרי(=(הסותרים is masculine, the proper formulation is ether תרי דסתרי or תרתי דסתרן.

For more on the identification of Cushite with ugliness, see Jonathan Schorsch, Jews and Blacks in the Early Modern World (Cambridge, 2004), chs. 3-4, and Abraham Melamed, The Image of the Black in Jewish Culture (London, 2003).
[4] “Toponomy of the Targumim,” (unpublished doctoral dissertation, Oxford University, 1974), p. 134.

[5] I think readers will find this document interesting: link (pdf).

It contains the Chief Rabbinate of Israel’s acknowledgment that Hinduism is monotheistic. I don’t even think that one can speak of shituf when it comes to Hinduism. What you have in Hinduism are manifestations of the one God, and this does not appear to violate any Noahide commandment. This is significant since in the Jewish imagination Hinduism has often been seen as a classic example of real idolatry. Thus, right at the beginning of many seforim it states that passages dealing with Gentiles are only referring to idolators in places like India.


Related to the latter point, there is an unbelievable error by the great R. Judah Aszod. In 1833 the Hatam Sofer responded to the following query of a Hungarian rabbi: During Christian religious ceremonies that pass through the city, are Jews permitted to put candles in their windows? The fear was that if the Jews don’t do that, their homes would be attacked on Christian thugs (Hatam Sofer, Yoreh Deah, no. 133 [end]). The Hatam Sofer concluded that while it was permissible to indirectly request a non-Jew to light the candle, it is absolutely forbidden for a Jew to do so.

הישראל אסור לעשות וצריך למסור נפש ע”ז
The same issue is dealt with by the Hatam Sofers’s son in Ketav Sofer, Yoreh Deah no. 84, and a similar issue by his grandson in Da’at Sofer, Yoreh Deah, no. 59. See also R. Eliezer Deutsch, Peri ha-Sadeh, vol. 3 no. 10.

In the Hatam Sofer’s responsum he speaks of the candle lighting that takes place in “India”.

ולענין מה שמסבבים בארץ הודו בע”ז שלהם, וכל הדרים באותו המבוי צריכים להדליק נרות, ויהודים הדרים שם אם אינם מדליקים הם בסכנה מפני ההמונים.
There is no doubt whatsoever that the word “India” is not to be taken literally and that the Hatam Sofer is referring to local Christian practices. After all, he was responding to the question of a Hungarian rabbi! The responsa by his son, grandson, and Deutsch don’t even feel that it is necessary to point this out, as it is so obvious.

It is incredible is that R. Judah Aszod, Yehudah Ya’aleh, Yoreh Deah, no. 170, takes the Hatam Sofer to really be speaking of India, even though as just mentioned, he was responding to a halakhah le-ma’aseh question from Hungary, not from a rabbi in Bombay! This misunderstanding contributes to Aszod’s lenient decision.


לענ”ד הח”ס דוקא קאי על ארץ הודו שמסבבים בע”ז שלהם . . . משא”כ במדינתינו אינו חק המדינה כ”א באיזו מקומות ולא עפ”י המושל אלא מרשעת שונאי ישראל, והדלקת הנרות אצלם נמי רק אין כוונתם להעביר על הדת כ”א שיהודים ישמחו עמהם וזה מותר משום איבה כברמ”א ביו”ד ססי’ קמח . . . וגם בזה”ז לא עובדי ע”ז הן לא מקרי אליל שלהם עכו”ם כמ”ש הש”ך סי’ קנא ס”ק יז.
In this passage he cites two sources. The second one is the Shakh, whom he cites as claiming that the Christian religious item (I assume he means the crucifix) does not have the status of an אליל. However, the Shakh actually says the exact opposite of what Aszod quotes him as saying.

ודוחק לומר דכיון דבזמן הזה לאו עובדי עבודת כוכבים הן לא מיקרי אליל שלהם עבודת כוכבים
The other source he cites is R. Moses Isserles, whose comments are indeed quite significant. I don’t understand why this source is not cited in support of celebrating Thanksgiving even by those who assume that there is some religious component to the holiday.

אם נכנס לעיר ומצאם שמחים ביום חגם ישמח עמהם משום איבה דהוי כמחניף להם ומ”מ בעל נפש ירחיק מלשמוח עמהם אם יוכל לעשות שלא יהיה לו איבה בדבר
Presumably, the opponents of Thanksgiving assume that there is no enmity in not celebrating, so the Rama’s permission doesn’t apply. I wonder though, do the people in Lakewood who require the non-Jewish bus drivers to work on Thanksgiving really think that this insistence doesn’t create enmity?
Returning to the responsum of Aszod, the problems I have pointed to were noted by R. Hayyim Eleazar Shapira, Minhat Eleazar, vol. 1 no. 53:3, and he is dumbfounded. It is precisely with regard to this sort of responsum, where the errors are obvious (misunderstanding the clear meaning of the Hatam Sofer, misquoting the Shakh), and it was published posthumously, that people are often tempted to claim that it is not authentic. I won’t go this far, but is it possible that a student wrote the responsum and Aszod just signed his name without examining it carefully?
[6] As with the other volumes of this series, one can find lots of interesting passages in vol. 4. Here are just a few. P. 56b: Moses opposed the eating of meat, but he could not forbid it because the people would regard this as heresy. P. 98b: Hirschensohn mentions the notion, already expressed by the Vilna Gaon, that sometimes the Talmud’s explanation of the Mishnah is to be understood as a form of derash. In other words, the explanation is not in accord with what the Mishnah really intended. He also refers to Berdyczewski and writes zikhrono li-verakhah after his name. P. 14a: There is no obligation in contemporary times for married women to cover their hair.

וזהוא ההיתר שנוהגים היום ברוב המדינות שהנשים מבנות ישראל הולכות בגלוי הראש, אם שהראשונות שבטלו את המנהג היו נקראות עוברות על דת משה אבל הבאים אחריהם אחרי שכבר נתבטל המנהג אין בזה איסור עוד.
This source has not been mentioned in any of the recent discussions about women’s hair covering. I hope to soon discuss Hirschensohn’s viewpoint at greater length, including his radically new understanding of שער באשה ערוה. I will do so as part of a larger discussion of the issue of women’s hair covering.
[7] See S.’s post here.

[8] R. Moshe Taub reminded me of Artscroll’s commentary to Deut. 34:5, which I neglected to mention in my book.
[9] I had been planning to offer one further example, but I was shown to be wrong. Let me explain: A little while ago R. Natan Slifkin had a post on werewolves, citing R. Efraim ben Shimshon’s strange comments in this regard. See here.

Slifkin earlier had written about this in his Sacred Monsters. None of this was a revelation to me since I had earlier seen the material from R. Efraim in R. Yosef Aryeh Lorincz’ Pelaot Edotekha, vol. 2, pp. 136-137. Not surprisingly, Lorincz takes this all very seriously. Readers might recall that I mentioned Lorincz’ book here. I called attention to his discussion of whether it is permitted to eat the flesh and drink the blood of demons. After this post I had a correspondence with someone who wanted to know what I thought about what Lorincz had written. I told him although I don’t know what the halakhah is in this matter, I nevertheless promise to eat the first demon that Lorincz is able to capture. I further told him that I would even volunteer to shecht it. My correspondent wasn’t seeing the comedy in this, as he thought that this was a very serious issue, that someone whom we are told to respect for his Torah knowledge could actually, in the twenty-first century, be discussing such a matter as a real halakhic problem. He was also adamant that if such a book was published by someone who taught at a Modern Orthodox school, the principal should immediately fire the author. Further correspondence revealed that he also didn’t think that anyone who believed in demons should be allowed to teach at Modern Orthodox schools.

My response to him was that I don’t think we need to get all out of shape about demons. To begin with, and readers can correct me if I am wrong, I don’t think that most people in the American haredi world really believe in demons. Yes, I know they study the talmudic passages that refer to demons, and will mention them as the reason for washing one’s hand three times in the morning, but based on conversations I have had with people in the haredi world (admittedly, most of them from the intellectual elite), I don’t think that they take it seriously. (When I say they don’t “believe” in demons, I mean real belief in the role of demons and how they affect humanity, as expressed in the Talmud and elsewhere.) It is almost like the emperor has no clothes, in that they don’t believe it but continue acting as if they do, afraid of what will happen if they are “outed”. (I have found a similar phenomenon with regard to Daas Torah. I have discussed this issue with many people in the haredi world, and have yet to find even one who accepts the version of Daas Torah advocated by so-called Haredi spokesmen and Yated Neeman.) But even if I am wrong in this, there are lots more important things to keep out of Modern Orthodox schools than an occasional reference to demons. How about the negative comments about non-Jews and even racist statements (sometimes under the guise of Torah) that children are exposed to in Modern Orthodox schools? How about rebbes telling the students that there is such a thing as spontaneous generation, which is akin to telling the students to sign up with Flat Earth society?

Getting back to werewolves, there is someone much better known than R. Efraim who refers to them, namely, Rashi. In his commentary to Job 5:23, Rashi explains that חית השדה means werewolf. (He offers the Old French, for which see Moshe Catane, Otzar ha-Loazim, no. 4208, and Joseph Greenberg, Otzar Loazei Rashi be-Tanakh, p. 211) He further adds that this is also the meaning of אדני השדה (See Kilayim 8:5). I have to admit that I was all set in this post to mention that Artscroll, which always cites Rashi’s interpretation, in this example chose to omit it. Without even examining the commentary, I was sure that Artscroll would choose to avoid mentioning anything about werewolves. Yet when I actually opened up the commentary, prepared by R. Moshe Eisemann, I was pleasantly surprised to see that he indeed tells the truth, and the whole truth, i.e.,, that Rashi was referring to a werewolf. I found something else in this volume that I didn’t expect. In an appendix he discusses whether the commentary attributed to Rashi was actually written by him. Unfortunately, Eisemann did not feel that he should inform the reader which academic sources he used in preparing this appendix.
[10] I don’t understand why Artscroll uses this word. The overviews found at the beginning of their books are actually not overviews. (Look up the word if you are not sure what it means). They should have been called what they are, namely, “introductions.”
[11] The Talmud explains sharim ve-sharot as מיני זמר, and Rashi, Eccl. 2:8, clearly based on the Talmud, explains sharim ve-sharot as מיני כלי זמר. Either Rashi’s text of the Talmud also included the word כלי , or this is how he understood the talmudic expression מיני זמר. (Literally, מיני זמר means “types of music”, and when the word כלי is added it means “various musical instruments.”)
[12] His commentary, Ta’alumot Hokhmah, is found in the standard Mikraot Gedolot.
[13] According to R. Jehiel Jacob Weinberg, the Rambam’s opinion is that kol ishah is only forbidden if one derives sensual pleasure from it. See Seridei Esh, vol. 2 no. 8.
[14] See here.
[15] See here.
[16] See here.
[17] R. Yuval Sherlo does not permit one to attend the opera, but if one is stuck in a situation, such as a soldier at a military event, then he rules that it is permissible to remain even though women are singing. See here.
[18] Conversations 12 (Winter 2012), pp. 43, 47; also available here. At the end of the article, Angel concludes: “Married women need not cover their hair, as long as their hair is maintained in a modest style. The wearing of wigs does not constitute a proper hair-covering for those married women who wish to cover their hair. Rather, such women should wear hats or other head coverings that actually cover their hair.” He also discusses hair covering on YouTube here.
[19] “Kol Ishah Bimeinu,” Tehumin 29 (2009), p. 143.
[20] See Seridei Esh, vol. 2 no. 8, and see also the helpful summary of positions available here.

[21] In support of this view, one can cite Hagahot Maimoniyot, Hilkhot Keriat Shema 3:16:
וקול אע”ג דאינה נראית לעינים הרהור מיהא איכא וכל אלה דוקא שאין רגילות להגלות אבל בתולה הרגילה בגלוי שער לא חיישינן דליכא הרהור וכן בקול לרגיל בו
[22] It seems to me that Tendler’s description of R. Moshe’s opinion is contradicted by Iggerot Moshe, Orah Hayyim 1, no. 26, Orah Hayyim 4, no. 15.

[23] For a contemporary example of an Orthodox synagogue allowing women to sing, see here.

[24] See e.g., here, here, here and here.
[25] Foundations of Sephardic Spirituality (Woodstock, VT, 2006), p. 186.
[26] Jewish Women in Time and Torah (Hoboken, 1990), p. 62. Berkovits also understood the matter of women’s hair covering in the same fashion, and did not regard it as an obligation in contemporary times (heard from Berkovits’ son, Prof. Avraham Berkovits).

[27] See here.
[28] Note the language of the Shulhan Arukh, Even ha-Ezer 21:1: ואסור לשמוע קול ערוה או לראות שערה

I don’t think anyone today assumes that there is a prohibition in seeing the uncovered hair of an ervah, if one is not sexually aroused, the reason being that we see it all the time and are thus used to it. By the same logic, if one is unaffected by hearing a woman sing, even if she is married, there should be no prohibition even according to how I explained the Ba’er Heitev. This is indeed the conclusion of R. Aharon de Toledo, Divrei Hefetz (Salonika, 1795), p. 113a:

עלה בידינו דהא דאמרי’ קול באשה ערוה היינו כשהיא הומיה ושוררת שירי עגבים ומתכווין ליהנות ממנה
However, the subsequent words of Toledo show that he only permits listening to a woman who is singing non-sensual songs on her own. He specifically forbids female songs directed towards men, as in a concert.

[29] The verse from Job is used in an Aggadic sense in Bava Batra 16a and Avot de-Rabbi Nathan, ch. 2, and then used by Maimonides in Hilkhot Issurei Biah 21:3.


ומותר להסתכל בפני הפנויה ולבודקה, בין בתולה בין בעולה, כדי שיראה אם היא נאה בעיניו, יישאנה; ואין בזה צד איסור. ולא עוד, אלא ראוי לעשות כן. אבל לא יסתכל דרך זנות, הרי הוא אומר “ברית, כרתי לעיני; ומה אתבונן, על בתולה”
Since he cites a verse from the book of Job, it appears that looking דרך זנות is only a rabbinic prohibition.
[30] Commentary on Sanhedrin 7:4. What this means is that one can look at a possible future wife and appreciate her beauty, for after all, one is supposed to be attracted to her. As we have seen already, in Hilkhot Issurei Biah 21:3, Maimonides adds a caveat. He states that is forbidden to look at an unmarried woman דרך זנות. What this means is that while one can look at and admire the beauty of a single woman (what I earlier referred to as “moderate sensual thought), one cannot leer at her, i.e., with lascivious intent.
[31] When Maimonides speaks of enjoying an unmarried woman’s beauty, I am certain that he is speaking of a Jewish woman, whom you can marry.
[32] Breuer, Modernity Within Tradition, p. 150. See Der Israelit, April 5, 1894, p. 503. See my post here, where I deal with the unsubstantiated rumor that Hirsch attended the opera. I quote from Prof. Breuer’s email to me where he writes: “When I went to the opera as a boy of 13-14 years my father [Isaac Breuer] did not express his dissatisfaction.”

[33] See e.g. here.
[34] See e.g. here.
[35] Modernity Within Tradition, p. 150.
[36] Since I am speaking about German Orthodoxy, let me use this opportunity to correct something I wrote. In Between the Yeshiva World and Modern Orthodoxy, p. 53, I record the recollection of Judith Grunfeld, “daughter of a learned German rabbi,” that she had never heard of a prohibition against women singing in front of men until she went to Poland (where she taught at the Beth Jacob school). Dr. Yitzchok Levine pointed out to me that Grunfeld’s father, while living in Germany, was actually Hungarian.
[37] Listen to his shiur from Feb. 8, 2010, available here, beginning at 48:20. Rakefet also quotes R. Aharon Lichtenstein that the Rav held that in modern times there is no obligation for married women to cover their hair. Listen to the shiur just mentioned beginning at 62 minutes. I will return to this point in a future post when I deal with R. Michael Broyde’s article on the topic.

[38] See, however, R. Hershel Schachter, Mi-Peninei ha-Rav, p. 269, that the Rav told YU students that due to kol ishah it was forbidden for them to sell tickets to the opera (presumably referring to the annual YU fundraising event). This is not necessarily a contradiction to Rakefet’s point. If the Rav felt that a woman’s singing voice was only prohibited if it was sexually arousing, who can say if that applies to the person you sell the ticket to? Perhaps that is why he told them it was prohibited.
[39] Seth Farber, An American Orthodox Dreamer: Rabbi Joseph B. Soloveitchik and Boston’s Maimonides School (Hanover, NH, 2004), p. 165 n. 19.
[40] See Zvi Alush and Yossi Elituv, Ben Porat Yosef (Or Yehuda, 2004), p. 37. See p. 408 that to this day he listens to her music, and see also the testimony to this in Or Torah, Tevet 5770, pp. 383-384. According to R. Avraham Shammah, cantors used her tunes for various tefillot, a practice that continues to this day. See here, p. 10.
[41] Contemporary Halakhic Problems, vol. 2 p. 151. One could be led to this summary by reading the conclusion of the responsum, which states as follows:

המורם מכל האמור דביודעה ומכירה אפי’ ע”י תמונה אסור לשמוע קולה בגרמפון או ברדיו, אבל אם אינו מכירה מותר, ואין בזה משום קול באשה ערוה.
However, this conclusion needs to be read in conjunction with the question as well as the summary of the answer in the table of contents, both of which are quoted in the text and clearly state that the issue is kol ishah in the context of shema and tefillah.

[42] See here.

[43] For another important limud zekhut by R. Joseph Hayyim, see here. In the newly translated text, we see that R. Joseph Hayyim believed that the practice of European Jewish women to go with uncovered heads can be justified, and is not to be regarded as sinful.



A Gift for Rabbi Chaim Yosef David Azulay: On R. Yaakov Shimshon Senigallia, author of the Machshirei Pischa haggada, and his relationship with Rabbi Chaim Yosef David Azulay,‘the Chida’.

A Gift for Rabbi Chaim Yosef David Azulay: On R. Yaakov Shimshon Senigallia, author of the Machshirei Pischa haggada, and his relationship with Rabbi Chaim Yosef David Azulay,‘the Chida’.

Moshe Maimon, Jackson NJ

Every antique sefer collector has his specialty. Some collect first prints, some collect classic editions and some collect the prints from a specific European press. The genres vary as well, with some focusing more on Kabbalah while others focus more on polemical literature. Yet, every collector will tell you, that each sefer has a story, and when you examine the individual characteristics of the sefer, the personalities involved with the sefer – whether it be the author or previous owner or the like – verily come alive and step off the pages to tell you their story.

One such cherished possession in the collection of a friend of mine, is the 1788 edition of the classic haggada, Pesach Me’uvin, by R. Chaim Benveniste, chief rabbi of Izmir in the tumultuous era of Sabbatean messianism and its after wake, and author of the important and voluminous halachic compendium, Kneset HaGedolah which collects and analyzes the considerable halachic literary output of the preceding centuries.

Benveniste’s haggada Pesach Me’uvin, first published in Venice 1692, is likewise an important compendium of halachic rulings pertaining to Passover and the seder night, and is widely quoted in the standard halachic sources. It has since been printed many times, up to the most recent edition (Lakewood 1997) in which the manuscript glosses of R. Yaakov Emden were included. A unique feature of the first publication is that it was printed simultaneously in two editions – one containing the Sephardic rite and one containing the Ashkenazic rite.

The 1788 edition is the second edition of this haggada and it was published in Livorno (Leghorn) by a young and promising scholar from an aristocratic Italian family, R. Yaakov Shimson Shabetai Senigallia of Ancona. Along with the Pesach Me’uvin, this edition included the original work of the publisher, R. Senigallia, called Machshirei Pischa, which continued the work of R. Benveniste concerning the laws of kashering kitchen utensils for Passover. 

This would prove to be the first of many scholarly contributions by R. Senigallia, and by the time of his death in 1840 he had built up a reputation as a great scholar, as well as a pious and saintly individual, with many important publications to his credit.[1] This work too would stand the test of time, and a hundred years later, in 1889, when the Netziv of Volozhin had his own commentary on the haggada, Imrei Shefer, published in Warsaw, he had it printed together with the Pesach Me’uvin and Machshirei Pischa.

At some point during the Chida’s tenure in Livorno, R. Senigallia became personally acquainted with him,[2] and the two would maintain a friendly correspondence throughout the years. R. Senigallia would refer frequently in his writings to the Chida’s own works, always with great honorifics, and after the passing of the latter, R. Senigallia was wont to chastise a fellow rabbinic scholar when he felt not enough deference had been shown in arguing with Chida’s halachic rulings.[3]

Before presenting the Chida’s copy of R. Senigallia’s haggada, a brief summary of the surviving record of their correspondence, preserved in the Chida’s letters published by Dr. C. Rosenberg,[4] is in order. Only one actual letter to R. Senigallia from the Chida has survived (#7 p. 11), a critical edition of which is appended at the end of this article, but in his other letters the Chida often makes mention of R. Senigallia, from which we can reconstruct a partial record of their correspondence and from which we can gage the nature of the close relationship they shared. 

The earliest mention of R. Senigallia is in a letter (#3 p. 7) the Chida wrote in the summer of 1787 to his erstwhile pupil and confidante, R. Yoel Camis of the Ancona Beth Din, in which he shares that he had received requests from R. Senigallia and R. Elia Nahamo, they too of Ancona, to give his haskama on the forthcoming publication of R. Senigallia’s aforementioned haggada. The Chida writes that he is unable to comply as he has already made a firm decision not to grant any haskama, and he has already had occasion to turn down many persistent entreaties from close acquaintances on account of this decision.[5 ] Concurrently, the Chida requests of R. Camis to make peaceful overtures towards the aforementioned rabbis and beg them to excuse him.

The mention of R. Senigallia in this letter is not accompanied by the terms of endearment we find in later references to him in the Chida’s letters, and perhaps we may surmise from this that they had not yet developed the close relationship they would later share. This assumption is bolstered by the fact that R. Senigallia apparently did not feel he could rely on the merit of his own relationship in approaching the Chida, and therefore turned to R. Nahamo, whose own haskama graces the sefer, for help in requesting the Chida’s haskama.[6]

Aside for the one letter in the collection addressed to R. Senigallia, the remaining references to R. Senigallia are found in the Chida’s letters to his son, R. Raphael Yeshaya Azulay, who had assumed the position of Chief Rabbi of Ancona in the summer of 1788. The Chida played an integral role in the negotiations with communal leaders to have his son elected to this position,[7] and he remained very appreciative of the efforts of the Anconians who had helped with this appointment.[8] It is difficult to ascertain if R. Senigallia had himself assisted in this matter, but the fact remains that from this point forward, he is mentioned frequently in the letters from the Chida to his son,[9] and we may rightly surmise that he had quickly become a close member of the inner circle of the new rabbi of Ancona.

Almost all of the references to R. Senigallia are in the context of the Chida’s request that his son extend warm greetings to R. Senigallia in his name, and the Chida often adds that he prays for R. Senigallia constantly. The Chida also says as much himself in his letter to R. Senigallia, where he also makes mention of his learning and praying for a few other philanthropists in Ancona as well. Likely this is indicative of the gratitude the Chida felt towards these individuals for the financial support they may have extended to the Chida,[10] and this is why the Chida wanted them to know that he was repaying his debt of gratitude.

Besides for learning and praying for the merit of his benefactors, the Chida would also honor them with his letters, and his holiday greetings to R. Senigallia in the letter to him preserved in this collection (a critically edited version of which is appended below) would seem to fit that bill perfectly.[11] Yet, the terms of endearment with which the Chida consistently refers to R. Senigallia, such as ידידינו אהובינו (our very dear beloved) and מאור עינינו (the light of our eyes), indicate clearly the genuine affection he felt for the latter. In one letter (#22 p. 35) he calls him ידידינו חמודינו נשמת רוח חיים (our very dear cherished breath of life), in which חיים meaning life, is a double entendre, also being the Chida’s first name – indicative of how important R. Senigallia was to him.

The letters also discuss other interactions the Chida had with R. Senigallia, such as the gifting to him of the Chida’s works Sha’ar Yosef (#24 p. 39) and Shem HaGedolim (#32 p. 49), or the distribution through him of other sefarim (#26 p. 43; #51 p. 67). We learn from these letters of instances (#10 p. 18; #11 p. 21) where R. Senigallia had turned to the Chida for his assistance in communal affairs, and in one case (#36 p. 53), the Chida asks his son to reply in his name regarding a request made of him by R. Senigallia for a segula needed for an acquaintance who had taken ill.[12]

All in all, this sampling serves well in painting a picture of a cordial relationship that blossomed with time and eventually became a deep and abiding friendship. At one point, their correspondence had reached a point where the Chida would become greatly distressed when too much time had elapsed without a letter from R. Senigallia (#25 p. 42), and by 1793, five years after R. Senigallia had published his Machshirei Pischa, a scant two weeks without hearing from him would give the Chida pause (#34 p. 52).

We are now in position to better appreciate the Chida’s inscription in the copy of this haggada gifted to him by R. Senigallia. We don’t know for certain when the haggada was given, but knowing of R. Senigallia’s interest in having the Chida’s recommendation on his work, it is likely that it was gifted shortly after it was published. The Chida’s apparent delight in the gift is evident in his inscription:

 מתנה מנצב על הכושרים מכשירי פסחא ששי”ם ושמחים יצ”ו להצעיר חיד”א ס”ט

Loosely rendered, it reads thus (and we emphasize “loosely”, as the Chida’s melitza is not given to literal translation): “A present from the one who stands over and guides those who are kashering and readying the preparations for Pesach joyously and happily to the humble Chida”. This clever inscription incorporates the title of the sefer Machshirei Pischa (“preparations for Pesach”), the nature of the sefer (“stands over and guides those kashering”) and even the name of the author whose initials make up the word ששים (“joyously”).[13]

Evidence of the Chida’s having studied the sefer comes from his gloss on the last page of the Machshirei Pischa section where R. Senigallia references the discussion of the Safed practice for kashering baking utensils. R. Senigallia quotes the sefer Eshel Avraham (Orach Chaim 453)14 who in turn quotes the respona of R. Yosef David of Salonika, Shu”t Bet David (Salonika 1740), who discusses this practice. R. Senigallia further cites the responsa of R. Moshe Amarilio, Shu”t Dvar Moshe (#30) who he says also discusses this particular practice. 

The Chida’s sharp eye, tremendous bekiut and keen bibliographical sense were on full display in his comment on this:

הוא טעה והלך אחר טעותו וברור כי במקום בי”ד שכתוב באשל אברהם צ”ל דבר משה והסי’ מוכיחים ופשוט והכותב שראה דבר משה לא הרגיש ואין להאריך

The Chida was quick to realize that by citing Shu”t Dvar Moshe as an additional source to the Bet David cited in Eshel Avraham, R. Senigallia was unwittingly duped by a typographical error in the Eshel Avraham. When the Eshel Avraham originally cited the Bet David, it was a mistake (as evidenced by the inaccurate citation), and in fact should read Dvar Moshe, which, it turns out, is the only source to discuss this practice.

I imagine that over the course of their long and fruitful correspondence, the Chida must have had occasion to bring this correction to the attention of R. Senigallia, and I imagine R. Senigallia must have been just as overjoyed – ששי”ם – with the knowledge of the Chida’s delight in his gift and his interest in the sefer, as we have been to learn all about the lives and emotions of these two great individuals as they come to life and step right off the pages of this cherished haggada.

*****

[1] See the entry for R. Senigallia in R. Mordechai Shmuel Girondi’s Toldot Gedolei Yisrael (Trieste 1853, p. 158). It should be noted that the list of publications there is scant compared with the fuller listing in Dr. C. Rosenberg’s Igrot M’Harav Chida (Budapest 1927, pp. 11-12). It should be further noted that some of the titles listed in R. Girondi’s work as manuscripts, such as Yaakov L’chok and Shomer Shabbat, had actually been published earlier together with other works of R. Senigallia. For a complete bibliography of his works, in print and in manuscript, see the entry for R. Senigallia in Asher Salah’s Le Republique Des Lettres, Brill 2001, p. 617.
[2] One meeting is recorded by R. Senigallia in his responsa, Meged Shamayim, Livorno 1844, p. 22a, in which R. Senigallia remembers debating the Chida with regards to a problematic text in Shu”t Rashbash. This meeting is said to have take place twenty years before the writing of this responsum, though the responsum is undated and all we know is that it was written after the Chida’s passing in 1806. Presumably, R. Senigallia was in Livorno for the 1788 printing of Machshirei Pischa, and perhaps that is when he met with the Chida, though there is no way to know for certain. R. Avraham Tikotzky writes in his preface to the Jerusalem 1986 edition of R. Senigallia’s Matan B’seter – Niddah (p. 10) that the Chida never met with R. Senigallia in person save for the one time when the Chida saw R. Senegallia as a youth (כשהחיד”א ראה את רבינו בעודו בחור). No source is given for this contention, and this is hardly evident from the aforementioned source in Meged Shamayim.

Despite the more than 200 miles separating Ancona on Italy’s east coast and Livorno on her west coast, it is likely that over the course of the Chida’s twenty six or so years in Livorno the two had more than one occasion to meet up, either in Livorno or Ancona. This is all the more likely when we consider that the Chida’s eldest son served as Chief Rabbi in Ancona from 1788 and on, and on at least one occasion, in the summer of 1791, the Chida did make the journey to Ancona to visit with him (See letter 22 on p. 34 and Dr. Rosenberg’s note there, see also p. 12 fn. 3 where he surmises the Chida’s wife, whose warm regards for R. Senigallia’s wife are expressed in the Chida’s letter to him, owed her acquaintance with Mrs. Senigallia to this visit).
[3] See Meir Benayahu’s biography: Rabbi Chaim Yosef David Azulay (Jerusalem, 1959 pp. 122-123, the reference in Asher Salah’s aforementioned bibliography to pp. 112-113 in this book should be corrected).
[4] Hatzofeh L’Chochmat Yisrael, Vol. 11 (Budapest 1927, pp. 241-309). This collection has likewise been printed in a separate pamphlet, also in Budapest 1927 (available here), and the references to this work in the present article follow the pagination in this pamphlet.
[5] The Chida emphasizes this point with the following melitzah (wordplay): ואין לדרוש בקל וחומר כי אם בגזרה שוה. This phrase which is a spinoff of the Talmudic phrase found in Pesachim (66a) and elsewhere (דאין אדם דן גזירה שוה מעצמו אלא קל וחומר) has been explained by Dr. Rosenberg in a footnote to mean that Chida’s refusal to grant haskamot was on account of his humility; he did not want to appear important (חמור) at the expense of others (קל), but rather wished to be viewed as an equal (שוה).

Whether this is indeed the Chida’s rationale for withholding his haskamot is debatable (and Benayahu in his biography (pp. 96-97) has made the convincing case that there must have been other factors as well), but it is clear that Dr. Rosenberg, who in any event had little appreciation for the melitzah of the Chida (as per his own comments in the introduction to his edition of Igrot), missed the innuendo in this melitzah as well. In this context, it is clear that what the Chida meant to say was that he does not want to be strict (חמור) with some requests for haskamot and lenient with others (קל), but rather must apply his decision (גזרה) to everyone equally (שוה).
[6] Benayahu writes in his biography (p. 97) that R. Senigallia had turned to R. Camis for help in obtaining the haskama, but this is a mistake and should say R. Nahamo in place of R. Camis, as is evident from the above quoted letter. R. Tikotzky, who seems unaware of Dr. Rosenberg’s edition of Igrot, shows his hand when he writes in his preface to the Jerusalem 1986 edition of R. Senigallia’s Matan B’seter – Niddah (p. 10): כשעמד רבינו להדפיס בשנת תקמ”ז את הספר “פסח מעובין” עם הוספותיו בשם “מכשירי פסחא” הכולל דיני ליבון והגעלה, ביקש מחברו ר’ יואל חמיץ מאנקוה (צ”ל אנקונה) כי ישפיע על החיד”א שיתן הסכמה לספר.
[7] See the documents detailed by Benayahu in his biography from p. 504 and on. Some important documents from this episode are reproduced, transcribed and translated in R. Dessler’s Shnot Dor V’dor vol. 2 (Jerusalem 2004, pp. 71-98).
[8] Cf. Dr. Rosenberg’s comments on p. 18 fn. 5.
[9] He is mentioned in 15 out of the 47 letters the Chida wrote to his son in this collection (they are: #10,11,22,24,25,26,32,33,34,36,37,40,45,46,51).

According to Dr. Rosenberg, the additional mention of סי’ ר’ יעקב, among the addressees to whom the Chida mailed letters from Firenze (listed in a 1791 letter to his son, #23 p. 37), is none other than our R. Senigallia, however I am inclined to doubt that on account of the fact that the Chida always refers to him by the name or initials of יעקב שבתי, and also always preceded with the honorific כמה”ח, which stands for כבוד מורנו החכם (contra Dr. Rosenberg p. 67 fn. 5). More likely, this סי’ ר’ יעקב is to be identified with סי’ יעקב who was one of the wealthy patrons of the community mentioned in letter #24 (p. 39), as the title סי’ (Signor), a respectful title for a layperson, would suggest.
[10] Among the Chida’s personal effects, we find a paper published in Benayahu’s biography (pp. 466-467) containing the Chida’s accounting of income for the year 1781, among which are listed several entries of subsidies he had received from various philanthropists. From what we can glean from the Chida’s correspondence, these subsidies most likely took the form of sponsorships for the Chida’s prolific sefarim output (cf. p. 38 fn. 2; p. 48 fn. 1 – the reference there to letter #23 should be corrected to #24; see also #34 pp. 51-52).
[11] Cf. #46 p. 63 where the Chida writes to his son informing him of the letter he had penned to R. Senigallia, along with that of another patron, and also asks him to deliver the letters and to elaborate on them on his own in order to compensate for the brevity of these letters.
[12] Interestingly, none of our letters are indicative in any way of a scholarly correspondence between the two, and I know of no basis for the claim put forth by R. Tikotzky in his preface to the Jerusalem 1986 edition of R. Senigallia’s Matan B’seter – Niddah (p. 10): בין החיד”א לרבינו נסבו בדרך כלל המכתבים מענייני הלכה ופלפול, אך אף בענייני קבלה החליפו מכתבים ביניהם, והחיד”א אף כותב לבנו, כי שלח קמיעות רבות לאנקונה מקום מושבו של רבינו (Our rabbi and the Chida generally corresponded in pipulistic and Halachic matters, however they also corresponded in kabbalistic matters, and in fact, the Chida even writes to his son of the many kemayas he had sent to Ancona where our rabbi resided). As far as I can tell, the only kernel of truth in this flight of fancy is the (one and only) kemaya the Chida sent to R. Senigallia, mentioned in his letter to him, and referenced in various letters to the son; however this kemaya was not intended for R. Senigallia at all, but to be used as an amulet for an ailing patron, and in any event says nothing about any supposed kabbalistic dealings between the two rabbis.
[13] This is so because the Chida uses מ for the last name, for מסיניגאליא. Although on the title page the last name is spelled סיניגאליא without the prefix מ (from), the name indicates that the family hailed from the city of Senigallia, and our rabbi sometimes spells it himself with the מ, such as on the title page of his Abir Yaakov (Pisa 1811).
[14] This is the work of R. Avraham Oppenheim first published in Amsterdam 1769 and printed in the margin of most editions of the Shulchan Aruch, and should not be confused with the similarly named work by R. Avraham David Wahrman of Butchatch, whose own Eshel Avraham, found in the back of contemporary editions of the Shulchan Aruch, was first printed in 1889, a hundred years after the Machshirei Pischa. I note this because there appears to be some confusion about this, and even the tremendously helpful Sefaria website has the former sefer listed under the authorship of the latter.


ADDENDUM:

העתק מכתבו של הרחיד”א לר’ יעקב שמשון סיניגאליא ע”פ צילום כת”י[15]5

ב”ה  ער”ח ניסן תקנ”ה[16]6

ידידנו ואהובינו חכם לב איש חסיד[17] כמהח“ר יעקב שמשון סיניגאליאה[18] יצ”ו נר”ו

ונתתי ש'[19] בארש[20]. מקוצר רוח ממה שעברתי אברים קודמין[21] יעברו חלושים[22] ודחקתי לכתוב 

שתי אותיות בפרו”ס הפסח[23] כפור”ס מן החיים[24] סוכת ש’ ולברך שמו הטוב ולכל אשר באהלי יעקב 

יחוגו הג הפסח לחיי“טם ט ולש’ ובעושר וכבוד ושמחה רבה כי”ר 

מעיד אני עלי שמים וארץ כי ברוב הימים אני מברך שמו ושם אהוב ונחמד סי’ ש”םמיצ”ו 

וסי’ יש”ע יצ”ו ואני לומד איזה ד”ת לשם יש”ע וכה יאמר להם ושלחתי הקמיעאה ליד יש”ע

על יד יאו”ר לי[25] הבן יקיר נר”ו. מצד נ”ב להגברת נ”ב מ’ ש”ר ולהבנים היקרים אצוה את ברכתי 

ברכת הדיוט. לגיסיו האהובים יצ”ו ש”ר. לכל שואל בש’ ש”ר. ואני תפלה הצעיר וזעיר 

מתפלל בעדו תמיד 

חיד”א ס”ט

אהובינו סי’ יש”ע יצ”ו יעלה עלי

‘הכתוב כאן כאלו לו לבת נתנת הארש וש

 


  1. בספריית בית המדרש לרבנים מספר 5397 (ניתן להוריד צילומו כאן, והמכתב מופיע בעמ’ 18 בתדפיף). המכתב נדפס ע”פ כתה”י ע”י ח’ רוזנברג בספרו ‘אגרות מהרב חיד”א’ (בתדפיס מיוחד מתוך ‘הצופה לחכמת ישראל’ שנה יא, בודפסט תרפ”ז, עמ’ 11-12, ניתן לצפות בו כאן). העתקתו של רוזנברג לקויה בחסרות ויתרות (לרוב בלתי משמעויות) שתוקנו כאן בגוון אדום. תודתי נתונה בזה למכובדי הרב שלמה דיין נר”ו שעזר על ידי בפיענוח כתה”י.
  2. באותו יום ערך מכתב לבנו (אגרות מהד’ רוזנברג עמ’ 62-63), ובין הדברים כתב לו אודות מכתבו הנוכחי להריש”ש סיניגאליא: “בדוחק אני כותב שתי שורות לסי’ ש”ם וכמהחרי”ש הי”ו נא לתתם בידם וישלח דברו להשלים ולגמור חסרי”.
  3. אני משער שתואר זה, הבנוי כנראה על לשון הכתוב במשלי (יא:יז) ‘גומל נפשו איש חסד’ (וממנו בפיוט יגדל ‘גומל לאיש חסד כמפעלו’) מרמז על חסדו של הריש”ש סיניגליה שתיווך בין הרחיד”א להגבירים הנרמזים במכתב זה ושכנראה התפרנס הרחיד”א מהם באיזה שהוא אופן (מן הסתם ע”י התרמתם להדפסת ספריו), ולכן חש הרחיד”א כלפיהם יחס של גומלים, והוא מברך את שמם ולומד ומתפלל בעדם. להגביר האחד ‘ש”ם’ ערך הרחיד”א מכתב נוסף באותו יום כנזכר באגרתו בהערה הקודמת, ולהגביר השני ‘יש”ע’ שלא ערך לו מכתב בפני עצמו (אולי מפני חולשת בריאותו) הוסיף שתי שורות הנכתבות להלן בסוף המכתב (המועתקות כאן לראשונה) להודיע לו שיקרא אגרת זו הנוכחית כאילו שהיא נכתבה אליו בעצמו.
  4. לא הרגיש המעתיק שנשמר הרחיד”א מלכתוב האותיות יו”ד וה”א ברצף ממדת חסידות, ולכן יש שאף שינה וכתב אל”ף במקום ה”א כמו ‘יאודה’ במקום ‘יהודה’, וכן אצל שם בנו הר”ר רפאל ישעיה נהג לפעמים לכתוב ‘ישעיא’ כנראה מצילומי הכתיב שע”ג המטעפות בתוך קובץ כתה”י, ואולם המעתיק העתיק תמיד ‘ישעיה’ באין מבין.
  5. קיצור ל’שלום’ (וכזה תמצא עוד שבע פעמים להלן), וכבר בספרו ברכי יוסף (או”ח פה:ח) צידד הרחיד”א כשיטת האומרים ששלום הוא מן השמות שאינן נמחקין ואשר אין לכותבן באגרות שלומים.
  6. מליצה ע”פ לשון הכתוב (ויקרא כו:ו) ‘ונתתי שלום בארץ’, ונשתמש בה הרחיד”א בעוד כמה אגרות, ור”ל הנני מקדם פניך בדיבור (ארש) של שלום.
  7. מליצה ע”פ לשון חז”ל שאנו אומרים בתפלה כל יום בסדר המערכה, ובפירושו כתב ר’ חנניה חביב אזולאי בהערה לאגרות הרחיד”א מהד’ רוזנברג (עמ’ 44) ש’קודמין’ ר”ל החליים הישנים שבאיברי גופו, ואולם לדידי חזי לי שהכוונה לאברים שבחלק הקדימה שבגוף כמו האיצטומכא, שכן סבל הרחיד”א בימים אלו הרבה מחולי המעים כנזכר באגרתו מט”ו אדר בשנה זו (עמ’ 61) ע”ש. 
  8. מליצה ע”פ לשון הכתוב בבמדבר (לב:ל) ‘יעברו חלוצים’. על חולשת אבריו והתרופפות מצב בריאותו בימים אלו, ראה אשר כתב הרחיד”א באגרת לבנו באותו יום  (עמ’ 63): “שם כתבתי כי הא גופא קשיא וכאבי נעכר ועתה רווח פורתא שאין הענין בחוזק כאשר היה ה’ ירפאני רפואה שלמה”. ואולם למרבה הצער תקוותיו של הרחיד”א להחלמה גמורה לא התגשמו, ראה אשר כתב אח”כ באגרת לבנו (אגרות מהד’ רוזנברג עמ’ 13): “נהייתי ונחליתי יותר מחודש וכל הפסח לא יכולתי לילך אפילו לישיבה ועד האידנא חייך הידיד לא איפרק מחולשא”.
  9. חמשה עשר יום לפני הפסח נקרא פרוס הפסח בלשון המשנה (שקלים ג:א), ומליצת הרחיד”א רומזת שהוא פורס בשלומו בפרוס הפסח (שכן נכתב המכתב ער”ח ניסן כנזכר בתאריך).
  10. מליצה ע”פ לשון הגמ’ בקידושין (סו:): “אמר ליה ר’ טרפון: עקיבא כל הפורש ממך כפורש מן החיים”, והכוונה כאן ש’חיים’ (שמו הפרטי של הרחיד”א) מבקש שיפרוס סוכת שלומו של הנמען.
  11. מליצה שגורה בפי הרחיד”א לבנו בכורו ר’ רפאל ישעיה אב”ד אנקונה, המכילה ר”ת של שמו (י-שעיה א-זולאי ר-פאל), וכאן היא בנויה על לשון הכתוב בשמות (ב:ה): ‘על יד היאור’, וביחזקאל (כט:ג): ‘לי יאורי

 

 

 

 




Review of My Father’s Journey by Sara Reguer

Review of My Father’s Journey by Sara Reguer (Academic Studies Press, 2015)
 
By Moshe Maimon
About a year ago, Seforim Blog readers were informed by Prof. Marc Shapiro of the publication of Sara Reguer’s book My Father’s Journey, and they were further advised that this book would be of great value to anyone interested in the history of the yeshiva movement and Eastern European orthodoxy (see here). The following review illustrates the contribution the book indeed makes to these fields of study.
This basis of this memoir is essentially a diary which affords readers a very intimate view into the mind of a Lithuanian yeshiva student in the period between the two World Wars. Interspersed between the pages of this fascinating document is a fair amount of interesting yeshiva lore, including little-known facts about prominent Torah personalities contemporaneous with the author’s father. In highlighting some of these passages, I hope to give the reader a sense of the value of this work, while also calling attention to certain historical facts that might enhance the reader’s understanding.
The book, based on a Hebrew memoir by Dr. Moshe Aharon Reguer, son of the famed Brisker dayan, R. Simcha Zelig Rieger,[1] is translated and supplemented with additional material culled from interviews conducted with Dr. Regeur by his daughter, Prof. Sara Reguer, and from family lore she preserved. Additionally, it is bolstered by her insightful comments filling in detail and providing background. To avoid confusion, different fonts have been employed to represent the different sources. The translated text of the memoir appears in italics, the interviews in plain script, and Prof. Reguer’s comments in bold typeface.
This arrangement is helpful in distinguishing between the actual memoir, written by Moshe Aharon Reguer as a young adult in 1926, and the remaining material that relates to a later period in his life. Dr. Reguer wrote his memoir from the perspective of a young man poised at an important crossroads in life. As the narrative moves into his later years, the story takes on a nostalgic, backward-looking tinge.  Prof. Reguer deftly weaves the diverse sources that capture these epochs into a beautifully coherent story.
Here I might suggest that care should have been taken to more clearly distinguish the places where the written memoir “pauses” to include later reminiscences by the author obviously not part of the original document. One example is the references to dates and events after 1926,[2] the year of the composition of the original memoir. There is no documentation for these comments which are printed together with the text of the original memoir. In some instances these secondary sources recount events already recorded in the memoir with occasional variations; to arrive at a clear understanding of what actually happened, the reader would benefit by being able to differentiate between the various sources. Take for example Moshe Aharon’s account of his farher (matriculation exam) in the Slutzker yeshiva.
First, from p. 65:
So I went to Slutzk and the Slutzker Rav Isser Zalman with Rav Aharon Kotler, his son in law, hired
a teacher for me: Rav Shach (who is now famous in Ponovezh), who was then known
as the Vabulniker”. We stayed together in an inn and he learned with me, and
after a short time he went to Rav Aharon and Rav Isser Zalman and told them “I
don’t wan’t to take any money – he doesn’t need a teacher!” So Rav Aharon said:
“so, he doesn’t need any help and can learn alone?” and he took out a gemara,
Bava Kamma 76, where there are two lines of gemara and a huge tosfot, and he
told me to prepare it alone. I did it in a few hours, and I knew it, and he
said: “you do not need a teacher!” at eleven years old!
The editor has already pointed out that the author came to Slutzk only after his bar mitzvah; consequently he was actually thirteen years old at the time, not eleven.[3] As we will soon see, the above-mentioned scenario is fraught with additional chronological inconsistencies. Compare it with the following incident on p. 84 which seems to be referring to an event that took place the following winter, more than a year later that the author’s given date:
Until mid-winter, I studied with the student Babulnikai, but one day the son in law
of Rav Isser Zalman, Rav Aharon Pines, the ilui of Sabislovitz, called
me and on his own assigned me a “kri’a” – a group of gemara with all the
commentaries, which I was to read and then be tested on. I remember that the
“sugya” was in Baba Kama, p. 10. He set a deadline at which point I came to be
tested. I knew the entire sugya backwards and forwards, and on the test I
performed so well in both breadth and depth that Rav Aharon Pines ordered that
I should study alone. This announcement made a strong impression on the
yeshiva, especially on the younger students, because it was a tradition that
even the best students were never told at such a young age – fifteen – to study
alone without help or supervision.
The core of the story is the same: young Moshe Aharon learned under the tutelage of an older, more advanced student (R. Shach)[4] until such time as a thorough test, administered by R. Aharon Kotler (Pines),[5] revealed that he was adept at independent study, and was encouraged thereafter to learn on his own. Yet other important details are different, including the identities of the parties. In the first version R. Shach initiates the test, while in the second version R. Aharon takes the initiative “on his own”. In the first version, the subject matter is an extremely difficult passage comprising one of the longest Tosfos in Shas, while in the second; it entails the knowledge of a complex but more conventional sugya. The most glaring discrepancy is the timing of this event: while the first version portrays this as having occurred within a short while after his arrival in yeshiva, the second version has it more than a year later – when the author was already fifteen years old. Which version is the true version?
The clue to unraveling the many discrepancies lies in the author’s parenthetical remark on p. 65 identifying R. Shach as the rosh yeshiva “who is now famous in Ponovezh.” This comment belies the fact that the passage was not included in the original document written in 1926 (when the young R. Shach was entirely unknown), but rather dates to a later time period, at least 30 years later, and likely some 40 some odd years after the events they describe.
Taking this into account it is not difficult to surmise that the later version is actually the original version and likely the more authoritative one inasmuch as it was written closer to the events they describe. The events were quite possibly conflated in the author’s mind when he recounted tales of his youth later in life, and that would likely account for the discrepancies in the details. People do not necessarily intend to set down the historical record in their reminiscences, and the mind has a way of selectively remembering events without explicit attention to historical accuracy – particularly when aided by the haze of nostalgia. Certainly there can be no blame in that; it is the job of the editor to point out what material was penned for the record and that which was recounted later in other contexts.
Here is another interesting tidbit recounted by the author that has likely been blurred by nostalgic reminiscence, and should not be taken as historically accurate. Regarding the closing of the Volozhin yeshiva in 1892, in the course of an interview (pp. 29-30) the author recounts an original version of the events leading up to it:
In those days the yeshiva was closed because one of the students massered (informed) and
wrote a letter signing the name of the Netziv, and in a second letter he wrote
that the Netziv is a spy and all the students are spies in Volozhin, and the
reason why he sent this is because – father told me – when he came in on Yom Kippur,
the Netziv recognized that he had eaten, which was true, and he came over and
gave him a slap in the face in the presence of everybody. And this he couldn’t
stand and he massered on the yeshiva, and they sent soldiers from Vilna
and they surrounded the yeshiva and they asked, “where is the Netziv?” and they
showed the Netziv the letter, and asked if it was his signature, and he said,
“yes it is my signature”. But at the trial in Vilna he recognized that this was
a forgery because in all of his letters, after he wrote “Netziv”, he never made
a dot and this was with a dot. And they believed him and he was free, but they officially
closed the yeshiva.
The editor concedes that there are other versions to the story, and refers the reader to the attendant literature, but grants that this is another variant. However, it is readily apparent that here too, two different episodes – the story of the informant and the story of the closing of the yeshiva – have been inadvertently blended. In reality, they had nothing to do with each other.
The story of the informant has been supplied by the son of the Netziv, R. Meir Bar-Ilan, in his classic memoir מוואלאזין עד ירושלים,[6] as well as in the biography he wrote on his father, רבן של ישראל.[7] There we are told that the episode occurred a few years before the Great Fire; a catastrophe which struck Volozhin in the summer of 1886. The closing of the Yeshiva, on the other hand, didn’t occur until 1892. It is also apparent that some of the details of the episode are more reliably preserved in R. Bar-Ilan’s recounting, who also preserves the identity of the addressee in the forged letter, one R. Yaakov Reinowitz of London. In his account the charge brought against the Netziv was not that of espionage, but rather that of dealing in counterfeit currency, and unlike in Dr. Reguer’s version, the clever detection of the forgery was brought to light with the evidence that the Netziv signed his name נפתלי צביהודה by using the last letter of צבי as the first letter of יהודה,[8] a detail which the forger was not scrupulous in copying.[9]
Additional information has come to light in the discovery of other letters written by the Netziv to this very R.
Yaakov Reinowitz.[10] R. Reinowitz, who served as a dayyan on London’s beit din, was close to the Netziv and would assist him with the raising of finances for the yeshiva.[11]  Apparently the forger was aware of this individual’s connection with the Netziv, as well as his financial involvement with the yeshiva, and therefore chose to address the letter to R. Reinowitz to make it seem more authentic. Among R. Reinowitz’ papers are some 40 letters from the Netziv, including two which have been described thus:
In 1879 Rabbi Berlin informed Reinowitz that officials of the Russian government
had searched the documents and correspondence of the yeshiva and taken away
‘all my correspondence with you’ – the reason being that ‘a vile person forged
a letter of a secret nature which I am supposed to have sent to you’. In his
next letter Rabbi Berlin said that the correspondence was returned after a few
hours and that nothing untoward happened except that they had a big fright.[12]
When seen together it is clear the Netziv is referring here to the aforementioned episode. These letters indicate that the event happened in 1879, a fact now conclusively proven with the availability of the Russian government’s file on the episode,[13] and in fact had no direct effect on the subsequent closure of the Volozhin yeshiva some thirteen years later (although the involvement of the government in the yeshivas internal affairs almost certainly did contribute in the long run).”
Here is a photo of Rabbi Reinowitz:
As to the identity of the culprit, R. Meir Bar-Ilan indicates that it was never proven conclusively. He cites several theories; including a report not unlike the one cited by our author in the name of R. Simcha Zelig, namely that it was the student who had been chastised for his Yom-Kippur indiscretions. This seems to have been the predominant theory; in R. Bar-Ilan’s recounting of the episode in his aforementioned biography, this is the only version presented. This is also the version recorded by R. Moshe Shmuel Shmukler-Shapiro in his ר’ משה שמואל ודורו,[14] where he even identifies the student who was chastised, and the year when the event occurred (1878). (Interestingly, according to R. Shmukler-Shapiro’s version, this student didn’t perpetrate the forgery himself, although his humiliation at the hands (or better, hand) of the Netziv was the catalyst for the subsequent act of revenge).
Further, in the above account, R. Simcha Zelig’s report has the student eating on Yom Kippur. According to R. Bar-Ilan, however, the nature of the student’s sin was appearing late to the prayers after having evidently bathed and combed his hair on the day of Yom-Kippur. Also noteworthy is the fact that R. Bar-Ilan mentions only that his father had angrily chastised the errant student but does not reveal, as does R. Simcha Zelig, that he had done so with a public and humiliating slap to the face. In this regard, R. Simcha Zelig’s version is also confirmed by R. Moshe Shmuel Shmukler-Shapiro in his ר’ משה שמואל ודורו,[15] although the student’s sin is described therein in accordance with R. Bar-Ilan’s version. It seems reasonable to me to assume that R. Bar-Ilan, out of concern for his father’s honor, knowingly softened the story and omitted mention of the slap in order to cushion the Netziv’s reputation in the eyes of the modern and westernized reader.
Another bit of family lore, recounted by Prof. Reguer on pp. 30-31, includes the legendary tale of R. Simch Zelig’s sagacious advice to the townspeople of Brisk, saying that in order to spare themselves from the damaging exploits of a wild first-born goat, it would be providential if the animal were to come to injury and thereafter be permitted for slaughter. The townspeople then organized a chase which resulted in the goat injuring its shoulder while attempting to escape, rendering it unfit for ritual sacrifice and henceforth permitted for slaughter.
This episode sounds too similar to an episode recounted by Dr. Reguer himself in 1973 in a letter to the editor of
the journal הדרום[16] to dismiss as a coincidence. The incident referred to there was a cause célèbre in Volzhin and was the source of a halakhic dispute between the two Rosh Yeshivas at the time, the Beis Halevi and the Netziv. Dr. Reguer writes:
את הדברים כפשוטם שמעתי
בילדותי מפי
אבי מורי זצ”ל הרב הגאון ר’ שמחה זעליג, הראב”ד בבריסק דליטא,
וכך היו הדברים: ליהודי אחד בוולוז’ין היה בכור תיש,
ומכיון לאחר שגדל דרכו היה להזיק, מסר יהודי זה את התיש לרשות הכהן, כדי שיוכל
להנות מן התיש. הכהן העניק לילדים מעדנים והם רדפו אחרי התיש וערכו לו ציד בבית הקברות
הנמצא במורד העיר. כאשר קפץ התיש מעל גדר התיל של בית הקברות
נפצע
ונמצא
מסורס.
ואז פרצה
המחלוקת
מכיון
שהכהן
היה
הגורם למעשה
סירוס
זה.
This version is also not without its ambiguities,[17] but unless we are to assume that these are two separate incidents, it is clear that the episode in question happened in Volozhin, and not in Brisk, and it is equally clear that R. Simcha Zelig was just the source for the story, but was not actually an active participant in this episode.
As mentioned, there are a number of valuable first-hand accounts of important pre-war Torah figures, most prominent among them: father of the memoirist and famed dayan of Brisk, R. Simcha Zelig Rieger, who was renowned as one of Lithuania’s foremost halakhic authorities until his tragic martyrdom in the Holocaust. In a manner characteristic of biographies written by close family members who make no attempt to portray their subjects as larger-than-life,[18] Moshe Aharon’s memoir, particularly the correspondence and photographs he includes, provides us with a close-up glimpse into this scholar’s saintly life.[19]
The book opens a window on the terrible hardships he had to endure throughout his life, and we can surmise the tremendous spiritual fortitude and determination he must have possessed in order to cope with his hard lot. Poverty and illness, compounded by having a married daughter living with her family in his home were part of R. Simcha Zelig’s daily tribulations, yet this saintly man utters no word of complaint. Even after suffering the humiliating experience of having his beard forcibly removed by the Soviets at the beginning of the Second World War, in a most harrowing encounter from which he only narrowly escaped with his life, R. Simcha Zelig had just this to say to his son: “we are all well” (p. 227).
Nothing deterred R. Simcha Zelig from his unfailing dedication to his life’s ideal of learning and teaching – not even the tragedy of losing children to illness, nor the intense pain of watching the defection of most of his adult children from their religious upbringing to a life of communism and socialism. In the face of it all, this humble genius continued unfailingly on his path, giving of himself unselfishly to anyone who needed him. While many biographies of gedolim tend to omit any references to wayward children, the correspondence included in this memoir, and especially the attendant analysis thereof, introduces the reader to the whole Reguer family. One can readily appreciate the extent to which R. Simcha Zelig went to maintain fatherly relations with all of his children – to the point of addressing his letters to every child and spouse, and even their infant children, by name.
Prof. Reguer highlights this tendency in her comments (p. 191), and further makes the astute observation that in these instances R. Simcha Zelig is careful to append the customary salutation שיחיה or שתחיה only to the names of the religious relatives; however, no explanation is given for this interesting behavior. Since this appendage is merely a blessing for long life, and is not indicative of one’s social or religious standing, it therefore strikes me as somewhat odd that R. Simcha Zelig, who went out of his way to show fatherly care and affection to these children, would omit this blessing in connection with them. Perhaps R. Simcha Zelig was only being sensitive to the irreligious outlook of those of his children who having broken with tradition would not appreciate this customary, religiously inspired, prayer on their behalf.
The family background is also instrumental in helping us understand how R. Simcha Zelig was able to countenance Moshe Aharon’s transition from the traditional Lithuanian yeshivas to the modern and Zionistic Tachkemoni yeshivas of Bialystock and Warsaw. Although the Talmudic departments in these yeshivas were headed by Brisker protégés of R. Simcha Zelig, namely the Iluy of Meicheit, R. Shlomo Polatchek, and R. Moshe Soloveitchik, they were by and large considered to be beyond the pale in the traditional Lithuanian yeshiva world.[20] In fact, according to Dr. Reguer (p. 147), R. Chaim of Brisk had actually sought R. Simcha Zelig’s help in dissuading R. Moshe Soloveitchik from accepting a position at Tachkemoni.
This transition eventually saw Moshe Aharon pursue an academic career first in Palestine[21] and later in America (a move which was to eventually spare him from the ravages of the Holocaust). While a letter from Moshe Aharon’s brother in law (p. 232) indicates that R. Simcha Zelig was unaware as to the secular nature of these studies, there can be no doubt that the author is correct in surmising (p. 145) that R. Simcha Zelig’s acquiescence to Moshe Aharon’s desire to pursue secular studies was a direct result of the outcome his earlier chinuch approach had had on Moshe Aharon’s older brothers.
Besides for his grandfather, the author was also privileged to study under various other great Torah personalities including the Alter of Slabodka (R. Nosson Tzvi Finkel), R. Shlomo Heiman, R. Aharon Kotler, R. Isser Zalman Meltzer and the dynamic young Rosh Mesivta of Karilov, R. Yechezkel of Trestina.
The latter was later to become famous in his capacity as Rosh Yeshiva in the preparatory mesivta in Slabodka and his well known by the title of his work Divrei Yechezkel, a classic work of lomdus in the yeshiva world. Yet, precious little is known about the Karilov chapter in his life,[22] and this memoir, with its focus on the Karilov yeshiva, provides a valuable contribution to his biography.
Special attention may be drawn to the lauditory description of his personality, as well as the unique relationship he shared with his students. Of particular interest is the depiction of the inspirational late-night hashkafa sessions he often held with his students (pp. 111-114).[23] Inasmuch as most people today know him only as R. Yechezkel Berstein,[24] or, as mentioned, by the title of his work Divrei Yechezkel, it would be beneficial to have that had the connection drawn out in the book.
The book contains various other tidbits concerning many of these personalities which readers will certainly find interesting. However, it is worth pointing out the difficulty involved in identifying them as sometimes various colloquialism are used in referring to these people. The difficulty is often exacerbated by the different spellings employed for some of these names. We have already seen that R. Shach has alternately been referred to as ‘the Vabulniker’ and ‘the student Babulnikai’. Apparently, in the Hebrew original, the author had spelled וואבולניקי – which he pronounced orally as ‘Vabulniki’ – as באבולניקאי which was transliterated as ‘Babulnikai’. Similarly R. Aharon Kotler has been called R. Aharon Pines, ‘R. Aharon of Svislovitzch’ and ‘the Iluy of Sabislovitch’. R. Shlomo Heiman too, is alternately referred to as ‘Rav
Shlomo Heiman Ha-pritizi’ or ‘Rav Shlomo of Poritz’.
Compounding the problem is the fact that each name is listed separately in the index, and instances where only the colloquialism is used without a last name are often not included. Perhaps this is because the index was produced with electronic search engines according to spelling and therefore did not combine various entries for one person when the spelling was different. Yet, what this gains in expedience and convenience is offset by the frustration one encounters when trying to search for references using a last name which doesn’t appear in all the occurrences. (I might add that it also makes for the inclusion of some unorthodox entries, such as ‘Sha’agat, Arye’).
If this book is republished it may be prudent for the sake of uniformity to streamline the names and titles used throughout the book. Similarly, care should be taken in the phonetic spelling of other Hebraic phrases such as רב דמתא (meaning the rabbi of the city) which has been spelled as ‘Rav Damta’ on p. 105, and thus appears to be someone’s name.
The author’s acquaintance with the Alter of Slabodka began when Moshe Aharon first joined the Slabodka yeshiva, which was then in Kremenchug during its exile during the First Word War. At the time, young Moshe Aharon was duly impressed by the Alter’s sagacious personality, but later this perception is tarnished somewhat, and at the end of the memoir he blames the Alter’s high-handed (und unfair) method in dealing with those whom he suspected of having secular leanings for his ultimate decision to leave the mussar world cultivated by the Slabodka yeshiva. One can’t help but wonder if this perception of the Alter wasn’t colored by the author’s own negative experience, fresh at the time of the writing. Perhaps with the the passage of time and the benefit of hindsight, as well as nostalgia, Moshe Aharon may have come to see things differently.
One thing that stands out about his description of the Alter is that he calls him ‘a great scholar’ (p. 95).
In Slabodka’s heyday at the turn of the century, owing largely to the Alter’s secretive ways and mysterious habits, this facet of his personality was not common knowledge and different students had different reads on it. R. Yaakov Kamenetzky was convinced that the Alter was indeed a great lamdan and scholar, while in a recent blog post Professor Marc Shapiro has quoted R. Yehiel Ya’akov Weinberg’s opinion to the contrary.[25] It seems that about 15 years later, with the passage of time, the Alter’s reputation as a superior talmid chacham had firmly taken root.
One personality that is conspicuously under-represented in the book is the Brisker Rav, R. Yitzchak Zev Soloveitchik (as well as, to a lesser extent, his brother R. Moshe). The Rieger and Soloveitchik family lived under the same roof in a multi-family dwelling owned by the Kehilla, and R. Simcha Zelig was exceptionally close with his own rebbe, R. Chaim of Brisk, as well as R. Chaim’s sons, R. Moshe and R. Yitzchak Zev. In fact, from a reference in a letter from R. Simcha Zelig to the author, printed at the end of the book (p. 197), it seems R. Simcha Zelig would exchange annual Rosh Hashana greetings with R. Moshe, as well as his son R. Joseph Ber – that is, the famed Rabbi J.B. Soloveitchik of Yeshiva University – long after the two had emigrated from Europe to America. The relevant portion of the letter reads:
I wrote a Rosh Hashana greeting to R. Moshe Azaliion [?] as I write every year and I wrote to
R. Moshe’s son a Rosh Hashana greeting and nothing came back to me as usually
did each year. Perhaps I don’t have their correct updated address. Perhaps they
moved.
Careful examination of the facsimile of the original letter, reproduced on p. 198, reveals that Azaliion is a mistaken transcription of the Yiddish ‘אזויא’ (meaning ‘just like’) and is not part of R. Moshe’s name. This leads me to believe that R. Simcha Zelig is referring to R. Moshe Soloveitchik, as well as his son R. Joseph Ber who also enjoyed a relationship with R. Simcha Zelig, having received from him a personal smicha, as well as various halakhic traditions. In a passage interpolated into the memoir on p. 45, Moshe Aharon acknowledges this fact and mentions that he asked the Rav’s son (I assume this means R. Joseph Ber’s son, Prof. Haym Soloveitchik) for a transcript of these traditions.[26]
Perhaps Moshe Aharon did not enjoy the same relationship with the Brisker Rav as did his father, possibly on account of the Brisker Rav’s rebbetzin, whom Moshe Aharon considered a difficult woman (p. 67). Later in the book, R. Simcha Zelig’s correspondence with his son reveals that Moshe Aharon also had some sort of altercation with R. Chaim’s older son, R. Moshe (p. 223). The editor surmises that this was on account of R. Moshe having left the Tachkemoni yeshiva, where Moshe Aharon was studying, before the latter could receive smicha from R. Moshe. This seems like somewhat of a stretch, and although we may never know the real reason behind it, to me the ambiguous phrase that R. Simcha Zelig writes in an effort to persuade his son to drop the fight: “you do not know a family without opportunities” (p. 220), lends itself to the interpretation that at stake was some sort of position for which Moshe Aharon may have been jockeying for at the time when both found themselves employed by Yeshiva College.
On a final note: as mentioned before, the original memoir was written in Hebrew and the published edition is an English translation of the original. While the translation on a whole is an excellent one, and results in a fluid compelling read, there are also readers who might enjoy reading the original and would appreciate the biblical and talmudical prose the author sometimes employs. One example of this is when the author refers to the land of Israel as “the land of the deer” (p. 138), which was certainly ארץ הצבי in the original. The biblical expression for Israel as ארץ הצבי appears in Daniel 11:16, and according to most commentaries is based on the verse in Ezekiel 20:6, where the context shows that צבי is not a reference to ‘deer’ (the animal) but rather ‘dear’ (as in ‘desired’).
From the facsimiles of the pages of the manuscript included in the book, one can get a sense of the rich expressive language the memoir was written in, and it is hoped that perhaps it will be printed in the original one day. For the time being we must be content with the artful and masterful work produced by Prof. Reguer, and even as it is we certainly owe her much gratitude for preserving for us this rich and valuable memoir.

 


[1]
Rieger or Riger are the common spellings, although a facsimile of a letter
containing the mailing address of Moshe Aharon Reguer (seemingly in R. Simcha
Zelig’s own hand) indicates that Reguer is indeed the correct spelling.
[2]
Such as this remark on p. 55: ‘many years ago I found out that he had moved to
Boro Park, I met him there but he did not understand what I was saying’.
[3] I
can’t help but wonder as to the nature of this mistake. Could it be that the
author was induced to believe his own fictitious birth date, postdating him by
two years, as described in the book on p. 23?
[4]The
reference to “the student Babulnikai” in the preceding paragraph should read
Vabolnika’i, meaning ‘hailing from Vabolnik’, a reference to R. Shach’s
hometown. See also p. 75 where he mentions his studies “with a student from
Bubolnik who lived with me”.  I will
address this example when discussing the pitfalls of phonetic transliterations
later.
[5] The
editor, who is seemingly unaware that this is the same episode as the above, also
does not indicate that she is aware that R. Aharon Kotler and R. Aharon Pines are
one and the same (Pinnes was the family name; R. Aharon later took on the name
Kotler to help him evade the draft, see Making of a Godol, second ed.,
p. 295). Adding to the confusion, the index too has separate entries for each
name, but more on that later.
[6] תל אביב, תשל”ט, עמ’ 85-87
[7] ניו יורק, תש”ג, עמ’ 115-116
[8]
This can even be seen today in the facsimiles of the Netziv’s surviving letters,
such as the one addressed to our very same R. Reinowitz, in Reuven Dessler’s שנות דור ודור,
vol. 4 (Jerusalem 2013), p. 497. Whether the Netziv’s used this unusual format
merely to give his signature an individualized flourish, or whether his intent
was to avoid spelling out יהודה – in keeping with the pious custom of
avoiding the written combination ofיו”ד  and ה”א which
form a divine name, it is significant to note that his signature was altered in
the posthumous publication of his writings by his family. There, at the
conclusion of each responsum, the Netziv’s name appears in its conventional
spelling. (In his
Making of a Godol, second ed., p. 887, R. Nathan Kamenetzky points to
another example of a famous rabbinic personality who signed his name with an
ellipsis; R. (Yisroel Eliyahu) Yehoshua Trenk of Kutna who signed his name as ישראליהושע).
[9] See
also the report of this episode by a student in Volozhin from that era, R.
Eliyahu Mileikowsky, in his שו”ת אהלי אהרן, תל אביב
תרצ”ו, עמ’ ריח-רכ.
Eliezer Brodt has further called my attention to the translation of this memoir,
with additional references, in an article by Genrich Agranovsky and Sid Z.
Leiman: Three Lists of Students, in Turim: Studies in Jewish History
and Literature
, Vol. 1 (N.Y. 2008, pp. 3-6 fn. 7).
[10] See
Eugene Newman, The Responsa of Dayan Jacob Reinowitz, 1818—1893, in Transactions
& Miscellanies (Jewish Historical Society of England),
Vol. 23
(1969-1970), pp. 22-33.
[11] I
have already referred in a previous note to another letter to him from the
Netziv in Reuven Dessler’s שנות דור ודור. See also a responsum addressed to him in
the Netziv’s משיב דבר, vol 2, #17. According to Eugene Newman, ibid, pp. 26-27,
responsa #23 and #25 in vol. 4 were also addressed to R. Reinowitz. His
signature on a ruling from the London beit din is also confirmed by the
Netziv in responsa #56 in the same volume.
[12] See
Eugene Newman, ibid, p. 31. Note that according to this account the Netziv’s
documents were returned to him after a few hours, whereas in R. Mileikowsky’s
account they were only returned to him many months later after the case against
him was officially dropped. A further discrepancy, though by no means a
contradiction, concerns the lingering danger and prolonged fear and anxiety in
R. Mileikowsky’s account, missing in the Netziv’s own telling.
[13] See
Agranovsky and Leiman, ibid, p. 2-3.
[14] ניו יורק, תשכ”ג, עמ’ 59-60
[15] See
also R. Nathan Kamenetsky’s study of similar episodes in his Making of a
Godol
, second ed., pp. 889-890.
[16] גליון לז, עמ’ 264
[17] See
R. Chaim Karlinsky’s response to this letter in the subsequent volume of הדרום, גליון לח, עמ’ 187.
[18] I
think it is this sort of attitude at play in an interview on p. 27 in which he
said that he was unable to even approximate his father’s age. Here the editor
notes that research shows that it was likely around 1863. I don’t know what
research she had in mind, but just by using material supplied in the book it is
easy to demonstrate the accuracy of the year 1864 that is often given as the
year of his birth (for example see his grandson Chaim Ber Gulevsky’s שבת שבתון p.
365 where his birthday is listed as 20 Adar 1864). On p. 236, the author’s
sister, Esther, writes in a letter to him that their mother was 77 at the time
of her passing in 1938. Earlier on p. 27 the author himself states that his
mother was 3 years older than his father. Now, had R. Simcha Zelig been born in
1863 he would have been 75 in the summer of 1938 and his wife would then have
to be at least 78.
[19]
Perhaps the editor takes this too far in constantly referring to R. Simcha
Zelig without the honorary ‘R.’ before his name. Noteworthy in this context; some
critics look askance at biographies of this sort, as the approach they take may
strike a somewhat presumptuous, all-knowing note, and their tone is often less
deferential to their subject. See R. Yisroel Miller In Search of Torah Wisdom
(Mosaica Press, 2012), pp. 59-60, who makes this point in the name of R.
Avigdor Miller concerning the biography of the Chafetz Chaim that was penned by
his son R. Leib (Consistent with this approach is R. Miller’s own account of
his repelling of his great urge to read up on R. Yisrael Salanter’s life out of
concern lest his reverence for R. Yisroel be diminished, see R. Y. Hamburger’s
biography Rav Avigdor Miller (Judaica Press 2016), p. 22). However,
often times the authentic human portrait painted by a son is unmatched in its
accuracy and detail, and by extension that much more evocative in its
portrayal. See also מגד גבעות עולם vol. 1 p. 48-49 where it is reported in the name of R. Mendel Zaks that
he preferred the Chafetz Chaim biography written by his student R. M.M. Yoshor
over that of his son R. Leib, because the former doesn’t attempt to explain the
Chafetz Chaim’s actions as does his son R. Leib. Presumably this is just
another way of expressing the sentiment quoted before in the name of R. Avigdor
Miller. Conversely, in the Artscroll biography of the late Rosh Yeshiva of
Torah V’daath, R. Avrohom Yaakov Pam (Rav Pam, Brooklyn, 2003, p. 13),
it is reported that he was fluent in R. Leib’s biography of the Chafetz Chaim
and would often quote from it. (Also worth noting is the fact that R. Yoshor
himself, in his introduction, relates with pride the fact that his work had
found favor even with the usually critical R. Leib). Ultimately, this harks
back to the age-old question of whether a hagiography is preferable to a
biography. See the excellent discussion on the topic that forms the
introduction to R. Nathan Kamenetsky’s Making of a Godol.
[20] It
is worth noting in this context a story I heard from the Rosh Yeshiva of the
Kaminetz yeshiva in Jerusalem, R. Yitzchak Sheiner, concerning a student who
aspired to join the Yeshiva in Radin. This student was disappointed to find out
that he failed his entrance examination with the Chafetz Chaim, and was told to
seek other arrangements. On his way out he chanced upon the Rosh Yeshiva of
Radin, R. Moshe Landinsky, who noticed his dejected look and asked what had
transpired. After hearing the story, R. Moshe advised him to return to the
Chafetz Chaim and ask to borrow money for the train fare from Radin to Lida.
Knowing of the Chafetz Chaim’s aversion to the modern yeshiva founded in Lida
by R. Yitzhak Yaakov Reines, this move was guaranteed to make the Chafetz Chaim
reconsider his rejection of this bachur. Sure enough, that is exactly
what happened, and the bachur was thereupon accepted to the Radin
yeshiva.
[21] As
an interesting aside, Prof. Reguer recounts on p. 157 how Moshe Aharon was
involved in the physical construction of Hebrew University’s Mount Scopus
campus, and even provides (among the unpaginated illustrations [corresponding
to p. 153]) a photograph of him posing with fellow students at the site. It
seems that many students in those days involved themselves in such activities,
and this is likely what Prof. Avigdor Aptovitzer had in mind when he wrote to
Shalom Spiegel after arriving in Palestine in 1939: “וגם נוכחתי שכמעט אי אפשר למצוא
תלמידים מסייעים שכל התלמידים במלאכה, מלאכה ולא חכמה, ונתקיים בהם אל תקרא בניך
אלא בוניך, בוניך ממש מלאכת הבנין והסעת אבנים” (Tarbitz, vol. 81, p. 463).
[22] See
R. Betzalel Devlitzky’s biography of him in ישורון, vol. 28, pp. 871-899. The Karilov
chapter is mentioned there on p. 876. This article was later expanded and
included in a recent edition of דברי יחזקאל (הוצאת מישור, בני ברק, תשע”ג).
[23]
This section has been summarized in Hebrew here.
[24] In
some sources the last name appears as Berenstein. It is likely that at some
point he altered his name in an attempt at avoiding the dreaded draft to the
Polish army.
[25] See
here.
See also R. Nathan Kamenetzky’s discussion on the topic in his Making of a
Godol,
second ed., pp. 775-778, where conflicting opinions are cited in the
name of various students.
[26] He
also received (through R. Simcha Zelig) various traditions from R. Chaim, and
he would sometimes relay these very traditions, as can be evidenced by
following the references indexed under his name in Aharon Rakeffet’s The Rav.