There is a new volume of the journal Or Yisrael (no. 47) out. First, it includes a back and forth on the issue of who wrote the Mekore Minhagim. It also includes an very interesting article discussing whether there is any rhyme or reason to the order of the Mesechtot haShas. Additionally, it includes a couple of articles discussing wheat for Pesach from Arizona(?). On the Pesach front there is also an article on whether one can eat maror on Erev Pesach. Finally, (although these are just a few highlights of the articles contain therein) the first part of an article discussing the custom of candle lighting.

As a general matter, Or Yisrael consistently provides excellent articles, for instance they had a seminal series of the forged Yerushlami on Kodshim, important articles on customs, and halacha, as well as many other important articles. Issues of Or Yisrael are included in the Otzar haChochmah database for those who have access to it – or for free at Hebrewbooks.org under Journals.

Ari Kinsberg is one of the great young scholars of American Jewish History (under 40), as he has spent several years researching and editing the two-volume magisterial Hebrew Printing in America 1735-1926: A History and Annotated Bibliography (see Seforim blog reviews here and here).

In honor of Purim 5767 [2007], Ari has recently written about Judah Wistinetzky (1844-1908) and the latter’s Ayelet ha-Shahar, given as mishloach manot gift to his friends. For those of us who have not yet seen a copy of Ayelet ha-Shahar, Kinsberg provides a description of the small volume and also provides some biographical background to Judah Wistinetzky, highlighting the latter’s American connections. (For example: Did you know that he had arrived in America several years prior to publishing Sefer Hasidim in 1892?!?)

See here for Ari Kinsberg’s “A Litvish Maskil and His Literary Mishlo’ah Manot,” where he also provides a brief biography of Wistinetzky, based on Hebrew Printing in America (vol. 1, p. 376).

Merkaz Zalman Shazar has published Jay Berkovitz’s book מסורת ומהפיכה-תרבות יהודית בצרפת בראשית העת החדשה discussing French Jewry and specifically the changes and challenges of modernity. This book is an expanded version of the English Rites and Passages: The Beginnings of Modern Jewish Culture in France, 1650-1860 (UPenn Press) which is available at the previous link and here. Both versions are invaluable for viewing French Jewry and France gernally, a county typically neglected in milieu of Jewish history which tends to focus on Central or Eastern Europe. But, as France experienced emancipation in the late 18th century it is important to see how French Jews dealt with their new found freedom. As Berkovitz correctly points out to understand the impact of emancipation, one needs to examine the history beforehand as well – thus he begins in the 17th century.

Additionally, this book is important in some of the persons it discusses. For instance, there is an extensive discussion of R. Aaron Worms the author of the Me’ori Or. The Me’ori Or – a seven volume work which some may be familiar due to his suggestion that one should recite the blessings of “thank God for not making me a woman or a non-Jew” silently. (See Tradition 29:4 and the articles by Joel B. Wolowelsky and Emanuel Feldman and Shu”t Beni Banim 4:1).

While this is perhaps his most well known opinion, this work contains a treasure trove of information. As is evident from R. Yosef Zechariah Stern, a rather erudite person in his own respect, who cites the Me’ori Or extensively. As one can tell from R. Aaron Worm’s opinion for the blessings, he was a sort of iconoclast. While there have been a handful of articles discussing R. Aaron, this book now places him in his full historical context. Berkovitz fleshes out how R. Aaron fits with French change generally and further develops the thought and impact of R. Aaron. Aside from his Me’ori Or, R. Aaron was also part of the Sanhedrin which Napoleon convened, and Berkovitz includes R. Aaron’s address to that body. And while Rabbi David Sintzheim is perhaps the most well known, Berkovitz discusses the (important) impact R. Aaron had on this body. This impact is not limited to the Sanhedrin, but a deeper understanding of what R. Aaron was advocating places him in the forefront of modernity.

All in all, Berkovitz’s book is a worthwhile contribution to understanding modernity and some of the methods that prior generations have adopted in dealing with its challenges.

Another blog recently raised the question about the origin of saying Yigdal at the end of services on Friday night. Specifically, they wanted to demonstrate that this custom is not a “modern” or “Young Israel” custom and instead was very old. Although in practice today, this view is perhaps the prevalent custom with most yeshivot and similar minyanim not reciting this and Young Israel and those similar do. In an attempt to refute this postion, the Hertz siddur was marshaled. Chief Rabbi Joseph H. Hertz records that in 1722 in England they said Yigdal Friday night, thus, according to that post, demonstrating the Yigdal custom is old (or at least from 1722).

While the above provides a basic introduction, this topic, and that of Yigdal in general, deserves greater explication.

First, to establish when people said Yigdal on Friday night, a check of early siddurim is necessary. Today this can be done online via the JNUL’s digital project which has numerous early siddurim. The earliest I have located which contains Yigdal is in the 1486 edition of the siddur. From then on, in just about every subsequent edition of the siddur, Yigdal appears at the end of Friday night prayers. This is the case irrespective of the nusach. These early siddurim then show that, at least from the late 15th century on, the almost universal custom was to say Yigdal Friday night. [This is not to say the recitation Friday night is the only custom, in fact there are others, but merely to point out the custom of reciting Yigdal on Friday night has a clear precedent.]

We now must turn to see if there are other issues with the recitation of Yigdal which would label it as “modern.” Admittedly in this search we are somewhat handicapped in that we don’t know what would qualify as a “modern” or as some refer to it “Young Israel” custom, thus, we are forced to utilized gross generalizations, which unfortunately may not be the exact definition of “modern.” Perhaps, as the study of Hebrew grammar has been referred to by some as “modern” it is an emphasis upon grammar which makes Yigdal “modern.” This, however, is not borne out by the commentaries. To the contrary, many grammarians disapprove, on grammatical grounds, of Yigdal. For example, R. Yitzhak Satanow, in both his earlier work on prayer – Iggeret l’Bet Teffilah – and his later and more comprehensive work – V’etar Yitzhak decries the grammar in Yigdal. He notes that Yigdal, among other Hebrew poems, uses incorrect grammar to satisfy the meter of the poem. R. Shelomoh Zalman Hanau also makes the same point. So it would appear there is not an overemphasis on grammar, rather the opposite is the case, it actually presents some grammatical problems.

R. Jacob Emden disapproves of Yigdal because it makes it seem that there are only thirteen requirements to Judaism, while in fact there are many, many others. While this may be an issue with Yigdal it is equally a problem with reciting the Ani Ma’amin prayer which many do at the end of the daily prayers. Additionally, this does not speak to the specific question at hand – reciting Yigdal on Friday night, and not, as these authorities would have it, never. Even though many do not say Yigdal Friday night, and in some siddurim today it does not appear there, many still include it as part of the morning prayers. Again, it appears this would not be the issue with the Friday night recitation.

Now, we must turn to the authorship of Yigdal. For many years it was an open question who actually authored Yigdal. As there is no clear acrostic it was difficult to prove conclusively who was the author. Some said since it is based upon Maimonides’s formulation of the Thirteen Principles of Faith he must also be the author. Others said it was R. Yehiel b. Barukh. They argued his name appears in the last verse of Yigdal – יחי אל and “ברוך” עדי עד. The first option, the Maimonidian authorship, is somewhat problematic for two reasons. First, although Maimonides did formulate Thirteen Principles that does not mean he then wrote every single thing about them which followed. In fact Yigdal is not the only poem to use the Rambam’s principles – there are about ninety-one poems which utilize the Rambam’s principles. Second, at first glance it appears that one of the principles is actually missing from Yigdal. The principle that does not appear is limiting pray to God and no other. But, this has been solved by noting there is in all likelihood a very small error in the text of Yigdal. Two very similar letters – the Resh and the Daled – have been switched. Instead of יורה למכותו it should read יודה למלכותו. Meaning, thank or praise his (God’s) kingdom and “God’s” kingdom alone.

In the 19th century, R. Samuel David Luzzatto (“Shadal”) claimed to have discovered the real author of Yigdal. He did so based upon two manuscripts he called attention to. These state that ר’ דניאל בן יהודה הדיין was סדר Yigdal. Thus, we now have explict evidence of who was the author – we have an author’s byline as it was.

Although this would have appeared to settle the issue, it did not. Soon after, Shadal’s thesis was challenged and instead another person was claimed to be the true author of Yigdal – Immanuel b. Isaac of Rome. The basis for this assertion was Immanuel has a similar poem to Yigdal which actually contains the word Yigdal and then continues to go through the Thirteen Principles of Faith. Additionally, Immanuel’s name can be found in Yigdal – לעמו אל.

But what to do with the manuscript Shadal found which explicitly states it was not Immanuel but instead Daniel b. Yehudah? According to those who espouse Immanuel as the author, they note the word is not חיבר – authored- but instead סדר – which typically means edited.

Now if in fact Immanuel did author Yigdal it would be somewhat understandable why some may take issue with Yigdal. The Yigdal corollary appears in Immanuel’s Machberet, which also contains some risqué poems. This was offensive to some and R. Yosef Karo actually mentions this book by name, a somewhat unusual occurrence in his Shulhan Arukh, and says one should not read it on the Shabbat.

Nevertheless, it appears the consensus on the authorship of Yigdal follows Shadal and declines to read סדר as edited. So we are left with a rather innocuous author of Yigdal. So, on its face it seems there is nothing which leads to the conclusion that Yigdal is a “modern” custom. Instead, in all likelihood the reason that some do not say Yigdal is not due it modernity but rather due to a modern concern. This concern is that of the 16th century Kabbalist, R. Isaac Luria, (“Ari”). The Ari states that certain poems were written without the necessary kabbalistic intent and therefore they should not be recited – Yigdal is one of them. Thus, it would seem that this modern concern is why some have stopped saying Yigdal on Friday night.

Sources: As mentioned above, one can see the siddurim which include Yigdal Friday night at the David and Fela Shapell Family Digitization Project at the Jewish National and University Library; Iggeret l’Bet Teffilah (Berlin, 1772): 7b-8a; Y. Satanow, V’etar Yitzhak (Vienna, 1815): 9; Landshuth, Amudei Avodah (Berlin 1857): 101; D. Oppenheim, “Ha’arot ve-Heherot ‘al Shir Yigdal v’Yud Gimel Ikkarim,” in HaMaggid 11:21 (29th May 1867): Immanuel of Rome, Machbarot, Steinschneider ed. (Lemberg, 1870): 39, end of the fourth section; Samuel David Luzzatto, Mevo l’Machzor Beni Roma, p. 44; Reifmann, Michtavim, in HaKarmel, Shana Bet, 103-04, 165-66; Hartwig Hirschfeld, “Immanuel of Rome and Other Poets on the Jewish Creed,” Jewish Quarterly Review (n.s.) 5:4 (April, 1915): 529-542; idem., “The Author of the Yigdal Hymn,” Jewish Quarterly Review (n.s.) 11:1 (July, 1920): 86-88; Alexander Marx, “A List of Poems on the Articles of the Creed,” Jewish Quarterly Review (n.s.) 9:3-4 (January, 1919): 305-36; Jacob J. Schacter, Rabbi Jacob Emden: Life and Major Works (unpublished PhD dissertation, Harvard University, 1988), 327; Marc B. Shapiro, The Limits of Orthodox Theology, pp. 17-20.

While doing research for a forthcoming article on the topic of saying דרשות at wedding celebrations, I kept noticing secondary sources citing to the work שמחת הנפש. Yet, after obtaining many editions of the שמחת הנפש I was still unable to locate the quotes regarding wedding speeches! After a while, I came across a citation to a specific edition of the שמחת הנפש and came to the realization that there was a second volume to this title, one that is very rare, and has only reprinted once. While the first volume was reprinted numerous times, it was this second volume of שמחת הנפש that contained the information I needed. It was in 1926 that Professor Yaakov Shatsky published an edition of שמחת הנפש which includes this second section and thus I was finally found the elusive source!

The question remained, though, as to why this source was not in all the other editions that I had looked at; in order to understand why, a discussion of שמחת הנפש is warranted.

The author of the שמחת הנפש was ר’ אלחנן קירכהן – son-in-law of the famous author of קב הישר, R. Tzvi Hirsch Kaidanov – was born in 1666 in קירכהן (hence his surname) which is not far from Hamburg. ר’ אלחנן קירכהן was a quite a Talmid Hakham and is evident from his sefer and correspondences with many גדולים of his time such as ר’ יהונתן אייבשיץ. (See בינה לעתים הלכות יום טוב פרק א הלכה כג ; שמחת הנפש, ירושלים, תשנ”ט Introduction, pp. 31-32 ; כל בו על אבילות .עמוד 200-201)

ר’ אלחנן קירכהן wrote seforim on many topics, but only one of his other seforim, חידושים מספר (see שמחת הנפש, Shatsky ed., 1926, pp. 29-30.), was published and the others still remain in manuscript. It seems from his writings that he was a professional darshan. It is also clear that he traveled all over Europe, as throughout the sefer, he gives accounts of his travels. In 1707, he printed anonymously the first two parts of what would ultimately become his famous work, שמחת הנפש. The first two parts were printed many times in many places, while the third part, the one printed in 1727, was printed only once. (See Shatsky’s introduction, especially pp. 23-28, where there is an extensive bibliography of the exact printings. See אוצר הספרים לבן יעקב ; עמוד 594 אות 864.)

It is this mysterious third part, which is very rare; indeed, few copies exist in libraries worldwide. In 1926, however, it was reprinted by Professor Yaakov Shatsky in a facsimile edition.

Many important personages praised שמחת הנפש. For example, ר’ יהונתן אייבשיץ (in his יערות דבש, א, דרוש יב, באמצע), strongly praise the שמחת הנפש ;ר’ יוסף מאיר אב”ד האנובר in his הסכמה writes that one could פסקן from this sefer, a point we will return to later! (הסכמה למהודרא פירדא תפז); the חתם סופר also spoke very highly of the sefer, (הסכמה של ר’ שמעון סופר למהדורת פאקש תרנט, Intro to the ירושלים edition pg 36-37.)

ר’ שמען סופר writes that his father, the כתב סופר, used to learn theשמחת הנפש on שבת with his sister. He also writes that within the copy of the שמחת הנפש of his grandfather, ר’ עקיבא איגר, he had seen comments in the sefer. Interestingly enough, we find that ר’ עקיבא איגר quotes from the sefer in his notes שלחן ערוך גליון רע”א סי’ תרצו סעיף ד. The sefer was among the list of seforim in the library of ר’ פנחס קאטצענאליבויגען. (See יש מנחלין עמוד נ אות קכב; and Dan’s post Ghosts, Demons, Golems and their Halachik Status about ר’ פנחס קאטצענאליבויגען.) In 1898, in Faux, Hungary, at the suggestion of ר’ שמעון סופר, a copy of שמחת הנפש was reprinted with a פירוש by ר’ יהודה קרויס. For other examples of those praising the שמחת הנפש, see the introduction to the most recent edition by ר’ שמואל לוריא.

שמחת הנפש was extremely popular amongst the general populace as is evident from the fact that it was reprinted throughout Europe at least twenty-eight times. Even the most recent edition (a Hebrew translation) was reprinted just a year later. What is so exceptional about the sefer? I believe that the answer lies in the way it was written. With its very captivating and down-to-earth language, the sefer speaks to the reader in a clear manner and keeps one interested using many stories and parables (seeתולדות ספרות ישראל עמוד 103-108.) In addition, שמחת הנפש was an excellent halakhic guide for the masses for regular day-to-day situations.

Unfortunately as with many of our seforim, at one point this book was banned, and even, according to some, burnt. Zinberg explains that the reason it was burnt was because at the end of the first volume, there is a second part containing halakhot, about which the printer wrote in the shar blatt “שלחן ערוך, אורח חיים ויורה דעה ומנהגים של כל השנה.” People felt it was dangerous to give a sefer which allowed the masses to easily find the law (תולדות ספרות ישראל,ד, עמוד 107 ; ספר וסייף, עמוד174-176). This was despite the fact, as mentioned previously, thatר’ יוסף מאיר אב”ד האנובר says in his הסכמה to the sefer, that one couldפסקן from the sefer, and despite the fact that ר’ עקיבא איגר actually did פסקן from it. However, after this one incident, there is no indication of any other strong opposition as is self evident from the amount of subsequent printings.

As mentioned previously, שמחת הנפש is composed of three volumes. The author lists the contents of his sefer on the title page. Amongst them are: (1) מוסר and תוכחה with many משלים ומעשיות; (2) Proofs of why one should not get upset about anything, as everything that happens is from G-d and for ones benefit; (3) Proof of the existence of the נשמה; (4) The הלכות of the whole year including הלכות for woman on חלה ונדה (this was the second part of the first volume). In his introduction he adds that he wrote the part of הלכות because there are many places where people do not haveרבנים to ask there questions to. So he included the הלכות so everyone could now what to do. He even writes that one could rely on it not like other seforim that have many mistakes. (This is in contrast to many Halakha seforim where the author writes “do not rely on me.”) This last part stating that one could rely upon the sefer, however, was not reprinted in all the editions of the sefer. In the introduction he writes even more clearly the goal of the sefer:

“I prove that one does not have to worry I give many solutions to deal with pain… I show that the נשמה is created to serve g-d. With this I have included all the דינים, so one should know how to serve him. All that you do should be with שמחה therefore I called the sefer שמחת הנפש.”

In 1727 he wrote a third part which (called part two). This part consists of הלכות ומוסר in the form of songs for שבת, יום נוראים, סוכות, פסח, חנוכה, פורים, חתונה, מילה, וכל השנה. He even included the musical notes for the songs. The inclusion of musical notes was an innovative method of giving mussar. The author’s goal was to reach the masses, even the people who lived in the villages he had visited and had seen that they were negligent in many of the areas discussed in the sefer.

שמחת הנפש, is a practical, down to earth book. We can see this through many points mentioned in the sefer such as: when doing תשובה , one should do it slowly and not be too hard on oneself with excessive fasting (ירושלים ed., p. 154); don’t hit a child before age four (Idem at p. 175); a recurring theme throughout the book is the author comforting people who lost children (Idem at pp. 27,28,30,55,62), which was a common occurrence in those days. The author mentions that he himself also lost a child (Idem at p. 47). שמחת הנפש contains many interesting topics, such asנשמות, ניסים , andשדים . The sefer is full of interesting stories about these topics, some of which the author was eyewitness to or was actually involved in. For example, in the chapter on demons, the author writes that he personally saw a boy of three speaking about concepts of Torah and Kabbalah that he didn’t understand (Idem at p. 52). He also mentions that when he was in Poland, there was a woman whose children were killed by a demon (Idem at p. 53). Also mentioned in שמחת הנפש is the famous legend that when the רמב”ם died, his ארון traveled to ארץ ישראלby itself (Idem at p.106). [For more on this legend see ספר יוחסין עמ’ 220;שלשלת הקבלה עמ’ ק ;במאבק על ערכה של תורה עמ’ 246;אגרת ארץ ישראל (יערי) עמ’ 302;ארשת חלק ו עמ’ 63]

The book quotes from a wide range of sources: חז”ל, ראשונים, ספרי קבלה, and many interesting seforim such as: צרי היגן, שבט מיהודה, נשמת חיים, מקוה ישראל, מסעות ר’ בנימן and many others. It is evident that the author must have had access to an unusually extensive library for his time.

שמחת הנפש is a pretty much untapped wellspring of מנהגים of Germany. The reader can also get a clear picture of life in those times, especially in the small villages. As the author traveled, he wrote מוסר based on what he felt the people he met on his travels were lax in.

One of the first people who tapped into this source was Zinberg (תולדות ספרות ישראל חלק ד עמ’ ,144-146,102-110). After that, Professor Simcha Assaf quotes the שמחת הנפש once in his masterpiece, (מקורות לתולדות החינוך בישראל, א, עמוד 164-165). Professor Yaakov Shatsky printed his edition after that. After Professor Shatsky,אברהם יערי used it a few times in his classic work תולדות חג שמחת תורה (pp. 320, 328, 378, 465, 476, 505). Then Professor Jacob Rader Marcus introduced it to Herman Pollack who quotes from it extensively in his book, “Jewish Folkways in Germanic Lands,” as a quick look in the Pollack’s book and its footnotes will show. Despite this, today the שמחת הנפש is a pretty much unknown book in the field, with the exception of Rabbi Shlomo Hamburger, who uses it as a source in his books on minhagim. To the extent that Professor Zev Gris in his book ספרות ההנהגות which is devoted to the topic of the seforim of מוסר והנהגות and their impact, does not even mention it. But later on, it seems that the book was brought to his attention. He discusses the שמחת הנפש in a later book of his, called הספר כסוכן תרבות (pp. 58, 69, 96). In his analysis of Jewish Attitudes toward Gambling, Leo Landman refers to שמחת הנפש as he writes:

“A seventeenth century German moralist complained bitterly about some professional gamblers who would pawn their Talit and Tefillen or their Arba Kanfot in order to raise money for gaming.”

See his “Jewish Attitudes toward Gambling the Professional and Compulsive Gambler,” Jewish Quarterly Review 57:4 (April, 1967): 311.

Some interesting samples of מנהגים and daily life that are mentioned in the sefer are: saying יגדל every day ירושלים) ed., p. 89), dinnim of זכר לחורבןsuch as leaving a spot in the house unpainted (Idem at pp. 75,123), חתן and כלה fasting on the day of their chupah (Idem at p. 174). The reader is able to see from the book which areas people were negligent in. For example: they were not careful about shaving with a razor (Idem at p. 94), and people used to play cards all night (Idem at p. 121). The author describes how the people dealt harshly with each other in business matters (Idem at p. 149). He speaks againstחזנים that do not understand what they’re davening and says that this is a cause for the long galus (Idem at pp. 153-154). Interestingly, he writes that parents sent their kids to dance school (Idem at p. 122).

All of the above is in the first part of volume one. The following are examples from the second part of the volume which is, in a sense, a complete handbook on אורח חיים andיורה דעה . When the author talks about ראש השנה, he says, “we do not sleep onראש השנה, rather we learn the whole day but it’s worse not to sleep and talk”.דברים בטלים (See הלכות ראש השנה עמוד נח סוף העמוד.)

He also includes an extensive chapter on תחומין as it seems many villages were lax in this area (See “Jewish Folkways in Germanic Lands,” p. 323 note 104; ירושלים ed., pp. 30-31). In the third part, (called volume two) which is written in song, as previously mentioned, the author speaks against women that drank excessive amounts of alcohol at wedding and בריתי מילה (vol. two, p. 18). People in the villages children dealt with the farm animal’s onשבת (see תולדות ספרות ישראל עמוד 145), and people wrote מגלת אסתר on paper (Idem).

One topic which is dealt with throughout the sefer is tznius. The author goes so far as to say that the reason why many Jews died in ת”ח ות”ט and other גזירות was because of lack of tznius (ירושלים ed., pp. 64, 124). Examples of tznius the people of his times were lax in include: men and women who weren’t married to each other danced together in public, some women were very involved in dressing in order to be attractive to men. In contrast to all this, the author was told that in Turkey, the people were so careful with tznius that men hardly ever saw women. Women didn’t go to shul, and when guests stayed in someone’s house, the man of the house didn’t allow his wife and daughters to see the guests (Idem at p. 64).

Another issue the author takes a strong stance was the education system. In the first part of the sefer, he recommends that when starting to teach children to learn, you ought to begin with תנ”ך and דקדוק. Only after that should one continue on to משנה and גמרא. That’s the only way people will have success in learning. He states that many people leave the field of learning at a young age, and because they don’t know the basics of תנ”ך and דקדוק, they can’t understand the tefillos they say daily. To quote the sefer, “I’m writing this in German so that everyone can understand, especially women who are busy with child raising. The women should not think that their sons have to learn גמרא at an early age. The מהר”ל and others already said that one should first learn תנ”ך, then דקדוק, and only then move on to משנה and גמרא.” He repeats this in the third part of the sefer, in short, where he mentions that people only teach their children גמרא and not תנ”ך. (See מהדורת תפז עמוד יח. Professor Simcha Assaf in מקורות לתולדות חינוך בישראל only quotes the last source on education.)

In conclusion, the שמחת הנפש is a truly unique sefer. The first part of שמחת הנפש was translated but it could use much more extensive notes. It would be very worthwhile for someone to undertake to translate all three parts of the sefer with extensive footnotes, as was recently done to Gluckel von Hameln.

Many editions of the שמחת הנפש is available online here, including the first – the 1707 edition as well as the rare 1727 edition. Aside from שמחת הנפש the site, from the Frankfurt University Library, contains over 700 Yiddish prints, all free.