The Identity and Meaning of Chashmonai

The Identity and Meaning of Chashmonai [1]
By Mitchell  First
(MFirstatty@aol.com)
        The name Chashmonai appears many times in the Babylonian Talmud, but usually the references are vague. The references are either to beit Chashmonai, malkhut Chashmonai, malkhut beit Chashmonai, malkhei beit Chashmonai, or beit dino shel Chashmonai.[2]  One time (at Megillah 11a) the reference is to an individual named Chashmonai, but neither his father nor his sons are named.
           The term Chashmonai (with the spelling חשמוניי) appears two times in the Jerusalem Talmud, once in the second chapter of Taanit and the other in a parallel passage in the first chapter of Megillah.[3] Both times the reference is to the story of Judah defeating the Syrian military commander Nicanor,[4] although Judah is not mentioned by name. In the passage in Taanit, the reference is to echad mi-shel beit Chashmonai.[5] In the passage in Megillah, the reference is to echad mi-shel Chashmonai. Almost certainly, the passage in Taanit preserves the original reading.[6] If so, the reference is again vague.
 
           Critically, the name Chashmonai is not found in any form in I or II Maccabees, our main sources for the historical background of the events of Chanukkah.[7] But fortunately the name does appear in two sources in Tannaitic literature.[8] It is only through one of these two sources that we can get a handle on the identity of Chashmonai.
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       Already in the late first century, the identity of Chashmonai seems to have been a mystery to Josephus. (Josephus must have heard of the name from his extensive Pharisaic education, and from being from the family.) In his Jewish War, he identifies Chashmonai as the father of Mattathias.[9] Later, at XII, 265 of his Antiquities, he identifies Chashmonai as the great-grandfather of Mattathias.[10] Probably, his approach here is the result of his knowing from I Maccabees 2:1 that Mattathias was the son of a John who was the son of a Simon, and deciding to integrate the name Chashmonai with this data by making him the father of Simon.[11] It is very likely that Josephus had no actual knowledge of the identity of Chashmonai and was just speculating here. It is too coincidental that he places Chashmonai as the father of Simon, where there is room for him. If Josephus truly had a tradition from his family about the specific identity of Chashmonai, it would already have been included in his Jewish War.
   The standard printed text at Megillah 11a implies that Chashmonai is not Mattathias: she-he-emadeti lahem Shimon ha-Tzaddik ve-Chashmonai u-vanav u-Matityah kohen gadol…This is also the implication of the standard printed text at Soferim 20:8, when it sets forth the Palestinian version of the Amidah insertion for Chanukkah; the text includes the phrase: Matityahu ben Yochanan kohen gadol ve-Chashmonai u-vanav…[12] There are also midrashim on Chanukkah that refer to a Chashmonai who was a separate person from Mattathias and who was instrumental in the revolt.[13]
        But the fact that I Maccabees does not mention any separate individual named Chashmonai involved in the revolt strongly suggests that there was no such individual. Moreover, there are alternative readings at both Megillah 11a and Soferim 20:8.[14] Also, the midrashim on Chanukkah that refer to a Chashmonai who was a separate person from Mattathias are late midrashim.[15] In the prevalent version of Al ha-Nissim today, Chashmonai has no vav preceding it.[16]
        If there was no separate person named Chashmonai at the time of the revolt, and if the statement of Josephus that Chashmonai was the great-grandfather of Mattathias is only a conjecture, who was Chashmonai?
           Let us look at our two earliest sources for Chashmonai.  One of these is M. Middot 1:6.[17]
                        …המוקד בבית היו לשכות ארבע  [18]…ייון מלכי ששיקצום המזבח אבני את חשמוניי בני גנזו בה צפונית מזרחית
From here, it seems that Chashmonai is just another name for Mattathias. This is also the implication of Chashmonai in many of the later passages.[19]
             The other Tannaitic source for Chashmonai is Seder Olam, chap. 30. Here the language is: malkhut beit Chashmonai meah ve-shalosh =the dynasty of  the House of Chashmonai, 103 [years].[20] Although one does not have to interpret Chashmonai here as a reference to Mattathias,  this interpretation does fit this passage.
          Thus a reasonable approach based on these two early sources is to interpret Chashmonai as another way of referring to Mattathias.[21] But we still do not know why these sources would refer to him in this way. Of course, one possibility is that it was his additional name.[22] Just like each of his five sons had an additional name,[23] perhaps Chashmonai was the additional name of Mattathias.[24] But I Maccabees, which stated that each of Mattathias’ sons had an additional name, did not make any such statement in the case of Mattathias himself.
         Perhaps we should not deduce much from this omission. Nothing required the author of I Maccabees to mention that Mattathias had an additional name. But one scholar has suggested an interesting reason for the omission.  It is very likely that a main purpose of I Maccabees was the glorification of Mattathias in order to legitimize the rule of his descendants.[25] Their rule needed legitimization because the family was not from the priestly watch of Yedayah. Traditionally, the high priest came from this watch.[26] I Maccabees achieves its purpose by portraying a zealous Mattathias and creating parallels between Mattathias and the Biblical Pinchas, who was rewarded with the priesthood for his zealousness.[27] Perhaps, it has been suggested, the author of I Maccabees left out the additional name for Mattathias because it would remind readers of the obscure origin of the dynasty.[28] (We will discuss why this might have been the case when we discuss the meaning of the name in the next section.)
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             We have seen that a reasonable approach, based on the two earliest rabbinic sources, is to interpret Chashmonai as another way of referring to Mattathias.
        The next question is the meaning of the name. The name could be based on the name of some earlier ancestor of Mattathias. But we have no clear knowledge of any ancestor of Mattathias with this name.[29] Moreover, this only begs the question of where the earlier ancestor would have obtained this name.[30] The most widely held view is that the name Chashmonai   derives from a place that some ancestor of Mattathias hailed from a few generations earlier. (Mattathias and his immediate ancestors hailed from Modin.[31]) For example, Joshua 15:27 refers to a place called Cheshmon in the area of the tribe of Judah.[32] Alternatively, a location Chashmonah is mentioned at Numbers 33:29-30 as one of the places that the Israelites encamped in the desert.[33] In either of these interpretations, the name may have reminded others of the obscure origin of Mattathias’ ancestors and hence the author of I Maccabees might have refrained from using it.
        It has also been observed that the word חשמנים  (Chashmanim) occurs at Psalms 68:32:
                     .לאלקים מני מצרים; כוש תריץ ידיו חַשְׁמַנִּים יאתיו
      Chashmanim will come out of Egypt;  Kush shall hasten her hands to God.
(The context is that the nations of the world are bringing gifts and singing to God.[34])
             It has been suggested that the name Chashmonai is related to חשמנים here.[35] Unfortunately, this is the only time the word חשמנים appears in Tanakh, so its meaning is unclear.[36] The Septuagint translates it as πρέσβεις (=ambassadors).[37] The Talmud seems to imply that it means “gifts.”[38] Based on a similar word in Egyptian, the meanings “bronze,” “natron” (a mixture used for many purposes including as a dye), and “amethyst” (a quartz of blue or purplish color) can be suggested.[39] Ugaritic and Akkadian have a similar word with the meaning of a color, or colored stone, or a coloring of dyed wool or leather; the color being perhaps red-purple, blue, or green.[40] Based on this, meanings such as red cloth or blue cloth have been suggested.[41] Based on similar words in Arabic, “oil” and “horses and chariots” have been proposed.[42] A connection to another hapax legomenon, אשמנים,[43] has also been suggested. אשמנים perhaps means darkness,[44] in which case חשמנים, if related, may mean dark-skinned people.[45] Finally, it has been suggested that חשמנים derives from the word שמן  (oil), and that it refers to important people, i.e., nobles, because the original meaning is “one who gives off light.” (This is akin to “illustrious” in English).[46]
      But the simplest interpretation is that it refers to a people by the name חשמנים.[47] An argument in favor of this is that חשמנים seems to be parallel to Kush, another people, in this verse. Also, יאתיו is an active form; it means “will come,” and not “will be brought.”[48]
        Whatever the meaning of the word חשמנים, I would like to raise the possibility that an ancestor of Mattathias lived in Egypt for a period and that people began to call him something like Chashmonai upon his return, based on this verse.
                                             Conclusions
       Even though Josephus identifies Chashmonai as the great-grandfather of Mattathias, this was probably just speculation. It is too coincidental that he places Chashmonai as the father of Simon, precisely where there is room for him.
        The most reasonable approach, based on the earliest rabbinic sources, is to interpret Chashmonai as another way of referring to Mattathias, either because it was his additional name or for some other reason. A main purpose of I Maccabees was the glorification of Mattathias in order to legitimize the rule of his descendants. This may have led the author of I Maccabees to leave the name out; the author would not have wanted to remind readers of the obscure origin of the dynasty.
       Most probably, the name Chashmonai derives from a place that some ancestor of the family hailed from.
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       A few other points:
            º Most probably, the name חשמונאי did not originally include an aleph. The two earliest Mishnah manuscripts, Kaufmann and Parma (De Rossi 138), spell the name חשמוניי.[49] This is also how the name is spelled in the two passages in the Jerusalem Talmud.[50] As is the case with many other names that end with אי (such as שמאי), the aleph is probably a later addition that reflects the spelling practice in Babylonia.[51]
            º The plural חשמונאים is not found in the rabbinic literature of the Tannaitic or Amoraic periods,[52] and seems to be a later development.[53] (An alternative plural that also arose is חשמונים; this plural probably arose earlier than the former.[54]) This raises the issue of whether the name was ever used in the plural in the Second Temple period.
       The first recorded use of the name in the plural is by Josephus, writing in Greek in the decades after the destruction of the Temple.[55] It is possible that the name was never used as a group name or family name in Temple times and that we have been misled by the use of the plural by Josephus.[56] On the other hand, it is possible that by the time of Josephus the plural had already come into use and Josephus was merely following prevailing usage. In this approach, how early the plural came into use remains a question.
      Since there is no evidence that the name was used as a family or group name at the time of Mattathias himself, the common translation in Al ha-Nissim: “the Hasmonean” (see, e.g., the Complete ArtScroll Siddur, p. 115) is misleading. It implies that he was one of a group or family using this name at this time. A better translation would be “Chashmonai,” implying that it was a description/additional name of Mattathias alone.
  °  The last issue that needs to be addressed is the date of Al ha-Nissim.
    According to most scholars, the daily Amidah was not instituted until the time of R. Gamliel, and even then the precise text was not fixed.[57] Probably, there was no Amidah at all for most of the Second Temple period.[58] The only Amidot that perhaps came into existence in some form in the late Second Temple period were those for the Sabbath and Biblical festivals.[59] Based on all of the above, it is extremely unlikely that any part of our text of Al ha-Nissim dates to the Hasmonean period.
    The concept of  an insertion in the Amidah for Chanukkah is found already at Tosefta Berakhot 3:14. See also, in the Jerusalem Talmud, Berakhot 4:1 and 7:4, and in the Babylonian Talmud, Shabbat 24a, and perhaps Shabbat 21b.[60] But exactly what was being recited in the Tannaitic and Amoraic periods remains unknown. The version recited today largely parallels what is found in the sources from Geonic Babylonia. The version recited in Palestine in the parallel period was much shorter. See Soferim 20:8 (20:6, ed. Higger).[61] The fact that the Babylonian and Palestinian versions differ so greatly suggests that the main text that we recite today for Al ha-Nissim is not Tannaitic in origin. On the other hand, both versions do include a line that begins biymei Matityah(u), so perhaps this line is a core line and could date as early as the late first century or the second century C.E.[62]
    In any event, the prevalent version of Al ha-Nissim today, Matityahu … kohen gadol Chashmonai u-vanav, can easily be understood as utilizing Chashmonai as an additional name for Mattathias. But this may just be coincidence. It is possible that the author knew of both names, did not understand the difference between them, and merely placed them next to one another.[63]
        On the other hand, we have seen the reading ve-Chashmonai in both Al ha-Nissim and Tractate Soferim. Perhaps this was the original reading, similar to the reading in many manuscripts of Megillah 11a. Perhaps all of these texts were originally composed with the assumption that Mattathias and Chashmonai were separate individuals. But there is also a strong possibility that these vavs arose later based on a failure to understand that the reference to Chashmonai was also a reference to Mattathias.
——
      Postscript: Anyone who is not satisfied with my explanations for Chashmonai can adopt the explanation intuited by my friend David Gertler when he was a child. His teacher was talking to the class about Mattityahu-Chashmonai and his five sons, without providing any explanation of the name Chashmonai. David reasoned: it must be that he is called חשמני because he had five sons (i.e., חמשי metathesized into חשמי/חשמני)![64]

 

 

[1] I would like to thank Rabbi Avrohom Lieberman, Rabbi Ezra Frazer, and Sam Borodach for reviewing the draft.  I will spell the name Chashmonai throughout, as is the modern convention, even though the vav has a shuruk in the Kaufmann manuscript of the Mishnah and Chashmunai may be the original pronunciation
[2]  The references to beit dino shel Chashmonai are at Sanhedrin 82a and Avodah Zarah 36b.    The balance of the references are at: Shabbat 21b,  Menachot 28b  and 64b, Kiddushin 70b, Sotah 49b, Yoma 16a, Rosh ha-Shanah 18b and 24b, Taanit 18b, Megillah 6a, Avodah Zarah 9a, 43a, and 52b, Bava Kamma 82b, and  Bava Batra 3b. For passages in classical midrashic literature that include the name Chashmonai, see, e.g., Bereshit Rabbah 99:2, Bereshit Rabbah 97 (ed. Theodor-Albeck, p. 1225), Tanchuma Vayechi 14, Tanchuma Vayechi, ed. Buber, p. 219, Tanchuma Shofetim 7,  Pesikta de-Rav Kahana, p. 107 (ed. Mandelbaum), and Pesikta Rabbati 5a and 23a (ed. Ish Shalom). See also Midrash ha-Gadol to Genesis 49:28 (p. 866). The name is also found in the Targum to I Sam. 2:4 and Song of Songs 6:7.
     The name is also found in sources such as Al ha-Nissim, the scholion to Megillat Taanit, Tractate Soferim, Seder Olam Zuta, and Midrash Tehillim. These will be discussed further below.
     The name is also found in Megillat Antiochus. This work, originally composed in Aramaic, seems to refer to bnei Chashmunai and/or beit Chashmunai. See Menachem Tzvi Kadari, “Megillat Antiochus ha-Aramit,” Bar Ilan 1 (1963), p. 100 (verse 61 and notes) and p. 101 (verse 64 and notes). There is also perhaps a reference to the individual. See the added paragraph at p. 101 (bottom). This work is generally viewed as very unreliable. See, e.g., EJ 14:1046-47.
Most likely, it was composed in Babylonia in the Geonic period.  See Aryeh Kasher, “Ha-Reka ha-Historiy le-Chiburah shel Megillat Antiochus,” in Bezalel Bar-Kochva, ed., Ha-Tekufah ha-Selukit be-Eretz Yisrael (1980), pp. 85-102,  and Zeev Safrai, “The Scroll of Antiochus and the Scroll of Fasts,” in The Literature of the Sages, vol. 2, eds. Shmuel Safrai, Zeev Safrai, Joshua Schwartz, and Peter J. Tomson (2006). A Hebrew translation of Megillat Antiochus was included in sources such as the Siddur Otzar ha-Tefillot and in the Birnbaum Siddur.
[3] Taanit 2:8 (66a) and Megillah 1:3 (70c). In the Piotrkow edition, the passages are at Taanit 2:12 and Megillah 1:4.
[4] This took place in 161 B.C.E. On this event, see I Macc. 7:26-49, II Macc. 15:1-36, and Josephus, Antiquities XII, 402-412.  The story is also found at Taanit 18b, where  the name of the victor
is given more generally as  malkhut beit Chashmonai.
[5] Mi-shel and beit are combined and written as one word in the Leiden manuscript. Also, there is a chirik under the nun. See Yaakov Zusman’s 2001 edition of the Leiden manuscript, p. 717.
[6] The phrase echad mi-shel Chashmonai  is awkward and unusual; it seems fairly obvious that a word such as beit is missing. Vered Noam, in her discussion of the passages in the Jerusalem Talmud about Judah defeating Nicanor, adopts the reading in Taanit and never even mentions the reading in Megillah. See her Megillat Taanit (2003), p. 300.
   There are no manuscripts of the passage in Megillah other than the Leiden manuscript. There is another manuscript of the passage in Taanit. It is from the Genizah and probably dates earlier than the Leiden manuscript (copied in 1289). It reads echad mi-shel-beit Chashmonai. See Levi (Louis) Ginzberg, Seridei ha-Yerushalmi (1909), p. 180.
   Mi-shel and Chashmonai are combined and written as one word in the Leiden manuscript of the passage in Megillah and there is no vocalization under the nun of Chashmonai here.
[7]  I Maccabees was probably composed after the death of John Hyrcanus in 104 B.C.E., or at least when his reign was well-advanced. See I Macc. 16:23-24.  II Maccabees is largely an abridgment of the work of someone named Jason of Cyrene. This Jason is otherwise unknown. Many scholars believe that he was a contemporary of Judah. Mattathias is not mentioned  in II Macc. The main plot of  the Chanukkah story (=the persecution of the Jews by Antiochus IV and the Jewish rededication of the Temple) took place over the years 167-164 B.C.E.
[8] M. Middot 1:6 (benei Chashmonai) and Seder Olam, chap. 30 (malkhut beit Chashmonai).
[9] I, 36. This view is also found in Seder Olam Zuta, chap. 8.
   Earlier, at I, 19, he wrote that Antiochus Epiphanes was expelled by ’Ασαμωναίου παίδων (“the sons of”  Chashmonai; see the Loeb edition, p. 13, note a. ). This perhaps implies an equation of Chashmonai and Mattathias, But παίδων probably means “descendants of” here.
[10] XII, 265. Jonathan Goldstein in his I Maccabees
(Anchor Bible, 1976),  p. 19,  prefers a different translation of the Greek here. He claims that, in this passage, Josephus identifies Chashmonai with Simon. But Goldstein’s translation of this passage is not the one adopted by most scholars.
   There are also passages in Antiquities that could imply that Chashmonai is to be identified with Mattathias. See XX, 190, 238, and 249. But παίδων probably has the meaning of  “descendants of ” (and not “sons of”) in these passages, and there is no such identification implied.
   The ancient table of contents that prefaces book XII of Antiquities identifies Chashmonai as the father of Mattathias. See Antiquities, XII,  pp. 706-07, Loeb edition. (This edition publishes these tables of contents at the end of each book.) But these tables of contents may not have been composed by Josephus but by his assistants. Alternatively, they may have been composed centuries later.
In his autobiographical work Life (paras. 2 and 4), Josephus mentions Chashmonai as his ancestor. But the statements are too vague to determine his identity. This work was composed a few years after Antiquities.
[11] Goldstein suggests (pp. 60-61) that Josephus did not
have I Macc. in front of him when writing his Jewish War, even though Goldstein believes that Josephus had read it and was utilizing his recollection of it as a source. Another view is that Josephus drew his sketch of Hasmonean history in his Jewish War mainly from the gentile historian Nicolaus of Damascus.
    Most likely, even when writing Antiquities, Josephus did not have II Macc. or the work of Jason of Cyrene. See, e.g., Daniel Schwartz, Sefer Makabim ב (2008), pp. 30 and 58-59, Isaiah M. Gafni, “Josephus and I Maccabees,” in Josephus, the Bible, and history, eds. Louis H. Feldman and Gohei Hata (1989), p. 130, n. 39, and Menachem Stern, “Moto shel Chonyo ha-Shelishi,” Tziyyon 25
(1960), p. 11.
[12] I am not referring to the Palestinian version as Al ha-Nissim, since it lacks this phrase. The text of Al ha-Nissim in the Seder R. Amram (ed. Goldschmidt, p. 97) is the same (except that it reads Matityah). See also R. Abraham Ha-Yarchi (12th cent.), Ha-Manhig (ed. Raphael), vol. 2, p. 528, which refers to Matityah kohen gadol ve-Chashmonai u-vanav, and seems to be quoting here from an earlier midrashic source. Finally, see Midrash Tehillim, chap. 30:6 which refers to Chashmonai u-vanav and then to beney Matityahu. The passages clearly imply that these are different groups.
[13] See the midrashim on Chanukkah first published by
Adolf Jellinek in the mid-19th century, later republished by Judah
David Eisenstein in his Otzar Midrashim (1915). Mattathias and Chashmonai are clearly two separate individuals in the texts which Einsenstein calls Midrash Maaseh Chanukkah and Maaseh Chanukkah, Nusach ‘ב. See also
Rashi to Deut. 33:11 (referring to twelve sons of  Chashmonai).
[14] As  I write this, Lieberman-institute.com records four manuscripts that have Chashmonai with the initial vav like the Vilna edition, two manuscripts that have Chashmonai without the initial vav (Goettingen 3, and Oxford Opp. Add. fol. 23), and one manuscript (Munich 95) that does not have the name at all. (Another manuscript does not have the name but it is too fragmentary.) There are three more manuscripts of Megillah 11a, aside from what is presently recorded on Lieberman-institute.com. See Yaakov Zusman, Otzar Kivei ha-Yad ha-Talmudiyyim (2012), vol. 3,  p. 211. I have not checked these.
    With regard to the passage in Soferim 20:8, there is at least one manuscript that reads חשמונאי (without the initial vav). See Michael Higger, ed., Massekhet Soferim (1937), p. 346, line 35 (text). (It seems that Higger printed the reading of  ms.ב  in the text here.)
[15] These midrashim are estimated to have been compiled in the 10th century. EJ 11:1511.
[16] The prevalent version is based on the Siddur Rav Saadiah Gaon (p. 255): Matityah ben Yochanan kohen gadol Chashmonai u-vanav. This version too can be read as reflecting the idea that Chashmonai was a separate person.
[17] Middot is a tractate that perhaps reached close to
complete form earlier than most of the other tractates. See Abraham Goldberg, “The Mishna- A Study Book of Halakha,” in The Literature of the Sages, vol. 1, ed. Shmuel Safrai (1987).
[18] The above is the text in the Kaufmann Mishnah manuscript. Regarding the word beney, this is the reading in both the Kaufmann and Parma (De Rossi 138) manuscripts. Admittedly, other manuscripts of Mishnah Middot 1:6, such as the one included in the Munich manuscript of the Talmud, read ganzu beit Chashmonai.
But the Kaufmann and Parma (De Rossi 138) manuscripts are generally viewed as the most reliable ones. Moreover, the beit reading does not fit the context. Since the references to Chashmonai in the Babylonian Talmud are often prefixed by the word beit and are never prefixed by the word beney, we can understand how an erroneous reading of beit could have crept into the Mishnah here.
      The Mishnah in Middot is quoted at Yoma 16a and Avodah Zarah 52b. At Yoma 16a, Lieberman-institute.com presently records five manuscripts or early printed editions with beit, and none with bnei. At Avodah Zarah 52b, it records three with beit and one with beney. (The Vilna edition has beit in both places.) Regarding the spelling חשמוניי in the Mishnah, most likely, this was the original spelling of the name. See the discussion below.
[19] See, e.g., Bereshit Rabbah 99:2: חשמונאי  בני ביד  נופלת  יון מלכות  מי ביד,  Bereshit Rabbah 97 (ed. Theodor-Albeck, p. 1225): לוי של משבטו היו חשמוניי שבני,  Pesikta Rabbati 5a, Tanchuma Vayechi 14, Tanchuma Vayechi, ed. Buber, p. 219, Pesikta de-Rav Kahana, p. 107, and Midrash ha-Gadol to Genesis 49:28. See also the midrash published by Jacob Mann and Isaiah Sonne in The Bible as Read and Preached in the Old Synagogue, vol. 2 (1966), p. עב.
      I also must mention the scholion to Megillat
Taanit
. (I am not talking about Megillat Taanit itself. There are no references to Chashmonai there.) As Vered Noam has shown in her critical edition of Megillat Taanit, the two most important manuscripts to the scholion are the Parma manuscript and the Oxford manuscript.
      If we look at the Parma manuscript to the scholion to 25 Kislev, it uses the phrase nikhnesu beney Chashmonai le-har ha-bayit, implying that the author of this passage viewed Chashmonai as Mattathias.
        On 14 Sivan, the Oxford manuscript of the scholion tells us that חשמונאי יד וכשגברה, the city of קסרי was conquered. Probably, the author of this passage is referring to the acquisition of Caesarea by Alexander Yannai, and the author is using Chashmonai loosely. Probably the author meant beit Chashmonai or malkhut beit Chashmonai. (One of these may even have been the original text.)
       On 15-16 Sivan, the Parma manuscript of the scholion tells us about the military victory of  חשמונאי בני over Beit Shean. We know from Josephus (Antiquities XIII, 275-83 and Jewish War I,  64-66) that this was a victory that occurred in the time of John Hyrcanus and that his the sons were the leaders in the battle. But it would be a leap to deduce that the author of this passage believed that John was חשמונאי. Probably, the author was using חשמונאי בני loosely and meant beit Chashmonai or malkhut beit Chashmonai. Not surprisingly, the Oxford manuscript has beit Chashmonai here.
       In the balance of the passages in the scholion, if we look only at the Parma and Oxford manuscripts, references to beit Chashmonai or malkhut beit Chashmonai  are found at 23 Iyyar, 27 Iyyar, 24 Av, 3 Tishrei, 23 Marchesvan, 3 Kislev, 25 Kislev, and 13 Adar.
[20] This passage is quoted at Avodah Zarah 9a. In the
Vilna edition, the passage reads malkhut Chashmonai. The three
manuscripts presently recorded at Lieberman-Institute.com all include the beit preceding חשמונאי. The other source recorded there is the Pesaro printed edition of 1515. This source reads  חשמוניי מלכות.
[21] One can also make this argument based on the passage
in the first chapter of Megillah in the Jerusalem Talmud: משלחשמוניי אחד ויצא. This passage tells a story about Judah (without mentioning him by name). But the parallel passage in the
second chapter of Taanit reads:  חשמוניי בית משל אחד אליו ויצא. As pointed out earlier, almost certainly this is the original reading. Moreover, if a passage intended to refer to a son of Chashmonai, the reading we would expect would be: חשמוניי מבני אחד ויצא.
[22] Goldstein, p. 19, n. 34, writes that the Byzantine
chronicler Georgius Syncellus (c. 800) wrote that Asamόnaios was
Mattathias’ additional name. Surely, this was just a conjecture by the chronicler or whatever source was before him.
[23] The additional names for the sons were: Makkabaios
(Μακκαβαîος),  Gaddi (Γαδδι), Thassi (Θασσι), Auaran (Αυαραν) and Apphous (Απφους). These were the names for Judah, John, Simon, Eleazar and Jonathan, respectively. See I Macc. 2:2-4.
[24] See, e.g., Goldstein, pp. 18-19.  Goldstein also writes (p. 19): Our pattern of given name(s) plus surname did not exist among ancient Jews, who bore only a given name. The names of Mattathias and his sons were extremely common in Jewish priestly families. Where many persons in a society bear the same name, there must be some way to distinguish one from another. Often the way is to add to the over-common given name other names or epithets. These additional appellations may describe the person or his feats or his ancestry or his place of origin; they may even be taunt-epithets. The names Mattityah and Mattiyahu do occur in Tanakh, at I Ch. 9:31, 15:18, 15:21, 16:5, 25:3, 25:21, Ezra 10:43, and Nehemiah 8:4. But to say that these names were common prior to the valorous deeds of Mattathias and his sons is still conjectural. (Admittedly, the names did become common thereafter.)
[25]  See, e.g.,
Daniel R. Schwartz, “The other in 1 and 2 Maccabees,” in Tolerance and Intolerance in Early Judaism and Christianity, eds. Graham N. Stanton and Guy G. Stroumsa (1998), p. 30, Gafni, pp. 119 and 131 n. 49,  and Goldstein,  pp. 7 and 12. See particularly I Macc. 5:62. As mentioned earlier, I Maccabees was probably composed after the death of John Hyrcanus in 104 BCE, or at least when his reign was well-advanced. See I Macc. 16:23-24.
[26] According to I Macc. 2:1, Mattathias was from the priestly watch of Yehoyariv. Of course, even if he would have been from the watch of Yedayah, the rule of his descendants would have needed legitimization because they were priests and not from the tribe of Judah or the Davidic line.
[27] See, e.g., Goldstein, pp. 5-7 and I Macc. 2:26 and 2:54. Of course, the parallel to Pinchas is not perfect. As a result of his zealousness, Pinchas became a priest; he did not become the high priest.
[28]
Goldstein, pp. 17-19. Josephus, writing after the destruction of the Temple and not attempting to legitimize the dynasty, would not have had this concern. (I am hesitant to agree with Goldstein on anything, as his editions of I and II Maccabees are filled with far-reaching speculations. Nevertheless, I am willing to take his suggestion seriously here.)
[29] As mentioned earlier, the identification by Josephus of
Chashmonai as the great-grandfather of Mattathias is probably just speculation.
[30] It has been suggested that it was the name of an
ancestor. See, e.g., H. St. J. Thackeray, ed., Josephus: Life
(Loeb Classical Library, 1926), p. 3, who theorizes that the Hasmoneans were named after “an eponymous hero Hashmon.” Julius Wellhausen theorized that, at I Macc. 2:1, the original reading was “son of Hashmon,” and not “son of Simon.”
See Emil Schürer, The History of the Jewish People in the Age of Jesus Christ, revised and edited by Geza Vermes, Fergus Millar, and Matthew Black, vol. 1 (1973),  p. 194, n. 14.
[31] See I Macc. 2:70, 9:19, and  13:25.
[32]  See, e.g., Isaac Baer, Avodat Yisrael (1868), p. 101, EJ  7:1455, and Chanukah (ArtScroll Mesorah Series, 1981), p. 68.
[33] See, e.g., EJ 7:1455.  Another less likely alternative is to link the name with Chushim of the tribe of Benjamin, mentioned at I Ch. 8:11.
[34] The probable implication of the second part of verse
32 is that the people of Kush will hasten to spread their hands in prayer, or hasten to bring gifts with their hands. See Daat Mikra to 68:32.
[35] This is raised as a possibility by many scholars. Some of the rabbinic commentaries that suggest this include R. Abraham Ibn Ezra and Radak. See their commentaries on Ps. 68:32. See also Radak, Sefer ha-Shoreshim,חשמן , and R. Yosef Caro, Beit Yosef, OH 682. The unknown author of Maoz Tzur also seems to adopt this approach (perhaps only because he was trying to rhyme with השמנים).
[36] Some scholars are willing to emend the text. See, for example, the suggested emendations at Encyclopedia Mikrait 3:317,  entry חשמנים (such as משמנים = from the oil.) The Brown-Driver-Briggs Hebrew and English Lexicon (1906) writes that there is “doubtless” a textual error here.
[37] So too, Origen (third century). Some Rishonim interpret the termחשמנים  here as rulers or people of importance. See, e.g., the commentaries on Psalms 68:32 of Ibn Ezra (סגנים) and Radak. See also Radak, Sefer ha-Shoreshim, חשמן
,
and  R. Yosef Caro, Beit Yosef, OH 682. What motivates this interpretation is the use of the term in connection with Mattathias. But we do not know the meaning of the term in connection with Mattathias.
   [38] See Pes. 118b (דורון). Perhaps supporting this is verse 68:30 (lekha yovilu melakhim shai).  See Rashbam to Pes. 118b. Also, the interpretation מנות דורונות is found at Midrash Tehillim (ed. Buber, p. 320). It also seems to be the view of Rashi.
[39] On the Egyptian word ḥsmn as bronze or natron,
and reading one of these into this verse, see William F. Albright, “A Catalogue of Early Hebrew Lyric Poems,” Hebrew Union College Annual 23 (1950-51), pp. 33-34. Jeremy Black, “Amethysts,” Iraq 63 (2001), pp. 183-186, explains that ḥsmn also has the meaning amethyst in Egyptian. But he does not read this into Ps. 68:32. (He reads it into the Biblical  חשמל.)
[40] See, e.g., Black, ibid., and Itamar Singer, “Purple-Dyers
in Lazpa,” kubaba.univ-paris1.fr/recherche/antiquite/atlanta.pdf.
[41] Ludwig Koehler and Walter Baumgartner, The Hebrew
and Aramaic Lexicon of the Old Testament
(1994),  vol. 1, p. 362, interpret “bronze articles or red cloths.” Mitchell Dahood, Psalms II:51-100 (Anchor Bible, 1968) interprets “blue cloth.”
    Based on the Akkadian, George Wolf suggests that חשמנים refers to nobles and high officials because they wore purple clothing. See his Studies in the Hebrew Bible and Early Rabbinic Judaism (1994), p. 94
[42] For “oil,” see Encyclopedia Mikrait 3:317,
entry חשמנים (one of the many possible interpretations mentioned there).  For “horses and chariots,” see Daat Mikra to 68:32 (citing the scholar Arnold Ehrlich and the reference to the coming of
horses and chariots at Is. 66:20).
[43] See Is. 59:10  באשמנים (in the ashmanim).
[44] Ernest Klein,  A
Comprehensive Etymological Dictionary of the Hebrew Language for Readers of English
(1987), p. 58, writes that it usually translated as “darkness.” Some Rishonim who adopt this interpretation are Menachem ben Saruk (quoted in Rashi) and Ibn Janach. Note also the parallel to Psalms 143:3. On the other hand, the parallel to בצהרים at Is. 59:10 suggests that the meaning of  באשמנים is “in the light,” as argued by
Solomon Mandelkern in his concordance Heikhal ha-Kodesh (1896), p. 158.
[45] See Midrash Tehillim (ed. Buber, p. 320):  שחורים
אנשים.  This is the fourth interpretation suggested there. Buber puts the second, third, and fourth interpretations in parenthesis, as he believes they were not in the original text. The first interpretation is  מנות דורונות. The second and third interpretations are farfetched plays on words.
     Also, the original reading in the Targum Pseudo-Jonathan translation of חשמנים seems to be אוכמנא or אוכמנאי,    meaning “dark people.” See David M. Stec, The Targum of Psalms (2004) p. 133. The standard printed editions have a different reading (based on an early printed edition) and imply that חשמנים was the name of a particular Egyptian tribe.
[46] See Mandelkern, p. 433, who cites this view even though he disagrees with it.
[47] A modern scholar who takes this approach is Menachem
Tzvi Kadari. See his Millon ha-Ivrit ha-Mikrait (2006). This also seems to be the approach taken in the standard printed edition of the Targum Pseudo-Jonathan, even though this does not seem to be the original reading. See also Rashi to Ps. 68:32, citing Menachem ben Saruk who claims that they are the residents of  Chashmonah. See also Radak, Sefer ha-Shoreshim, חשמן (second suggestion) and Mandelkern, p. 433.
     Gen. 10:14 mentions כסלחים as one of
the sons of Mitzrayim. Interestingly, one of the three early texts of
the Septuagint (codex Alexandrinus, fifth cent.) reads Χασμωνιειμ
(=Chasmonieim) here. If this were the original reading, this would suggest that there were a people called Hashmanim (or something similar) in second century B.C.E. Egypt. But the Sinaiticus and Vaticanus codices (which are earlier than the Alexandrinus codex) do not have this reading; they have something closer to the Hebrew. Most likely, the reading in the Alexandrinus codex is just a later textual corruption. See John William Wevers, Notes on the Greek Text of Genesis (1993), p. 136.
[48] See similarly Deut. 33:21, Proverbs 1:27, Isaiah 41:5
and 41:25, and Job 3:25, 16:22, 30:14, and 37:22.
[49] The Kaufmann manuscript dates to the tenth or eleventh century. The Parma (De Rossi 138) manuscript dates to the eleventh century. The vocalization in both was inserted later. In the Kaufmann manuscript, there is a patach under the nun and a chirik under the first yod. Also, the vav is dotted with a shuruk. (The Parma manuscript does not have vocalization in tractate Middot; the manuscript is not vocalized throughout.).
     The Leiden manuscript of the Jerusalem Talmud includes a chirik under the nun in the passage in Taanit (66a). See Zusman’s 2001 edition of the Leiden manuscript, p. 717. There is no vocalization under the nun in the passage in Megillah (70c).
[50] חשמונאי is the spelling in all but one of the manuscripts and early printed editions of Seder Olam. One manuscript spells the name חשמוני. See  Chaim Joseph Milikowsky, Seder Olam: A Rabbinic Chronography (1981), p. 440.
     Also, חשמוניי  is the spelling in the text of Pesikta de-Rav Kahana that was published by Bernard Mandelbaum in his critical edition of this work (p. 107). (But see the notes for the variant readings.) Also, חשמוניי  is the spelling in the text of the Theodor-Albeck edition of Bereshit Rabbah, at section 97 (p. 1225). (But see the notes for the variant readings.). See also ibid., p. 1274, note to line 6 (חשמניי).
     Also, Lieberman-institute.com cites one manuscript of Menachot 64b with the spelling  חשמוניי. This is also the spelling used by R. Eleazar Kallir (early seventh century). See his piyyut for Chanukkah לצלעי נכון איד (to be published by Ophir Münz-Manor).
[51] I would like to thank Prof. Richard Steiner for pointing this out to me.
[52] Jastrow, entry חשמונאי, cites the plural as appearing in some editions of Bava Kama 82b (but not in the Vilna edition.) Lieberman-institute.com presently records five manuscripts of Bava Kama 82b. All have the word in the singular here. The EJ (7:1454) has an entry “Hasmonean Bet Din.” The entry has a Hebrew title as well: חשמונאים של דין בית. The entry cites to Sanhedrin 82a and Avodah Zarah 36b, and refers to “the court of the Hasmoneans.” (In the new edition of the EJ, the same entry is republished.) Yet none of the manuscripts presently recorded at Lieberman-institute.com on these two passages have the plural.
(Lieberman-institute.com presently records two manuscripts of Sanhedrin 82a and three manuscripts of Avodah Zarah 36b. According to Zusman, Otzar Kivei Ha-Yad Ha-Talmudiyyim, vol. 3, p. 233 and 235, there are three more manuscripts of Sanhedrin 82a extant. I have not checked these.)
     Probably, the reason for the use of the plural in the EJ entry is that scholars began to use the plural for this mysterious bet din, despite the two references in Talmud being in the singular. See, e.g., Zacharias Frankel, Darkhei ha-Mishnah (1859), p. 43.  Other erroneous citations to a supposed word חשמונאים are found at Chanukah (ArtScroll Mesorah Series), p. 68, n. 6.
[53] The earliest references to this plural that I am are
aware of are at Midrash Tehillim  5:11
(ובניו  חשמונאים),  and 93:1 (חשמונאים בני). But it is possible that
חשמונאים may not be the original reading in either of these
passages. The reference at 5:11 is obviously problematic. Also, the line may be a later addition to the work. See Midrash Tehillim, ed. Buber, p. 56, n. 66. (This work also refers to חשמונאי בית  and ובניו חשמונאי. See 22:9, 30:6, and 36:6.) The next earliest use of this plural that I am aware of is at Bereshit Rabbati, section Vayechi, p. 253 (ed. Albeck): חשמונאים בני. This work is generally viewed as an adaptation of an earlier (lost) work by R. Moshe ha-Darshan (11th cent.)
[54] חשמונים is found in the piyyut שמנה כל אעדיף   by R. Eleazar
Kallir (early seventh century) and in the works of several eighth century paytannim as well. Perhaps even earlier are the references in Seder Olam Zuta. See, e.g., the text of this work published by Adolf Neubauer in his Seder ha-Chakhamim ve-Korot ha-Yamim, vol. 2 (1895), pp. 71, 74 and 75. See also the Theodor-Albeck edition of Bereshit Rabbah, section 97, p. 1225, notes to line 2, recording a variant with the reading חשמונים. Also, Yosippon always refers to the חשמונים when referring to the group in the plural. (In the singular, his references are to חשמונאי and חשמוניי.) Also, Lieberman-institute.com
cites one manuscript of Megillah 6a (Columbia X 893 T 141) with the reading חשמונים.
[55] See his Jewish War, II, 344, and V, 139, and Antiquities
XV,403 (Loeb edition, p. 194, but see n. 1).
[56] It is interesting that a similar development occurred
in connection with the name “Maccabee.” The name was originally an additional name of Judah only. Centuries later, all of the brothers came to be referred to by the early church fathers as “Maccabees.” See Goldstein, pp. 3-4.
[57] See, e.g., Allen Friedman, “The Amida’s Biblical and Historical Roots: Some New Perspectives,” Tradition 45:3 (2012), pp.  21-34, and the many references there. Friedman writes (pp. 26-27): The first two points to be noted concerning the Amida’s history are that: (1) R. Gamliel and his colleagues in late first-century CE Yavneh created the institution of the Amida, its nineteen particular subjects, and the order of those subjects, though not their fully-fixed text, and (2) this creation was a critical part of the Rabbinic response to the great theological challenge posed by the Second Temple’s destruction and the ensuing exile…See also Berakhot 28b.
[58] Admittedly, this view disagrees with Megillah 17b which attributes the Shemoneh Esreh of eighteen blessings to an ancient group of 120 elders that included some prophets (probably an equivalent term for the Men of the Great Assembly.) But note that according to Megillah 18a, the eighteen blessings were initially instituted by the 120 elders, but were forgotten and later restored in the time of R. Gamliel and Yavneh. See also Berakhot 33a, which attributes the enactment of  תפילות to the Men
of the Great Assembly.
[59] See, e.g., the discussion by Joseph Tabory in
“Prayers and Berakhot,” in The Literature of the Sages, vol. 2, pp.
295-96 and 315-316. Tabory points to disagreements recorded between the House of Hillel and the House of Shammai regarding the number of blessings in the Amidot for Yom Tov and Rosh ha-Shanah when these fall on the Sabbath. See Tosefta Rosh ha-Shanah 2:16 and Tosefta Berakhot 3:13. Disagreements between the House of Hillel and the House of Shammai typically (but not exclusively) date to the last decades of the Temple period. See EJ 4:738. The reference to Choni ha-Katan in the story at Tosefta Rosh ha-Shanah also perhaps supports the antiquity of the disagreement. (This individual is not mentioned elsewhere in
Tannaitic or Amoraic literature.)
[60] With regard to Birkat ha-Mazon, the practice
of reciting Al ha-Nissim here seems to only have commenced in the Amoraic period. See Shabbat 24a.
[61] The first two words of the Palestinian version, פלאיך וכניסי, are also referred to in שמנה כל אעדיף, a Chanukkah piyyut by R. Eleazar Kallir (early seventh century).
[62] Early authorship of Al ha-Nissim is suggested
by the fact that some of its language resembles language in I and II Macc. See particularly I Macc. 1:49, 3:17-20, 4:24, 4:43, 4:55, and II Macc. 1:17 and 10:7. See also perhaps I Macc. 4:59. The original Hebrew version of I Macc. was still in existence at the time of Jerome (4th century). See  Goldstein,
p. 16.
[63] It has already been pointed out that Josephus, having I Maccabees 2:1 in front of him (=Mattathias was the son of  John who was the son of  Simon), was faced with a similar problem. The
solution of Josephus was to conjecture that Chashmonai was the father of
Simon.
[64] I Macc. 2:2-4 states explicitly that Mattathias had
five sons: John, Simon, Judah, Eleazar and Jonathan. Another brother, Ιωσηπον (=Joseph), is mentioned at II Macc. 8:22.But it has been suggested that the original reading here was Ιωαννης (=John), or that Joseph was only a
half-brother, sharing only a mother.



Summary of Jordan Penkower on reading Zekher or Zeikher Amalek

Summary of Jordan Penkower on reading Zekher or Zeikher Amalek

This post originally appeared here. It is a summary of Prof. Jordan Penkower’s Minhag u-Mesorah: ‘Z-kh-r Amalek’ be-hamesh o be-shesh nekudot by his student Yosef Peretz. It appears here with permission, with some additions by the Seforim Blog editor.

It is common practice in most Ashkenazi congregations to read the words z-kh-r Amalek, in Deut. 25:19, twice: once with a tzere under the zayin (zeikher) and once with a segol (zekher). Sephardic congregations, however, who do not distinguish between the pronunciation of these two vowels, read it only once, and they point it with a tzere. What is the origin of this practice, when did it begin, and is this double reading necessary to fulfill the command of reading these verses of Parshat Zakhor, the special reading on the Sabbath before Purim? These questions are discussed in several articles by R. Mordechai Breuer and Dr. J. Penkower,[1] two of the most eminent among contemporary scholars of the masorah and Biblical text. In their opinion, zeikher with a tzere is beyond a shadow of doubt the original and correct pointing of the text; and that is how the verse should be read in Parshat Zakhor. It must be stressed that the custom itself of a double reading is quite surprising and completely unique in Torah reading, for it was customary to decide in favor of one reading or another whenever there was a conflict between variant readings, pointing of vowels, or assignment of cantillation marks (as in cases of kri and ktiv, where a word is written one way but read another). R. David Kimhi, in his Sefer ha-Shorashim (in the manuscript versions), was the first to note the discrepancies regarding the pointing of these vowels in Sephardic biblical manuscripts. Under the root z-kh-r he says: “‘blot out the memory (zekher) of Amalek’ (Deut. 25:19), with six dots (i.e., segol twice), but ‘praise [in remembrance of (le-zekher)] His holy name’ (Ps. 30:5), with five dots (i.e., a tzere and a segol), and this occurs nowhere else; thus it appears in some books [i.e. manuscripts of the bible containing the Masorah]. But in others, z-kh-r is always pointed with five dots.” In other words, Radak noted that in some books he found z-kh-r pointed with segol and in others, with tzere. In printed editions of Sefer ha-Shorashim, however, beginning with the Venice edition and carrying through the 19th century, Radak’s remark concludes with the words “and this occurs nowhere else.” In other words, he found zekher in Parshat Zakhor always pointed with double segol.[2]
Here is a typical example in a manuscript (from 1481):
And here is the Venice edition:Here is the manuscript text restored in Biesenthal and Lebrecht’s Berlin 1847 edition:
Various prayer books and Pentateuchs published in the 16th, 17th and early 18th centuries were redacted according to Radak’s remark as it appears in these printed editions; for example, the siddur of R. Shabtai Sofer (in the word zekher in the Ashrei prayer and in the prayers on the eve of the New Year), and Meor Einayim, the Pentateuch published by R. Wolf Heidenheim.*
The Basel 1579 Seder Tefillot Mi-kol Ha-shanah (Ashkenaz):
The manuscript of R. Shabtai’s siddur:
In 1832, about fifteen years after publication of Heidenheim’s edition, a book by R. Issachar Baer appeared, entitled Ma`aseh Rav, containing a description of the practices of the Vilna Gaon. The author mentions that the Gaon’s disciples disagreed over the way their teacher used to read the word zekher in Parshat Zakhor. The author attested as follows: “When he would read Parshat Zakhor, he would say zekher, with a segol under the letter zayin. R. Hayyim of Volozhin, however, whose endorsement is on the book, wrote there, `As for his writing that in Parshat Zakhor one should read [z-kh-r] with six dots, I heard from the saintly person [i.e., the Gaon of Vilna] that he read with five dots (=zeikher).’ I do not know whether those hearing him were mistaken, and thought they heard segol twice, or whether he changed his practice in his later years.”
Here is the text, with the footnote referring to R. Hayyim of Volozhin’s testimony:

Here is R. Hayyim’s testimony in his approbation at the beginning of this work:

Approximately eighty years later, R. Israel Meir Ha-Cohen, otherwise known as the Hafetz Hayyim, came out with his Mishnah Berurah on the Shulhan Arukh. Since the special reading of Parshat Zakhor is a command from the Torah, and there was some doubt as to the correct reading, he ruled that the words z-kh-r Amalek should be read twice. In his own words, “Some people say it should be read as zeekher Amalek (Deut. 25:19) with a tzere, and others say that it should be read as zekher Amalek with a segol; therefore the correct practice is to read both ways, to satisfy them both” (Mishnah Berurah 685.18). Later, a variety of customs emerged in this regard. Some readers only repeat the two words, z-kh-r Amalek, while others repeat the entire phrase, timhe et z-kh-r Amalek, and still others repeat the entire verse.[3]
Here is the Mishnah Berurah:
As mentioned above, Rabbi Breuer and Dr. Penkower note that the correct pointing of z-kh-r is with a tzere and the custom of double reading is unfounded. This follows from the arguments they cite from the masorah, from the ancient and highly precise Tiberian manuscripts and teachings of the Masoretes. R. Jedidiah Solomon Norzi, a seventeenth century masoretic scholar, held to be the final arbiter on the text of the Bible,[4] wrote a work entitled Minhat Shai, in which he remarks on inaccuracies that entered all the books of the Bible in the 1547-1548 Venice edition of Mikraot Gedolot and other editions published around then.[5] He says nothing about zekher ,which is pointed with a tzere followed by segol, from which it follows that he agreed with this pointing and had no doubts about it being correct.[6]
Minhat Shai from the first edition (Mantua 1742-4):

The most conclusive proof is found in ancient manuscripts, dating to the time of the masorah, and held to be very precise in their pointing and cantillation marks: the Leningrad manuscript (known as B19),[7] the Sassoon 1053 manuscript and others. All point z-kh-r with a tzere under the zayin.[8]
Leningrad manuscript:
Today we have in our hands a famous ancient manuscript, the Keter Aram-Tzova,[9] the most ancient and best authorized text of the entire Bible. The pointing and masoretic annotation of this manuscript were done in Israel over one thousand years ago by Aharon Ben-Asher, considered the greatest Masorete of all generations. Due to Ben-Asher’s precision and reputation, Maimonides chose to base his Hilkhot Sefer Torah on Ben-Asher’s work.[10] In the 15th century, at the latest, the Keter manuscript was transferred to Aleppo, Syria, where it was stored in the Sephardic synagogue until the riots against the Jews of Aleppo (Aram Tzova) that broke out in 1948, during which the manuscript was damaged, most the entire Pentateuch being lost, including Parshat Zakhor. Because the Keter manuscript was so special, the Jews of Aleppo did not allow others to photograph the manuscript or to examine it. Whoever wished to clarify a question of variants in the text had to write down the query and the person in charge would relay the version found in the Keter. The most famous of those addressing queries was R. Jacob Saphir, who submitted over five hundred questions, seeking to find out what variant appeared in the Keter. Fortunately, one of his questions pertained to the pointing of z-kh-r in Parshat Zakhor. The question and response were as follows: “(Deuteronomy) 25:19 z-kh-r h”n [question]. Yes [response].” In other words, is the word z-kh-r pointed in the Keter with five dots [h”n = hamesh nekudot, five dots,i.e., tzere followed by segol]? The answer provided by the keeper of the manuscript, R. Menashe Sitton, was” yes”.[11]
The entry in the published version of this manuscript (Rafael Zer Meorot Natan Le-rabbi Ya’akov Saphir, Leshonenu 50:3,4 Nisan-Tamuz 5746):

Dr. Penkower examined the pointing of z-kh-r in dozens of medieval manuscripts and found that in those manuscripts reputed to be more precise (some of the Sephardic ones) it was pointed with a tzere, and in those reputed to be less precise (some of the Sephardic ones and most of the Ashkenazi ones) it was pointed with a segol. These findings led him to note, “If we were to start taking into account the pointing in manuscripts far removed from the precise Tiberian ones, and were to begin reading doubly all instances of variation between them and the precise manuscripts, the Torah reading each week would last an inordinately long time.”[12] All editions of the Bible today point z-kh-r with tzere followed by segol, leaving no vestige of the double segol variant. One cannot but agree with R. Breuer and Dr. Penkower that there is no need for Ashkenazim to read zekher, for zeikher will suffice. To sum up: * R. David Kimhi mentions two methods of pointing which he observed in Sephardic manuscripts: zekher and zeikher. * The disciples of the Vilna Gaon disagreed about how their Rabbi used to read this word in Parshat Zakhor, whether with a tzere or a segol. * Because of uncertainty as to which was correct, the Mishnah Berurah ruled that z-kh-r Amalek should be read twice, once with tzere and once with segol. * The findings presented by R. Breuer and Dr. Penkower prove conclusively that the correct and original pointing of this word is zeikher (with a tzere). Therefore, in their opinion, one should return to the ancient practice, and all Jewish communities ought to read the word only once, as zeikher. [1] M. Breuer, “Mikraot she-yesh lahem hekhre`a,” Megadim 10 (1990), pp. 97-112; J. S. Penkower, “Minhag u-Mesorah: ‘Z-kh-r Amalek’ be-hamesh o be-shes nekudot” (with appendices, in R. Kasher, M. Tzippor and Y. Tzefati, eds., Iyyunei Mikra u-Farshanut, 4, Bar Ilan University Press, Ramat Gan 1997, pp. 71-127. [2] Penkower (loc. cit., p. 80 ff.) discusses at length the differences between manuscript and printed versions of Sefer ha-Shorashim. [3] On other practices, see Penkower, loc. sit., p. 71, n. 1. [4] Y. Yevin, Mavo la-Masorah ha-Tverianit, Jerusalem 1976, p. 101 ff. [5] J. S. Penkower, Ya`akov Ben Hayyim u-Tzmihat Mahadurat ha-Mikraot ha-Gedolot I-II (Dissertation), Jerusalem 1982. [6] R. Jedidiah Solomon Norzi was preceded by another important masoretic scholar, R. Menahem de Lonzano, author of Or Torah. In his book, he remarks on the same editions of Mikraot Gedolot on the system of vowel pointing and cantillation marks, but also says nothing about z-kh-r being pointed with a tzere followed by segol. [7] The printed Bible published for the IDF, prepared by Prof. A. Dothan, is based on this manuscript.[8]For further detail, see R. Breuer’s article (cited in n. 1), p. 110, and Penkower’s article (cited in n. 2), p. 101. [9] This manuscript is also known as the Aleppo Keter, or simply the Keter for short. [10] Several printed Bibles based on the Keter are available today. The most important of these is undoubtedly the Mikraot Gedolot- ha-Keter, redacted and edited by Prof. Menahem Cohen, Bar Ilan University Press, Ramat Gan 1992 and following years. Thus far five volumes have been published, covering the following six books of the Bible: Joshua-Judges (including a general introduction to the edition), Samuel I and II, Kings I and II, Isaiah, and Genesis vol. 1. [11] The manuscript containing these questions and responsa is known as Meorot Natan. See here.
[12] At the Project on Bible and Masorah at Bar- Ilan University, headed by Prof. M. Cohen, dozens of medieval manuscripts of the Bible were examined, and the findings of these studies reinforce Penkower’s conclusions regarding variant pointings in the manuscripts.
* Seforim Blog editor note: the issue is discussed in the En Hakore commentary included by Heidenheim in Humash Meor Einayim, only in the parashah of Amalek in Exodus 17, not in Deuteronomy. En Hakore is a masoretic commentary by R. Yekutiel (or Zalman) Ha-nakdan who lived in Prague in the 13th century. Here is how it appears in Heidenheim’s Humash Meor Einayim. However, it appears to be a misstatement to say that Heidenheim was among those whose work was “redacted according to Radak’s remark,” for while there is no example of Zekher from Psalms to compare with in his Humash Meor Einayim, Zekher is also pointed with tzere , rather than segol, in the Ashrei prayer included in Humash Moda Le-vina. This would seem to indicate that he did not follow the Radak. He merely published En Hakore, which dealt with the issue raised by Radak.




Answers to Quiz Questions and Other Comments, part 1

Answers to Quiz Questions and Other Comments, part 1
By Marc B. Shapiro
It is now time to announce the names of those who were able to answer the quiz questions I posed. The only two people to answer both questions correctly were Alex Heppenheimer and Yonason Rosman. I fortunately had two CDs so both of them received the prize.

Question no. 1 was: The word for turkey is תרנגול הדו. There is a dagesh in the dalet. Why? Bring a proof for your answer from Berakhot between page 34a and 38a.

Alex Heppenheimer emailed as follows: “The dagesh represents a missing nun in the word הדו. The Aramaic form, in Berachot 36b, is הנדואי. (There is also similarly הנדויין in Yoma 34b and ר’ יהודה הנדואה in Kiddushin 22b.)”

This is correct. The name India (and thus also Hindu) originates with the Persians and Greeks for the land beyond the Indus River. You can see in the Aramaic terms referred to by Heppenheimer that the nun is part of the word. See also the Targum to Esther 1:1 where הדו is translated as .הנדיא Bava Batra 74b, Avodah Zarah 16a, and Bekhorot 37b have other forms of the word, all including the nun.[1] Berakhot 37b refers to נהמא דהנדקא, i.e., “Indian bread.” Targum Ps. Jonathan to Gen. 2:12 translates translates חוילה as הינדקי.

(As to why turkey was referred to by those in Spain, and later the rest of Europe, as “Indian fowl”, that is because when it was first brought back to Europe it was believed to be coming from the area around India, which is where Columbus himself thought that he had ended up.)

For those who are interested in grammatical matters like how the dagesh is used, let me recommend a new book, Adir Amrutzi’s Dikdukei Aviah (Tel Aviv, 2010). In speaking of nuns that drop off, on p. 13 he calls attention to Kiddushin 70a where the word אתרונגא appears. The nun in this word shows us that the plural of etrog is not etrogim, but etrugim, with a dagesh in the gimel and a kubutz under the resh. The singular word etrog should be written as אתרג (All this follows the pattern of tof-tupim [תף-תפים], dov-dubim [דב-דבים]. When the vav holam is in the word, the holam sound remains: חול-חולות, עוף-עופות).

Returning to India, the passage in Berakhot 36b reads: “The preserved ginger which comes from India (הנדואי) is permitted.” The problem is that when you look at Rashi, for his translation of הנדואי he writes: כושיים.

Cushi’im means “Ethiopians” (Translating “Cush” as “Ethiopia” does not imply that it corresponds to the borders of modern day Ethiopia. Some even prefer “Nubia” to Ethiopia”, as Ethiopians are Semitic while Nubians are “Hamitic” [and Cush was a son of Ham]. It perhaps also can refer generally to black Africa. This can explain Pesahim 94a which states that Egypt is one sixtieth of Cush. Also, the Targum to II Chron. 21:16 translates כושים as אפריקאי.)

So where does Rashi get the idea that Cushites are Indians? Did he not know that הנדואי means India? In his commentary to Kiddushin 22b he writes as follows:


הנדואה: מארץ כושי כוש מתרגמינן הנדואה

We see the same identification by Rashi in Yoma 81b.[2] Since the book of Esther distinguishes between India (הדו) and Cush, and Rashi identifies הנדואה with Cush, one might be tempted to conclude that Rashi didn’t realize that הנדואה is the same as הדו. But is it possible that he wouldn’t know this?

And to confuse matters even more, in Avodah Zarah 16a, where הינדואה is mentioned, Rashi explains that it means ארץ הדו.

So not only do we have the problem of Rashi identifying הנדואה as Cush, but we also have the problem of consistency, because in one instance he identifies the place correctly. To add one more thing to the mix, in his commentary to Sukkah 36a Rashi states that Cush is further from the Land of Israel than it is from Babylonia. This means that Rashi thought that Cush is to the east of Babylonia. In other words, Rashi does not believe that Cush is Ethiopia.[3]

So where does Rashi get this notion? He actually gives us his source in his commentary to Yoma 34b, where he refers to the Targum to Jeremiah 13:23. This verse famously states: “Can the Cushi change his skin, or the leopard his spots?” If you look at the Targum on this verse Cushi is translates as .הנדואה In the Targum to Isaiah 11:11 Cush is also identified as India.

So again, I ask, what is going on here? How could the Targum translate Cushi as “Indian”?

P. S. Alexander writes as follows: “It was a common view in ancient geography, shared by Ptolemy and probably also the author of the book of Jubilees . . . that Ethiopia was joined to India in the east. It is this idea that lies behind the [talmudic] statement that Cush and Hodu are adjacent.”[4] He also notes that the Indians dark skin was one reason for the identification. Furthermore, Alexander tell us, there was an ancient belief that there was a land connection between Ethiopia and India south of the Indian Ocean.

Since we have been speaking of India,[5] let me share with you what I found in R. Hayyim Hirschensohn’s Nimukei Rashi on Bamidbar (a copy of which I will give out to the winner of my next quiz[6]). On p. 81b he suggests that the revolt in India against English rule was a punishment of England for splitting the Land of Israel when it created Transjordan.

Returning to the quiz, my second question was: There is a rabbinic phrase that today is used to praise a Torah scholar, but in talmudic days was used in a negative fashion. What am I referring to?

Megillah 28b speaks of a צנא דמלא סיפרי . Today this expression is used to praise scholars. Yet if you look at the talmudic passage its meaning is the exact opposite. Rashi explains:
אינו אלא כסל שמילאוהו ספרים ואין מבין מה בתוכה אף שונה הלכות ולא שימש ת”ח ללמוד שיבינוהו טעמי משנה ופעמים שדברי משנה סותרין זה את זה וצריך לתרצה כגון הכא במאי עסקינן וכגון הא מני רבי פלוני היא וכגון חסורי מיחסרא אינו יודע מה שונה.

Rashi’s explanation should remind people of a phrase used by R. Bahya Ibn Paquda in Hovot ha-Levavot 3:4. In its medieval Hebrew translation it became famous: חמור נושא ספרים. I first heard this expression in yeshiva. Only later did I realize that it came from R. Bahya, and only some time later did I learn that R. Bahya didn’t invent it. Rather, it originates in the Quran 62:5.[7]

* * *

Since this post is not up to my normal length, let me make some more comments. At least one person thinks that my criticism of Artscroll regarding Kalir is unfair. If you recall, I originally criticized them for identifying Kalir as a tanna. In my last post I mentioned that in the first edition of the Artscroll Machzor this identification is rejected, and only in subsequent editions does the Machzor state that Kalir was a tanna. I also claimed that Artscroll knows the truth but in order to mollify its critics, changed what it originally wrote.

This, incidentally, is not the only time that I assume that Artscroll knows what it is writing is incorrect, but writes so anyway. I have a good example of this in the book I am currently working on, so I don’t want to give it away now. I already noted another example in Limits, where I call attention to the introduction to the Artscroll Chumash which states: “Rambam sets forth at much greater length the unanimously held view that every letter and word was given by God to Moses” (emphasis added). This statement, that the view of the Rambam is unanimously held, is false. Furthermore, Artscroll knows it is false, and in its commentary to Deut. 34:5 it mentions the talmudic view that the last verses were given to Joshua.[8]

Here is another example along these lines that I think readers will find interesting. It comes from the new Artscroll Midrash Rabbah, and was called to my attention by R. Avrohom Lieberman (who already called my attention to the Kalir change in the Machzor).

In explaining Tikun Soferim, Artscroll’s note states that this “cannot, Heaven forbid” be taken literally. Yet the editors of Artscroll, who are learned men, know perfectly well that there are traditional sources that state precisely this (See Limits, pp. 98ff). There is no question that the intent of the words “Heaven forbid” is to make the reader think that Artscroll’s perspective is unanimously held.

Since we are now on the subject of Artscroll (the most important and influential Orthodox publishing venture of all time), and lots of people want me to post more on this topic, let me give one final example.[9] It comes from Ecclesiastes, as I dealt with this book in the last series of posts. The upshot of what I and others have already pointed out is something everyone already knew, namely, that Artscroll has a religious agenda. Much like the New York Times’ agenda can be seen not only in the editorial page, but in the news reports as well, so too Artscroll’s agenda is seen not only in the “overviews,”[10] but in the selection of commentaries also. There is enough material for a very long and detailed article spelling all this out.

Eccl. 2:8 states: .עשיתי לי שרים ושרות
What does this mean? The simple explanation is that the author, traditionally Solomon, is telling us about all the wonderful things he amassed with which to enjoy himself, and among them are “men singers and women singers.” Artscroll translates the passage as “I provided myself with various musical instruments.” Now this might be an apologetic translation, but if so, it is not Artscroll that is to be too criticized, but the Talmud, Gittin 68a, since according to Rashi this is how the Talmud explains the words.[11] Artscroll is obviously within its rights to adopt this understanding, even if one assumes that this explanation is not in accord with the simple sense of the verse.

The problem comes with the next passage in the Artscroll commentary which states: “Rav Yosef Kara, Alshich, Metzudas Zion and others translate ‘singers.’” I will get to Kara and Alshich shortly, but let’s begin with Metzudat Tziyon, since this is easiest for most people to access as it appears in the Mikraot Gedolot. He writes as follows:

שרים: משוררים זכרים. ושרות: משוררות נקבות

So now I ask my fair-minded readers: Is Artscroll’s statement that Metzudat Tziyon translates שרים ושרות as “singers” accurate? I think the answer is clearly “no”. Metzudat Tziyon translates the words in question as “male singers and female singers,” and yet—don’t tell me you are surprised—in Artscroll this morphs into “singers”. Why would Artscroll fudge the translation? The answer is obvious. They don’t want people to think that Solomon would have listened to women singing. I am not sure why this is so problematic for them. After all, if Solomon engaged in idolatry (at least according to the biblical text’s simple meaning),, hearing women sing is not so far-fetched. In fact, in his comment on some other words in the verse, R. Jacob Lorberbaum[12] writes as follows):

רמז על שעבר על לא ירבה נשים שהזהירה התורה

Lorberbaum, therefore, has no difficulty in seeing the verse as pointing to misdeeds of Solomon.

Let us now see what Kara and Alshich say on the verse, since they too were quoted by Artscroll. Kara’s commentary is printed in Otzar Tov, ed., Berliner and Hoffmann (Berlin, 1886-1887), p. 10: עשיתי לי שרים ושרות: תיקנתי לי זכרים ונקיבות לשורר לפניי

Alshich explains the verse to be referring to משוררים ומשוררות

So we see that the commentators Artscroll refers to are explicit that the meaning of the passage is “male and female singers.”

Among other sources that interpret this way are Kohelet Rabbati, ad loc:


שרים ושרות: זמרין וזמרתא

Yalkut Shimoni, Kohelet no. 968:

עשיתי לי שרים ושרות: משוררים זכרים ונקבות.

See also the Targum to Eccl. 2:8, where שרים ושרות is translated as .זמריא וזמריתא

R. Moses Almosnino, Yedei Moshe (Tel Aviv, 1986), Eccl. 2:8 (p. 58), even explains why the female singers were desirable, as they helped create a better harmony:


על כן אמר שהיו לו שרים ושרות שהם המשוררים והמשוררות, אנשים ונשים יחד, שבהתמזגם יהיו הקולות ערובות, שקול האשה דקה וקול האיש הוא קול יותר עב, ובהתמזגם יחד יצא השיר בנועם.

When the Jews returned from Babylonia to the Land of Israel in the days of Ezra and Nehemiah, the Bible (Ezra 2:65, Nehemiah 7:65) states explicitly that they came with משוררים ומשוררות, “male and female singers.”

As for how Solomon could listen to women sing, for those who feel the need to answer this question, perhaps Solomon agreed with those authorities who feel that there is no blanket prohibition on hearing a woman’s singing voice,[13] a viewpoint that has recently been resurrected by Rabbis Moshe Lichtenstein,[14] David Bigman[15] and Avraham Shammah.[16] According to this perspective, only singing that is sexually arousing is forbidden.[17] Let us not forget that the Talmud speaks of a woman’s voice. It is the post-Talmudic authorities who clarify that this refers to a singing voice, but does this mean any singing voice or only one that in the minds of normal men could be arousing?

R. Marc Angel agrees with the rabbis mentioned in the last paragraph. He writes: “When the prohibition of “kol ishah” is applied to all instances of women singing in the presence of men, this is a distortion of the intent of the halakha. . . . Men and women may sing in the presence of those of the other gender, as long as the songs are of a religious nature, or of a general cultural nature (e.g., opera, folk songs, lullabies).”[18]

R. Yonatan Rosenzweig doesn’t go so far as to permit one to attend a concert with a female singer, but he does say that since today many people are used to hearing recordings of women’s voices, that possibly it is even permissible to watch a woman singing on television.[19]

A number of years ago there were ads in New York Jewish papers for a concert by Neshama Carlebach. The ads stated that the concert was open for women, as well as for men for whom the singing was permissible. This was a very strange formulation. Knowing that R. Mordechai Tendler was Neshama’s posek, I asked him about this. He explained to me that the language originated with him and was based on the notion that the prohibition against kol ishah is not a blanket prohibition, but depends on whether the singing is sexually arousing. (This approach can be supported by the view found in some rishonim that kol ishah that is not sexually arousing is only forbidden during keriat shema. Otherwise, there is no prohibition.[20]) Therefore, men who are used to hear women sing and will not be aroused by Neshama are permitted to attend the concert, and this explains the strange language in the ads.[21] Tendler also told me that this view of kol ishah as being what we can call a “situational prohibition” rather than an absolute issur, was held by his grandfather, R. Moshe Feinstein.[22]

This opinion, that whether or not a woman’s singing voice is prohibited depends on how men will react to it, will no doubt strike some as “unorthodox.” This approach is definitely not as widely held today as in years past. Yet many people reading this post can recall a time when kol ishah, as a general prohibition, was simply not an issue for the Modern Orthodox, or even for many of the more right-wing Orthodox. This was no different than the situation in Germany, where pretty much all of the Orthodox, including members of Hirsch’s community, saw no problem in attending the opera.

If you went back to the 1960s, other than the hasidim and the tiny yeshiva world, it would be hard to find an Orthodox Jew in New York City who didn’t see the Broadway performance of “Fiddler on the Roof.” I would even assume that that there were some roshei yeshiva who saw it. Until the 1980s there was no problem with Modern Orthodox synagogues sponsoring trips to Broadway musicals. My own shul even put on a performance of “Fiddler on the Roof” in the early 1980s. That would be unimaginable today at almost all Orthodox shuls.[23] (Yet somehow YU is able to continue its long tradition of a fundraising night at the opera, and I have not heard of any attempt by the roshei yeshiva to end this practice.)

Until the 1980s, girls would also have solo singing roles in the musical productions put on by many Modern Orthodox yeshiva high schools and summer camps. (Was there a Modern Orthodox summer camp where girls did not sing?) Readers can correct me if I am wrong, but as far as I know, only Ramaz, Flatbush, and SAR still have girls singing solos.[24] The other schools that have girls sing have them do so in groups, or at least with one other girl.

To bring us back to the earlier era, where women singing was acceptable in the Modern Orthodox world, let me quote Rabbi Marc Angel:

I was raised in the Sephardic community of Seattle, Washington, and well remember our many family gatherings where romances were sung. Jews of great piety sang right along with those of lesser piety. I do not remember anyone ever objecting to the singing of love songs by men and women. In the early 1980s, Haham Dr. Solomon Gaon, himself a Judeo-Spanish-speaking rabbi, taught classes in Sephardic folklore at my Congregation Shearith Israel in New York City. I well remember him singing love songs, enthusiastically and nostalgically. Both of us participated in a program of Sephardic culture sponsored by the Hebrew College of Boston. A female soloist sang a selection of romances, after which Haham Gaon not only applauded loudly but rose to speak in praise of the singer for her beautiful rendition of the songs. Haham Gaon, who served as chief rabbi of the Spanish and Portuguese Congregations of England and as head of the Sephardic Studies Program of Yeshiva University in New York, was a very prominent Orthodox Sephardic rabbi and a man of impeccable piety.[25]

R. Eliezer Berkovits wrote:


Nowadays, the singing of a woman is not fundamentally different from what the original Halakhah termed “her regular voice.” A woman’s voice, even when she is singing, is nothing unusual today, and it is no more distracting during the Shema prayer than that of a man singing. Only in specific amorous situations as in the Song of Songs, may it have a sensual quality.[26]
In Hirsch’s famous Schiller speech, delivered at his Frankfurt school, a note states that male and female students alternatively sang songs.[27] As I pointed out in my own note to the speech, girls were permitted to sing at Hirsch’s school. Mordechai Breuer, Modernity Within Tradition, p. 411 n. 11, calls attention to a report in Jeschurun 18 (1885), p. 11, of a public function at the school at which a teenage girl sang in the presence of a crowded audience.

In Between the Yeshiva World and Modern Orthodoxy, p. 216, I quote Jacob Rosenheim who attempts to explain why Hirsch permitted girls to sing at public examinations in the higher grades (and I also note that this passage was censored in the Netzah translation). A halakhic justification of hearing unmarried girls sing was actually penned by R. Isaac Unna, the rav of Mannheim. The short responsum appears in his Shoalin ve-Dorshin no. 2.

Unna cites the Ba’er Heitev thatקול פנויה מותר . In context, what this means is exactly what it says, namely, that unlike a married woman’s (singing) voice, which is always prohibited, the singing of an unmarried woman is permitted to be heard. When he says this is permitted, he means if it doesn’t cause sexual thoughts. (Moderate sensual thoughts would be permitted according to Maimonides, as I mention below.) If it does, then of course it is forbidden. But this prohibition is a general prohibition against arousing oneself sexually and has nothing to do with the prohibition of kol ishah, which only refers to married women and is apparently based on the assumption that the voice of a married woman is always sexually arousing.[28]

In recent generations, poskim have all written that the פנויה referred to here is one who does not have the status of a Niddah, that is, a pre-pubescent girl. The first source to adopt this approach seems to be the eighteenth-century Peri Megadim, Orah Hayyim 75:3. As far as I can tell, none of the early poskim who discuss the matter even mention this point, and they all assume that פנויה mean an unmarried woman, of any age. This approach also continued among certain poskim even subsequent to the Peri Megadim.

See for example this page R. Jacob Pardo’s Apei Zutrei (Venice, 1797), Even ha-Ezer 21:8:

Pardo is very clear that פנויה means exactly what it says. He compares the halakhah of kol ishah to that of hair covering, and just like only a married woman has to cover her hair, so too it is only a married woman’s voice that is prohibited, not the voice of a single woman. (As mentioned already, this would only be prohibited if it was sexually arousing.) As for extending the prohibition to unmarried women, he sees this as an excessive stringency and applies the rabbinic phrase kol ha-mosif gorea, noting that the people will not listen to such a ruling and this will turn them into brazen sinners.

This is not to say that Pardo approves of listening to single women sing. He doesn’t, and applies to such singing the rabbinic phrase מוטב שיאכלו ישראל בשר תמותות כשרות, which comes from Kiddushin 22a and is stated with reference to something distasteful. It is distasteful, yet permitted nonetheless. Pardo’s careful distinction between what is preferred behavior and what the halakhah actually requires is seen in this comment as well, where he refers to Job. 31:1: “[I made a covenant with mine eyes;] how then should I look upon a maiden?”[29]


הן אמת דלבטל ההרהור יש להחמיר ע”ד ומה אתבונן על בתולה. אך אינו מן הראוי להשוותה לנשואה לאסור מפאת הדין.

Here is a page from R. Aaron ha-Levi, Mateh Aharon (Salonika, 1820), p. 260b, where we see some more interesting comments, including defending a rabbi who permitted listening to the voice of a single woman.

And finally, here is a page from R. Hayyim Kasar’s Shem Tov, a twentieth-century commentary on the Mishneh Torah, Hilkhot Issurei Biah 21:2. While Kasar is quite strict in forbidding a man to hear the voice of an ervah, even if he is not familiar with her, he is also clear that a penuyah means an unmarried woman and that there is no blanket prohibition on hearing her voice, just like there is no blanket prohibition on seeing the hair of an unmarried woman.

I would only add that this makes perfect sense according to Maimonides. If, as Maimonides says, one is permitted to look at an unmarried woman and enjoy her beauty,[30] it stands to reason that one can listen to the singing of an unmarried woman and also enjoy it.[31]

Returning to German Orthodoxy, Der Israelit was the newspaper of the German separatist community. Yet it seems to have had no problem highlighting an Orthodox female opera singer and stressing her commitment to Orthodoxy.[32] Mordechai Breuer called attention to this last point, and I assume that he didn’t have any knowledge of opera or he would have pointed out that the female singer referred to by the paper, Rosa Olitzka (1873-1949), was quite famous in her day. Here is a picture of her.

Right after telling us that Olitzka is the daughter of the hazan of the Berlin Adass Jisroel (i.e., R. Esriel Hildesheimer’s separatist community), Der Israelit mentions her starring as Carmen in the London Opera production. One can find a good deal of material about Olitzka online,[33] and can even purchase recordings of hers.[34] Maybe a reader knows whether she remained observant in her later years.

Breuer also refers to the JüdischePresse’s review of the opera “Samson and Delilah”.[35] While Der Israelit was the paper of the Frankfurt Orthodox, Jüdische Presse was published by the Orthodox of Berlin.[36]

The view that kol ishah is not an absolute prohibition, but depends on whether or not the singing is sensual in nature, was also held by R. Joseph B. Soloveitchik, at least according to R. Aharon Rakeffet.[37] Rakeffet has also reported on a number of occasions that the Rav attended the opera in Berlin.[38] At the Maimonides School first Hanukkah Banquet in 1939, “the program included Betty Brooks, a prominent radio personality singing a variety of Jewish and English songs, Mabel Wingert, a dancer, and Frost and Helene, society dancers.”[39]

R. Ovadiah Yosef’s viewpoint on kol ishah is also worth noting, especially as it has undergone a change. In the first volume of Yabia Omer, published in 1954, R. Ovadiah deals with the following question (Orah Hayyim no. 6):

נשאלתי בדין קול זמר של אשה בגרמפון או ברדיו, אם יש בו משום קול באשה ערוה, וצריך להזהר שלא לשמעו בעת ק”ש ותפלה.
His formulation reflects the notion we have already seen, expressed by some rishonim, that the prohibition of kol ishah is a special prohibition related to shema (and prayer), rather than a general prohibition on hearing women sing (which if sexually arousing would be forbidden on other grounds.)

Here is how he formulates the question and answer in the table of contents:

קול זמר של אשה ברדיו וגרמפון, אין צריך להזהר מלשמעו בשעת ק”ש ותפלה, כשאינו מכיר את המשוררת, ואין בזה משום קול באשה ערוה
We see from here that there is no problem of kol ishah when you are not familiar with the female singer. In other words, you can recite shema and tefillah while hearing this. Again, however, this is not related to the wider issue of sensual songs. If you are “turned on” by hearing a song even if you don’t know the singer, then it is forbidden at all times. But by the same token, since the prohibition of kol ishah is exclusive to shema and tefillah, the implication is that a woman’s voice at other times is not prohibited if it doesn’t arouse sensual feelings.

Based on this understanding of R. Ovadiah’s responsum, I don’t think there is a contradiction between this teshuvah and R. Ovadiah’s well known love for the music of the Egyptian singing sensation Umm Kulthum.[40] Here is what Umm Kulthum looked like in her younger years.

If R. Ovadiah’s responsum in Yabia Omer intended a blanket prohibition on hearing the voice of a woman you are familiar with, rather than just confining this prohibition to shema and tefillah, then we would be confronted with a tremendous contradiction between the responsum and how R. Ovadiah lived his own life. It is not like R. Ovadiah wrote something in his responsum and did something else in his private life where people couldn’t see. His love of Umm Kulthum’s music was something everyone knew about, and he listened to it in the company of others. Clearly, therefore, his responsum which prohibits listening to the singing of one you are familiar with only applies during shema and tefillah. At other times, it is only prohibited if one is sexually aroused by the music, and since R. Ovadiah was not, he was permitted to listen to Umm Kulthum. Rabbi J. David Bleich is therefore incorrect when he summarizes R. Ovadiah’s responsum as follows: “Rabbi Yosef concurs in this ruling but adds that it is forbidden to listen to a female vocalist who is known to the listener even if the woman in question is known to him only through photographs.”[41] (I hope no one attempts to argue that R. Ovadiah didn’t know what Umm Kulthum looked like. She was only the most prominent celebrity in Egypt, with her picture everywhere.)

I was also informed by R. Avraham Yosef that his father, R. Ovadiah, later retracted his ruling in this responsum that if you are familiar with the singer that you can’t hear her voice in shema and tefillah. I later saw that R. Ovadiah himself states as much in Yabia Omer, vol. 9 no. 108:43:

ומה שכתבתי שם שאם ראה אותה בתמונה ג”כ, אסור, אינו מוכרח, שיש לומר . . . “ביודעה ומכירה”, זהו רק כשראה אותה בחיים חיותה במלא קומתה

If you hear her voice while you are saying shema or reciting blessings, R. Ovadiah advises וירכז מחשבתו לכוין בברכותיוR. Ovadiah’s words בחיים חיותה במלא קומתה might be taken to imply that even if you know the woman from television, there still is no prohibition of kol ishah.

R. Avraham Yosef states that while it is permitted to hear a woman sing even if you know what she looks like, it is not permitted to attend a live performance or even watch on television. R. Avraham assumes that alllive and television performances are prohibited, not only those that could be sexually arousing.[42] It also needs to be stated that despite how I interpreted R. Ovadiah, that female singing is only prohibited if it is sensual music, the upshot of what R. Ovadiah states throughout his writings is that by definition a live female singer is sexually arousing and thus prohibited. Although I think the evidence shows that R. Ovadiah agrees that theoretically kol ishah is only forbidden if it leads to <>hirhurim >, in practice he assumes that <>alllive female singing falls into this category. (I wonder, however, if he would also forbid the live singing of a very old woman, which would in no way be sensual.)


I found another interesting passage regarding kol ishah in the Meshivat Nefesh of R. Yohanan Luria (16th century). On p. 144, after explaining how the women of the desert could sing in front of the men (Ex. 15:21), he writes:

ומזה הטעם ראוי למחות לנשים המשוררות לכלות לפני האנשים רק הבתולות שמותרים בזה כדי לחבב הבחורים לקפוץ עליהם לשם אישות.

He makes the same point on the previous page, and concludes (p. 143):

רק הבתולות ראוי להם שיחבבו עצמם על הבריות לקפוץ אחריהם

What it means is that while married women can’t sing in front of men, unmarried women are permitted to do so in order to attract the attention of the young men, similar to what they did in Temple days when they would dance before the eligible bachelors.

Some might be wondering, how was this permitted since married men will also hear the women sing, and being that they are not in the “market” for a wife, what permission is there for them to listen to and be physically attracted to the young women? I think the answer is obvious, that those men who would have had improper thoughts were not supposed to listen to the women, just as I presume they were not supposed to watch the single women dance in Temple days. Yet the Sages did not ban this dancing because of what some men might be thinking, and similarly, Luria permits the singing by single women and is not concerned that some married men might also be listening. The logic behind Luria’s position is that young men looking for brides are supposed to be attracted to young women. The latter dress up nicely so that the men look at them, they put on makeup for this purpose, and yes, they sing in front of the men, all in order to make themselves attractive.

Here is the title page of Luria’s sefer.

I already mentioned the opera, so before concluding I refer you to S.’s post here.

He points to an early eighteenth-century communal decree in Altona-Hamburg-Wandsbek forbidding attendance at the opera, except for on Hanukkah and Purim when it was permitted. The text is also found in Simhah Assaf, Ha-Onshin Aharei Hatimat ha-Talmud, p. 116.

Finally, I would like to point to a very interesting source that as far as I know has never been mentioned in any of the many halakhic articles dealing with kol ishah. I refer to R. Joseph Hayyim’s Imrei Binah, ch. 3, no. 79. Here is the page.

For those who are unclear as to what he means, he explains it himself in his book Ateret Tiferet im Pelaot Rabot. Here is the title page of the book, which for some reason is not on hebrewbooks.org or Otzar ha-Hokhmah. The text that appears in Imrei Binah also appears in this book, and R. Joseph Hayyim’s explanation is found on p. 116 (no. 202).

According to R. Joseph Hayyim, if the singing of an individual woman is accompanied by instruments, meaning that there are “many voices”, then it is permissible. This is an incredible limud zekhut, because pretty much every singer today is accompanied by music.[43]
[1] Referring to the beginning of Esther, where Ahasuerus is said to rule from Hodu to Cush, the Talmud, Megillah 11b, states:
From Hodu to Cush: Rav and Samuel gave different interpretations of this. One said that Hodu is at one end of the world and Cush at the other, and the other said that Hodu and Cush adjoin one another, and that [the meaning is that] as he ruled over Hodu and Cush, so he ruled from one end of the world to the other.
This passage should immediately raise a couple of questions in people’s minds. 1. Since there is no doubt that both amoraim knew where India and Ethiopia were located, why did one of them explain that the two countries are next to each other? How come he didn’t accept the common identification of Cush and Ethiopia? 2. According to the first opinion, that Hodu is at one end of the world and Cush at the other, are we to understand from this that he thought that the world was flat? (I realize that “end of the world” could be used the same way we use it today, but I wonder if that is the peshat.)

[2] See also his commentary to Isaiah 18:1, where he regards Cush as being in the East.

[3] In the last post I spoke a bit about what Rashi regarded as beautiful, based on his commentary to Song of Songs. We also find from other comments of his that he did not regard Cushim as beautiful. Based upon what we have already seen, I assume that for Rashi a Cushi would have an Indian complexion. (See Moed Katan 16b regarding the skin of the Cushites.) In his commentary to Gen. 12:11 he speaks of “black and repulsive people, brothers of the Cushim.” In Num. 12:1 the Torah speaks of the Cushite that Moses married. Rashi does not take this literally and writes: “Because of her beauty she is called Cushite, as one calls his handsome son ‘Cushite’ in order that the evil eye should not have power over him.” (This same passage appears in Midrash Tanhuma 96:13, and see Yitzhak Aviner, Heikhal Rashi [Tel Aviv, 1960], vol. 4, p. 234, that it was inserted from Rashi into the Tanhuma). I think it must be very hard to teach this Rashi in elementary and even high school. One can easily see that if one of the students is a “person of color” or the student’s parent is, that the assumption of this Rashi could be very hurtful to the student. Has any reader had to deal with this?

For the same approach by Rashi, and here too it appears to be his own interpretation (although obviously based on the earlier rabbinic understanding of Cushite), see Sukkah 53a, where it mentions that Solomon had two Cushite servants. Rashi writes:

תרי כושאי: על שם שהיו יפים קרי להו הכי
See Arukh la-Ner, ad loc., who questions Rashi’s explanation, since while the Sages speak of Tziporah as being called Cushite in Num. 12:1 because of her beauty, they never say that a man would be called Cushite if he was handsome. This is precisely why I noted that what Rashi writes here is apparently his own interpretation.

Incidentally, the Artscroll translation to this passage makes as unfortunate error. While the Talmud speaks of “two Cushites”, Artscroll translates תרתי כושאי as “two Cutheans.”


The Vilna Talmud’s version is תרתי כושאי, while Rashi has תרי. Rashi’s text preserves the correct version (see also Arukh ha-Shalem, s. v. כש, p. 348 n. 4) as תרי is masculine while תרתי is feminine. In R. Meir Mazuz’s new book, Darkhei ha-Iyun, p. 5, he deals with these words and calls attention to the common grammatical error when people write תרתי דסתרי. Since דסתרי(=(הסותרים is masculine, the proper formulation is ether תרי דסתרי or תרתי דסתרן.

For more on the identification of Cushite with ugliness, see Jonathan Schorsch, Jews and Blacks in the Early Modern World (Cambridge, 2004), chs. 3-4, and Abraham Melamed, The Image of the Black in Jewish Culture (London, 2003).
[4] “Toponomy of the Targumim,” (unpublished doctoral dissertation, Oxford University, 1974), p. 134.

[5] I think readers will find this document interesting: link (pdf).

It contains the Chief Rabbinate of Israel’s acknowledgment that Hinduism is monotheistic. I don’t even think that one can speak of shituf when it comes to Hinduism. What you have in Hinduism are manifestations of the one God, and this does not appear to violate any Noahide commandment. This is significant since in the Jewish imagination Hinduism has often been seen as a classic example of real idolatry. Thus, right at the beginning of many seforim it states that passages dealing with Gentiles are only referring to idolators in places like India.


Related to the latter point, there is an unbelievable error by the great R. Judah Aszod. In 1833 the Hatam Sofer responded to the following query of a Hungarian rabbi: During Christian religious ceremonies that pass through the city, are Jews permitted to put candles in their windows? The fear was that if the Jews don’t do that, their homes would be attacked on Christian thugs (Hatam Sofer, Yoreh Deah, no. 133 [end]). The Hatam Sofer concluded that while it was permissible to indirectly request a non-Jew to light the candle, it is absolutely forbidden for a Jew to do so.

הישראל אסור לעשות וצריך למסור נפש ע”ז
The same issue is dealt with by the Hatam Sofers’s son in Ketav Sofer, Yoreh Deah no. 84, and a similar issue by his grandson in Da’at Sofer, Yoreh Deah, no. 59. See also R. Eliezer Deutsch, Peri ha-Sadeh, vol. 3 no. 10.

In the Hatam Sofer’s responsum he speaks of the candle lighting that takes place in “India”.

ולענין מה שמסבבים בארץ הודו בע”ז שלהם, וכל הדרים באותו המבוי צריכים להדליק נרות, ויהודים הדרים שם אם אינם מדליקים הם בסכנה מפני ההמונים.
There is no doubt whatsoever that the word “India” is not to be taken literally and that the Hatam Sofer is referring to local Christian practices. After all, he was responding to the question of a Hungarian rabbi! The responsa by his son, grandson, and Deutsch don’t even feel that it is necessary to point this out, as it is so obvious.

It is incredible is that R. Judah Aszod, Yehudah Ya’aleh, Yoreh Deah, no. 170, takes the Hatam Sofer to really be speaking of India, even though as just mentioned, he was responding to a halakhah le-ma’aseh question from Hungary, not from a rabbi in Bombay! This misunderstanding contributes to Aszod’s lenient decision.


לענ”ד הח”ס דוקא קאי על ארץ הודו שמסבבים בע”ז שלהם . . . משא”כ במדינתינו אינו חק המדינה כ”א באיזו מקומות ולא עפ”י המושל אלא מרשעת שונאי ישראל, והדלקת הנרות אצלם נמי רק אין כוונתם להעביר על הדת כ”א שיהודים ישמחו עמהם וזה מותר משום איבה כברמ”א ביו”ד ססי’ קמח . . . וגם בזה”ז לא עובדי ע”ז הן לא מקרי אליל שלהם עכו”ם כמ”ש הש”ך סי’ קנא ס”ק יז.
In this passage he cites two sources. The second one is the Shakh, whom he cites as claiming that the Christian religious item (I assume he means the crucifix) does not have the status of an אליל. However, the Shakh actually says the exact opposite of what Aszod quotes him as saying.

ודוחק לומר דכיון דבזמן הזה לאו עובדי עבודת כוכבים הן לא מיקרי אליל שלהם עבודת כוכבים
The other source he cites is R. Moses Isserles, whose comments are indeed quite significant. I don’t understand why this source is not cited in support of celebrating Thanksgiving even by those who assume that there is some religious component to the holiday.

אם נכנס לעיר ומצאם שמחים ביום חגם ישמח עמהם משום איבה דהוי כמחניף להם ומ”מ בעל נפש ירחיק מלשמוח עמהם אם יוכל לעשות שלא יהיה לו איבה בדבר
Presumably, the opponents of Thanksgiving assume that there is no enmity in not celebrating, so the Rama’s permission doesn’t apply. I wonder though, do the people in Lakewood who require the non-Jewish bus drivers to work on Thanksgiving really think that this insistence doesn’t create enmity?
Returning to the responsum of Aszod, the problems I have pointed to were noted by R. Hayyim Eleazar Shapira, Minhat Eleazar, vol. 1 no. 53:3, and he is dumbfounded. It is precisely with regard to this sort of responsum, where the errors are obvious (misunderstanding the clear meaning of the Hatam Sofer, misquoting the Shakh), and it was published posthumously, that people are often tempted to claim that it is not authentic. I won’t go this far, but is it possible that a student wrote the responsum and Aszod just signed his name without examining it carefully?
[6] As with the other volumes of this series, one can find lots of interesting passages in vol. 4. Here are just a few. P. 56b: Moses opposed the eating of meat, but he could not forbid it because the people would regard this as heresy. P. 98b: Hirschensohn mentions the notion, already expressed by the Vilna Gaon, that sometimes the Talmud’s explanation of the Mishnah is to be understood as a form of derash. In other words, the explanation is not in accord with what the Mishnah really intended. He also refers to Berdyczewski and writes zikhrono li-verakhah after his name. P. 14a: There is no obligation in contemporary times for married women to cover their hair.

וזהוא ההיתר שנוהגים היום ברוב המדינות שהנשים מבנות ישראל הולכות בגלוי הראש, אם שהראשונות שבטלו את המנהג היו נקראות עוברות על דת משה אבל הבאים אחריהם אחרי שכבר נתבטל המנהג אין בזה איסור עוד.
This source has not been mentioned in any of the recent discussions about women’s hair covering. I hope to soon discuss Hirschensohn’s viewpoint at greater length, including his radically new understanding of שער באשה ערוה. I will do so as part of a larger discussion of the issue of women’s hair covering.
[7] See S.’s post here.

[8] R. Moshe Taub reminded me of Artscroll’s commentary to Deut. 34:5, which I neglected to mention in my book.
[9] I had been planning to offer one further example, but I was shown to be wrong. Let me explain: A little while ago R. Natan Slifkin had a post on werewolves, citing R. Efraim ben Shimshon’s strange comments in this regard. See here.

Slifkin earlier had written about this in his Sacred Monsters. None of this was a revelation to me since I had earlier seen the material from R. Efraim in R. Yosef Aryeh Lorincz’ Pelaot Edotekha, vol. 2, pp. 136-137. Not surprisingly, Lorincz takes this all very seriously. Readers might recall that I mentioned Lorincz’ book here. I called attention to his discussion of whether it is permitted to eat the flesh and drink the blood of demons. After this post I had a correspondence with someone who wanted to know what I thought about what Lorincz had written. I told him although I don’t know what the halakhah is in this matter, I nevertheless promise to eat the first demon that Lorincz is able to capture. I further told him that I would even volunteer to shecht it. My correspondent wasn’t seeing the comedy in this, as he thought that this was a very serious issue, that someone whom we are told to respect for his Torah knowledge could actually, in the twenty-first century, be discussing such a matter as a real halakhic problem. He was also adamant that if such a book was published by someone who taught at a Modern Orthodox school, the principal should immediately fire the author. Further correspondence revealed that he also didn’t think that anyone who believed in demons should be allowed to teach at Modern Orthodox schools.

My response to him was that I don’t think we need to get all out of shape about demons. To begin with, and readers can correct me if I am wrong, I don’t think that most people in the American haredi world really believe in demons. Yes, I know they study the talmudic passages that refer to demons, and will mention them as the reason for washing one’s hand three times in the morning, but based on conversations I have had with people in the haredi world (admittedly, most of them from the intellectual elite), I don’t think that they take it seriously. (When I say they don’t “believe” in demons, I mean real belief in the role of demons and how they affect humanity, as expressed in the Talmud and elsewhere.) It is almost like the emperor has no clothes, in that they don’t believe it but continue acting as if they do, afraid of what will happen if they are “outed”. (I have found a similar phenomenon with regard to Daas Torah. I have discussed this issue with many people in the haredi world, and have yet to find even one who accepts the version of Daas Torah advocated by so-called Haredi spokesmen and Yated Neeman.) But even if I am wrong in this, there are lots more important things to keep out of Modern Orthodox schools than an occasional reference to demons. How about the negative comments about non-Jews and even racist statements (sometimes under the guise of Torah) that children are exposed to in Modern Orthodox schools? How about rebbes telling the students that there is such a thing as spontaneous generation, which is akin to telling the students to sign up with Flat Earth society?

Getting back to werewolves, there is someone much better known than R. Efraim who refers to them, namely, Rashi. In his commentary to Job 5:23, Rashi explains that חית השדה means werewolf. (He offers the Old French, for which see Moshe Catane, Otzar ha-Loazim, no. 4208, and Joseph Greenberg, Otzar Loazei Rashi be-Tanakh, p. 211) He further adds that this is also the meaning of אדני השדה (See Kilayim 8:5). I have to admit that I was all set in this post to mention that Artscroll, which always cites Rashi’s interpretation, in this example chose to omit it. Without even examining the commentary, I was sure that Artscroll would choose to avoid mentioning anything about werewolves. Yet when I actually opened up the commentary, prepared by R. Moshe Eisemann, I was pleasantly surprised to see that he indeed tells the truth, and the whole truth, i.e.,, that Rashi was referring to a werewolf. I found something else in this volume that I didn’t expect. In an appendix he discusses whether the commentary attributed to Rashi was actually written by him. Unfortunately, Eisemann did not feel that he should inform the reader which academic sources he used in preparing this appendix.
[10] I don’t understand why Artscroll uses this word. The overviews found at the beginning of their books are actually not overviews. (Look up the word if you are not sure what it means). They should have been called what they are, namely, “introductions.”
[11] The Talmud explains sharim ve-sharot as מיני זמר, and Rashi, Eccl. 2:8, clearly based on the Talmud, explains sharim ve-sharot as מיני כלי זמר. Either Rashi’s text of the Talmud also included the word כלי , or this is how he understood the talmudic expression מיני זמר. (Literally, מיני זמר means “types of music”, and when the word כלי is added it means “various musical instruments.”)
[12] His commentary, Ta’alumot Hokhmah, is found in the standard Mikraot Gedolot.
[13] According to R. Jehiel Jacob Weinberg, the Rambam’s opinion is that kol ishah is only forbidden if one derives sensual pleasure from it. See Seridei Esh, vol. 2 no. 8.
[14] See here.
[15] See here.
[16] See here.
[17] R. Yuval Sherlo does not permit one to attend the opera, but if one is stuck in a situation, such as a soldier at a military event, then he rules that it is permissible to remain even though women are singing. See here.
[18] Conversations 12 (Winter 2012), pp. 43, 47; also available here. At the end of the article, Angel concludes: “Married women need not cover their hair, as long as their hair is maintained in a modest style. The wearing of wigs does not constitute a proper hair-covering for those married women who wish to cover their hair. Rather, such women should wear hats or other head coverings that actually cover their hair.” He also discusses hair covering on YouTube here.
[19] “Kol Ishah Bimeinu,” Tehumin 29 (2009), p. 143.
[20] See Seridei Esh, vol. 2 no. 8, and see also the helpful summary of positions available here.

[21] In support of this view, one can cite Hagahot Maimoniyot, Hilkhot Keriat Shema 3:16:
וקול אע”ג דאינה נראית לעינים הרהור מיהא איכא וכל אלה דוקא שאין רגילות להגלות אבל בתולה הרגילה בגלוי שער לא חיישינן דליכא הרהור וכן בקול לרגיל בו
[22] It seems to me that Tendler’s description of R. Moshe’s opinion is contradicted by Iggerot Moshe, Orah Hayyim 1, no. 26, Orah Hayyim 4, no. 15.

[23] For a contemporary example of an Orthodox synagogue allowing women to sing, see here.

[24] See e.g., here, here, here and here.
[25] Foundations of Sephardic Spirituality (Woodstock, VT, 2006), p. 186.
[26] Jewish Women in Time and Torah (Hoboken, 1990), p. 62. Berkovits also understood the matter of women’s hair covering in the same fashion, and did not regard it as an obligation in contemporary times (heard from Berkovits’ son, Prof. Avraham Berkovits).

[27] See here.
[28] Note the language of the Shulhan Arukh, Even ha-Ezer 21:1: ואסור לשמוע קול ערוה או לראות שערה

I don’t think anyone today assumes that there is a prohibition in seeing the uncovered hair of an ervah, if one is not sexually aroused, the reason being that we see it all the time and are thus used to it. By the same logic, if one is unaffected by hearing a woman sing, even if she is married, there should be no prohibition even according to how I explained the Ba’er Heitev. This is indeed the conclusion of R. Aharon de Toledo, Divrei Hefetz (Salonika, 1795), p. 113a:

עלה בידינו דהא דאמרי’ קול באשה ערוה היינו כשהיא הומיה ושוררת שירי עגבים ומתכווין ליהנות ממנה
However, the subsequent words of Toledo show that he only permits listening to a woman who is singing non-sensual songs on her own. He specifically forbids female songs directed towards men, as in a concert.

[29] The verse from Job is used in an Aggadic sense in Bava Batra 16a and Avot de-Rabbi Nathan, ch. 2, and then used by Maimonides in Hilkhot Issurei Biah 21:3.


ומותר להסתכל בפני הפנויה ולבודקה, בין בתולה בין בעולה, כדי שיראה אם היא נאה בעיניו, יישאנה; ואין בזה צד איסור. ולא עוד, אלא ראוי לעשות כן. אבל לא יסתכל דרך זנות, הרי הוא אומר “ברית, כרתי לעיני; ומה אתבונן, על בתולה”
Since he cites a verse from the book of Job, it appears that looking דרך זנות is only a rabbinic prohibition.
[30] Commentary on Sanhedrin 7:4. What this means is that one can look at a possible future wife and appreciate her beauty, for after all, one is supposed to be attracted to her. As we have seen already, in Hilkhot Issurei Biah 21:3, Maimonides adds a caveat. He states that is forbidden to look at an unmarried woman דרך זנות. What this means is that while one can look at and admire the beauty of a single woman (what I earlier referred to as “moderate sensual thought), one cannot leer at her, i.e., with lascivious intent.
[31] When Maimonides speaks of enjoying an unmarried woman’s beauty, I am certain that he is speaking of a Jewish woman, whom you can marry.
[32] Breuer, Modernity Within Tradition, p. 150. See Der Israelit, April 5, 1894, p. 503. See my post here, where I deal with the unsubstantiated rumor that Hirsch attended the opera. I quote from Prof. Breuer’s email to me where he writes: “When I went to the opera as a boy of 13-14 years my father [Isaac Breuer] did not express his dissatisfaction.”

[33] See e.g. here.
[34] See e.g. here.
[35] Modernity Within Tradition, p. 150.
[36] Since I am speaking about German Orthodoxy, let me use this opportunity to correct something I wrote. In Between the Yeshiva World and Modern Orthodoxy, p. 53, I record the recollection of Judith Grunfeld, “daughter of a learned German rabbi,” that she had never heard of a prohibition against women singing in front of men until she went to Poland (where she taught at the Beth Jacob school). Dr. Yitzchok Levine pointed out to me that Grunfeld’s father, while living in Germany, was actually Hungarian.
[37] Listen to his shiur from Feb. 8, 2010, available here, beginning at 48:20. Rakefet also quotes R. Aharon Lichtenstein that the Rav held that in modern times there is no obligation for married women to cover their hair. Listen to the shiur just mentioned beginning at 62 minutes. I will return to this point in a future post when I deal with R. Michael Broyde’s article on the topic.

[38] See, however, R. Hershel Schachter, Mi-Peninei ha-Rav, p. 269, that the Rav told YU students that due to kol ishah it was forbidden for them to sell tickets to the opera (presumably referring to the annual YU fundraising event). This is not necessarily a contradiction to Rakefet’s point. If the Rav felt that a woman’s singing voice was only prohibited if it was sexually arousing, who can say if that applies to the person you sell the ticket to? Perhaps that is why he told them it was prohibited.
[39] Seth Farber, An American Orthodox Dreamer: Rabbi Joseph B. Soloveitchik and Boston’s Maimonides School (Hanover, NH, 2004), p. 165 n. 19.
[40] See Zvi Alush and Yossi Elituv, Ben Porat Yosef (Or Yehuda, 2004), p. 37. See p. 408 that to this day he listens to her music, and see also the testimony to this in Or Torah, Tevet 5770, pp. 383-384. According to R. Avraham Shammah, cantors used her tunes for various tefillot, a practice that continues to this day. See here, p. 10.
[41] Contemporary Halakhic Problems, vol. 2 p. 151. One could be led to this summary by reading the conclusion of the responsum, which states as follows:

המורם מכל האמור דביודעה ומכירה אפי’ ע”י תמונה אסור לשמוע קולה בגרמפון או ברדיו, אבל אם אינו מכירה מותר, ואין בזה משום קול באשה ערוה.
However, this conclusion needs to be read in conjunction with the question as well as the summary of the answer in the table of contents, both of which are quoted in the text and clearly state that the issue is kol ishah in the context of shema and tefillah.

[42] See here.

[43] For another important limud zekhut by R. Joseph Hayyim, see here. In the newly translated text, we see that R. Joseph Hayyim believed that the practice of European Jewish women to go with uncovered heads can be justified, and is not to be regarded as sinful.



The Meaning of the Name “Maccabee”

The Meaning of the Name “Maccabee”[1]

Mitchell First

     In a previous post at the Seforim blog, Dan Rabinowitz dealt with the topic of the origin of the name “Maccabee,” and made many interesting points,[2] although he did not adequately address the issues. My intention in this essay is to offer a more thorough discussion. The name מכבי/מקבי is not found in classical Tannaitic or Amoraic literature.[3] But this is not surprising. The name was originally an additional name for Judah only and there are no references to Judah in classical Tannaitic or Amoraic literature.[4] The earliest sources that include the name in some form are works preserved by the Church: I Maccabees and II Maccabees. (These are not the original titles of these works.) I Maccabees was originally written in Hebrew,[5] but what has survived is only a Greek translation from the Hebrew (and ancient translations made from this Greek translation). II Maccabees, an entirely different work, was written in Greek. In the early Church, I and II Maccabees were considered part of the Bible.[6] I Maccabees (2:2-5) tells us that Mattathias (=Matityahu) had five sons, and that each had another name. For Joudas (=Judah), the name was Makkabaios (Gr: Μακκαβαîος.)[7] The additional names were probably given to the sons to help distinguish them from others with the same name.[8] In I Maccabees, Makkabaios is used for Judah six times. In II Maccabees, it is used for him twenty-three times.[9] To determine whether the earliest spelling of the name in Hebrew was with a כ or a ק, one must guess from the double kappa in Makkabaios what the original Hebrew letter (or letters) would have been. Fortunately, this is not hard.

Although there are exceptions, there is a general pattern in the Greek translation of the Bible of transliterating כ with chi (χ), and ק with kappa (k).[10] Usually ק is transliterated with one kappa, but sometimes two kappas are used.[11] A transliteration of כ with two kappas is very rare.[12] These same patterns hold true in I and II Maccabees. For example, if we focus on I Maccabees,[13] and look at the Greek transliteration of names, places, and months whose Hebrew spelling is known from the Bible, we find: -transliterated with χ are: כלב, זכריה, מכמש, כתים, and כסלו; -transliterated with one kappa are: יעקב, עקרבים, תקוע ,אשקלון, קדש, and קרנים; -transliterated with two kappas are: [14]עקרון and [15]הקוץ. At no time in I Maccabees is כ transliterated with kappa.[16] Thus, the spelling of Makkabaios with two kappas points strongly to a ק in the original Hebrew or Aramaic,[17] and does not mandate assuming a קק. Moreover, an original מקקב would be extremely unlikely. Hebrew and Aramaic words do not ordinarily have 4 letter roots. If we make the alternative assumption that the initial mem was not a part of the root, this does not help either. There is no root קקב in either Hebrew or Aramaic.[18] The double kappa just confirms our supposition that the original reading was ק, and not כ.[19] Based on this spelling, it seems reasonable to agree with the oft-proposed suggestion that the name is related to the Hebrew and Aramaic words מקבת and מקבא, which mean hammer.[20] As to why Judah was called by this name, one view is that the name alludes to his physical strength or military prowess.[21] But a מקבת/מקבא is not a military weapon; it is a worker’s tool.[22] Therefore, it has been suggested alternatively that the name reflects that Judah’s head or body in some way had the physical appearance of a hammer.[23] Interestingly, the Mishnah at Bekhorot 7:1 lists one of the categories of disqualifed priests as המקבן, and the term is explained in the Talmud as meaning one whose head resembles a מקבא.[24] Naming men according to physical characteristics was common in the ancient world.[25] Is it possible that Makkabaios and the other four names were Greek names?[26] The additional names for the other sons were: Gaddi (Γαδδι), Thassi (Θασσι), Auaran (Αυαραν) and Apphous (Απφους).[27] Perhaps it would have been beneficial for a Jew even as early as the age of Mattathias to have had an additional name in the Greek language. It is seen from the reference to Antigonus at M. Avot 1:3 that a “traditional” Jew circa 200 BCE could have borne a Greek name. (In the period after Judah, we know of many prominent Jews who had both a Hebrew/Aramaic name and a Greek name.[28] For example, Simon’s son John was also called Hyrcanus,[29] John’s son Judah was also called Aristobulus,[30] John’s son Yannai was also called Alexander,[31] and Yannai’s wife Shelomtziyon was also called Alexandra.[32]) But the letters μ,κ,β or μ,κ,κ,β, with any combination of vowels in between them, do not seem to correspond to any known word in ancient Greek.[33] Moreover, the two kappas also suggest that the name is not Greek. Two consecutive kappas are not typical in a Greek word.[34]

Finally, there are no non-Jewish figures from this period or any earlier period with a name like Makkabaios. This is strong evidence that the name is not a Greek one. However, our task of determining the original spelling and meaning of the additional name of Judah is not that simple. Two further issues present themselves. First, assuming that Makkabaios is a Greek representation of a Hebrew or Aramaic name, we still do not know whether the authors of I and II Maccabees knew how Judah himself, who died in approximately 160 BCE, spelled his name.

I Maccabees, which covers the period 175-134 BCE, was probably composed after the death of John Hyrcanus in 104 BCE, or at least when his reign was well advanced. This is seen from the last two sentences of the work.[35] After describing the murder of Simon and the attempted murder of Simon’s son John, the book closes with the following statement (16:23-24): As for the remainder of the history of John, his wars and his valorous deeds and his wall building and his other accomplishments, all these are recorded in the chronicle of his high priesthood, from the time he succeeded his father as high priest. [36] With regard to II Maccabees, we are told by the unknown author that it is an abridgement of an earlier work by someone named Jason of Cyrene. Cyrene is in Libya, but presumably Jason spent some time in Judea.[37] He is otherwise unknown.[38] The prevailing view is that Jason was a contemporary of Judah.[39] For example, the abridgement ends with a description of a military victory by Judah in 161 BCE, suggesting that the original work ended around this time as well. But it can be argued that the abridger ended his work before Jason did.[40] For example, the abridger writes that Jason narrated the history of Judah “and his brothers” (II Macc. 2:19). Based on this, an argument can be made that Jason’s work continued long after 161 BCE. It has also been argued that Jason wrote his work as a response to I Maccabees.[41] Even if we adopt the prevailing view that Jason was a contemporary of Judah, this does not necessarily mean that Jason knew how Judah himself spelled his name.[42]

The second issue that presents itself arises from the fact that the name is written “Machabaeus” in the Latin translation of I and II Maccabees composed by the church father Jerome (c. 400 CE).[43] There is a question whether this spelling reflects Jerome’s own spelling choice, which was perhaps made after he consulted the original Hebrew of I Maccabees,[44] or whether this was the conventional spelling of the name in the earlier Latin translations made from the Greek, which Jerome simply let stand. If this spelling was Jerome’s own and he made it after consulting with the original Hebrew of I Maccabees,[45] this would strongly suggest that the Hebrew text that he had before him spelled the name with a כ. In his translation of the Bible into Latin, Jerome almost uniformly used “ch” to represent כ.[46] Alternatively, if the “ch” spelling originated in the Latin translations before Jerome, or if it originated with Jerome, but not in consultation with the original Hebrew of I Maccabees, it would seem to be based on a Greek text which spelled the name with chi. This too would seem to reflect an original Hebrew spelling of the name with a כ. Thus, although we saw earlier that the double kappa in the Greek translation of I Maccabees suggests a ק in the original Hebrew, the evidence from Jerome’s Latin translation points in the opposite direction. Perhaps already in an early stage there were two different Hebrew spellings of the name.[47] If the Hebrew name was spelled with a כ, the meaning that suggests itself is “the extinguisher.”[48]

* * * * * * The spelling of Maccabee with a כ that is prevalent in Jewish sources today is not evidence of an original כ spelling. It is only the consequence of the spelling choice made by the author of Yosippon in the 10th century.[49] Yosippon is a historical work of anonymous authorship that was based in large part on a Latin translation of the works of Josephus.[50] Among the other sources that the author of Yosippon had before him was a Latin translation of I and II Maccabees. In the Latin translation of I and II Maccabees that was before him, Judah’s additional name was spelled “Machabaeus.” Based on this, the author of Yosippon decided to spell the name with a כ. He spelled it מכביי.[51] This spelling with a כ influenced the Rishonim thereafter. There never was a group by the name Maccabees in ancient times. How did the references to this non-existent group ever arise and how did the books get their titles? II Maccabees focuses in large part on Judah. Jonathan Goldstein, the author of I and II Maccabees in the Anchor Bible series, explains further:[52] Clement of Alexandria and Origen, the earliest of the Church Fathers to mention the books by name, call them Ta Makkabaïka, “Maccabaean Histories,” from which title persons who spoke loosely probably turned to call all the heroes in the stories “Maccabees.”[53]

The first datable occurrence of such use of “Maccabees” for the heroes is in Tertullian…ca. 195 C.E.[54] Finally, it must be pointed out that מקבי seems to be the original reading in the work now commonly referred to as Megillat Antiochus.[55] But this work is replete with errors: -It associates the name מקבי with Yochanan (John), while according to I and II Maccabees, this name is only associated with Judah. -It describes Yochanan as killing the general Nikanor in a private encounter in the area of the Temple. According to I and II Maccabees, Nikanor was killed by Judah and his forces in a battle that took place outside of Jerusalem. -It describes Judah as being killed before the Temple was retaken and describes Mattathias as stepping in to fight with the other brothers. According to I Maccabees, Mattathias died before the Temple was retaken and Judah led the brothers in battle. II Maccabees does not even mention Mattathias and describes Judah as leading the brothers in battle. -In its dating of the story of Chanukah, it erroneously assumes that the retaking of the Temple coincided with the beginning of Hasmonean rule in Palestine. In actuality, over two decades separated these events. Because of these and other errors, it is hard to treat this work as a reliable historical source on any issue.[56]

* * * * * * Some of the other, more remote, possibilities for the origin of the name are: a derivation from מקוה (hope),[57] from מחבה (one who hides),[58] or from מכאב (one who causes grief).[59] The name has also been interpreted in various ways as an acrostic.[60] Finally, on a lighter note, the suggestions of Franz Delitzsch and Filosseno Luzzatto (son of Samuel David Luzzatto) deserves mention. Delitzsch suggests that the name is a contraction of the exclamation mah ke-avi! (=who is comparable to my father!)[61] Luzzatto observes that there is a Greek term βιαιο-μάχας (biaio-machas) which means “fighting violently.”[62] If one places these words in reverse order, one gets something close to Judah’s additional name![63]

Conclusion

The two kappas in the name in the Greek translation of I Maccabees suggest that the original Hebrew from which this translation was made spelled the name with a ק. That the two kappas stem from an original כ is extremely unlikely. A ק spelling would suggest that the name is related to the Hebrew and Aramaic words מקבת and מקבא, and that the name was assigned to Judah based on either his physical strength/military prowess or based on his physical appearance. But it is also possible that neither the authors of I or II Maccabees nor Jason knew how Judah spelled his own name. Also, the fact that the name is spelled with a “ch” in Jerome’s Latin translation suggests that there may also have been a Hebrew version of I Maccabees that spelled the name with a כ.[64]

[1] I would like to thank Sam Borodach for reviewing the draft. All translations from I and II Maccabees are from the editions of Jonathan A. Goldstein (Anchor Bible, vols. 41 and 41A, 1976 and 1983). All citations to the Encyclopaedia Judaica (EJ) are to the original edition.
[2] Dan Rabinowitz, “The Name Machabee,” the Seforim blog (21 December 2008), available here.
[3] I am not considering Megillat Antiochus (“MA”) to be within “classical rabbinic literature.” I will discuss this unusual work at the end.
[4] Aside from the references in MA, the earliest reference to Judah in rabbinic literature is a reference in an 8th century work, Mishnat R. Eliezer (also known as Midrash Agur). This reference seems to be based on MA. This will be discussed below. Judah is also referred to in two of the three midrashim on Chanukkah published by Adolf Jellinek in the mid-19th century, and republished by Judah David Eisenstein in his Otzar Midrashim (1915). See Eisenstein, pp. 190 and 192. These midrashim are estimated to date to the 10th century. See EJ 11:1511.
[5] There are many factors that point to the fact that the Greek is only a translation. See, e.g., EJ 11:657, and Goldstein, I Maccabees, p. 14. For example, many Hebrew idioms are used. The church father Jerome (fourth cent.) clearly implies that the Greek version of I Maccabees is only a translation. He writes: “I have found the First Book of Maccabees in Hebrew; the Second is a Greek book as can also be proved from considerations of style alone.” Goldstein, I Maccabees, p. 16. An earlier church father Origen (third cent.) mentions an extra-biblical book used by the Jews which is a “Maccabean History which bears the title ‘sarbêthsabanaiel.’ ” Since this title is in Hebrew or Aramaic, this suggests that the book he is referring to, almost certainly I Maccabees, was composed in Hebrew or Aramaic. As to the meaning of this title, see Goldstein, I Maccabees, pp. 16-21 and J. Taanit 4:5 (68d). Jerome is the last individual to refer to the original Hebrew of I Maccabees. Neither I or II Maccabees is referred to or alluded to in either Talmud.
[6] For example, they were included in codices of the Septuagint. Judah and his brothers were seen as heroes by the early church. Centuries later, the Protestant church denied the sanctity of I and II Maccabees and of all the other books known today as the Apocrypha. But the Apocrypha are still part of the canon of the Roman Catholic and Greek Orthodox churches. The Biblical canon may have been considered closed by Jewry even before I Maccabees was composed. See Sid Z. Leiman, The Canonization of Hebrew Scripture (1976), pp. 29-30 and 131-32. Even if the canon was still open (see, e.g., Lawrence H. Schiffman, Reclaiming the Dead Sea Scrolls, 1994, pp. 162-169, and M. Yadayim 3:5 and M. Eduyyot 5:3), a strong argument can be made that I Maccabees was never a candidate for canonization since it did not claim to be a book composed before the period of prophecy ended. II Maccabees would never have been a candidate for canonization since it was composed in Greek.
[7] As is evident from the names Mattathias, Joudas, and Makkabaios, Greek often adds an “s” at the end of foreign names. That is why משה became “Moses” in the Septuagint, and why there is an “s” at the end of the name “Jesus.”
[8] Goldstein, I Maccabees, p. 230.
[9] In II Maccabees, the name is usually used alone, without the name Judah. In I Maccabees, the name is used alone one time. Although the name is spelled with two kappas each time, the “s” at the end is not there each time. In Greek, the ending of the name varies depending on the how the name is being used in the sentence.
[10] The First Book of Maccabees, tr. by Sidney Tedesche, intro. and comm. by Solomon Zeitlin (1950), p. 250, and Samuel Ives Curtiss, Jr., The Name Machabee (1876), p. 8.
[11] See, e.g., the transliteration of the name בקי at Ezra 7:4, and the transliteration of the city עקרון (many times).
[12] Curtiss, who seems to have gone through the Septuagint very carefully, can cite only one such case: תכן at I Ch. 4:32. See Curtiss, p. 9. But even here, there is another reading in which the transliteration is with two chis.
[13] In II Maccabees, the occurrence of names and places whose Hebrew spelling is known from the Bible is very limited. (Unlike I Maccabees, II Maccabees does not provide many geographic details.) In II Maccabees, transliterated with chi are כסלו and מרדכי. Transliterated with kappa are יעקב, חזקיה and קרנים.
[14] I Macc. 10:89.
[15] I Macc. 8:17: “Judah chose Eupolemus son of John of the clan of Hakkoz…” I am making the reasonable assumption that Hakkoz is the same as the priestly clan הקוץ mentioned at I Chr. 24:10. (Although the reading of the majority of Septuagint manuscripts is Ακκως, there is another reading: ακχως.)
[16] This is true in II Maccabees as well. Admittedly, in most of the instances I have listed, the authors of I and II Maccabees were not deciding on their own how to transliterate these names and places, but were following already established conventions.
[17] The name could be an Aramaic one, even assuming that I Maccabees was composed in Hebrew.
[18] Semitic languages (other than Akkadian) do not have roots with identical consonants in the first two positions. Eduard Yechezkel Kutscher, A History of the Hebrew Language (1984, 2d ed.), p. 7.
[19] The Syriac translation of I Maccabees also spells the name with a ק. The Syriac translation of the Bible was generally based on the Greek translation, but it has been argued that sometimes the translators consulted the original Hebrew and that perhaps the Hebrew original was consulted here. See Felix Perles, “The Name ΜΑΚΚΑΒΑΙΟΣ,” JQR 17 (1926-27), pp. 404-405.
[20] See, e.g., Emil Schürer, The History of the Jewish People in the Age of Jesus Christ, revised and edited by Geza Vermes, Fergus Millar, and Matthew Black, vol. 1 (1973), p. 158, Zeitlin, pp. 250-52, Nosson Dovid Rabinowich, Binu Shenot Dor va-Dor (1985), pp. 184-87, and Ernest Klein, A Comprehensive Etymological Dictionary of the Hebrew Language for Readers of English (1987), p. 377. For references to earlier scholars who argued for this approach, see Curtiss, pp. 18-20 and Ralph Marcus, “The Name ΜΑΚΚΑΒΑΙΟΣ” in The Joshua Starr Memorial Volume (1953), p. 62. מקבת is found in the Tanakh at Judges 4:21. (See also Is. 51:1.) It is also found in Tanakh in the plural מקבות, at I Kings 6:7, Jer. 10:4, and Is. 44.12. It is usually viewed as deriving from the root נקב, since it is a tool which is used to penetrate.
[21] There are various ways of understanding the metaphor. Some reasonable suggestions are: 1) he was as strong as a hammer, 2) he dashed the enemy into pieces, and 3) he penetrated the enemies’ forces. As many scholars have noted, another historical figure with such an additional name was Charles Martel, ruler of the Franks in the 8th century. Martel is French for “hammer.” He was given this additional name following his victory over the invading Muslim army at Tours in 732 CE. This victory halted northward Islamic expansion in Western Europe. Judah is described by the name Makkabaois before he battled the forces of Antiochus IV. But this is not a difficulty. According to I Macc. 2:66, he was “a mighty warrior from his youth.”
[22] See M. Kelim 29:5 and 29:7, referring to a מקבת used by stonecutters. See also M. Parah 3:11 and Tosefta Shab. 13:17 (ed. Lieberman). Marcus (p. 63, n. 3) notes that at Ber. 28b, when one of the Sages is called a “strong hammer” (patish ha-chazak), it is the word פטיש, and not מקבת, that is used.
[23] See, e.g., Schurer, vol. 1, p. 158 and Zeitlin, pp. 250-252. Exactly how to understand this is open to interpretation. Was it the shape of his skull that looked like a hammer? something about his face? something about his neck? something about his body? something about the relationship of these objects to one another? For some possible understandings, see Rashi to Bekh. 43b, and the commentaries to M. Bekhorot 7:1 of Rambam and Tiferet Yisrael. It has also been suggested that the reference to a hammer alludes to Judah’s having an occupation as a blacksmith. It has also been observed that מקבא means “nostril” in Syriac and that perhaps Judah possessed uncommon nostrils. Perles, p. 405. Bezalel Bar-Kochva, Judas Maccabaeus (1989), p. 147, attempts to support the view that the name refers to some flaw in Judah’s physical appearance by noting that I and II Maccabees nowhere laud Judah’s physical stature or beauty.
[24] Bekh. 43b. Although the printed edition of the Talmudic passage reads למקבן here (just like the word in the Mishnah), Rashi’s text read למקבא. This would seem to be the correct reading .
[25] See Zeitlin, The Rise and Fall of the Judaean State (1962), vol. 1, p. 96 for some examples. Josephus tells us (Life, para. 3) that one of his ancestors (a contemporary of John Hyrcanus) was called Simon Psellus= Simon, the stammerer.
[26] This suggestion is made at EJ 12:808.
[27] These are the additional names for John, Simon, Eleazar, and Jonathan, respectively. Of the four names above, Gaddi is the easiest to relate to a known Hebrew or Aramaic word. It can be related to the Hebrew and Aramaic word גד, “fortune.” See, e.g., Gen. 30:11. For some attempts to give meaning in Hebrew or Aramaic to the other names, see Goldstein, I Maccabees, p. 231, Rabinowich, p. 186, and Ralph Marcus, Josephus (Loeb Classical Library), vol. VII, pp. 138-39.
[28] For an extensive discussion, see Tal Ilan, “The Greek Names of the Hasmoneans,” JQR 78 (1987), pp. 1-20.
[29] Josephus, Antiquities, XIII, para. 228.
[30] Josephus, Antiquities, XX, para. 240.
[31] Josephus, Antiquities, XIII, para. 320.
[32] Ibid. Perhaps she was given this name after her marriage to Alexander. The Hebrew name of Yannai’s wife was transmitted in rabbinic sources in various forms. See Schurer, vol. 1, p. 229, n. 2 and Ilan, p. 7, n. 28. That the original Hebrew form was שלמציון has now been shown by two Dead Sea texts: 4Q331 and 4Q332. See Discoveries in the Judaean Desert XXXVI (2000), pp. 277 and 283.
[33] I make this statement based on my examination of the following work: An Intermediate Greek-English Lexicon, founded upon the seventh edition of Liddell and Scott’s Greek-English Lexicon (1889). In contrast, many Greek words related to fighting begin with “μαχ.” Also, the Greek word for knife or dagger begins with these letters. (This is mentioned by Rashi at Gen. 49:5, מכרתיהם, citing Midrash Tanchuma.) Even though the letters μ,κ,β or μ,κ,κ,β do not seem to correspond to any known word in ancient Greek, we do find Azariah de Rossi (16th cent.), in his Meor Einayim, Imrei Binah, chap. 21, adopting the suggestion of a 16th century monk that the name is a Greek one and that the meaning is the equivalent of the Italian “paladino” (=hero, champion). Also, R. David Ganz (16th cent.), Tzemach David, p. 69 (ed. Breuer), writes that מכבאי in the Greek language is a gibor and ish milchamah. Of course, it is possible that the names of Judah and of some of the other brothers were Greek and what is recorded in I Maccabees are only shortened forms of names that originally combined two Greek words. Also, if the additional names originated as affectionate nicknames, whether in Greek, or in Hebrew/Aramaic, such names are often substantially altered forms of the original proper name. (In English, note Dick for Richard, Jack for John, and Billy for William.) It has been speculated that “Chashmonai” was the additional name of Mattathias. See Goldstein, I Maccabees, pp. 18-19. (“Chashmonai” seems to have been an alternative way of referring to Mattathias. See, e.g., M. Midot 1:6. But this does not necessarily imply that it was his additional name.) “Chashmonai” sounds like a Hebrew or Aramaic name. See Josh. 15:27, Num. 33:29-30, and Psalms 68:32. (We might expect Josephus to know the origin of the term “Chashmonai,” since he was from this family. But the various statements in Josephus are not consistent. See Goldstein, I Maccabees, p. 19, n. 34.)
[34] Curtiss, pp. 8-9, theorizes that the original Greek spelling was with only one kappa. He writes that letters which are single in earlier Greek manuscripts often end up being doubled in later ones. Curtiss, p. 9, n. 1.
[35] It has been suggested that the last three chapters of I Maccabees were added later, because Josephus never uses them. But the failure of Josephus to use these chapters can be explained in other ways. See, e.g, Marcus, Josephus (Loeb Classical Library), vol. VII, pp. 334-335.
[36] Goldstein, I Maccabees, p. 62. There is another comment which perhaps suggests that the book was composed long after the events described. I Macc. 13:30 reads: “This tomb, which [Simon] erected in Modeϊn, still exists today.” The positive attitude towards the Roman Empire in the book strongly suggests that the book was composed before 63 BCE. See, e.g., I Macc. 8:1: “Judas had heard about the Romans: that they were a great power who welcomed all who wished to join them and established ties of friendship with all who approached them.”
[37] Most likely, he is called Jason “of Cyrene,” i.e., from Cyrene, because he flourished elsewhere (e.g., Judea or Egypt) after having been raised in Cyrene. But Victor Tcherikover, Hellenistic Civilization and the Jews (1959), p. 387, raises another possibility: Jason was a native of Palestine who left after the death of his hero Judah, and found a new homeland in the Jewish community of Cyrene.
[38] It has been suggested that he is to be identified with Jason son of Eleazar who is mentioned in I Macc. 8:17 as having been sent by Judah on a mission to Rome. But this identification is only conjecture.
[39] See Daniel Schwartz, Sefer Makabim ב (2004), p. 19, n. 23. Schwartz agrees with this position. He argues that it is evident from II Maccabees that Jason composed his work before the establishment of the temple of Chonyo in Egypt. This temple was established in 145 BCE at the latest.
[40] The abridger does not state that he ended his work before Jason did. But if the abridger had followed Jason to the end, the abridger would have ended with something like: “Since Jason ended his work at this point, my work, too, is done.” Goldstein, I Maccabees, p. 5. Instead the abridger ends: “Such was the outcome of the affair of Nicanor. From that time on, the city has been held by the Hebrews. Therefore, I myself shall bring my account to a stop at this very point…”
[41] Goldstein, I Maccabees, pp. 62-89 and II Maccabees, pp. 82-83. If this theory would be correct, we cannot view the similar spelling, Makkabaios, as an independent confirmation of this spelling, since perhaps the later work merely adopted the spelling of the former. It has also been theorized that I Maccabees was a response to or a rewriting of Jason’s work.
[42] I am willing to assume that the abridger followed the spelling used by Jason. (It is not known for certain that Jason composed his work in Greek, but this seems very likely. The abridgement begins with an introduction, and the abridger did not say anything here about changing the language of Jason’s work.)
[43] Curtiss, p. 7.
[44] Throughout his Latin translation of the Bible, Jerome seems to have consulted the Hebrew and corrected earlier erroneous transliterations found in the Greek translation. Curtiss, pp. 6 and 31. Jerome was more advanced in Hebrew than of any of the other church fathers.
[45] It is only speculation that Jerome consulted the original Hebrew of I Maccabees here. Even though Jerome refers to this work (see above, n. 5), he may not have had access to it and may not have remembered all of its spellings at the time he composed his Latin translation of I Maccabees. It sounds like he was referring to a work that was rare and not easily accessible.
[46] Curtiss, p. 7. Jerome transliterated ק with “c” or “cc” 188 times. There were only two occasions when Jerome transliterated ק with “ch”. (Curtiss attempts to explain what led Jerome to make exceptions in these instances. See pp. 7 and 32).
[47] Curtiss (pp. 8-9) tries to get around this scenario by postulating that the original Greek text only had one kappa, and that it was only later that the kappa was doubled. An original כ could have been transliterated with one kappa.
[48] See, e.g., Curtiss, pp. 25-29.
[49] David Flusser, Sefer Yosippon, vol. 1, p. 79, note to line 56.
[50] EJ 10:297. The author of Yosippon could not read Greek.
[51] Flusser, vol. 1, pp. 79 and 80. (Flusser writes that this is the reading in the better manuscripts of Yosippon.) This spelling is also found in another work from around this time, a Hebrew translation and adaptation of I Maccabees. This work was perhaps authored by the author of Yosippon. See Flusser, Sefer Yosippon, vol. 2, p. 132. Much later in his work, in a different context, the author of Yosippon calls the group המקווים. Flusser, vol. 1, p. 342.
[52] Goldstein, I Maccabees, pp. 3-4.
[53] A similar development seems to have occurred with the name חשמונאי. One can easily interpret all the references to חשמונאי in Tannaitic and Amoraic literature as references to Mattathias alone. (The only exception being the reference at Meg. 11a, but there are variant readings here.) It is only after the Talmudic period that references to חשמונאים begin to appear. See, e.g., Midrash Eser Galuyot, and Midrash Shocher Tov, chaps. 5 and 93. Jastrow, in his entry חשמונאי, writes that the plural form is found in some editions of BK 82b. But I suspect that the plural form is not the original reading here.
[54] Goldstein, I Maccabees, p. 4, n. 1, also suggests a possible earlier occurrence.
[55] Some manuscripts of MA read מכבי. But the Yemenite manuscripts of MA, which reflect ancient traditions, read מקבי. If we look at the three oldest manuscripts of MA (Turin 111, Huntington 399, and Paris 20, all of which date from around 1300 and none of which are Yemenite manuscripts), two read מקבי and one reads מקוי. See Menachem Tzvi Kadari, “Megillat Antiochus ha-Aramit,” Bar Ilan 1 (1963), p. 93, and Curtiss, pp. 37-41. (There are also a few manuscripts of MA in which the word is omitted.) In the manuscripts of MA, the term מקבי/מכבי is usually followed by words like תקיפין קטלא (=killer of strong men), perhaps implying that that the author of MA viewed this as its definition.
[56] I would not have phrased it in this manner, but the EJ entry “Scroll of Antiochus” (14:1046-47) includes the following statement: “[T]he author was totally ignorant of the historical circumstances at the time of the Maccabees and made no use of any reliable sources on the period.” The first source to mention MA is the Halakhot Gedolot (mid-9th cent., who calls it Megillat Beit Chashmonai) but it is possible that the work was composed as early as the 1st century CE. That it was composed in the Talmudic period or the post-Talmudic period is also possible. The work was probably composed in Palestine, even though it may have been edited in Babylonia. It was originally composed in Aramaic; the widely known Hebrew version (included, for example, in the Siddur Avodat Yisrael, the Siddur Otzar ha-Tefillot, and the Birnbaum Siddur) is only a later translation. For references to sources which refer to MA and to practices of reading it on Chanukkah, see Natan Fried, Al Minhag Kriyat Megillat Antiochus be-Chanukkah, in Daniel Sperber, Minhagey Yisrael, vol. 5, pp. 102-113, and Rabinowich, pp. 138-146. Even though the first source to mention MA is the Halakhot Gedolot (and the import of his statement is unclear), a statement in Mishnat R. Eliezer, an 8th century work, seems to be based on MA. The statement (p. 103, ed. Enelow) refers to four sons of Chashmonai after Judah, the eldest, was killed. These details match the scenario depicted in MA. One of the midrashim on Chanukkah first published by Jellinek (see above, n. 4) is clearly based on MA but the midrashim published by Jellinek are estimated to date to the 10th century. See EJ 11:1511. (The midrash that is based on MA is the one that Eisenstein refers to as Maaseh Chanukkah Nusach ‘ב.)
[57] Marcus, pp. 64-65. His suggestion is that Judah was thought of as living proof that God was Israel’s hope. Marcus makes the interesting argument that if the name was derived from the Hebrew מקבן, the Greek form could have been Μακκβάν. There would have been no reason for the Greek form to have changed the ending, since names can end with “an” in Greek. The additional name of Eleazar was Auaran (Αυαραν). The problem with Marcus’ suggestion is that the Greek letter beta usually corresponds to ב. But Marcus finds some examples of beta being used to transliterate vav. Marcus did not realize it, but he was preceded in his attempted solution by Yosippon. There is one place where the author of Yosippon calls the group המקווים. See Flusser, vol. 1, p. 342.
[58] See Curtiss, p. 13 and Jewish Encyclopedia, “The Maccabees.” Mattathias and his sons had fled and hid in the mountains during the period of persecution by Antiochus IV. But Judah seems to have had this name even before the persecution by Antiochus IV.
[59] See Curtiss, p. 13 and Ezek. 28:24.
[60] See Curtiss, pp. 14-17.
[61] Curtiss, p. 23.
[62] See, e.g., An Intermediate Greek-English Lexicon, p. 150.
[63] Curtiss, p. 14.
[64] I cannot end this study without mentioning that the word “macabre” perhaps has its origin in the name “Maccabee.” See, e.g., Klein, A Comprehensive Etymological Dictionary of the Hebrew Language for Readers of English, p. 377, מקברי.



Eliyahu Bachur in Isny

ELIYAHU BACHUR (1469 – 1549) IN ISNY
 by: Dan Yardeni

Dan Yardeni, an engineer by profession (Technion – Israel Institute of Technology, 1963), is entrepreneur specializing in cutting edge materials and materials production processes.

As sideline,  he researches problems in the history of Hebrew books printing and printers. He also contributes articles to the Culture and Literature sections of Haaretz and other Israeli newspapers. This is his first post at the Seforim blog.

A little street in Tel Aviv commemorates the personality of a colorful Jewish culture hero at the time of the Italian Renaissance, known as Eliah Levita by Christians and Eliyahu Bachur by Jews. While he considered himself primarily a linguist, he was also a teacher, translator, writer and editor, debater, poet, singer and humanist with a deep sense of social awareness, which he expressed in sharply worded satires. While all his life he was an observant Jew, he was also a close friend and teacher of the greatest Christian scholars of his day and became a foremost “cultural agent” between Judaism and Christianity.
Eliahu Bachur’s unusual name is due to the fact that he remained a bachelor for a long time, and later adopted the epithet in the sense of Bachur – Chosen (see his preface to Sefer HaBachur, Isny 1542 where he explains the name of the book and comments:  “…. היות שם כינויי משונה ובשם בחור מכונה …. ” ). He was born in southern Germany in 1469 and died and was buried in Venice at the age of 81, a rather advanced age at the time.
Most of his life he lived and worked in Italy. For a brief period of two and a half years, between 1540 and 1542, Eliyahu Bachur moved to the small town of Isny in the picturesque Allgäu region of southern Germany. Isny was at that time a a free self-governing city organized as a republic within the Holy Roman Empire, then under the rule of Charles V. Eliyahu Bachur was invited by the Christian reformer and Hebraist Paulus Fagius to work with him as editor and proofreader in the printing-house, which Fagius had founded in Isny. Despite the burden of his seventy-one years, Eliyahu accepted the invitation, left his home in Venice and crossed the Alps to live in that little town. Why did he do it? The large and world famous printing-house of Daniel Bomberg in Venice, where he had worked as an editor and proofreader for many years, ceased operating at that time and Fagius was offering him a good job and, most important, undertook to print  the books Eliyahu had written.
Eliyahu Bachur describes his journey to Isny at the end of his book ‘Tishbi,’ the first of his books to be published in the new printing-house. (The name of the book alludes to his name, Eliyahu). The book, printed in typical Ashkenazi Hebrew typography, constitutes a kind of dictionary describing 712 roots of Hebrew words. And so he writes in the preface to the book: “… I beg anyone, scholar or student who reads this book and finds a mistake or error, to note that it is the fruit of haste since I was in a hurry to reach this place and when I left my house the book was not yet finished, and as I was en route, crossing lands of raining hills and mountains I stood trembling, weighing matters up in my mind and writing them in my heart, and then, when I reached the inn, I opened my case, took out my notebook and wrote down the things which the Lord had put into my heart.”
We know of sixteen titles (sometimes in 2 editions, with and without Latin translation), which Eliyahu Bachur published in Isny. He may have printed more, of which no copies survived. Most of the time he was the only Jew in  that Christian town which was so devoutly Protestant that it did not allow Catholic Christians to reside within its walls. The contents of his books, and the texts which he wrote and appended to them, are of great interest still today. Most touching is the reflected conflict between his desire to publish the books he had written and the longing for his family and for Venice, the town where he had lived most of his life.
While being a deeply religious and observant Jew, Eliyahu Bachur displayed cultural openness to the Christian world. He did this in spite of the fierce opposition of rabbis, who regarded him with suspicion, as someone who was prepared to venture beyond the self-imposed barriers surrounding the Jewish scholarly community (See his preface to Masoret Ha-Massoret book printed in Venice 1938 and later). He also had the courage and intellectual honesty to admit that he had been helped in translating difficult Greek words to Hebrew by the learned Christian cardinal Egidio Viterbo, to whom he had taught Hebrew during his sojourn in Rome years earlier. He dared to state, in face of virulent opposition from leading orthodox rabbis, that the punctuation of the Hebrew language was a later invention and not as ancient as had been thought until then. In his rhyming introduction to his book ‘Tishbi,’ he challenged those who disagreed with him to react still in his lifetime:
“….. / כי אומנם לא שקר מילי / אם לא איפא מי יכזיבני / מה שגיתי יבין אותי / יכתוב לו ספר איש ריבי / אך יעשה זאת טרם אמות / כי מה אשיב אחרי שכבי / או ימות גם הוא כמוני / או ימתין לי עד שובי / …….”
“…Indeed my words are not a lie / So who will dispute me? / If I erred, please  show me where / And my rival may write his own opinion  / But let him do it before I die / Because once I died how could I reply? / Or possibly he too may meanwhile pass away / Or he might have to wait for my resurrection from the dead….”
Later, in a playful rhymed foreword, combining genuine modesty with an awareness of his own value, he added a well-known fable attributed to Pliny the Elder, which Eliyahu claims to remember from his youth:
“אפתחה במשל פי / אשר שמעתי בימי חרפי / כי היה באחד המקומות / אשר נקבו בשמות / אמן אחד צייר / וצייר צלם איש על נייר / והיה האיש ההוא / תם וישר / יפה תואר ומשוח בששר / וידביקהו על לוח עץ / ועל פתח ביתו היה אותו נועץ / להראות העמים והשרים את יופיו / כי כליל הוא מהדרו  וצבי עדיו / ויהי כאשר כל העם רואים / והנה בתוך הבאים / זקן אחד רצען / על משענתו נשען / וראה והביט גם הוא / אחרי כן פתח את פיהו / ויאמר הנני עומד משתאה / איך הצייר שגה ברואה / הלא תראו כי שרוך הנעל / הפוך למטה למעל / וכשמוע הצייר את זאת / יצא גם הוא לראות / וירא ויניע ראש / והודה ולא בוש / ויאמר צדקת אתה הזקן / אך הלילה המעוות אתקן / וכן תקנהו טרם הלך לישון / ולמחרתו הוציאו כמשפט הראשון / ויבוא הרצען שנית / ויוסף להביט בתבנית / ויאמר לצייר יפה תיקנת ועשית / אבל בדבר אחד שגית / כי רואה אני דבר נבזה / כי הברכיים אינם דומים זה לזה / האחד גדול והאחד קטן / ויאמר לו הצייר לך אל השטן / כי משרוך הנעל ולמעלה/ אין לך בחכמה חלק ונחלה / ויהי הרצען לבושה ולכלימה / ויפן וילך בחימה / וכן יראתי גם אני / שכמקרה הרצען יקרני / בעניין זה החיבור / רעה עלי ידובר / ויאמר אלי מי שהוא / מה לך פה אליהו / כלך למדברך אצל דקדוק ומסורות / אין לך עסק בנסתרות / אל תחמוד כבוד יותר מלימודך / ואל תנבל כסא כבודך / ולכן יראתי לקרב אל המלאכה / פן לא אראה בה סימן ברכה / אך רוחי הציקתני / ואש עצור בעצמותי ושרפתני / וכלכל לא יכולתי / ומאת השם עזר שאלתי / יצרף לי למעשה המחשבה / ויורני בדרך הטובה / כי מכיר אני את מקומי / שיותר מידי נטלתי גדולה  לעצמי / שמלאני לבי לפרש כל השורשים / אשר בשום מקום אינם מפורשים / ואף מאותם המפורשים כבר / אחדש בכל אחד איזה דבר / ורובם מן הגמרא ומדברי רבותינו / כגון בראשית רבא ותנחומא וילמדנו / ואף שבעוונותיי / כבר עברו רוב שנותיי / ולא ראיתי בטובה / בהוויות אביי ורבא / ולחכמים מעט שימשתי / ומשאם ומתנם לא בשתי ביקשתי / מכל מקום לבי לא מנעני / ובאגדות ובמדרשים יגעתי / להוציא מהם דברים חשוקים / ובפרושי ומדרשי הפסוקים / עד שרוב גירסתם היא לי ידועה / וזה יהיה לי לישועה / את הספר הזה לחבר / ולברר וללבן את אשר אדבר / …………/.
The fable tells the story of the famous Greek painter Apelles (a contemporary of Alexander the Great), and a cobbler,. Apelles drew a beautiful young man and pasted the painting on wooden board that he placed at his doorway to impress all passersby. Among them was an old cobbler, leaning on his cane. The cobbler gazed at the painting and commented: “I am surprised how the artist made such a mistake. You see, the shoelace goes upside down”. When the artist heard that, he went out to see, nodded his head and consented: “You are right, old man. But tonight I shall correct the mistake”. And so he did before going to sleep and the next day he hung the painting in place as before. And the old cobbler came again. He looked at the painting and told the artist: “Well done but there is still another mistake: the knees are not alike, one is bigger than the other”. The artist said then commented angrily: Go to hell. From the shoelace upwards you know nothing”. The cobbler was ridiculed by all around and turned away in a rage. And, says Eliahu Bachur, he is afraid that the same will happen to him with this book, the Tishbi”. Somebody will say: “What are you doing here? Go back to Hebrew grammar and Massoret. Don’t deal in what you don’t know and don’t ask to be honored in doing so“. Therefore, he was afraid to undertake that work, in which he might fail. However, he could not restrain himself and asked God for help in showing him the right way. Eliyahu adds that he knows his place and that he may be presumptuous in daring to explain all the Hebrew roots, which are not explained elsewhere, adding that even to those that had been explained, he was still bringing something new from the Gmara and other sources.
Particularly impressive is the friendship and mutual respect that developed between the old Jew and the Christian preacher Paulus Fagius in the course of their work together in Isny, about which Eliyahu writes in the foreword to the book:
“……..ובבואי הנה תהיתי בקנקנו ומצאתיו מלא ישן ולא הוגד לי החצי מחכמתו וידיעתו, ורבים שואבים מי תורתו, ודורש טוב לעמו, נאה דורש ונאה מפרש  ………..ובראותו הספר הזה אשר חיברתי והכיר רוב טובו ותועלתו, נזדרז מאד והעתיק אותו ללשון לאטין אשר קראו קדמונינו לשון רומי וחיבר שתי הלשונות יחד ונשים עיוננו עליו בכל מאמצי כוחנו, הוא מצד אחד ואני מצד אחר. ונקרא איש אל אלוהיו שיצליח את מלאכתנו ………”
“…And when I came hither I wondered about his character, and I found him full of wisdom, and I had not been informed about the breadth of his knowledge, and many come to learn from him, and he performs good deeds, in sickness and in health… And when he saw the book which I had written he recognized its worth, and hastened to translate it into Latin, which was the language of ancient Rome, and together we made connections between the two languages, he on the one hand and I on the other, and each one of us sought guidance and help from his God.” (my emphasis, D.Y.)
Being a devoted Christian Pastor, Fagius didn’t abandon his missionary vision and one of the books he printed in Isny, ‘The Book of Belief’ (Sefer Amana), is unmistakably a missionary tract. The book was published in two versions, Hebrew and Latin. In the introduction to the Hebrew edition Paulus Fagius wrote in Hebrew: “The Book of Belief is a goodly and pleasant book which was written by a wise Israelite a few years ago in order to teach and prove quite clearly that the belief of Messianic in the Lord the father, his son, and the holy spirit, and other things is entire, correct and without doubt…”. We can only imagine how uncomfortable Eliahu Bachur felt in proofreading this book.
Now, as was customary in those days when printers took pride in their work, Paulus Fagius placed a colophon at the end of the books he printed with his printer’s emblem, an elaborate and beautiful woodcut of a tree surrounded by verses, which he regarded as his motto in life. Among them was one verse, which appeared with slight variations in most of the books that were printed at Isny:תקוותי במשיח הנשלח שהוא עתיד לדון חיים ומתים “My hope is in the Messiah who was sent (נשלח) and who will judge the living and dead.”
As stated, ‘The Book of Belief’ appeared in Hebrew, apparently intended for the Jews, and in Latin for the Christians. The Latin version ends with the verse cited above, while at the end of the Hebrew version the printer’s emblem appears with a slight difference, which is not immediately discernible:
תקוותי במשיח הנשלך אשר הוא יבוא לדון את חיים ומתים
 
My hope is in the Messiah who was dismissed (הנשלך) and who will come to judge the living and dead.

There can be no doubt that this is no printer’s error but a subtle message sent by Eliyahu Bachur in his capacity as the book’s proofreader to his Jewish brethren down the ages, saying: “I have not betrayed. You know what I think about this”. I noticed this subtle difference when I examined the books, which are kept in the amazingly well preserved study of Paulus Fagius next to the Church of Saint Nicholas in Isny, where he preached nearly 500 years ago. When I brought it to the attention of the extremely kind priest who escorted me and who now occupies Fagius’s chair, he was very surprised and, I fear, somewhat offended. 

Eliyahu Bachur was attuned to the need to disseminate knowledge not only to the educated Jewish elite but also to the general Jewish community, men and women. Therefore, another book, which Eliyahu Bachur printed in Isny in the year 1541, was ‘Bovo d’Antona’, a popular adventure novel about knights, which he translated into the Judeo-German dialect, Ivri Teitsch (western Yiddish From the introduction he wrote to the book, we learn about the status of women in Jewish society at that time and about their reading habits. In rhymed introduction, he tells all righteous womenאיך אליה לוי דער שרייבר, דינר אלר ורומן וויבר” that there are women who complain that he does not print for them in Ivri Teitsch the books that he has written, and they are right. And since he has written eight or nine books in Hebrew and since he is now rather old, he wishes to publish all these books and poetry in Ivri-Teitsch. The first of which will be the “Bovo Buch,” which he translated from Italian thirty-four years earlier. Since this translation contains words in Italian, he will print a glossary at the end of the book explaining their meaning [and so he did, D.Y.]. Naturally he cannot transmit,the melody by which the book should be read. “איך זינג עש מיט איינם ועלשן גיזנק, קאן ער דרויף מכן איין ביסרן, זא הב ער דאנק” . He himself sings it in the Italian melody but everyone can adapt a better melody to the text, as he wishes. At the end of the book, Eliyahu Bachur adds that he hopes to print more books in Ivri Teitsch, but apparently he did not, or perhaps no copy has reached us. Of the ‘Bovo d’Antona’ book, only a single copy (Unicum) survives, which is preserved in the Zurich Public Library. However, the book was so popular at the time that its name has given rise to the expression that we use still today, “Bobe Meise” in the sense of silly, nonsense tale.
The book ‘Meturgaman’, (“Translator”), which Eliyahu Bachur composed and printed in Isny in 1542, was intended to be a dictionary which “Will explain all words, difficult and easy alike, which appear in the Aramaic translations of the bible and Talmud Yerushalmi”. To the book Eliyahu Bachur added a colophon, which sheds light on a touching side of his personality. In the colophon Eliyahu printed a delicate and sweet love song to his wife whom he had left behind in Venice:
“והנה מאחר שקפצה עלי הזיקנה / ואני  איש זקן וכבד מאד / ומידי יום יום תכהה עיני ונס ליחי / אשוב מצבא העבודה ולא אעבוד עוד / ואלך לי אל ארצי אשר יצאתי משם / היא מדינת וונציה/ ואמות בעירי עם אשתי הזקנה / ולא אניד עוד רגל ממנה / והיא תשת עלי עינה / ורק המוות יפריד ביני ובינה/ ואשב שם כל ימי חיותי/ ואשלים חיבור הספרים אשר החילותי/  אז אומר לאל אשר יצר אותי/  קח נא את חיי כי טוב מותי”.
The song is translated here without modifications or explanations, though the charming wording in Hebrew is lost:
“And since I became old and heavy, and each day my eye sight weakens and my strength is leaving me, I shall retire from work and go back to the homeland that I left, the land of Venice, and die there with my old wife, and I shall never move again from her, and she will keep an eye on me and only death shall part us, and I shall live there the rest of my life and complete the books which I have already started to write. Then I shall ask the Lord who created me: take my life, it is better that I die”.
And in another song below this one, the old scholar summarize his life and work in most touching words:
                           
“הלל אל אל המלך נאמן              אבינו האב הרחמן
שהחייני עד הגעתי                       עתה אל זה היום וזמן
היה איתי עד נטעתי                     זה הנטע נטע נעמן
בו נגלות כל המילות                    העבריות עם תרגומן
גם הוא מורה בגיליון                   איה תחנותן ומקומן
הוא כמליץ שהוא ממליץ              ובטוב מילין הוא מטעימן
ויי שוכן שמים                              וממנו דבר לא נטמן
ידע כי לא עשיתי זאת                 להיות נקרא רב או אמן
כי הנותן לכסיל כבוד                   כצרור אבן תוך ארגמן
לאל בלבד נאה כבוד                   ולזולתו הא ליכא מאן
הן לכבודו ולאהבתו                     בלבד רשמתי רישומן
אנא אלי לי ולאשתי                     החסד גם האמת מן
שהיא לא תהיה אלמנה               ואני לא אהיה אלמן
יחד נמות ובגן עדנות                  תוך חיקה אישן עד לזמן
יבוא הקץ ואזי נקיץ                     ולחיי עד יחד נזדמן
ובכך תמו גם נשלמו                    דברי השירה עד תומן
ואני אליה המחבר                       לפרט זאת השנה סימן

Praise the God, faithful king
Our merciful father

That kept me alive     To this date and time

Be with me till I plant   This pleasant plant
In which all Hebrew words are revealed
With their translation
And also indicate Where they are located,
Explaining them
In plain words.
God in heaven   From him nothing hides
He knows that I did not do that      To be called rabbi or scholar,
Because rendering honor to a fool Is like wrapping stone in expensive textile
Only God deserves honor Nobody else
And to his honor and love      I wrote what I wrote.
Please God, to me and my wife bestow grace and truth
That she will not become a widow   And I shall not become a widower
Together we shall die and in Garden of Eden    In her bosom I shall sleep until
End of time and then we shall awake  And for ever be together
And here ended and completed    This song
I Eliyhau the writer 
In the year …..

Eliyahu Bachur’s wish was only partly fulfilled. He returned to Venice after the short-lived printing house in Isny closed down, and even though he edited and proofread a few more books for printers who replaced Bomberg’s enterprise, his strength continued to weaken. His long time co-worker in the printing business, Cornelio Adelkind in a letter to the humanist Andrea Masius in 1547 calls Eliyahu איש ערירי (Lonely man) which implies that his wife passed away few years before him. Eliyahu Bachur died in the month of Shevat in the year Shin Tet (1549) and was buried in the old Jewish cemetery in the isle of Lido near Venice. The headstone on his grave is still to be seen. I visited his grave, put a little stone on it and read the engraved epitaph, which includes sophisticated wording and allusions in Hebrew. This and the fact that the epitaph does not refer to the day of his death may suggest that he composed the text himself:
ש”ט לפ”ק
ר’ אליהו הלוי בחור ומדקדק
הלא אבן בקיר תזעק ותהמה לכל עובר
עלי זאת ה-קבורה
עלי רבן-אשר נלקח ועלה בשמיים
אלי-יה ב-סערה
הלא הוא זה אשר האיר בדקדוק אפלתו
ושם אותו לאורה
שנת שט שט בחדש שבט בסופו, ונפשו ב
בצרור חיים צרורה
It was impossible to translate the delicate playing in words that is concealed through the epitaph. The text below is only a shadow of its poetic brilliance.
Shin Tet le Prat Katan
Rabbi Eliyahu Halevi Bachur And Grammarian
A stone from wall will cry and moan to every passer by
On this grave
On rabbi Eliyahu who went to heaven
To God by a storm
He is the one who lightened the darkness of [Hebrew] grammar
And put it to light
Year Shin Tet at the end of the month of Shevat and his soul
In the bonds of life be bound

תנצב”ה



אדם דואג על אבוד דמיו / ואינו דואג על אִבוד ימיו

In the prior post, Yitzhak discussed a phrase and its origins. We now present, a chapter from R. S. Askenazi unpublished works, related to the same topic. As mentioned before we are working on printing his writings. At this point three volumes are completely ready to print (with a few more on the way). While they still require financial assistance to see the light of day we are very close, only 5K is necessary. With the help of many people, including some generous readers of the Seforim blog, we have gotten pretty far in this long journey. If anyone could help in any way possible it would be greatly appreciated. Thanks in advance. For any information or questions about this project contact me at EliezerBrodt@gmail.com
אדם דואג על אבוד דמיו / ואינו דואג על אִבוד ימיו
הפרקים
א. מקורות ראשונים
ב. בדורות הבאים
ג. באור הפתגם
ד. ‘מדרש פליאה’
ה. השמוש בפתגם בחיי הקהלה
ו. יחוס מוטעה
ז. מקור הרעיון בראשונים
ח. רעיונות דומים
ט. פתגמים-אחים ופתגמים-יריבים
י. ‘…מתאוננים, שאין להם במה לחיות…’
א. מקורות ראשונים
כתב ר’ שלמה בלוך, בספר החיים, ח”ד, פרק ב: אמרי אינשי. אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו. דמיו אינם עוזרים / וימיו אינם חוזרים[1].
ר’ שלמה בלוך לא חִבר את ספר החיים, אלא הוציאו בתרגום אשכנזי בשנת תרח בהנובר (ואח”כ במהדורות רבות) [על-פי מהדורת יחזקיהו רפוס (פפד”מ תקצה), בתוספת תפלות חדשות ותרגום ליהודית-אשכנזית, באותיות צו”ר]. מחברו של הספר הוא ר’ “שמעון בר’ ישראל יהודה, הנקרא בפי כל: שמעון פראנקפורטער“. ונדפס לראשונה ע”י בן המחבר (ר’ משה) בשנת תסג באמשטרדם. המשל נמצא שם, בדף י ע”א.
בהמשך מוסיף ר’ שלמה בלוך שיר החתום בשמו (שלמה): ואמר המשורר: שוכני תבל רודפי הבל / לשוא עמלו כל חייהם / מיום היותם סבלותם / הגם צדה לא עשו במותם.
אולם באמת, המשורר הוא ר’ משה ן’ חביב, והשיר נדפס בספרו דרכי נועם. אלא שמישהו שיבש את שתי השורות האחרונות, כדי שיצא האקרוסטיכון שלמה (עי’ אוצר השירה והפיוט, ש 636). הנוסח המקורי הוא: ובסכלותם עד יום מותם / גם צדה לא עשו להם.
פתגם מחורז זה מופיע, בשנוים, גם בספר מראה המוסר, מאת זעליגמאן אולמא, הנקרא גם צוכט שפיגל (אוביבאך תעו, דף ח ע”א; אוריינט, 1846, עמ’ 606): אנוש קובל על איבוד דמיו / ואינו קובל על איבוד ימיו. והוא יכול להחזיר דמים / ולא יוכל להשיב הימים.
בהמשך בא התרגום ליהודית-אשכנזית: איי דוא פר גענקליכי נערישי וועלט / דאז מענכר קלאגט איבר זיין פאר לארן געלט / אונ’ ניט איבר זייני טעג דיא אים אנטרינן / דז ער דאך פר לארן געלט קאן ווידר גיווינן / אבר נאך דען פר לארן טעג ברעך דיר ניט דיין זין / זיא ווידר צו בקומן דען הין אישׂט הין (מראה המוסר, שם).
בריל (יארביכר, IX, עמ’ 52) מביא את הפתגם מתוך כתב-יד מהמאה הטז, ושם נוסח החרוז השני: והלא אפשר להחזיר דמיו / ולא אפשר להחזיר ימיו.
נוסח דומה הביא ברוך גלזמן: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו. דמיו הולכים וחוזרים / ימיו הולכים ואינם חוזרים (טויטנטאנץ, באָדן [רבעון, בעריכת נ”ב מינקאוו], כרך ג, חוברת 4-3 [ניו-יורק 1937-1936], עמ’ 33).
וקדם לכולם ר’ שאול בר’ דוד, ר”י ור”מ ממדינת רוסיא, בספרו חנוכת הבית (פראג שעו, דף ט סע”ד): … מאהבת הכסף יכסוף שיגיע לתקופת הימים, ושתכלה השנה, כדי שיקרבו הימים שימצא בהם חפץ. נמצא רוצה שיתקצרו ימיו ושניו. ועליו נאמר ושנות רשעים תקצרנה [משלי י כז]. וכמו שאמר החכם: אדם קובל על איבוד דמיו / ואינו קובל על אבוד ימיו …
אמנם כותבי המודיע לא ידעו, כנראה, על מקורות אלו, ולפיכך יחסו את פתגמנו לר’ ישראל מסלנט! (ראה להלן, פרק ט).
ב. בדורות הבאים
הפתגם נשתגר בפי הבריות ונזכר בכמה וכמה חבורים. נצין אחדים מהם:
כתב ר’ אלעזר קליר, בספרו חות יאיר חדש, פראג תקנב, דף כא ע”ד: ובילדותי אמרתי, שזה פי’ החידה: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו; דמיו אינם עוזרים / וימיו אינם חוזרים – – –
וכתב ר’ יחזקאל לנדא [תעד-תקנג], בספרו דרושי הצל”ח (דרוש א, ליום א דסליחות, סי’ כג, ווארשא תרמד [! צ”ל: תרמו], דף ה ע”א): אבל הרשעים, חייהם אינם חיים, ואין לימים שלהם שום מציאות. ועליהם נאמר: ימי קלו מני ארג [איוב ז ו]. כי אין להם שום משקל משום זכות, ואדם דואג על איבוד דמיו ואינו דואג על איבוד ימיו – – –
ור’ נתן מברסלב כותב בספרו לקוטי הלכות (הלכות מגילה, הלכה ו, סעיף יח): עיקר אבידת הימים … ע”י תאות ממון … וכמורגל לשון זה בספרי מוסר: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו.
ובפירוש קול יהודא[2] על ספר מבחר הפנינים, שער היאוש, ווילנא תרלה: ואדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו. כי דמיו אינם עוזרים / וימיו אינם חוזרים. כמבואר בספרי מוסר.
לבסוף כדאי לרשום כאן את השיר הנפוץ בין אחינו מבני עדות המזרח: בן-אדם! למה תדאג על הדמים / ולא תדאג על הימים. הדמים אינם עוזרים / והימים אינם חוזרים. רדוף אחר התורה והמצוות, אשר הם לעד קימים[3].
זכות גדולה עמדה לפתגמנו, שהולחנו לו כמה מנגינות, בהן היו שרים אותו בעלי המוסר.
כך מספר אברהם יצחק קריב (ליטא מכורתי, חיפה תשכ, עמ’ 28) על ‘בעלי המוסר’ שנפוצו בליטא: הליטאי… אין הוא להוט ‘לבלות’ את הזמן. אלא אדרבא, צר לו על הזמן שמתבלה. אדם דואג על איבוד דמיו ואינו דואג על איבוד ימיו – היו שרים בעלי המוסר ומושכים במלות החרוז ובנגינתן העצובה בשביל למצות את חשבון הנפש שבהן.
והרי כמה מובאות אצל בני הדורות האחרונים:
טוביה פסח שפירא [תרה-תרפד], משל הקדמוני, “מאסף משלי עם המסורים ושגורים בפי העם”, פילדלפיה תרפה, לב, 5, מביא את הפתגם כולו: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו. ימיו אינם חוזרים / ודמיו אינם עוזרים.
ואִלו שלמה יצחק שיינפלד [תרכא-תשג], מסתפק בחציו הראשון בלבד: כמה נאמנים הם דברי המשורר: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו (ציונים בדרך החיים, ח”א, שיקאגא תרפב, סוף עמ’ 228).
וכך גם בספרם של ביאליק-רבניצקי, ובספרו של עקיבא גולנפול[4].
חציו הראשון של הפתגם (בלבד), בנסוח שונה, אנו מוצאים באוספו הלועזי של פלנטויט, תלמידו של ר’ יהודה אריה ממודינה, שנדפס בשנת 1645 [תה], מס’ 1786, ומשם הוכנס לאוצר המשלים והפתגמים של ישראל דודזון, ירושלים תשכז, מס’ 1453: שוטה מתאבל על איבוד דמיו / ולא ישית לבו על אבידת ימיו.
נִסוח זה נמצא במשלי שבעים חכמים, סי’ סה[5]. ואין ספק, שמכאן לקחו פלאנטאוויט!
השוה גם נִסוחו של אפרים דוֹמוֹרצקי: מתאונן אויל על אזלת כספו, ועל חלוף ימיו לא ידאג (משלי אגור, ורשה תרמא, יט י).
וראה גם: מלון אידי-עברי מלא. נקבצו ובאו בו כל המלים, הניבים, הפתגמים והיינו דאמרי אינשי, שיש להם מהלכים בשפתנו המדוברת. כולם מתורגמים בשפת עברית צחה ורעננה, מאת אבק [=אליעזר ברזניאק]. פריס, תרצט-תשא, דף 203 ע”א: א מענש זארגט זיך ווען ער ווערט אָן געלט, און ניט ווען ער ווערט אָן יאהרען. אדם דואג על אבדן דמיו / ואינו דואג על אבדן ימיו.
ונִסוח קצר: פארלארענע יארן איז ערגער ווי פארלארענע געלט (יידישע שפראך, II [1942], עמ’ 29, מס’ 68).
ג. באור הפתגם
כמה באורים ופירושים נאמרו לפתגם זה.
כתב ר’ אלעזר קליר, בספרו חות יאיר חדש, פראג תקנב, דף כא ע”ד – כב ע”א: ובילדותי אמרתי, שזה פי’ החידה: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו; דמיו אינם עוזרים / וימיו אינם חוזרים … כשאדם דואג על איבוד דמיו, ואינו רואה הסיבה לדאוג על מה שאיבד ימיו … אשר זו הסיבה שממונו אבד, אז, דמיו מה שאיבד אינם עוזרים לו, כי ימיו אינם חוזרים למקומם, מאחר שלא שב בתשובה. משא”כ אם לא היה דואג על איבוד הדמים, רק על הסיבה, היו לו דמים הללו לעזר, שהיו ימיו חוזרים. הני ימים, דדחפי לבר, היו חוזרים ע”י תשובתו. כמאמר הזוהר [בפרשת ויחי, דף רכא ע”ב – רכד ע”א, שהובא לעיל, דף כא ע”ג-ע”ד][5א].
והביא דבריו ר’ מרדכי ראטהשטיין, בפירושו שערי פרנסה טובה, על ספר תהלים, מ’-סיגעט תרמט[6].
באור נוסף לפתגם הציע עקיבא גולנפול, בספרו לקסיקון הפולקלור העברי, והובאו דבריו להלן (פרק ו).
וראה עוד בפרק הבא.
ד. ‘מדרש פליאה’
הפתגם התגלגל והפך למדרש פליאה!
כך מספר ר’ חיים בנימין ליפקין, בספרו חבל בנימין (יוהניסבורג תרצד, עמ’ 154-153), בשם זקנו ר’ יצחק ליפקין.
כאשר בא אדמו”ר הצדיק מהר”ש שניאורסאן הרבי מליבאוויץ זצק”ל לוויטעבסק לחתונת בנו ר’ מנדל עם בתו של הגביר ר’ יוסף פאפיערין, נכדתו של הגאון מלבי”ם זצ”ל, וגם הוא בא לחתונת נכדתו. וכאשר ישבו אצל החתן בעת ‘קבלת פנים’ כמנהג, אמר ר’ יוסף הנ”ל: עתה יושבים פה שני גדולי ישראל, ואשר זכיתי להיות בחברתם, אבקש אתכם לבאר לי מדרש פליאה אחד אשר לא אוכל להבין (הרב ר’ יוסף היה ג”כ למדן מופלג). על פסוק וילכו שניהם יחדיו [בראשית כב ח] אומר מדרש פליאה ישן: הה”ד הלוך ילך ובכה [תהלים קכו ו]. אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו.
ויען המהר”ש ויאמר. כי הסבא של הכלה הוא זקן ממנו, וראוי לו הכבוד שנשמע ממנו קודם את חות דעתו בזה. ויקם הגאון [מלבי”ם] ויפרש את המדרש בפלפול נאה, כדרכו. ועתה נשמע, אמר ר’ יוסף, מאבי החתן את ביאורו.
ויען המהר”ש ויאמר: המדרש יבואר ע”פ הגמ’ זבחים, שאם נפסל הדם של הקרבן, נשפך לאמה[7]. ולכן כאשר שמע יצחק מאביו לעולה בני, חרד ואמר בלבו: שמא אבא לא יוכל לכבוש את רחמיו מעל בן יחידו, ודעתו לא תהיה צלולה ומיושבת עליו, ועלול לטעות ויפסול את הדם, וילך הדם לאיבוד. וזהו פי’ המדרש פליאה, ההד”כ הלוך ילך ובכה, כלומר, יצחק הולך ובכה. וזהו אדם דואג על איבוד דמיו, דואג שהדם שלו יאבד, ואינו דואג מה שיאבד ימיו, כלומר חייו.
וכאשר סיים את דבריו קם הגאון המלבי”ם ז”ל מעל כסאו ואמר: אין זה כי אם ברוח הקודש, שבו פירש המחותן את המדרש פליאה. והוא ביאור נפלא מאד, וגם פשוט כל כך.
בעל הטורים האלה שמע בעצמו מאחד ששמע זה מפי הגאונים הנ”ל, כאשר היה לומד בוויטעבסק בישיבת זקינו הגאון ר’ יצחק ליפקין זצ”ל.
ע”כ ספורו של ר’ חיים בנימין ליפקין.
באור זה למדרש הפליאה, בשם המלבי”ם, נזכר גם במטעמי יצחק, שכתב ר’ יצחק מרדכי פאדוואה לספר אילנא דחיי, המקבץ מתורתו של ר’ מנחם מענדיל מרימנאוו, ונדפס בשנת תרסח בפיעטרקוב. וזה לשונו (פרשת וירא, דף ט ע”ב, הערה ד): שמעתי. שהק’ מהרא”י מסאדיגורי זצ”ל שאל להרה”ג המלבים זצ”ל, שיפרש לו דברי הילקוט [!] דכתיב ביה בזה הלשון: בשעה שעקד אברהם אבינו ע”ה את יצחק בנו, בכה בכייה גדולה, ואמר: הנני דואג על איבוד דמיו ואיני דואג על איבוד ימיו. והשיב לו הגאון ז”ל: דהנה יש פלוגתא אם נתערבו שני מיני דמים, על איזה מהן יזה. ודעת החכמים, שישפוך. והנה, גם יצחק אבינו ע”ה היה בכור ועולה, וא”כ הוי כנתערב שני מיני דמים, דלדעת החכמים ישפוך, וא”כ לא יעלה העולה לרצון לפניו ית’. וזהו שאמר אברהם אבינו ע”ה: הנני דואג על איבוד דמיו, היינו שצריך לשפוך הדמים שלו וילך לאבדון, ואיני דואג על איבוד ימיו, היינו שעל הימים שלו לא היה חס, כיון דהוא ציווי השי”ת, אך ע”ז היה מצטער, כיון דלא יעלה לרצון לפניו ית’.
עכ”ל רי”מ פאדוואה בשם המלבי”ם. אך הוא עצמו מסים בנימת בקורת: ואינני מקבל אחריותו עלי, כי מי יודע אולי הוא מאמר בדוי. אך יען שהוא דבר נכון, כ'[תבתיו].
ה. השמוש בפתגם בחיי הקהלה
פתגם זה התפרסם בצבור גם בזכות המנהג שרווח בקהלות מזרח אירופה לכתבו על ‘עמוד’ התפלה של שליח הצבור[8]. גם ה’מעוררים’ את הצבור משנתו, לתפלת הבוקר או לאמירת ה’סליחות’ בימי הרחמים, היו משלבים את האמרה לנוסח קריאתם.
כך מספר אפרתי (ח”ד, עמ’ 40): … דאס הייזעריקע באסאווע קול פון בערל דעם שמש, א ייד א ניינציקער […] דאס וועקט ער צו סליחות […] איי, שטייט אויף, איי, שטייט אויף, איי, שטייט אויף, צו עבודת הבורא! אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו. דמיו אינם עוזרים / וימיו אינם חוזרים. שטייט גיך אויף צו סליחות! (א מענטש זארגט זיך ווען ער פטרט זיין געלט, און קימערט זיך גארנישט וואס ער פטרט זיינע יארן. זיין געלט קען במילא גארנישט העלפן, אבער די יארן קערן זיך שוין מער קיין מאל נישט אום אויף צוריק).
וכעין זה מספר גם יהושע בר-יוסף (בסמטאות ירושלים, ירושלים תשא, עמ’ 39): קול המעורר (בלילות): עצל, עצל, עד מתי תשכב? הוי רץ כצבי וגבור כארי לעשות רצון אביך שבשמים! אדם דואג לאבוד דמיו / ואינו דואג לאבוד ימיו; דמיו – אינם עוזרין / ימיו – אינם חוזרין.
ו. יחוס מוטעה
לאחר שנתפרסם הפתגם, יצאו חוקרי פתגמים לברר את מקורו. וכשלא מצאוהו, החליטו ליחס לפתגם מקורות מפורסמים, שמעולם לא הופיע בהם הפתגם.
ישראל חיים טביוב כותב: חרוזים מוסריים שגורים, ונתפרסמו ע”י הספר הפופולארי מענה לשון[9]. עכ”ל. אך כבר העיד ר’ יהודה ליב זלוטניק [אבידע], שבדק ולא מצא![10]. ואִלו ביאליק-רבניצקי מביאים בספרם רק את החרוז הראשון (אדם דואג על אבוד דמיו / ואינו דואג על אבוד ימיו) ומצינים מקורו: בחינת עולם[11]. ומהם שאבו אחרים. כך מאיר וכסמן (משלי ישראל, ירושלים תרצג, סי’ 108) מביא את שני החרוזים בשם “בחינת עולם לר’ ידעיה הפניני“. ואחריו הובא באנציקלופדיה למימרות ישראל ואומות העולם (מאת אדיר כהן, כרך ב, תל-אביב תשיח, דף 354 ע”ב, סי’ 7369), בשם בחינת עולם: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו; דמיו חוזרים / וימיו אינם חוזרים.
גם עקיבא גולנפול, בספרו לקסיקון הפולקלור העברי (קאונס-נויורק תרצז, עמ’ 34, סימן 169), מביא את חלקו הראשון של הפתגם ומיחסו לאבן-עזרא!: אדם דואג לאבידת ימיו, ואינו דואג לאיבוד ימיו.
ובהערה: אבידת ימים במשמע כשהימים אובדים וחולפים מאליהם, איבוד ימים – כשהאדם מאבד אותם בידיו, במעשיו המקולקלים […][12]. וזוהי נוסחא אחת בין שאר הפתגמים בענין הדאגה, המתיחסים לאבן עזרא, כעין אדם דואג לאיבוד דמיו / ואינו דואג לאיבוד ימיו. עכ”ל.
ואני לא ידעתי מי הם המיחסים פתגם זה לאבן-עזרא.
בהמשך מביא גולנפול את הפתגם בתרגום לאידיש: דער מענטש דאגהט וועגן זיינע טעג וואס ווערן פארלארן (פון זיך אליין), און ער דאגהט ניט וועגן די טעג וואס ער ברענגט אום (מיט די אייגענע הענד).
ז. מקור הרעיון בראשונים
המקור לרעיון השואת הממון לחיים לענין הדאגה עליהם ואי-שובם, כבר נפתח בדברי הראשונים.
ר’ אברהם אבן חסדאי [סוף האלף החמישי], כותב ב’הקדמת המעתיק’ לספר בן המלך והנזיר שתרגם מערבית: אבדה האמונה ונכרתה מפיהם / ולא נשאר מעשה אבותיהם בידיהם / יבלו בהבל ימיהם / ועינם תחוס על כליהם. / ובזה הוכיחו החכמים הראשונים תלמידיהם, / ואמרו להם: מי יתן וישוו חייכם / כשוה כסף אחד בעיניכם. כי תחמלו מאד על הוצאתן לשם ולתהלה, / ולא תחמלו על מספר ימי חייכם לבטלה[13].
וכתב ר’ מנחם המאירי [ה’ט-עה]: כמאמר חכמי המוסר, שאמר אחד מהם לתלמידיו: מי יתן והיו חייכם יקרים בעיניכם שוה כסף אחד. וכאשר היה בעיניהם כמתעתע, ביאר להם חידתו ואמר: כי תחמלו על כסף אחד שלא להוציאו לבטלה, ולא תחושו על הוציאכם רוב ימיכם לבטלה ובישיבת קרנות וברחובות (פירוש המאירי למשלי, ב ד).
וכבר כתב כזאת בספרו חבור התשובה שכתב ב”ילדותו”: ומה נכבד מאמר חכמי המוסר … אמר אחד מהם לתלמידיו: מי יתן והיו חייכם בעיניכם כשוה כסף אחד אשר תחמלו על הוצאתו לבטלה ותתנדבו בפיזור ימיכם לבטלה, עם דעתכם היות הזמן נשמט מבין ידיכם (חבור התשובה, מאמר ב [משיב נפש], פרק ט, ירושלים תשלו, עמ’ 421)[14].
ח. רעיונות דומים
האזהרה להקפיד על הזמן לא פחות משמקפידים על הממון, מצויה בדורות הבאים בנסוחים שונים.
כן כותב ר’ יהודה ליב מרגליות [תקז-תקעא]: אמר אחד מהחכמים: לא נברא הכילי, אלא שילמד התלמיד-חכם ממנו, להזהר, שלא יוציא רגע אחד מן היום בבטלה – כמו שהכילי מדקדק שלא להוציא בחינם אפילו פרוטה אחת (טל אורות, שער ט, ענף ה, פרעסבורג תרג, דף סג ע”א).
והוא אשר אמר החכם הרומאי לוציוס אנאוס סנקא: אין איש דואג להיטיב ערך החיים, כי אם להאריך אותם; בעוד אשר יכול אדם להגיע לתקון ארחות חייו, אבל לא להאריך את המדה שנקצבה להם (מכתבי מוסר, כב, עמ’ 52).
עִבוד ‘מודרני’ לדברי האחרון מציע רשבא”ש: פליאה! אדם דואג לחיים ארוכים, ואינו דואג לחיים יפים. בעת שבידו לחיות יפה, ואין בידו להאריך ימיו (שמואל הורביץ [רשבאש], פתגמים, אפיגרמים ומחשבות, ניו-יורק 1953 [תשיג], ראש עמ’ 15).
אותו חכם רומאי, סנקה, כותב במכתב קודם: הכל, חביבי, הוא קנין אחרים, רק הזמן – שלנו הוא. את הקנין היחיד הזה הבורח ומשתמט מידינו נתן לנו הטבע במתנה, וכל מי שרוצה בא ותוקף אותו מאתנו. וכה רבה סכלות בני אדם, עד שאם לקחו הדבר היותר קטן ונבזה, ואשר אפשר להחזירו על נקלה, הם מודים בזה שצריך הדבר להזקף על חשבונם, אבל אם זמן לקח אדם מאת חבירו, איננו רואה את עצמו כבעל-חוב – אף על פי שלקח את הדבר היחיד שלא יוכל להחזירו, גם אם יכיר טובה על מה שקבל (מכתבי מוסר, א, עמ’ 1).
ט. פתגמים-אחים ופתגמים-יריבים
והרי צורות חדשות של פתגמים שנוצרו מהפתגם שלפנינו.
בני אדם על הכסף יחמולו / למען לא לריק ייגעו יעמולו; ועל הזמן לא תחוס עין / יכלה בהבל ותוהו ילך ואין! (מרדכי ויסמן-חיות [מו”ח], דברי חכמים וחידותם, וינה 1892 [תרנב], ח”ג, עמ’ 23)[15].
על כל פרוטה מפרוטותיו / מרבה אדם לחוס; אך אלפים משעותיו / יוציא ברוב בזבוז (חנניה רַיכמן, פתגמים ומכתמים, תל-אביב תשכא, עמ’ 210).
אל תמכור עתך בלי הון, כי לא תקנהו בכל מחיר (יצחק הלוי סַטַנוֹב, משלי אסף, ח”א, ברלין תקמט, יד, כב). ובבאור: הוכח יוכיח, שכל שלם באדם לא יוציא את עתו לבטלה בלי מקנה מה מני השלמיות, כי לא תקנה הזמן בכל הון יקר.
אולם, מנוגד לפתגמנו, הוא הפתגם העממי הגורס: זמן שווה כסף! ואכן בתוספת לגליון המודיע (ד בתשרי תשנה, עמוד ל) בחרו להקבילו-ניגודית לפתגם אדם דואג לאיבוד דמיו / ואינו דואג לאיבוד ימיו. וכה הם כותבים:
מה שוה יותר? העולם אומר: זמן שוה כסף – הכסף הוא דבר היקר ביותר, ולכן כדאי להשקיע זמן כדי להרויח כסף.
אנו אומרים: כסף שוה זמן – הדבר היקר ביותר הוא זמן. בתנאי שמנצלים אותו לתורה ולמעשים טובים. לעתים כדאי להשקיע כסף בשביל לחסוך בזמן ולנצלו כראוי!
ואמר ר’ ישראל מסלנט: אדם דואג לאיבוד דמיו / ואינו דואג לאיבוד ימיו; דמיו אינם עוזרים / ימיו אינם חוזרים!
י. ‘…מתאוננים, שאין להם במה לחיות…’
אמנם מהאִמרה שלפנינו נוצרה אִמרה נוספת המיוחסת לר’ משה סופר, בעל חתם סופר.
כן כותב מרדכי ליפסאן, בספרו די וועלט דערציילט, ניו-יורק תרפט, סימן 834: דער חתם סופר פלעגט זאגן: מענטשן טוען זיך כמה מאל בקלאגן, זיי האבן נישט מיט וואס צו לעבן. כ’האב נאך אבער קיינמאל נישט געהערט, א מענטש זאל זיך באקלאגן, אז ער האט נישט מיט וואס צו שטארבן.
ובעברית: רבי משה סופר, בעל חתם סופר, היה אומר: שמעתי כמה בני-אדם מתאוננים, שאין להם במה לחיות. מעולם לא שמעתי אדם מתאונן, שאין לו במה למות… (מרדכי ליפסון, מדור דור, כרך א, תל-אביב 1929 [תרפט], סוף עמ’ 243, סימן 667)[16].
[עתה יצא ספר גן יוסף, לר’ יוסף פאצאנאווסקי, בני ברק תשנח, ובסימן תקפד (לאבות ד טז): עולם הזה דומה לפרוזדור. חתם סופר, זי”ע, אמר, שאנשים קלאגין זיך, שאין להם עם מה לחיות, אבל עוד לא שמעתי, שאיש יתלונן על עצמו, שאין לו עם מה למות.]
היו מי שיחסו את הדברים לאישים אחרים.
אלתר דרויאנוב מיחסם לר’ לוי יצחק מברדיטשוב: רבי לוי יצחק היה אומר: הבריות קובלים שאין להם במה לחיות, ואני תמה אם יש להם במה למות (ספר הבדיחה והחדוד, סי’ 2415).
ויש שיחסום לר’ הילל ליכטנשטיין מקולומיי, אך הוא עצמו מיחסם לר’ שמואל מבראד!
זה לשון ספר בית הילל, טירנויא תשא, עמ’ נג: והיה רגיל [ר’ הילל ליכטנשטיין מקולומיי] לומר לאנשים שבאו בקובלנא ואמרו: רבי! איך האב ניכט מיט וואס צו לעבען. השיב להם: האט איהר מיט וואס צו שטערבען?.
וקדם לו ד’ מלר, בספרו בשורות טובות, כולל “שיחות וסיפורים, הוא קובץ כמה סיפורים ותורות יקרים וטובים… מפיהם ומכתיבת יד קדשם”, חלק שיחות וסיפורים, בילגורייא תרפז, עמ’ [19]: הה”צ [ר’ שמואל מבראד] ז”ל, אמר: ישנם אנשים צועקים ובוכים שאין להם במה לחיות, ואני צועק ובוכה, שאין לי במה למות.
אולם ר’ הילל עצמו מביא, ששמע “בשם קדוש עליון ר’ שמואל מבראד ז”ל”, שהיה אומר: דיע וועלט שרייט אונד וויינט: זייא האבען ניכט מיט וואס צו לעבען; איך אבער שריי אונד וויין: איך האב ניכט מיט וואס צו שטארבען [העולם צועק ובוכה: אין להם במה לחיות; ואלו אני צועק ובוכה: אין לי במה למות!] (ספר משכיל אל דל, חלק רביעי… חברתי… אני הק’ הילל ל”ש… לעמבערג תרלא, הקדמה, עמ’ [3], בהערה).
והובאו הדברים בספר ילקוט דוד … בדרושי אגדה … חברתי … דוד המכונה טעבל יפה, מגיד בבית המדרש אהבת תורה, פ”ק קראקא, קראקא תרנו, דף י ע”ב: ובספר משכיל אל דל, חלק רביעי, מביא בההקדמה דברי קדוש ד’, הצדיק ר’ שמואל מבראד זצ”ל, בעל המחבר ספר קטן הכמות ורב האכות[!], תורת האדם שמו, אשר היה מרגלא בפומיה לומר בזה הלשון: הרבה בני אדם צועקים ובוכים שאין להם במה לחיות, ואני צועק ובוכה שאין לי במה למות.
אחרים מיחסים את האִמרה לר’ איצעלע פטרבורגר[17] או לר’ ישראל סלנטר ששמעה מידידו[18], ויש אומרים אותה בשמו של ר’ ישראל מאיר הכהן, החפץ חיים[19].
שמואל הורביץ [רשבאש] מספר את הדברים על ‘רבי’ סתם: חסיד התאונן לפני רבו, שאין לו במה לחיות, ורבו התאונן בתשובתו, שאין לו במה למות (פתגמים, אפיגרמים ומחשבות, ניו-יורק 1953 [תשיג], עמ’ 19)[20].
השוה גם: ישראל שטנדל, מעבר לחלוני, תל-אביב תשכ, עמ’ 97: הצרה היא, לא רק זה שלא למדנו לחיות, גרוע מזה: לא למדנו למות.
1 מלשון השער: “ספר החיים, … בו מפורש היטב כל דיני שמחות … בכל עסקי המתי[ם] בתכריכהון ובקבורת’ ובטהרתם במים. ומה שיתפלל החולה והגוסס … ומה שיתפללו וילמדו בעבורו … וכל התפלות ותחנות… בבית החיים על קברי אבות”, חובר בידי ר’ שמעון פרנקפורטר ב”ר ישראל יהודה, והדפיסו באמשטרדם תסג.
2 זה לשון השער במהדורה הראשונה: ספר מבחר הפנינים … עם פירוש מספיק שמו קול יהודא אשר חברתי … יהודא ליב [שפירא] בא”א מו”ה יעקב זללה”ה חופ”ק אופינא במדינת זאמוט …, ווילנא תרלה. ואולם שתים-עשרה שנה לאחר מכן (בשנת תרמז) נדפס אותו הפירוש באמשטרדם, בשם קול אריה! (זה לשון השער: ספר מבחר הפנינים … עם פירוש מספיק, שמו קול ארי’, אשר חברתי הצעיר ארי’ ליב שפירא בא”א מוה’ יעקב זללה”ה המתגורר כעת באמשטרדם, ולפנים רב בק”ב [בקניגסברג] לבני רו”פ [רוסיה ופולין] …).
3 ישמח ישראל, ירושלים [תרלה], פתיחות, סי’ ו; הוצאה שניה, ירושלים תרסא, סי’ א [דף יא ע”ב]; נותן זמירות, הוצאת אברהם שאלתיאל, חמ”ד תרלט, עמ’ 80; חמ”ד תרפג, עמ’ 98; יגל יעקב, ירושלים תרמה, פתיחות, סי’ ו; קול זמרה, הוצאת יהודה קסטל, ירושלים תרסא, סי’ ו [דף ג ע”ב]; שיר ושבחה, ירושלים תרסה; ניו-יורק 1919, דף 27 ע”ב; הוצאת רפאל חיים הכהן, מהדורה שניה, ירושלים תרפא, דף לא ע”א, סי’ כו.
4 עי’ להלן, פרק ו.
5 בדפוס מנטובה: סי’ סו.
בשנת תרמב נדפס בורשה ספר ארץ חמדה על חמשה חומשי תורה. כולל שלשה ספרים: א) … דרשות על סדר פרשיות התורה בדרך פרד”ס … מאת … הרב … מאיר ליבוש מלבי”ם זצ”ל … נעתקו מכי”ק … ב) ספר חות יאיר, מהגאון מו’ אלעזר קאליר … ג) דרשות … מספר כתונת פסים, שחבר הרב … יוסף בהרבמשה – – –
שלושת הספרים נדפסו ב’תערובת’ בסדר הפרשיות, ובראשי כל הדפים באה הכותרת ארץ חמדה. הספר חזר ונדפס כמה פעמים [בד”ס].
דברי חות יאיר הנ”ל נדפסו בהפטרת פרשת מטות, דף כא ע”ג-ע”ד, אך מכיון שבראש הדף נדפסה הכותרת ארץ חמדה, הרי הקורא הממוצא מיחסם למלבי”ם! ולא יעלה על דעתו לחפש ולבדוק למעלה (בדף יט ראש ע”ג) ולמצוא שם את האותיות הזעירות: מספר חות יאיר!
וכדי להסיר מכשול מדרכו של המעין בספר, מצאתי לנכון להעיר על כך.
6 ספר תהלים… עם… פי’ ע”ד דרוש ומוסר השכל… ויקרא שמו בישראל שערי פרנסה טובה … ממני … מרדכי ראטהשטיין בן … מו”ה יעקב זאב, מ’-סיגעט … בשנת בונה ירושלם [תרמט], צ יב:
למנות ימינו כן הודע ונביא לבב חכמה. אפשר לרמז… עפ”י הזוה”ק, ויחי [רכד ע”א. עי’ שם!], וז”ל: ויקרבו ימי ישראל למות … דתניא. אינון יומין דבר נש כד אתבריאו, בהאי יומא דנפיק לעלמא, כולהו קיימי בקיומייהו, ואזלין וטאסין בעלמא … זכה, תב האי יומא לאתרא … הה”ד ויקרבו ימי ישראל למות, כלהו בשלימותא …
והנה בדברי הזוה”ק הנ”ל פירש בספר הקדוש חות יאיר [חדש] את החידה: אדם דואג על איבוד דמיו / ואינו דואג על איבוד ימיו; דמיו אינם עוזרים / וימיו אינם חוזרים.
ההוא אמר, משום דהקב”ה מעניש האדם מקודם בהפסד ממון, דאין בעל הרחמים פוגע בנפשות תחלה, כדי שיקח אדם מוסר לנפשו על מה עשה ד’ ככה, ומענישו באיזה פסידא, והוא חוזר בתשובה. משא”כ רוב המון עם, שרואים שיש להם איזה הפסד, המה דואגים, המה רק דואגים על ההפסד, ואינם רואים כלל על הסיבה. ובהיות כן, הקב”ה מענישו יותר ויותר. ואם היה חכם […] והיה מרגיש תיכף בהפסד ממונו, שבסיבת חטאיו בא לו זה […] היה חוזר בתשובה, והיתה אבידה זו לטובתו, והיו חוזרים ימיו החסרים למקומם, כמאמר הזוה”ק הנ”ל.
וזה פירוש החידה: כשאדם דואג על איבוד דמיו, ואינו רואה הסיבה שממונו אבד, אז דמיו, מה שאיבד, אינם עוזרים לו, כי ימיו אינם חוזרים למקומם, מאחר שלא שב בתשובה. משא”כ אם לא היה דואג על איבוד הדמים, רק על הסיבה, היו לו דמים שאבד לעזר, שעשה תשובה בעבורם, והיו ימיו חוזרין ע”י תשובתו, כמאמר הזוה”ק הנ”ל. ע”כ תוכן דבריו הקדושים.
7 משנה, זבחים ח ז: נתערב בדם פסולין – ישפך לאמה.
8 עי’ מה שכתב זלוטניק (הובא להלן, הערה 10).
9 אוצר המשלים והפתגמים, מהדורה שניה: ברלין תרפב, סי’ 23.
10 כן הוא כותב בספרו מדרש המליצה העברית, אמרי חכמה ואמרי אנשי, ירושלים תרצח, עמ’ 16: אדם דואג באיבוד [או: על איבוד] דמיו – ואינו דואג באיבוד ימיו; דמיו אינם עוזרים / ימיו אינם חוזרים. חרוזים אלו היו רגילים לכתוב על ה’עמוד’ [התיבה] שבבתי כנסיות ובתי מדרשות. באורח מישור מביא את זה בין המאמרים שלא נמצא להם מקור. אמנם טביוב כותב, שחרוזים אלו נתפרסמו ע”י הספר הפופולארי מענה לשון. אבל במענה לשון שתחת ידי (שנת תפג) לא ראיתים ולא מצאתים. עכ”ל זלוטניק.
11 ספר המשלים והפתגמים, מלוקטים מתוך המקרא, התלמוד והמדרשים והספרות שלאחריהם, סדורים, מנוקדים ומבוארים על-ידי י”ח רבניצקי וח”נ ביאליק, ברלין תרפד, חלק ג: מזמן שלאחר התלמוד, סימן א (עמ’ 161).
12 אמנם כבר הובא לעיל נוסחו של פלאנטאוויט (שמקורו במשלי שבעים חכמים): שוטה מתאבל על איבוד דמיו / ולא ישית לבו על אבידת ימיו, הסותר “פירושו” של גולנפול!
13 כבר הראה ישעיה ברגר (הדואר, תרצו, גליון יג) על דברים אלו כמקור רעיוני למכתם שבספר מראה המוסר (הובא לעיל, בראש המאמר). והביא את דבריו יהודה ליב זלוטניק [אבידע], שם, עמ’ 16.
14 הערת המהדיר (ר’ אברהם סופר): לא מצאתי.
15 על-פי כתובות נג ע”ב: לא שדי אינש זוזי בכדי; בבא בתרא סד ע”ב: אין אדם רוצה שיטול מעות ויפרח באויר.
16 מכאן נטל יחזקאל שרגא ברנדסדורפר והכניס לספרו אוצר פתגמים ושיחות (“לקט מעשיות של רבנים ואדמו”רים”), ירושלים תשלג, עמ’ 43.
17 מ’ גערץ, מוסרניקעס, ריגע 1936 [תרצו], עמ’ 23: מיט וואס לעבט מען? (האט געפרעגט דער קרעמער ר’ יוזיל יוסף הורוויץ). און איך פרעג – האט ר’ איצעלע פטרבורגר רחמנותדיק אנגעקוקט זיין נייעם באקאנטן – מיט וואס שטארבט מען? איר פארשטייט, מיט וואס שטארבט מען?!
18 כך מספר דוד זריצקי, גשר צר, בני-ברק תשכט, עמ’ 29: (ר’ יוסף שואל את ר’ ישראל סלנט🙂 ובמה אחיה אני? אם אתמסר כליל לעולם?. (ור’ ישראל עונהו:) … שמעתי מפי ידיד: אדם דואג במה יחיה, ובמה ימות, כבר יש לו? וכי כמה חייו של אדם – כהרף עין, ואִלו המיתה היא עולמית… מה שוה יותר?
19 בספר חפץ חיים על התורה… שנאמרו מפי … מרן ר’ ישראל מאיר הכהן … נערך ונסדר ע”י הרב שמואל גרינימן, בני ברק תשיד, פרשת בלק, עמ’ ריג, במעשי למלך: ופעם אמר [החפץ חיים] בצחות לשונו, על מה שהעולם דואג ומיצר על מצב הפרנסה: עס איז שווער צו לעבען, ניטא מיט וואס צו לעבען. ואני שואל אותם – און צו שטארבען איז דא מיט וואס?
והוסיף ר”ש גרינימן: לכל זמן אמר החכם מכל אדם – עת ללדת ועת למות. לא אמר עת לחיות, כי החיים כה קצרים, השנים חולפות ועוברות כ”כ מהר, עד שלא נשאר זמן-לחיות…
ובספר חיי המוסר, מאמרים ופתגמים מרבותינו חכמי המוסר, נערך וי”ל ע”י חבר תלמידי ישיבת בית יוסף באוסטרובצה, אוסטרובצה תרצו, עמ’ קיז, סי’ צז, בשם ה’חפץ חיים’: העולם דואגים שאין להם במה לחיות, ומדוע אינם דואגים שאין להם במה למות.
וכך מסופר על ר’ קלונימוס קלמן פרבר (נפ’ תשנז), תלמידו של החפץ חיים: מרגלא בפומיה בשם ה’חפץ חיים’: העולם דואג במה לחיות, ואני שואל: ובמה למות יש? (אברהם אליעזר סופר, מליצי יושר, ירושלים תשסג, עמ’ 523, בשם מאיר עיני ישראל, עמ’ 167).
20 וכן כתב ר’ חיים מאיר ברוין (תולדות חיים, ליום ז’ באדר, קונטרס אבל אם, סי’ כב, ירושלים תשכג, דף רכב ע”ב): אבל הצדיקים להיפך, המה דואגים תמיד עבור מיתתם ושיצטרכו ליתן דין וחשבון, וצדיק אחד בהתנצלותו אמר: העולם כולו מודאגים שאין להם במה לחיות, ואני דואג שאין לי במה למות – – –