On Libraries, Bibliophiles & Images: Taj Art Auctions 13

by Eliezer Brodt and Dan Rabinowitz

Taj Art Auctions will hold its 13th auction this Sunday, April 7th (the catalog is available here). The auction contains many items worth highlighting, especially those related to historic Jewish libraries, as well as other unique books and ephemera.

Recently, arguably, the most significant Jewish library reopened its doors. The National Library of Israel, housed at Hebrew University for decades, moved into its own building, designed by the starchitects Herzog & de Meuron, who count the Tate Modern among other outstanding projects. Books are integral to the Jewish experience, and the library’s location, next to some of the most important institutions of the Jewish state, the Knesset, the Israel Museum, and the Supreme Court, echoes that sentiment. The library’s ground floor houses the Jewish Studies reading room, which contains over 200,000 volumes. The library itself holds over four million books (and counting). These are now accessed by a quartet of robots that fetch requested books. There is even a window to watch them in action. The Scholem room has been transformed from its small, cramped quarters into a spacious room that houses the collections of several kabbalah scholars. Scholem’s desk is still present. There is a permanent exhibit of some of the library’s treasures, but that is only accessible on an official tour.

Nonetheless, it is undoubtedly worth seeking out. An exhibition of manuscripts of one the greatest privately held collections of Judaica, the Braginsky Collection, opens this month. While the National Library’s new building and collection are exceptional, many precursor Jewish libraries existed throughout the Jewish diaspora.

The oldest functioning Jewish library in the world is the Ets Haim Library in Amsterdam, dating from 1616. (An exhibition of its books was held at the National Library of Israel, then known as the Jewish National and University Library, in 1980). Its antiquity is tied to the date the school opened with the same name. This school became well-known for its unique curriculum and success in imparting that curriculum. Unlike the Central and Eastern European schools that almost immediately started studying Mishna and Talmud, the Talmud Torah applied a more systematic approach to Jewish literature. R. Shabbetai Seftil, the son of R. Yeshaya ha-Levi Horowitz (Shelah or Shelah ha-Kodesh), traveled from Frankfurt to Pozen via ship. That journey took him through Amsterdam, where he saw that the students’ studies operated in sequence. First, they studied the entire corpus of Tanakh and then completed the Mishha, and when they matured, they only began studying Talmud, and this approach contributed to their unique success. Seeing the benefits, he broke down crying, “Why don’t we follow the same approach in our countries [of Central and Eastern Europe]? Suppose only we could institute this throughout the Jewish communities. What would the harm be in first completing the Torah and Mishna until the student reaches thirteen and then begins Talmud? With that background, it will take only a year to become proficient in the intricacies of Talmud study, unlike our current approach that requires years to reach that level of fluency.”

In an example of the intertwining nature of the library and the school, the bibliographer R. Shabbetai Bass (1641-1718), who wrote the first Hebrew bibliography, Sifte Yeshenim (today, most well-known for this commentary on Rashi, Sifte Hakhim). Bass was born and lived in what is today the Czech Republic (Czechia). Around 1680, he went to Amsterdam to print Sifte Yeshenim. During that time, he visited the library and school and described the students as “students of giants: young children dancing like locusts and like so many lambs. To my eyes, they were giants, so well-versed in their knowledge of Torah and grammar. They could write Hebrew verse and poetry in meter and converse in clear Hebrew.” He also describes the unique aspect of the library. “Within the midrash, they have a special school, and there they have many books, and all the time they are in the yeshivah, this room is also open, and whoever wishes to study, anything he desires is lent to him. But not outside the beit midrash, even if he provides a large sum of money.”

Among the Ets Hayim Library treasures is an Amsterdam print, the first Haggadah with copperplate illustrations. While illustrations in printed Haggados began with the Prague Haggadah of 1526, these were woodcuts. Copperplates, however, produce much finer illustrations. In 1695, the convert, Abraham ben Yaakov, designed and executed these copperplates, and the Haggadah was printed by the famed Amsterdam publisher, Proops. (Copperplates were already used in printing decades before the Haggadah. Perhaps one of the most significant recent examples is a 1635 copper etching by Rembrandt that the Jewish art scholar Simon Schama donated to the Rijksmuseum in Amsterdam last year.)  The illustrations are based on the Christian biblical illustrations of Mathis Marin. While most are innocuous, the temple image at the end of the Haggadah is topped with a cross. In addition to the fine illustrations, the Haggadah also contains a large foldout map of the Jews’s journeys from Egypt to Israel; it is among the first Jewish maps of the Holy Land.

The Ets Hayim Library holds a unique edition of this Haggadah, considered one of its most treasured books. First, it contains an extra title page. But, more importantly, it is hand colored. While the copperplates are a significant improvement, the coloring makes this an especially striking Haggadah. It is listed among 18 Highlights from the Es Haim: The Oldest Jewish Library in the World, published by the library in 2016. The book includes three full-page reproductions of various details of the Haggadah and smaller reproductions of other pages. There are only two other copies of this version. One is at the Hebrew Union College in Cincinnati, and the other is being auctioned at Taj Art Auctions (lot 89). The copy at the auction was a gift from the printer Solomon Proops.

Similar images from the Haggadah’s title page were reused in Menoras ha-Me’or, Amsterdam, 1722, (lot 84), and the Amsterdam Haggadah final illustration of the Beis ha-Mikdash, that if one looks closely, the Christian cross was left intact from the original Mathis Marin illustration, also appears in the beautiful and unique title page adorning Birkas Shmuel, Frankfurt, 1782 (lot 152).

Amsterdam was home to another significant library, the Rosenthaliana. It was collected in Hanover but eventually landed in Amsterdam. The catalog related to this library attests to the rarity of another book in this auction. This library was amassed by Eliezer (Leeser) Rosenthal (1794-1868). Born in Warsaw, he eventually traveled to Hanover, where he served as a Rabbi. His wife came from a wealthy family that allowed Rosenthal to indulge in his passion, book collecting. At their death, his library comprised more than 5,200 volumes, including twelve incunabula and numerous rare and unique books. After his death, his son, George, commissioned the bibliographer Meyer (Marcus) Roest to complete a bibliography of the library. It was published in two volumes in 1875 and reproduced in 1966. Roest’s work incorporated Rosenthal’s catalog of his library, Yodeah Sefer. Despite the many rare books in the collections, there was at least one book he could not procure, at least a complete copy. In his entry, 1524, for the Ibbur Shanim, Venice, 1679, he says that “it is a terrible loss, that my copy is incomplete, it is missing the last pages, my copy ends at page 95 … and is missing the calendric charts for 150 years, beginning from 1675, my copy is missing from 95 of these charts, from 1731 onward… This is a scarce (yekar mitzius) book and is not listed in R. Hayim Michael’s [Or Meir] or the Shem ha-Gedolim, or Di Rossi’s bibliography.” The National Library of Israel received a complete copy from the Valmaddona Trust, which was digitized and available online. (One can bid on four of the Valmadonna books, Talmud Bavli, Seder Zeriam, Lublin, 1618, lot 70 , as well as lots 12, 54, and 68). A complete copy of the book appears in the auction at lot 2. (For more on calendar books, see Elisheva Carlebach, Palaces of Time: Jewish Calendar and Culture in Early Modern Europe, and pp. 51-55 regarding Ibbur Shanim. His work is also a source for the Tu be-Shevat seder, see our post, “Is there a Rotten Apple in the Tu be-Shevat Basket“). The book has its own intersting history that is briefly described in the timely post, “Kitniyot and Mechirat Chametz: Paradoxical Approaches to the Chametz Prohibition.”

Yet another seminal Jewish library was that of R. Dovid Oppenheim (1664-1736), considered “the greatest Jewish bibliophile that ever lived.” (See Alexander Marx, Studies in Jewish History and Booklore, 213). Oppenheim started his rabbinic career in Moravia, moved to Prague, and was eventually elevated to Bohemia’s Chief Rabbi. At age 24, his library consisted of 480 books, and by 1711, his library stood at over 2,100 books, missing only 140 books from those listed in Shabbetai Bass’s bibliography of all Hebrew books. After his death (with some additions from his son, Yosef), the library rose to 4,500 printed books and 780 manuscripts. Although Oppenheim lived in Prague, the library was in Hanover. This was due to the heavy book censorship, which included the potential for confiscation by the authorities. Oppenheim visited his library, but perhaps because his time was limited, his works do not indicate that he was acquainted with the book’s contents. Instead, he should be considered a consummate bibliophile, and his collection consisted of rarities and special beautiful and unique copies, with a considerable number on blue paper. For example, there were 51 books printed on vellum, 40 of which he commissioned himself, out of about 200 known books printed on that medium until 1905.

After his death and multiple attempts to sell the library, it eventually went to the Bodleian Library at Oxford University. A complete history of the library was most recently accounted for by Joshua Teplitsky in his Prince of the Press: How One Collector Built History’s Most Enduring and Remarkable Jewish Library. But before its final resting place, there were a handful of catalogs of the library or various aspects of it. The first complete printed catalog of the library was issued in 1782 and was intended to elicit interest from potential Jewish and non-Jewish buyers. Thus, it contains two title pages, one in Hebrew and the other in Latin. This rare bibliophilic item is lot 156.

Finally, the auction also includes books from the library of R. Nachum Dov Ber Friedman, the Sadigur Rebbe. His library was recently described in Amudei Olam by R. Zusya Dinklos, pp. 419-39. Aside from traditional works, the library also held Haskalah works, as the one in lot 71.

Illustrated Books

We discussed Ibur Shanim, and in addition to its rarity, it is also among the small number of Hebrew books that contain illustrations. Because the book’s purpose was to elucidate and explain Hebrew calendrical calculations, including the determination of the tekufos (which he vehemently criticizes some Rishonim and others for dismissing them as old wives tales), there are a handful of tutorial images.

Likewise, Sefer ha-Ivronot, Offenbach, 1722 (lot 73) includes celestial images, in this instance, a movable wheel of the heavenly apparatuses. While there was some speculation that the title page image depicting a heliocentric universe was deliberately to align with the book’s contents, that is unlikely as the image was reused in at least three other books printed in Offenbach that are unrelated to astronomy.

Moshe Hefetz, perhaps more well-known for the 19th-century modification of his portrait attached to the first edition of his Melechet Machshevet, which depicts him bare-headed, authored a book on the Bet ha-Mikdash, Haknukas ha-Bayis, 1696, (lot 20), within which several Temple elements are illustrated.

Two books contain eclectic images of the Jewish star. Igeret Ayelet Ahavim, Amsterdam, 1665 (lot 140) and the first edition, 170 Amsterdam, Raziel HaMalach, (lot 120) include unusual adaptations of the star. (For another kabbalistic rarity, lot 116, is the kabbalist, Rabbi Yosef Erges’ personal copy of the Rosh ha-Shana and Yom Kippur machzorim with his kabbalistic additions.)

There are a handful of artistic title pages, with at least two Greek gods, Hercules and Venus (see lots 10 and 48), and some potentially objectionable ones that Marc Shapiro discussed in his book Changing the Immutable (lots 64 & 78).

One of the most unusual title pages is a special one that its owner inserted into the book. The title page, taken from a non-Jewish architectural image by the 18th-century engraver Franz Carl Heissig, was filled in by hand with the book’s publication information (lot 5).

Finally, while censorship in Jewish books is somewhat common, undoing censorship is less common. Lot 62 is a unique copy of the Shu’T Maharshal that includes the otherwise expunged name of an informer. Other copies only refer to the person obliquely; this copy, although crossed out, the name is still visible. For more on this see Elchanan Reiner, “Lineage (Yihus) and Libel:  Mahral, the Bezalel Family, and the Nadler Affair,” in Elchanan Reiner, ed., Maharal: Biography, Doctrine, Influence, 101-26 (Hebrew).

 

Some Highlights of the Upcoming Taj Art Auction*

With the proliferation of auction houses and the centralized platform of Bidspirit, there are auctions of Judaica and Hebraica on a weekly, if not more frequent, basis. One of the more recent entrants into this arena is Taj Art, founded in 2021 by Tomer Rosenfeld and Aron Orzel. This Sunday, December 24th, at 7 pm Israel time, Taj Art will be hosting their 11^th auction, which includes some items of particular bibliographical and historical note.

The full catalog is available here, and a pdf of the highlights brochure is here.

The first (lot 9) is a work that appears in a story that is a touchstone for the modern feminist agenda.

According to R. Barkuh HaLevi Epstein, he maintained a regular dialogue with Netziv’s first wife, Rayna Batya. Among the topics of conversation was the issue of women studying Jewish literature. Rayna was well-versed and regularly studied an impressive array of Jewish books.

Epstein, in his Mekor Barukh, attempts to place Rayna as less of an anomaly but more as one within a chain, albeit small of women throughout Jewish history that similarly shared Rayna’s interest and erudition of Jewish texts. While there is little doubt that there are examples of such women, many of Epstein’s examples are corrupt at best and deliberate misreading of the sources at worst. Nonetheless, there is little doubt that Rayna was an erudite woman. According to Epstein, Rayna eventually won him over to her position when she identified a responsa that provided that women could study traditional texts. The source was Ma’ayan Ganim. Epstein repeats the position of Ma’ayan Ganim in his commentary on the Torah, Torah Temimah (although without reference to Rayna or a particular episode).

First, we should note that Marc Shapiro has questioned the veracity of the entire story in his article on this site, which is subject to a rebuttal by Y. Lander. Eliyana Adler’s article, “Reading Rayna Batya: The Rebellious Rebbitzen as Self-Reflection,” (available here), collects additional discussions regarding the event and provides her approach to the story. While one can debate the merit and implications for Jewish feminism, it is worth briefly discussing the obscure work Ma’ayan Ganim.

The Ma’ayan Ganim, authored by the Italian rabbi Shmuel Archovalti, was published in 1553 in a small format and consisted of 50 letters intended to guide effective communication. Unlike many other legal systems, Jewish law largely relies on responsa, letters from rabbis in response to queries (although, in some instances, contrived rather than actual). Despite the format, not all letters are legal, and certainly, a text with sample letters intending to serve as a writing tool does not qualify as legally binding. Irrespective of the purpose, the letters demonstrate an interest in the issue that held the interest of many rabbis and others. Similarly, whether or not Epstein created the entire episode or embellished parts of it does not detract from his position that encouraged women’s study of Jewish texts.

While Rayna Batya has enjoyed questionable notoriety, it is disappointing that a woman whose advocacy for women’s study and Jewish women’s rights was well documented and received the respect of leading Jewish rabbis and scholars is today nearly forgotten. Ironically, as Dr. Leiman highlights, the New Jewish Encyclopedia notes that prior Encyclopedias Jewish women were marginalized, it too fails to record Esther. The one exception to this forgetfulness is the Encyclopedia for the Zionist Leaders, which records Esther and some of her accomplishments. Today, however, there is a very robust discussion of many of Esther’s unique contributions and essential ideas that appeared here: https://mizrachi.org/hamizrachi/the-time-of-our-freedom/

It includes translating one of Esther’s articles that appeared in the Jewish press.

Two books are written by R. Yitzhak Chaim Kohen MeChazanim (Cantarini), Et Kets and Pachad Yitzhak (Lot 22). The former was published in 1710 and the latter in 1685. Despite the gap in time, both contain a fully illustrated page that precedes the title page and depicts the Akadeh. Et Kets discusses the messianic era, while Pachad Yitzhak is devoted to discussing the Jews of Padua, avoiding being massacred by an angry mob. Despite the same iconography, the two illustrations were likely done by two different artists and contain subtle but important differences.

The overall depictions are of two different time periods of the Akedah episode. In the first, the illustrations depict Abraham just as he was about to slaughter Isaac and the angel calling to stop him. But, in the second, the illustration is of Abraham going after the ram, not Isaac. The significance of this is tied to the actual books. In Pachad Yitzhak, the book discusses a terrific threat to the Jews and their salvation. Thus, the illustration is similar – the terrific threat to Isaac and salvation. The second work, Et Kets, is a much more positive book. This work has no fear of the prior; instead, it is fully devoted to the Messiah, and thus, the illustration is only of the ram and its sacrifice. Lot 22 is Pachad Yitzhak, the rarer of the two.

Further, different Hebrew words appear in both illustrations. On the first, the word ערכה (prepared or set up) appears across Abraham’s chest. This word expresses Abraham’s readiness to sacrifice Isaac. It would seem, similarly, that the Jews of Padua were willing to sacrifice themselves for God. But the word ערכה only means to prepare and not actually to sacrifice. Thus, Isaac was only prepared but not sacrificed, and so too, the Jews of Padua were placed in danger but ultimately redeemed.

In Et Kets, the words ירא יראה appear. These words reference what Abraham called the place where the Akedah took place. Importantly, Abraham uttered these words after the entire episode. These were words of jubilation on his passing his test and Isaac’s redemption. Again, these words fit well with the content of Et Kets.

These allusions are unsurprising, considering the style of R. Dr. Cantarini. His books are written rather cryptically, with many allusions to Biblical and other themes throughout. (See our fuller discussion here.)

Many Hebrew books include a depiction of the Temple Mount, represented by the Dome of the Rock. However, Lot 43, Zikrohn Yerushalim, published in 1742, consists of a depiction of the Dome of the Rock (surrounded by a Medieval wall and town) but broke new ground in depicting the Kotel to represent the Jewish Temple. This is the first time the Kotel ever appeared in a Jewish book. Yet, only in the 19^th century did the Jewish books fully transition to the Kotel rather than the Dome of the Rock.

There are two notable works by R. Emden, his Siddur, (lot 52), and R. Azreil Hildeshiemer’s copy of Meor u-Ketziah (lot 175). This edition of the Siddur is especially important as most of the reprints (until recently) only included the commentary, and the actual text of the Siddur did not reflect many of R. Emden’s approaches and, frequently, a direct conflict between the commentary and the text.

There are some very rare antiquarian books, an incunabulum from Radak, (lot 149), published in 1486 by Soncino. Lot 148 is a leaf from a manuscript of Rambam’s commentary of the Mishna dated to 1222 and transcribed in Yemen. One of the rarest Bomberg volumes of the Talmud is Mesechet Avodah Zarah, lot 32. Of course, because this tractate discusses non-Jews and their relationship to Jews, it was particularly fraught. Indeed, after the resumption of the printing of the Talmud in Basel after the ban in the early 16^th century, it omitted this tractate entirely. (There are also two other Bomberg volumes, lots 33–34).

Eliyahu HaBakhur (Elia Levita) wrote one of the earliest grammar and dictionaries of Hebrew and Aramaic in the modern period. Lot 86, is the first edition of his Sefer HaBakhur, Isny, 1541.  A more recent reprint was subject to censorship due to including a particular commentary.  See our discussion, “A New Book Censored.”

There are also a few books that contain noteworthy illustrations. Lot 87 is Tzurat ha-Arets, Basel, 1546, which includes astronomical images. Lot 89, is an edition of the fundamental kabbalistic work, Razeil ha-Malakh, that depicts the star of David and kabbalistic amulets.

The issue of rabbinic pay appears to have affected even the greatest of rabbis. Lot 205 is a letter from R. Chaim Ozer to the Vilna community pleading for a raise because he is so destitute that “he will not have money for rent or food.”

In all, there are a number of highly collectible items, and the catalog is certainly worth a closer look.

 

*This is part our series on upcoming auctions, “Auction Highlights.” These provide the opportunity to revisit previous posts and provide short notes about books and other related items.